Images at Librifly

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An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..., Print made by J. Carwitham, active 1720–1740, after George Heap, active 1715–1760, American,

Black Wolf, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 3/16 × 6 9/16 inches (10.6 × 16.7 cm), animal art

Partridge Shooting, James Pollard, 1792–1867, British, undated, Graphite on medium, slightly textured, blued white, paper, Sheet: 5 7/8 x 15 7/8 inches (14.9 x 40.3 cm) and Image: 5 3/8 x 15 3/4 inches (13.7 x 40 cm), coats, shooting,

Two Studies of a (?) French Cavalryman., Thomas Rowlandson, 1756–1827, British, undated, Pen and gray-brown ink; verso: graphite and pen in brown ink on medium, moderately textured, blued white laid paper, Sheet: 4 1/4 x 5 3/4 inches (10.8

An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank, unknown artist, nineteenth century, Formerly attributed to James Seymour, 1702–1752, British, ca. 1730, Oil on canvas, Support (PTG): 18 1/2 x 12 inches

Studies of carrier pigeon, Dean Wolstenholme, 1798–1882, British, Formerly Dean Wolstenholme, 1757–1837, British, 1837, Oil on canvas, Support (PTG): 14 1/8 x 12 inches (35.9 x 30.5 cm), animal art, feathers, landscape, pigeon,

Villous Horse, Primeval White Stock, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 × 6 7/16 inches (10.2 × 16.4 cm), animal

A View of Part of the Royal Gardens at Naples Towards the Sea, Print made by unknown artist, (de Bois), Published by John Bowles, 1701–1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid

Cottages behind Horsley's House, Francis Seymour Haden, 1818–1910, British, 1865, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 8 1/2 x 13 1/16 inches (21.6 x 33.1 cm), Plate: 6 7/8 x 9 7/8

Spitz Dog, Thomas Gainsborough RA, 1727–1788, British, ca. 1765, Oil on canvas, Support (PTG): 24 x 29 1/2 inches (61 x 74.9 cm), animal art, dog (animal), joy

Eira Ferruginea, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink and graphite on moderately thick, smooth, white, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

Cave of the Golden Calf: Study for Deer Hunting Mural, Spencer Frederick Gore, 1878–1914, British, 1912, Pastel, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 14 inches (25.4 x 35.6

A Blue Tit, James Sowerby, 1756–1822, British, 1794, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 13 × 8 inches (33 × 20.3 cm), animal art, bird, Blue tit

Stag at Bay - Scene near Taplow, Berks., Thomas Rowlandson, 1756–1827, British, between 1795 and 1801, Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige, wove paper, Sheet: 16 5/16 x 20 5/8

Head of a Ram, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 6 3/8 × 7 5/8 inches (16.2 × 19.4 cm)

The Ploughman, Print made by Edward Calvert, 1799–1883, British, 1827, Wood-engraving on medium, smooth, cream Asian paper, Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm) and Image: 3 3/16 x 5 inches (8.1 x 12.7 cm), agriculture, animal art,

Horses Resting in a Meadow near Bolsover Castle, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on medium, slightly textured, beige, wove paper, Sheet: 9 5/16 × 12 3/4 inches (23.7 × 32.4 cm), animal art, cattle,

Robin Hood and Clarinda Hunting Deer, Joseph Slater, c. 1750– died after 1789, undated, Gray wash and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm) and Contemporary drawn

Study of a dead deer, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 6 3/4 inches (16.2 × 17.1 cm), animal art, deer

Unidentified Bird, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm), animal art

Boat Sketch, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, cream, wove paper; mounted on, moderately thick, moderately textured, cream,

Foxhunting: Gone to Ground, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige, wove paper, Sheet: 10 × 14 1/4 inches (25.4 × 36.2 cm), building, dogs (animals),

Man on Cart, and Animals, William Simpson, 1823–1899, British, 1860, Graphite and blue wash on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel (mammal),

A Dead Hare and a Cooked Lobster on a Bench, William Henry Hunt, 1790–1864, British, ca. 1827, Watercolor and brown ink over graphite on moderately thick, slightly textured, cream laid paper, Contemporary drawn border: 6 1/4 x 10 3/4 inches

Steeplechasing: The Field Coming up to a Ditch, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 7/8 × 16 3/16 inches (25.1 × 41.1 cm), ditch, fields,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Crabodago Aguara Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, bladk ink, gray ink and graphite on moderately thick, moderately textured, white, wove paper, Sheet: 4 7/16 × 7 3/8 inches (11.3

Hippotigris Quacha, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 5/8 × 6 15/16 inches

Theophilus Levett and a Favorite Hunter, James Ward, 1769–1859, British, 1817, Oil on canvas, Support (PTG): 39 1/4 x 51 1/4 inches (99.7 x 130.2 cm), animal art, birds, costume, equestrian, fence, fox (animal), fox hunting, hill,

Sketches of a Cart, Soldiers, and an Ox, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel

The Exeter Cat and Plymouth Mouse, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by A. Ducôte, active 1832–1840, British, Published by Thomas McLean, 1788–1875, British, 1834, Lithograph, hand-colored on moderately

The Death of General Wolfe, William Woollett, 1735–1785, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), 1776, Line-engraving with etching, published state, Plate: 16 3/4 x 23 1/4in. (42.5 x 59.1cm),

Delivering a Calf, James Ward, 1769–1859, British, undated, Graphite and black chalk on medium, smooth, cream wove paper; mounted on, medium, moderately textured, laid paper, Sheet: 5 1/4 x 7 3/4 inches (13.3 x 19.7 cm), animal art,

Monkeys and a Goat, Lahore, 20 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel

Front of Fort William and River Hoogly, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, cream, laid paper, mounted on, moderately thick,

A Dove, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 16 1/4 × 13 1/8 inches (41.3 × 33.3 cm), animal art, dove, Doves

Head of a Tiger, James Ward, 1769–1859, British, undated, Black chalk, white chalk, and red chalk on medium, smooth, brown laid paper, Sheet: 7 3/8 x 8 1/2 inches (18.7 x 21.6 cm) and Contemporary drawn border: 11 1/4 x 12 3/8 inches

A Harbor Scene in the Isle of Wight, Looking Towards the Needles, George Vincent, 1796–1832, British, 1824, Oil on panel, Support (PTG): 15 3/8 x 22 inches (39.1 x 55.9 cm), boats, cage, costume, dock, flags, harbor, horse (animal),

Study of an Anchor, Cornelius Varley, 1781–1873, British, 1807, Graphite on medium, cream, slightly textured, wove paper, Sheet: 10 x 14 7/8 inches (25.4 x 37.8 cm), anchor, marine art, still life, England, Europe, Suffolk, United

Figures by a stream with cattle watering, Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), undated, Pen and black ink, graphite, and gray wash on medium, slightly textured, cream laid paper, Sheet: 14

The Boxer Tom Cribb: in canary breeches, Staffordshire pottery, ca. 1800, Staffordshire (Enoch Wood) pearlware figure, Sheet: 9in. (22.9cm), boxer, sporting art

'The Poacher's Progress:' 'Poachers Snaring Pheasants', C. Blake, active 1825–1826, undated, Graphite, watercolor, and varnish on thick, moderately textured, brown, wood board, Sheet: 12 1/8 × 17 7/16 inches (30.8 × 44.3 cm), hunting,

Two Creepers, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on moderately think, slightly textured, cream wove paper, Sheet: 13 × 8 1/4 inches (33 × 21 cm), animal art, birds, Creepers

Heads and Necks of Two Horses Wearing Bridles, Right Profiles, Henry Thomas Alken, 1785–1851, British, undated, Graphite and white gouache on thick, rough, brown, wove paper, Sheet: 5 3/4 × 6 inches (14.6 × 15.2 cm), Contemporary drawn

A Goose, James Sowerby, 1756–1822, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 × 11 3/4 inches (24.1 × 29.8 cm), animal art, goose, water

Folkstone, Print made by Thomas Goff Lupton, 1791–1873, British, after Joseph Mallord William Turner, 1775–1851, British, Published by The Fine Art Society, ca. 1830, Mezzotint; 1879 impression

Found!, Print made by Robert Polhill Bevan, 1865–1925, British, 1898-1899, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm) and Image: 9 13/16 x 13 3/16 inches (25 x 33.5 cm), animal

The Port of London, attributed to William Parrott, 1813–ca. 1869, British, formerly James Duffield Harding, 1798–1863, British, 1839, Graphite and gouache, with rubbing on medium, slightly textured, beige wove paper, Sheet: 10 1/4 x

Study of a Hound: Head and Shoulders, Facing Right, George Morland, 1763–1804, British, 1794, Graphite on medium, moderately textured, beige, wove paper, Sheet: 6 15/16 × 5 15/16 inches (17.6 × 15.1 cm), animal art

Tattersall's Training School, unknown artist, formerly attributed to George Stubbs, 1724–1806, British, 1771, Pen, in gray ink, brown ink, graphite and gray wash on medium, moderately textured, cream, laid paper, Mount: 12 3/8 × 14

A Horse, Facing Left, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream, laid paper, Sheet: 9 × 12 13/16 inches (22.9 × 32.5 cm), animal art

The Market Square, Bury St. Edmunds, Michael 'Angelo' Rooker, 1746–1801, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 x 9 inches (17.5 x 22.9 cm), animal art, architectural

Ostrich, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 5/8 × 11 1/2 inches (21.9 × 29.2 cm), animal art

A Cockatoo, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 7 1/8 inches (21 × 18.1 cm), animal art, branch, cockatoo

Sailing Barges and Shrimpers off a Pier, David Cox, 1783–1859, British, 1832, Watercolor, gouache, and graphite, with scratching out on medium, smooth, cream wove paper, Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm), marine art, pier,

A Horseman in a Landscape, James Ward, 1769–1859, British, 1814, Pen, in brown ink on moderately thick, moderately textured, cream, wove paper, Sheet: 9 15/16 × 13 13/16 inches (25.2 × 35.1 cm), horsemen, landscape, sporting art,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

The Enraged Vicar, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper, Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm), churches, fence,

Oena capensis (Namaqua Dove), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm),

Fishing: Playing a Fish, William Jones, active 1832–1836, British, ca. 1830, Oil on canvas, Support (PTG): 12 1/8 x 16 1/8 inches (30.8 x 41 cm), breeches, field, fishermen (people), fishing, men, recreation, river, rod, rural,

Lord and Lady Twemlow, William Barraud, 1810–1850, British, late 1840s, Oil on canvas, Support (PTG): 27 3/4 x 35 1/2 inches (70.5 x 90.2 cm), animals, aristocrats, boots, breeches, costume, dogs (animals), equestrians, frocks,

View on the Nile, Charles Dyce, active 1848, British, ca. 1849, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 9 5/8 × 13 7/8 inches (24.4 × 35.2 cm), bank, marine art, men, river, sailboats, Africa,

Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textuerd, beige, wove

Studies of Horses, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, blued white laid paper, Sheet: 6 1/4 x 6 3/4 inches (15.9 x 17.1 cm), animals, figures, horses (animals), sporting art

Scops Owl, Samuel Howitt, 1756–1822, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 6 1/8 inches (19.7 × 15.6 cm), animal art, branch, owl

Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743, James Seymour, 1702–1752, British, 1743, Graphite, pen, brown ink and gray wash on medium, slightly textured, cream, laid paper, mounted on, moderately thick,

Folkestone, Hercules Brabazon Brabazon, 1821–1906, British, after Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick,

A Boar and a Ram, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm), animal art, boar, dogs (animals),

About Cats, Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, blued white wove paper, Sheet:

An Evening Calm, Peter Monamy, 1681–1749, British, undated, between 1696 and 1749, Oil on canvas, Support (PTG): 12 x 14 inches (30.5 x 35.6 cm), cannons, clouds, figures, marine art, men, rowboat, sailors, sea, ship of the line,

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated,

Disproportioned Horse Drawing, Sawrey Gilpin, 1733–1807, British, ca. 1760, Watercolor, graphite, pen and black ink on medium, moderately textured, beige, laid paper, Sheet: 8 3/16 × 13 3/8 inches (20.8 × 34 cm), animal art

Beaufort Island & Mount Erebus, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

A Monkey and a Fox, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art, fox (animal), jungle,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Figure Study, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and black ink on medium, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm), abstract art, figure, figure study, Vorticism

The Shearing, Robert Hills, 1769–1844, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 5/8 x 6 3/8 inches (21.9 x 16.2 cm), animal art, shearing, sheep

A Bird, James Sowerby, 1756–1822, British, undated, Graphite with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 5 1/4 inches (23.5 × 13.3 cm), animal art, bird, Giant Antshrike

Venice, the Doge's Palace, Edward Lear, 1812–1888, British, undated, Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream wove paper, Sheet: 7 × 10 inches (17.8 × 25.4 cm), architectural subject,

Red pied carrier, Dean Wolstenholme, 1798–1882, British, Formerly Dean Wolstenholme, 1757–1837, British, 1837, Oil on canvas, Support (PTG): 14 1/8 x 12 inches (35.9 x 30.5 cm), animal art, animals, beak, claws, feather, landscape,

A Frigate Awaiting a Pilot, William Anderson, 1757–1837, British, 1797, Watercolor and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 11 3/4 inches (20 x 29.8 cm), boats, coast, frigate, frigates,

Mid-Day, unknown artist, after Thomas Rowlandson, 1756–1827, British, 1799, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm),

The Prize Fight, Thomas Rowlandson, 1756–1827, British, 1787, Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm) and Frame: 29

Art of self defense, George Cruikshank, 1792–1878, British, Jan. 1, 1821

Sailboats, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, moderately textured, blued white, laid paper; mounted on, moderately thick, slightly textured, cream,

Gebel Sheikh Eredi from Gau el Kebir, Edward Lear, 1812-1888, British, 1867, Graphite, gouache, pen and blue ink and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/16 x 11 13/16 inches (5.2 x 30 cm), boats,

A Squadron at Anchor, Peter Monamy, 1681–1749, British, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 7 3/8 × 11 15/16 inches (18.7 × 30.3 cm), anchor, fleet, marine art, military art, sea, ships

Chamaeler Chamaeleon, unknown artist, ( Italian School ), undated, Watercolor and varnish on medium, slightly textured, cream laid paper, Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm) and Mount: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm),

Knight Falling From His Horse at a Squire's Tilt, Henry Thomas Alken, 1785–1851, British, undated, Graphite and red chalk on thin, smooth, blued white, wove paper, Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm), falling, fighting, genre

Morning, unknown artist, Previously Thomas Rowlandson, 1756–1827, British, 1799, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm), figure study,

Two Walruses with Detail of Flippers, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm), animal art, walruses

'Doing the Thing: and the Thing Done:' Doing it No How, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, beige, wove paper, Sheet: 6 × 9 3/16 inches (15.2

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

'Scraps', no. 22: Hunting, Unkennelling with Two Riders Watching, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, slightly textured, blued white, wove paper, Sheet: 7 × 9 inches (17.8 × 22.9 cm), dogs (animals),

Sunset, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, rough, beige wove paper, Sheet: 2 13/16 x 7 13/16 inches (7.1 x 19.8 cm), boats, marine art, river, river, sails, sky,

Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's 'Love in a Village', Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), 1767, Oil on canvas, Support (PTG): 51 1/4 x 65 inches (130.2 x 165.1 cm),

Moonlight over the Sea, Broadstairs, Attributed to George Richmond, 1809–1896, British, 1843, Watercolor on thick, moderately textured, cream wove paper, Sheet: 6 3/8 × 9 9/16 inches (16.2 × 24.3 cm), clouds, iconography, marine art,

Marine Study No. 3, Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain, after Willem van de Velde the Elder, (?), ca. 1611–1693, Dutch, active in Britain (from 1672), after Willem van de Velde the Younger,

A Herd of Deer Grazing in a Park, Sir Edwin Henry Landseer, 1802–1873, British, undated, Graphite on medium, smooth, cream, wove paper, Sheet: 10 1/8 × 12 7/16 inches (25.7 × 31.6 cm), animal art, deer, herd, park (grounds

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759, Print made by William Bromley, 1769–1842, British, after Francis Hayman, 1707/8–1776, British, Published by John Boultbee, 1753–1812, British, 1811, Stipple

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