Images at Librifly

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Waterloo Bridge from the Garden of M. A. Taylor, Esq., William Parrott, 1813–ca. 1869, British, undated, Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 4 5/16 × 8 3/8 inches (11 ×

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Dipping the Flag, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on medium, slightly textured, cream antique laid paper, Sheet: 3 1/8 x 6 7/8 inches (8 x 17.4 cm) and Image: 3 1/8 x

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Cape Melville & Melville Monument, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Sunda Stink Badger, James Stewart, 1791–1863, British, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, gray ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4

Pheasant defying Hunters, George Augustus Sala, 1828–1895, British, undated, Graphite and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 × 4 3/16 inches (7.6 × 10.6 cm), birds, fences, hounds (dogs),

A Packet Boat Under Sail in a Breeze off the South Foreland, Thomas Luny, 1759–1837, British, 1780, Oil on canvas, Support (PTG): 33 3/8 × 57 inches (84.8 × 144.8 cm), boat, breeze, cliffs, clouds, cutter (sailing vessel), flags,

Shipwrecked Sailors, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen and black and gray ink over graphite on medium, slightly textured, cream laid paper, Sheet: 6 9/16 x 9 3/16 inches (16.7 x 23.3 cm), cliffs,

Releasing the Hounds, John Wootton, 1682–1764, British, ca. 1745, Oil on canvas, Support (PTG): 18 1/2 x 40 inches (47 x 101.6 cm), animals, cottage, dogs (animals), horn, kennel, rural, sporting art

A Stable Boy rubbing down a Racehorse, Sawrey Gilpin, 1733–1807, British, undated, Black chalk and stumping on medium, moderately textured, blued white, laid paper, Mount: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm), Contemporary drawn

Sketchbook from Calcutta to Peshawar, William Simpson, 1823–1899, British, 1859, Sketchbook with fifty-six graphite drawings, some in watercolor on medium, smooth, cream wove paper, Spine: 4 1/4 inches (10.8 cm), Sheet: 3 15/16 × 5 7/8

Lago Maggior, Italy, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on thick, rough, cream wove paper, Sheet: 8 1/8 × 12 1/4 inches (20.6 × 31.1 cm), boats, figures, lake, marine art, mountains, trees,

Man on a horse hearding two cows and a calf, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink, graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm), animal art,

A Perspective View of Venice, John Bowles, 1701–1779, British, after unknown artist, (Fossati, Giorg), undated, Hand-colored engraving on wove paper, Sheet: 60 1/2in. (153.7cm), boats, cityscape, flags, islands, marine art, rowboats,

The Mars in Three Positions, Nicholas Pocock, 1740–1821, British, 1779, Gray wash and pen and black ink on medium, slightly texture, cream laid paper, Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm), boats, coat of arms, commander, crest,

Wha ... China, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, moderately textured, cream, laid paper; mounted on, moderately thick, slightly textured, cream,

Euganian Hills from the Lagoon -- Low Tide, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache and graphite on thick, slightly textured, beige card, Sheet: 5 1/4 x 7 1/2 inches (13.3 x 19.1 cm), boats, clouds,

Plan of the West India Docks, Print made by Benjamin Baker, 1766–1841, British, after Ralph Walker, active 1768–1796, Published by Benjamin Baker, 1766–1841, British, 1802, Etching, hand-colored on moderately thick, slightly

Study of a Camel, Sawrey Gilpin, 1733–1807, British, undated, Graphite and gray wash on medium, slightly textured, beige laid paper, Sheet: 6 1/4 × 9 5/8 inches (15.9 × 24.4 cm), animal art, camel (mammal), study (visual work

Studies of Cattle, Sawrey Gilpin, 1733–1807, British, undated, Graphite and gray wash on medium, moderately textured, cream, laid paper, Sheet: 7 7/8 × 12 1/8 inches (20 × 30.8 cm), animal art

Deer Stalking By the Side of a Waterfall, Horatio Ross, 1801–1886, British, between 1856 and 1865, Albumen print from wet collodion negative on thin, smooth, cream wove paper, Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm) and Mount: 11 3/8 ×

'Elis' at Doncaster, Ridden by John Day, with his Van in the Background, Abraham Cooper, 1787–1868, British, between 1836 and 1837, Oil on canvas, Support (PTG): 35 x 43 inches (88.9 x 109.2 cm), breeches, cravat, equestrian, fields

Tours: Sunset: Looking Backwards, Joseph Mallord William Turner, 1775–1851, British, between 1826 and 1830, Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper, Sheet: 4 7/8 x 7 3/8 inches

New Herrnhut in Greenland and Lichtenfels in Greenland, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)

Over the Bank, Exmoor, Robert Polhill Bevan, 1865–1925, British, ca. 1895, Watercolor, with pen, in gray ink, and black ink on moderately thick, slightly textured, cream, wove paper, Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm),

Head of a Horse Wearing a Bridle, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, moderately textured, cream, wove paper, Sheet: 5 5/8 × 4 3/4 inches (14.3 × 12.1 cm), animal art

Two Horses Racing, Jockeys Up: Railings in the Background, James Seymour, 1702–1752, British, undated, Pen, in brown ink, and graphite on medium, moderately textured, beige, laid paper, Sheet: 8 × 12 13/16 inches (20.3 × 32.5 cm),

Kenarth, Francis Seymour Haden, 1818–1910, British, 1864, Etching and drypoint, with plate tone on moderately thick, smooth, cream parchment, Sheet: 7 5/8 x 9 13/16 inches (19.4 x 25 cm), Plate: 4 3/8 x 5 13/16 inches (11.1 x 14.7 cm),

Stormy Sea, Brighton, John Constable, 1776–1837, British, ca. 1828, Oil on paper laid on canvas, Support (PTG): 6 1/2 x 10 1/2 inches (16.5 x 26.7 cm), beach, blue, brown, brushstrokes, dark, impasto, landscape, marine art, ocean,

Horse Grazing, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately thick, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 7 × 8 7/8 inches (17.8 × 22.5 cm)

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Negadeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, chocineal, pen and black ink on thick, slightly textured, beige wove paper, Sheet: 2 3/16 x 6 3/8 inches (5.6 x 16.2 cm), boat, landscape, marine art, river,

Interior of Fort Nicholas, Sebastopol, Crimea, William Simpson, 1823–1899, British, undated, watercolor and gouache with pen and brown ink over graphite on medium, cream, slightly textured wove paper, Sheet: 10 1/4 x 17 1/4 inches (26 x

Vesuvius, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache, chalk, and graphite on medium, slightly textured, cream wove paper, Sheet: 6 × 9 1/4 inches (15.2 × 23.5 cm), beach, boats, landscape, marine

Concerto a la Catalani, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen and gray ink over graphite on medium, smooth, beige, wove paper, Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm), animal art, bagpipes, books,

Fisherpeople on a Junk, William Alexander, 1767–1816, British, 1793, Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 5 7/8 × 8 inches (14.9 × 20.3 cm), baby, Chinese,

Study of a Startled Horse, John Frederick Tayler, 1802–1889, British, undated, Graphite on medium, smooth, cream, wove paper, mounted on medium, slightly textured, cream, laid paper, mounted on very thick, beige, card board, Sheet:

Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black, unknown artist, eighteenth century, 18th century, Enamel transfer-printed in black on ceramic, hunting, sporting

A Red Parrot, Sarah Stone, active 1786, British, 1786, Watercolor and gouache on card on very thick, slightly textured, beige card, Sheet: 17 7/8 x 13 7/8in. (45.4 x 35.2cm) and Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

Antwerp, Morning, David Cox, 1783–1859, British, 1832, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 x 9 7/8 inches (18.1 x 25.1 cm), birds, boats, church, cityscape, figures (representations),

A Woodcock, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 13 × 8 1/8 inches (33 × 20.6 cm), animal art, Eurasian Woodcock, woodcocks (birds

An Elephant, walking to left, Daniel Maclise, 1806–1870, Irish, undated, Graphite, Sheet: 5 1/2 × 6 3/16 inches (14 × 15.7 cm) and Frame: 9 3/16 × 9 15/16 × 13/16 inches (23.4 × 25.2 × 2 cm), animal art, elephant (animal), tusks,

Three Sheep, Sawrey Gilpin, 1733–1807, British, undated, Graphite on moderately thick, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 10 1/8 × 13 1/4 inches (25.7 ×

Fishing: Bottom Fishing, William Jones, active 1832–1836, British, ca. 1830, Oil on canvas, Support (PTG): 12 1/8 x 16 inches (30.8 x 40.6 cm), bag, breeches, fisherman, fishing, men, recreation, river, rural, sporting art, stream,

Jumping a Low Rail and a Brook, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, and graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 10 11/16 × 14 1/2 inches (27.1 ×

How to Salute, Henry William Bunbury, 1750–1811, British, undated, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 10 × 8 3/4 inches (25.4 × 22.2 cm), caricature, horse (animal), military art,

Foxhunting: The Death, Edwin W. Cooper of Beccles, 1785–1833, British, 1816, watercolor, with pen in gray ink and black ink, over graphite, on medium, moderately textured, cream wove paper, Sheet: 12 5/8 × 19 1/8 inches (32.1 × 48.6

Unidentified Chameleon, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm), animal

Chalcomitra senegalensis (Scarlet Chested Sunbird), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches

Coastal Scene with Troops Embarking, George Bryant Campion, 1796–1870, British, undated, Watercolor, black chalk, and gouache on moderately thick, moderately textured, beige wove paper, Sheet: 18 × 29 inches (45.7 × 73.7 cm), coast,

Carter Filling his Pipe, Henry William Bunbury, 1750–1811, British, undated, Watercolor and crayon on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 15 1/4 inches (29.2 × 38.7 cm), animal art, cart, genre subject, horse

Two Horses, Edward William Cooke, 1811–1880, British, undated, Graphite on medium, slightly textured, beige, wove paper, Sheet: 3 1/8 × 4 1/8 inches (7.9 × 10.5 cm), animal art

Near Dishna, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, brown wove paper, Sheet: 1 5/16 x 5 7/8 inches (3.3 x 14.9 cm), boat, camels (mammals), figures

In and Out Clever, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper mounted to medium, slighlty textured, beige laid paper, Sheet: 8 1/4 × 11 1/4 inches (21

Six Studies of Horses and Riders, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm), Binding: 12 inches (30.5 cm), and Mount: 12 × 14 1/4

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Study of a leopard, Sawrey Gilpin, 1733–1807, British, undated, Brown wash and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 9 inches (16.5 × 22.9 cm), animal art, cat, drinking, leopard

'Sporting Notions:' 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before', Henry Thomas Alken, 1785–1851, British, between

The Ferry, Richard Cooper the Younger, 1740–1814, British, undated, Graphite on medium, moderatley textured, cream wove paper, Sheet: 5 3/4 × 8 5/8 inches (14.6 × 21.9 cm), castle, ferry, horse (animal), marine art, ship,

Passage Through the Ice, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41

Five Abstract Sketches, and Studies for Male and Female Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink, graphite and red pencil on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8

Boats on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 13/16 x 3 5/16 inches (4.6 x 8.4 cm), boats, marine art, river, river, sails,

Hunt Followers and Hounds Moving to Right Through Undergrowth, Sawrey Gilpin, 1733–1807, British, undated, Graphite on Moderately thick, moderately textured, beige, laid paper, Sheet: 9 1/2 × 16 5/8 inches (24.1 × 42.2 cm), dogs

A Bird, James Sowerby, 1756–1822, British, undated, Watercolor and gouache over graphite on medium, smooth, cream wove paper, Sheet: 13 × 8 1/8 inches (33 × 20.6 cm), animal art, Bearded Reedling, bird, branch

Morning, Print made by John Boydell, 1720–1804, British, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1753, Etching and line engraving with hand coloring on moderately thick, rough,

A First Rate after a Storm, J. Hill, active 19th century, after George Webster, 1797–1864, British, Published by Gaetano Testolini, active 1760–1811, 1811, Aquatint on moderately thick, moderately textured, cream wove paper, Sheet: 10

A View of the Sea from the Palace of the Vice Roy at Naples, Print made by unknown artist, (Dubois), Published by John Bowles, 1701–1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on

Mount Haddington & Cape Gage, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm),

A View of the Mole and the New Castle at Naples, Print made by unknown artist, (Dubois), Published by John Bowles, 1701–1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on

Siege at Badajoz, Henry Aston Barker, 1774–1856, British, ca. 1813, Pen and black ink, pen and red ink, gray wash and graphite on medium, sligtly textured, beige wove paper, Sheet: 14 3/4 × 12 1/2 inches (37.5 × 31.8 cm), military art

Allahabad, from the Right Bank of the Jumna, William Simpson, 1823–1899, British, 1865, Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 14 5/8 x 20 1/4 inches (37.1 x 51.4 cm),

Sketch of Cattle, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, cream laid paper, Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm), animal art, cattle, cows, resting

A Hare Running, with Ears Pricked, James Seymour, 1702–1752, British, undated, Pen, in brown ink on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Mount: 5 3/4

Illustrations of Imitation of Eclogue I, Page 17, William Blake, 1757–1827, British, Published by Robert John Thornton, 1768–1837, British, 1821, Wood-engraving and letterpress on medium, slightly textured, cream wove paper, Spine: 7

Coursing: Setting Out, Samuel Howitt, 1756–1822, British, 1794, Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream, wove paper, Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm), dogs

The Launch of 'La Sorciére' on the Lake of Geneva, Francis Danby, 1793–1861, Irish, undated, Watercolor and brown ink over graphite on moderately thick, slightly textured, blued white wove paper, Sheet: 7 5/8 × 11 3/8 inches (19.4 × 28.9

Near Mesghouneh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, cochineal, pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/4 x 8 5/8 inches (5.7 x 21.9 cm), boats, marine

Study of a Calf, James Ward, 1769–1859, British, undated, Graphite and black and white chalk on medium, moderately textured, beige wove paper, Sheet: 10 7/8 x 8 3/4 inches (27.6 x 22.2 cm), animal art, calf (animal), study (visual work

'Scraps', No. 27: Two Dismounted Riders Drinking at an Alehouse Door, Henry Thomas Alken, 1785–1851, British, 1823, Graphite and white gouache on medium, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 9 1/16 inches (16.7 ×

A Wagon With Hops and Two Sketches of Horses, Robert Hills, 1769–1844, British, undated, Graphite and watercolor on medium, cream, slightly textured wove paper, Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm), animal art, cart, genre

An Elephant, facing left, Daniel Maclise, 1806–1870, Irish, undated, Graphite on medium, smooth, cream wove paper, Sheet: 2 7/16 × 3 15/16 inches (6.2 × 10 cm) and Frame: 7 3/8 × 8 9/16 × 1/4 inches (18.7 × 21.8 × 0.7 cm), animal

An English Royal Yacht Standing Offshore in a Calm, Peter Monamy, 1681–1749, British, ca. 1730, Oil on canvas, Support (PTG): 27 3/4 × 37 7/8 inches (70.5 × 96.2 cm), clouds, cutter, flags, full-rigged ships, longboats, marine art,

Boat Sketch, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, cream laid paper; mounted on, moderately thick, slightly textured, cream, wove

Sailors Raising a Boom, Edward Duncan, 1803–1882, British, undated, Pen and brown ink, graphite and watercolor on medium, slightly textured, beige wove paper, Sheet: 5 3/8 × 11 1/8 inches (13.7 × 28.3 cm), marine art, rigging,

Unidentified Sand Dollar, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm),

A Hunting Scene, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/8 × 10 1/4 inches (15.6 × 26 cm), equestrians, horses (animals), hunting, men, sporting art

A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca. 1626–1704,

The Sporting Parson: 'He Trieth a Little 'High Church' Style', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and gouache on moderately thick, slightly textured, gray, wove paper, Sheet: 10 11/16 × 14 13/16

A Squall off a Mountainous Coast, Benjamin West, 1738–1820, American, active in Britain (from 1763), undated, Gray wash with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 x 10 13/16 inches (17.8 x 27.5 cm),

Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54), Edward Lear, 1812–1888, British, 1849, Watercolor with pen in brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 7 5/8 x 5 1/16 inches (19.4 x 12.9

A View of the Harbour at Cannes, Edward Lear, 1812–1888, British, 1869, Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper, Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm), boats, buildings,

Untitled, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal art

Steeplechasing: The Finish, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 10 7/16 × 14 11/16 inches (26.5 × 37.3 cm), flag, horse racing,

'Some Do and Some Don't: It is All a Notion:' Getting a Dive, Henry Thomas Alken, 1785–1851, British, between 1848 and 1851, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 7 9/16 × 10 5/8 inches (19.2 ×

Katwyk, Edward William Cooke, 1811–1880, British, undated, Graphite on medium, moderately textured, cream wove paper, Sheet: 4 5/8 × 6 7/8 inches (11.7 × 17.5 cm), anchor, boats, church, coast, marine art, port

The Long-tailed Porcupine, George Edwards, 1694–1773, British, 1738, Pen, gray ink, brown ink, brown wash, watercolor, and graphite on medium, moderately textured, cream laid paper, Sheet: 9 3/4 × 15 7/8 inches (24.8 × 40.3 cm),

Goat Hill and Ships, Lt. Paul Sandby, ca. 1820, ca. 1820, Gray wash, graphite, with pen and black ink on medium, slightly textured, blued white laid paper, Sheet: 5 7/8 × 11 1/8 inches (14.9 × 28.3 cm), marine art, mountain, ships

Deep Twilight, Pyrenees, James Dickson Innes, 1887–1914, British, between 1912 and 1913, Oil on panel, Support (PTG): 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm), abstract art, brushstrokes, clouds, deep, dusk, evening, landscape,

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