Images at Librifly

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Ships of the Line off Dover, Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), undated, Watercolor and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 4 5/8 × 6 5/8 inches (11.7 ×

Three Hunters in a Rocky Landscape, Sawrey Gilpin, 1733–1807, British, 1775, Oil on canvas, Support (PTG): 37 1/2 x 49 1/2 inches (95.3 x 125.7 cm), animal art, boulders, cliff, clouds, horses (animals), hunters, landscape, rocks

The Rev. and Mrs. Thomas Gisborne, of Yoxall Lodge, Staffordshire, Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), 1786, Oil on canvas, Support (PTG): 73 x 60 inches (185.4 x 152.4 cm), art, buckles, coat,

The Suffolk Hunt: Going to Cover near Herringswell, John Frederick Herring, 1795–1865, British, 1833, Oil on canvas, Support (PTG): 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm), brook, costume, dogs (animals), hunting, riding, rural,

An Episode at the Battle of Waterloo, William Heath, 1795–1840, British, 1817, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 × 9 1/4 inches (18.1 × 23.5 cm), battle, fighting, French,

George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny, Benjamin Marshall, 1768–1835, British, between 1806 and 1807, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), animal art, breeches (trousers), cravat, dogs

A Lion Attacking a Stag, George Stubbs, 1724–1806, British, between 1765 and 1766, Oil on canvas, Support (PTG): 96 x 131 inches (243.8 x 332.7 cm), allegory, animal art, Cervidae (family), claws, dark, hunting, lion, stag

Newcastle in Emlyn, Francis Seymour Haden, 1818–1910, British, 1864, Etching and drypoint on medium, slightly textured, cream laid paper, Sheet: 5 1/2 x 6 7/8 inches (14 x 17.4 cm), Plate: 4 7/16 x 5 13/16 inches (11.2 x 14.7 cm), and

African Wildcat or Serval, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 1/2 inches (40.3 × 31.8 cm), animal art

The Leicestershire Hunt - A Struggle for the Start, Possibly Henry Thomas Alken, 1785–1851, British, undated, Watercolor, graphite, and gouache, with pen, in brown ink, black ink, and gray ink on thick, moderately textured, beige,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

A Camel, Facing Left, Sept. 3, 1850, George Jones, 1786–1869, British, 1850, Pen, in brown ink, graphite, and white gouache on medium, slightly textured, brown, wove paper, Sheet: 3 7/8 × 4 7/8 inches (9.8 × 12.4 cm), animal art

Seven Dancing Figures, in Three Registers, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art,

Hulk aground on beach, Edward Duncan, 1803–1882, British, undated, Watercolor, graphite and white gouache on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 10 1/2 inches (16.2 × 26.7 cm), beach, boat, marine

Drawing Cover, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown, gray and red-brown ink, with pen and ink line and wash border on medium, moderately textured, blued white, wove paper, Sheet: 3 3/16 x 5 9/16

The Chillington Oxen, Print made by John Porter, active 1838, after Lucas Beattie, active 1835–1838, 1838, Line engraving and mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 18 1/4 x 21 1/2

The Balcony, Yokohama, Edward Atkinson Hornel, 1864–1933, British, 1894, Oil on canvas laid down on panel, Support (PTG): 16 x 19 7/8 inches (40.6 x 50.5 cm), balcony, boats, city, clouds, dock, fan, genre subject, hairpiece,

A Bull and a Rabbit, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slighlty textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art, bull, field, horses

A Horse, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper, Sheet: 8 1/2 × 11 1/8 inches (21.6 × 28.3 cm) and

The Justice, Print made by Henry Thomas Alken, 1785–1851, British, after Henry Thomas Alken, 1785–1851, British, Published by E & C McLean, active 1823–1830, British, 1824, Soft-ground etching with hand coloring on moderately thick,

Boats on the Hoogley Hooghly River, Samuel Davis, 1757–1819, British, undated, Gray wash and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 11 1/2 x 18 1/8 inches (29.2 x 46 cm), boats, marine art, river,

Two Horses Eating From a Wheel-Barrow Watched by a Goat and Three Ducks, John Frederick Herring, 1795–1865, British, possibly by John Frederick Herring Jr., 1815–1907, British, 1850, Watercolor, with pen, in gray ink, and graphite on

Shipping in a Choppy Sea, Samuel Scott, 1701/2–1772, British, 1753, Oil on canvas, Support (PTG): 55 x 45 1/2 inches (139.7 x 115.6 cm), clouds, fleet, full-rigged ships, marine art, sea, ships, sloop (sailing vessel), water, waves

A Stag's Head: three studies, Robert Hills, 1769–1844, British, undated, Graphite and gelatin fixative on moderately thick, moderately textured, cream wove paper, Sheet: 9 1/2 x 7 3/8 inches (24.1 x 18.7 cm), animal art, head, stag

Studies of boats on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, blue laid paper, Sheet: 3 5/8 x 3 1/2 inches (9.2 x 8.9 cm), boats, marine art, sails, studies

The Ranger, Private Ship of War, with her Prizes, Nicholas Pocock, 1740–1821, British, 1780, Pen and black ink over graphite with gray wash on moderately thick, moderately textured, cream laid paper mounted on thick, slightly textured

Foot Ball played at Market Place, Barnet, Robert Dighton, 1752–1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm),

Stable Boy with Cart Horses, John Frederick Tayler, 1802–1889, British, undated, Watercolor, gouache and graphite on thick, slightly textured, cream wove paper, Sheet: 12 3/8 × 15 5/8 inches (31.4 × 39.7 cm), animal art, boy, dog

Harbour Scene with Castle on left and Ships at Right, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink with gray wash on medium, slightly textured, cream laid paper, Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm), genre

Situation of H.M.S. Hecla & Griper, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Two Asses, Francis Seymour Haden, 1818–1910, British, 1863, Etching and drypoint on moderately thick, smooth, cream wove paper, Sheet: 11 1/16 x 6 7/8 inches (28.1 x 17.5 cm), Plate: 6 x 3 3/8 inches (15.3 x 8.5 cm), and Image: 6 x 3

Mr. Hawks thinks he had Better Turn Back, Hablot Knight Browne, 1815–1882, British, undated, Graphite and black chalk, Sheet: 4 1/4 x 7in. (10.8 x 17.8cm) and Frame: 9 15/16 × 12 9/16 × 13/16 inches (25.2 × 31.9 × 2 cm), animal art,

Sylvia Darning, Harold Gilman, 1876–1919, British, 1917, Oil on canvas, Support (PTG): 16 1/4 x 18 1/4 inches (41.3 x 46.4 cm), boxes (containers), ceiling, chair, design, door, flowers (plants), genre subject, interior, marine art,

An Uralsky Cossack, Sir Robert Kerr Porter, 1777–1842, British, 1810, Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 17 1/4 × 14 5/8 inches (43.8 × 37.1 cm), horses (animals),

A Brown long-eared bat (Plecotus auritus), James Ward, 1769–1859, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 7 5/8 x 13 1/8 inches (19.4 x 33.3 cm), animal art, bat (animal), study

Greenwich Hospital, Print made by Bradshaw & Blacklock, active ca.1850, British, after 1850, Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper, Sheet: 5 5/8 x 8 7/8 inches (14.3 x 22.5 cm) and Image: 4 1/8 x 6

Lion Family, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 10 3/4 × 13 3/8 inches (27.3 × 34

Fishing Vessels in a Heavy Swell off the Coast, George William Crawford Chambers, 1830–ca. 1900, British, 1857, Watercolor over graphite with scraping out on medium, slightly textured, cream laid paper, Sheet: 9 1/2 x 14 1/4 inches (24.1 x

Francis Rawdon-Hastings, 1st Marquess of Hastings, Sir Edwin Henry Landseer, 1802–1873, British, after Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after John Hoppner, 1758–1810, British, 1793-1816,

Bath: The North Parade, Print made by John Robert Cozens, 1752–1797, British, 1773, Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper, Sheet: 10 13/16 x 14 13/16 inches (27.5 x 37.6 cm) and

Dancing Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art, dance, figure, figure study,

Two Ducks with a Nest, James Sowerby, 1756–1822, British, undated, Gray wash, brown wash, white gouache, and graphite on thin, slightly textured, cream wove paper, Sheet: 7 3/4 × 6 1/2 inches (19.7 × 16.5 cm), animal art, eggs,

A Horse Lying Down, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/8 × 6 inches (10.5 × 15.2 cm), Mount: 12 × 14 1/4 inches (30.5 × 36.2 cm), and Binding: 12 inches

Fort Opposite the Factory, Canton, William Alexander, 1767–1816, British, 1793, Watercolor. pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm), boats,

Racing: a Match in Progress, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Pen, in brown ink on medium, moderately textured, beige, laid paper, Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm), figure study,

Study of a Turkey, James Ward, 1769–1859, British, undated, Graphite on medium, smooth, beige wove paper, Sheet: 4 1/2 x 4 1/8 inches (11.4 x 10.5 cm) and Mount: 7 1/2 × 7 1/2 inches (19.1 × 19.1 cm), animal art, turkey (bird

H.M.S. Hecla & Griper, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41

Sweet William's Farewell to Black Eyed Susan, Print made by Paul Fourdrinier, French, after Peter Monamy, 1681–1749, British, Published by Bowles & Carver, 1763–1830, British, Published by Robert Wilkinson, 1758–1825, British,

Deer, Robert Hills, 1769–1844, British, undated, Graphite on medium, slightly textured, beige wove paper, Sheet: 5 5/8 x 4 1/4 inches (14.3 x 10.8 cm), animal art, deer

Mediterranean Port (or Aden?), Charles Dyce, active 1848, British, 1848, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 13 3/4 inches (24.8 × 34.9 cm), boats, landscape, leisure, marine art, men,

A Hedge Sparrow, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 13 × 8 1/4 inches (33 × 21 cm), animal art, Dunnock, Hedge sparrow, Old World sparrows

`Hold Back, Sir!', Cecil Charles Windsor Aldin, 1870–1935, British, 1904, Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, blued white, wove paper, Sheet: 9 7/8 × 13 15/16 inches (25.1 × 35.4

A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804, unknown artist, eighteenth century, ca. 1804, Oil on board laid down on panel, Support (PTG): 15 7/8 x 20 1/16 inches (40.3 x 51 cm), army, battle, costume,

Man on Horseback Throwing a Spear, James Bruce, 1730–1794, British, undated, Graphite on medium, silghtly textured, cream laid paper, Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm), animal art

A Secretary Bird, Luigi Balugani, 1737–1770, Italian, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/4 x 12 1/8 inches (22.2 x 30.8 cm), animal art

A Scene on the Coast, Merionethshire - Storm Passing Off, Anthony Vandyke Copley Fielding, 1787–1855, British, 1818, Oil on canvas, Support (PTG): 53 x 78 1/4 inches (134.6 x 198.8 cm), castle, cattle, clouds, cows, fortress,

Two Weasels, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 7 1/4 × 8 7/8 inches (18.4 × 22.5 cm), animal art, weasels

Figures in Boats, Attributed to Francis Hayman, 1707/8–1776, British, undated, Pen and black ink and gray wash on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 10 7/8 inches (14 × 27.6 cm), boats, genre subject, marine

Ideal Pastoral Life, Print made by Edward Calvert, 1799–1883, British, 1829, Lithographic etching on moderately thick, smooth, cream wove paper, Sheet: 4 13/16 x 5 9/16 inches (12.3 x 14.1 cm) and Image: 1 5/8 x 3 inches (4.2 x 7.6 cm),

Carved wood misericord of a Sleeping Fox, possibly from Dunblane Cathedral, Perthshire, Scotland, unknown artist, fifteenth century, ca. 1400, Wood, Overall: 12 3/4 x 30 3/4 x 3 3/4 inches (32.4 x 78.1 x 9.5 cm), animal art, banner, fox

Ptarmigan, George Edwards, 1694–1773, British, ca. 1738, Watercolor and gouache on moderately thick, slightly textured, cream laid paper, Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm), animal art, bird, feathers, ptarmigan

Study of a Cow, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 3/8 x 7 inches (11.1 x 17.8 cm), animal art

English Ships Running before a Gale, Charles Brooking, 1723–1759, British, before 1759, Oil on canvas, Support (PTG): 15 x 23 inches (38.1 x 58.4 cm), clouds, flag, marine art, meteorology, science, sea, seascape, ships,

Banded Mongoose, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on thick, smooth, white, wove paper, Sheet: 4 1/4 × 6 3/4 inches (10.8 × 17.1 cm),

Study of a Cow's Head, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, white wove paper, Sheet: 4 5/8 × 4 7/8 inches (11.7 × 12.4 cm), animal art, cow, head, portrait, study (visual work

The Victor Conducted in Triumph, Paul Sandby RA, 1731–1809, British, after David Allan, 1744–1796, British, born in Scotland, Published by Paul Sandby RA, 1731–1809, British, ca. 1781, Aquatint and etching on medium, moderately

A Tigress Leaping to the Right, Samuel Howitt, 1756–1822, British, ca. 1807, Watercolor, with pen, in gray ink, and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 6 5/8 x 9 1/4in. (16.8 x 23.5cm), animal

Two Gentlemen Shooting, George Stubbs, 1724–1806, British, ca. 1769, Oil on canvas, Support (PTG): 39 x 49 inches (99.1 x 124.5 cm), costume, dogs (animals), fence, field, guns, hunters, hunting, landscape, limestone, men, rifles

Full Cry, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm), dogs (animals), farm, fields, fox (animal), fox

Centropus monachus (Blue-Headed Coucal), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Tongusian Raindeer Breeders Erecting Their Tent for the Night, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 ×

Preparing to lay eel traps, J. Tobin, active 1776, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 11/16 × 9 3/16 inches (17 × 23.3 cm), boats, eelspears, genre subject,

'Some Do and Some Don't: It is All a Notion:' Getting Home, Henry Thomas Alken, 1785–1851, British, between 1820 and 1821, Graphite, watercolor and gouache on medium, slightly textured, beige, wove paper, Sheet: 7 9/16 × 10 5/8 inches

Study of the Head of a Ram, James Ward, 1769–1859, British, undated, Black chalk, white chalk, and red chalk on medium, moderately textured, brown laid paper, Sheet: 11 3/4 x 16 1/8 inches (29.8 x 41 cm), animal art, dog (animal), ram

French Fishing Boat off the Shears, Print made by Miles Edmund Cotman, 1810–1858, British, 1846, Etching on thick, slightly textured, cream card with cream chine collé, Sheet: 5 9/16 x 6 3/8 inches (14.2 x 16.2 cm), Plate: 2 3/8 x 3 3/8

A Snipe, James Sowerby, 1756–1822, British, 1794, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 13 × 8 1/8 inches (33 × 20.6 cm), animal art, Snipes

Mutton Cove, Plymouth, Thomas Sewell Robins, 1814–1880, British, undated, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm), boats,

Banded Mongoose, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, gray ink and graphite on medium, smooth, white, wove paper, Sheet: 4 5/16 × 6 3/4 inches (11 × 17.1 cm), animal art

Michio Itow: New Art Dancer, after Gordon Ross, 1918, Offset lithograph on newsprint, Sheet: 18 1/8 x 10 5/8 inches (46 x 27 cm

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck, Henry Thomas Alken, 1785–1851, British, between 1818 and 1822, Graphite and red chalk on medium, slightly

Horse Dressed in Blanket, Sawrey Gilpin, 1733–1807, British, 1760, Graphite, brown wash, pen and brown ink on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper,

Quiz, After His Last Race at Newmarket, Henry Bernard Chalon, 1771–1849, British, 1807, Oil on canvas, Support (PTG): 30 1/2 × 43 1/4 inches (77.5 × 109.9 cm), equestrian, horse (animal), jockey, race (event), racing, spectators,

Three Greyhounds in a Room, Peter Casteels, 1684–1749, Flemish, active in Britain (from 1708), undated, Graphite, watercolor, and pen in gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick,

A Dog's Head, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/2 × 7 3/8 inches (11.4 × 18.7 cm), animal art, dog (animal), dogs, coyotes, wolves, jackals, and dingos

An English Frigate at Anchor Viewed from the Port Quarter, Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672), undated, Graphite on medium, slightly textured cream laid paper mounted on medium, slightly

Spitzbergen, Bearing South, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12

The Thames at Twickenham, Samuel Scott, 1701/2–1772, British, ca. 1760, Oil on canvas, Support (PTG): 18 x 36 1/2 inches (45.7 x 92.7 cm), boat, buildings, cityscape, houses, marine art, people, river, rowboat, swans, England,

A Sportsman Loading His Gun, George Morland, 1763–1804, British, undated, Graphite and red chalk on medium, slightly textured, cream wove paper, Sheet: 14 x 9 1/4in. (35.6 x 23.5cm) and Sheet: 14 1/8 × 9 1/4 inches (35.9 × 23.5 cm),

Treeing a Fox, Samuel Alken, 1756–1815, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 10 1/2 × 16 1/2 inches (26.7 × 41.9 cm), bushes, dogs (animals),

Sketches of a Hare, Horse, Stag, Man and Woman, James Seymour, 1702–1752, British, undated, Pen, in brown ink on medium, slightly textured, beige, laid paper, Mount: 11 1/4 × 9 11/16 inches (28.6 × 24.6 cm), Contemporary drawn

Wallenstadt from Wesen, Switzerland, William Callow, 1812–1908, British, active in France, 1838, Watercolor over graphite on medium, slightly textured, blued white wove paper, Sheet: 9 3/4 x 14 1/4 inches (24.8 x 36.2 cm), boats, lake,

A Groom Leading a Bay Horse, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, moderately textured, blued white, wove paper, Sheet: 9 15/16 × 13 5/16 inches (25.2 × 33.8 cm), groom (caretaker of

A Ploughboy Riding One of a Pair of Draught-horses Up a Hill, John Frederick Tayler, 1802–1889, British, undated, Watercolor over graphite on medium, slightly textured, cream, wove paper, Sheet: 7 15/16 × 9 3/4 inches (20.2 × 24.8 cm),

J.M.W. Turner and Walter Fawkes at Farnley Hall, John R. Wildman, active 1823–1839, British, 1820 to 1824, Oil on canvas, Support (PTG): 27 x 35 inches (68.6 x 88.9 cm), art collector, artist, costume, country house, dogs (animals),

An English Man-of-War, Port View from the Stern, Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672), ca. 1675, Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige

A Sea Eagle, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm), animal art, eagle, Fish Eagles

Fisherman's Cottage, Dover, Joseph Mallord William Turner, 1775–1851, British, ca. 1790s, Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper, Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm), architectural

Horses Fighting, after George Stubbs, 1724–1806, British, undated, Watercolor, gouache, and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 17 1/8 x 23 1/4 inches (43.5 x 59.1 cm), animal art,

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