Images at Librifly

search results: Art clear search

Kenarth, Francis Seymour Haden, 1818–1910, British, 1864, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 5 3/8 x 6 3/8 inches (13.6 x 16.2 cm), Plate: 4 7/16 x 5 13/16 inches (11.3 x 14.8 cm),

Study of Fish, Venice, Myles Birket Foster, 1825–1899, British, 1874, Watercolor and gouache over graphite on card on thick, moderately textured, card, Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm), animal art, baskets, dead, fish,

The Band of the 23rd Fusiliers, Michael Angelo Hayes, 1811–1880, British, 1838, Watercolor, with pen, in brown ink, blue ink, and black ink, over graphite on medium, slightly textured, blued white, wove paper, Sheet: 6 7/16 × 8 5/16

An Owl, an Eagle, Two Falcons, a Vulture and Other Birds Perched in Trees, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in brown ink, with traces of graphite on medium, slightly textured, cream, wove paper,

Two Bay Horses in a Landscape, Sawrey Gilpin, 1733–1807, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 10 7/16 × 14 1/2 inches (26.5 × 36.8 cm), animal art

Old Man and Children Seated, Cooking, George Chinnery, 1774–1852, British, 1840, Pen, brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm), boats, children, cooking,

Vanity Fair - Artists. 'Sensational art'. M. Paul Gustave Dore. 15 September 1877, Leslie Matthew 'Spy' Ward, 1851–1922, British, 1877, Chromolithograph

Clovelly, North Devon, William Turner of Oxford, 1789–1862, British, undated, Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper, Contemporary drawn border: 29 1/4 x 44

Study of a man reclining beside a horse lying down, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm), animal art, figure study

Doctor Syntax loses his Money on the Race Ground at York, Thomas Rowlandson, 1756–1827, British, 1820, Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium medium, slightly textured, cream,

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, Print made by James Gillray, 1757–1815, British, Published by Hannah Humphrey, ca. 1745–1818, British,

The Koodoo, William Daniell, 1769–1837, British, after Samuel Daniell, 1775–1811, British, 1804, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm), animal art, animals, kudus

Two Moored Ships and a Fishing Boat, Thomas Daniell, 1749–1840, British, active in India, ca. 1789, Gray wash over graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/8 x 13 5/8 inches (18.1 x 34.6 cm), boat, figures,

Hooded Damascene Cavalryman Riding, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, slightly textured, beige, wove paper, Sheet: 4 3/8 × 6 1/2 inches (11.1 × 16.5 cm), cavalry, genre subject, hood, horse

Studies of a Sleeping Lion, unknown artist, formerly attributed to George Stubbs, 1724–1806, British, undated, Charcoal, graphite, and red chalk on medium, moderately textured, cream, laid paper, Sheet: 6 13/16 × 8 15/16 inches (17.3

Foxhunting: The Meet, With Hounds Coming Out of Kennel, Samuel Alken, 1756–1815, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 10 3/4 × 17 7/16 inches

The Honorable Augustus Hervey, Captain in his Majesty's Navy, Edward Fisher, 1722–1785, British, after Sir Joshua Reynolds RA, 1723–1792, British, Published by Edward Fisher, 1722–1785, British, 1763, Mezzotint on moderately thick,

Plyctolophus Galeritus. Greater Sulphur-crested Cockatoo., Print made by Edward Lear, 1812–1888, British, 1832, Lithograph on moderately thick, slightly textured, beige wove paper, Sheet: 22 x 15 1/8 inches (55.9 x 38.4 cm), animal art,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Bustard, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 10 1/2 × 8 5/8 inches (26.7 × 21.9 cm), animal art, beak, bird, wings (furniture components

The Zebra, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 3 7/8 × 6 7/16 inches (9.8 × 16.4 cm), animal art, zebra (mammal

The Old Donkey Turned Restive at Last, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by Thomas McLean, 1788–1875, British, Published by Thomas McLean, 1788–1875, British, 1848, Lithograph in tan and black ink on

Crimson Cliffs, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

A Frog Confronting a Circle of Animals, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in black ink, and gray ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 5 3/16 × 7 3/16 inches (13.2

A European Goldfinch, James Sowerby, 1756–1822, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm), animal art, bird, branch, European

The Greyhound, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, animal art, dog (animal),

Owl, After an Attic Kantharos, John Ruskin, 1819–1900, British, ca. 1870, Pen and black ink and watercolor on medium, moderately textured, beige wove paper, Sheet: 6 7/8 x 8 3/4 inches (17.5 x 22.2 cm), animal art, botany, kantharos,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Tilbury, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on medium, slightly textured, cream laid paper, Sheet: 3 1/4 x 6 15/16 inches (8.3 x 17.7 cm) and Image: 3 1/8 x 6 15/16

Port Ruysdael, Joseph Mallord William Turner, 1775–1851, British, between 1826 and 1827, Oil on canvas, Support (PTG): 36 1/4 x 48 1/4 inches (92.1 x 122.6 cm), baskets, clouds, fish, ladder, marine art, meteorology, port, sailboat,

Woodcock Shooting, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige, wove paper, Sheet: 5 13/16 × 8 inches (14.8 × 20.3 cm) and Image: 5 3/8 × 7

A Barge, John Linnell, 1792–1882, British, undated, Black chalk and white chalk on moderately thick, slightly textured, blue-gray wove paper, Sheet: 8 x 10 inches (20.3 x 25.4 cm), barge, hull, marine art, masts, moored, mooring,

Hulks in the Medway, Francis Swaine, 1730–1782, British, undated, Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 × 12 1/4 inches (15.2 × 31.1 cm), flags, hulks (watercraft by

Bantam Cock and Farmpails, James Sowerby, 1756–1822, British, 1820, Graphite on medium, smooth, cream wove paper, Sheet: 15 1/4 × 8 7/8 inches (38.7 × 22.5 cm), animal art, chickens, pails

A Horseman and Other Figures at a Race-Course, Raphael Lamar West, 1769–1850, British, undated, Pen, in brown ink, and graphite on medium, moderately textured, blued white, laid paper, Mount: 13 5/8 × 16 15/16 inches (34.6 × 43 cm),

Domestic Cock, Hens, and Chicks, Francis Barlow, ca. 1626–1704, British, 1655, Oil on canvas, Support (PTG): 33 x 39 inches (83.8 x 99.1 cm), animal art, chicks, drinking, feathers, food, hens, landscape, mountains, rooster

The Blacksmith's Shop, Henry Bernard Chalon, 1771–1849, British, between 1810 and 1820, Oil on canvas, Support (PTG): 28 x 36 inches (71.1 x 91.4 cm), anvil (tool), bent, blacksmith, broom, brown, bucket (vessel), dogs (animals),

Aguara Dog of the Woods, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, white, wove paper, Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm), animal

The Portraiture of Babraham, Print made by Richard Houston, ca. 1721–1775, British, after Thomas Spencer, 1700–1753, British, 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm),

The Tower of London, Print made by Thomas Tagg, died 1809, British, after Joseph Mallord William Turner, 1775–1851, British, 1794, Etching with line engraving on medium, slightly textured, beige wove paper, Sheet: 3 1/4 × 5 1/2 inches

Two figures kneeling beside a horse..., Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 9 inches (16.5 × 22.9 cm), animal art, figures (representations), horse

The Loose Shoe, Joseph Crawhall, 1861–1913, British, undated, Pen, black ink and gouache on medium, slighlty textured, brown wove paper, Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32.1 cm), dog (animal), horse (animal), men, sporting art

Frost and Snow (tail piece), Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove

A Seascape, Richard Parkes Bonington, 1802–1828, British, undated, Brown wash on medium, cream, smooth wove paper mounted on thick, brown, slightly textured wove paper, Sheet: 3 7/8 x 6 inches (9.8 x 15.2 cm) and Mount: 6 3/8 x 9 5/8

St. Herbert's Chapel, Henry Le Keux, 1787–1868, British, after Joseph Mallord William Turner, 1775–1851, British, 1834, line engraving, 1st state on moderately thick, smooth, cream, wove paper, Sheet: 11 5/8 × 6 7/8 inches (29.5 ×

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Dak Gharry, 23 December 1859, William Simpson, 1823–1899, British, 1859, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel (mammal), carriage,

One of Miscellaneous Sketches in Wrapper, Luigi Balugani, 1737–1770, Italian, undated, Graphite and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 1/8 x 11 3/8 inches (18.1 x 28.9 cm), animal art

Cattle in a Landscape, William Mark Fisher, 1841–1923, British, undated, Black chalk on medium, slightly textured, brown wove paper, Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm), animal art, cattle, landscape, trees

Pale Dog Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm), animal art

A Zebra, Samuel Howitt, 1756–1822, British, ca. 1807, Watercolor, with pen, in brown ink and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 16 × 12 3/4 inches (40.6 × 32.4 cm) and Image: 8 1/4 × 8 1/4

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body, Attributed to James Seymour, 1702–1752, British, ca. 1730, Oil

Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro', Edward Hull, 1810–1877, ca. 1835, Watercolor, with pen, in brown ink, graphite, gum arabic and gouache on moderately thick, moderately textured,

Turk, a greyhound, the property of George Lane Fox, George Garrard, 1760–1826, British, 1822, Oil on panel, Support (PTG): 11 3/4 x 14 inches (29.8 x 35.6 cm), dog (animal), greyhound, portrait, sporting art

Three Lions, Prowling, Sawrey Gilpin, 1733–1807, British, undated, Graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 9 1/2 × 14 15/16 inches (24.1 × 37.9 cm), animal art

Sunset on the Thames, Francis Seymour Haden, 1818–1910, British, 1865, Etching and drypoint, with plate tone on medium, smooth, cream laid paper, Sheet: 7 3/4 x 10 3/8 inches (19.7 x 26.3 cm), Plate: 5 5/16 x 8 3/8 inches (13.5 x 21.3

Woodcock at Dusk, Francis Barlow, ca. 1626–1704, British, ca. 1686, Oil on canvas, Support (PTG): 17 1/4 x 21 1/2 inches (43.8 x 54.6 cm), animal art, birds, landscape, woodcocks (birds

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, goauche, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca. 1626–1704, British, Published by

Shipbuilding on the Yorkshire Coast, Peter DeWint, 1784–1849, British, undated, Watercolor over graphite on thick, moderately textured, cream wove paper, Sheet: 9 1/2 x 16 5/8 inches (24.1 x 42.2 cm), boat, clouds, craftsmen, genre

Scipio, a spotted hunter, the property of Colonel Roche, Thomas Spencer, 1700–1753, British, ca. 1750, Oil on canvas, Support (PTG): 39 x 52 3/4 inches (99.1 x 134 cm), animal art, animals, breeches, bridle, colonel, dogs (animals),

Near Dendour, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 1/2 x 7 5/8 inches (6.4 x 19.4 cm), boats, hills, landscape, marine art, river,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Greater Sulphur Crested Cockatoo, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, ca. 1832, Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 21 3/8 x

'The Poacher's Progress:' Poachers in Prison (The Pardon), C. Blake, active 1825–1826, undated, Graphite, watercolor, and varnish on very thick, rough, brown, wood pulp paper, Sheet: 13 1/16 × 17 1/4 inches (33.2 × 43.8 cm), children,

Hussars Embarking at Deptford, William Anderson, 1757–1837, British, 1793, Oil on canvas, Support (PTG): 18 1/4 x 24 inches (46.4 x 61 cm), army, cavalry, dock, flag, full-rigged ships, marine art, merchant ships, military art, naval

Indian Guard Room, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 2 1/2 × 3 inches (6.4 × 7.6 cm), guard, Indian, military art, military,

'Some Do and Some Don't: It is All a Notion:' Getting into a Bog, Henry Thomas Alken, 1785–1851, British, between 1848 and 1851, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 7 9/16 × 10 11/16 inches

Landscape with Trees on a Slope, unknown artist, nineteenth century, Formerly attributed to Peter DeWint, 1784–1849, British, Formerly Joseph Mallord William Turner, (as purchased), 1775–1851, British, early 19th century, Oil on paper,

How to Ride without a Bridle, Henry William Bunbury, 1750–1811, British, undated, Pen and black ink and gray wash on thin, slightly textured, beige wove paper, Sheet: 8 3/4 x 7 1/8in. (22.2 x 18.1cm) and Mount: 9 3/4 × 7 7/8 inches (24.8

Private View of the Royal Academy, William Payne, active 1850s, British, 1858, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 3/4 × 4 1/8 inches (9.5 × 10.5 cm), art, coats, crowd,

A Duck, James Sowerby, 1756–1822, British, undated, Pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 4 1/8 × 6 3/4 inches (10.5 × 17.1 cm), animal art, duck

Scene Among the Ice in the Polar Sea, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

Noon, Print made by John Boydell, 1720–1804, British, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1753, Etching and line engraving, hand colored with watercolor on moderately thick,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel

Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca.

Facing a Brook, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper mounted to card, Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), equestrians, horses

Two Goats, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black chalk on thin, smooth, beige wove paper, Sheet: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm), animal, animal art, goats, Vorticism

Ponte Vecchio North Italian Set: No. 21, Sir David Young Cameron, 1865–1945, British, 1895, Etching, architectural subject, balconies, balustrade, boats, bridge (built work), buildings, cityscape, columns, costumes, marine art,

Rubbing Down a Horse in a Paddock at a Racetrack, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, beige, laid paper, Sheet: 7 11/16 × 9 11/16 inches (19.5 × 24.6 cm), crowd, groom (caretaker of

Study for a Figural Sculpture, Crouching Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink, graphite and red pencil on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm),

Sir Roger Burgoyne Riding 'Badger', James Seymour, 1702–1752, British, 1740, Oil on canvas, Support (PTG): 48 7/8 x 69 inches (124.1 x 175.3 cm), animal art, animals, bridle, column (architectural element), dog (animal), equestrian,

Landscape with Sportsman and Guns, John Henry Müntz, 1727–1798, Swiss, 1779, Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 13/16 × 11 15/16 inches (22.4 × 30.3 cm), bushes,

Landing of William of Orange at Tor Bay, Peter Monamy, 1681–1749, British, 1688, Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper, Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm) and Sheet: 9 1/8

Horse Standing, Side View Facing Right, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, cream, laid paper, Sheet: 7 5/16 × 8 3/4 inches (18.6 × 22.2 cm), animal art

Hoary Aguara Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 3/4 × 7 1/2 inches (12.1 × 19.1 cm),

Balgrate. 14. October. 1837, Edward Lear, 1812–1888, British, 1837, Graphite, white gouache, and rubbing on moderately thick, slightly textured, gray wove paper, Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm), cityscape, clouds, figures

Hunting in a Wood, Francis Sartorius, 1734–1804, British, undated, Pen and brown ink, brown wash, and graphite on thick, rough, cream, laid paper, Sheet: 11 5/16 × 17 5/16 inches (28.7 × 44 cm), boar, deer, dogs (animals), figure,

Horse and Cart, John Constable, 1776–1837, British, ca. 1814, Oil on canvas on board, Support (PTG): 6 3/8 x 10 1/2 inches (16.2 x 26.7 cm), bridle, cart, equipment, harness, horse (animal), saddle, sporting art, tack

'Fanny', July 26, 1886, John Frederick Tayler, 1802–1889, British, 1886, Watercolor, over graphite, with pen, in brown ink, and black ink on medium, smooth, blued white, wove paper, mounted on thick, smooth, white, wove paper,

On the Thames, Francis Seymour Haden, 1818–1910, British, 1859, Etching and drypoint, with plate tone on thick, smooth, cream wove paper with beige chine collé, Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm), Plate: 5 11/16 x 8 1/2

Study of a Coin, James Bruce, 1730–1794, British, undated, Gray wash and pen and black ink on moderately thick, slightly textured, blue laid paper, Sheet: 5 × 8 1/4 inches (12.7 × 21 cm), animal art

A Bear, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 8 7/8 × 7 1/4 inches (22.5 × 18.4 cm), animal art, bear, Bears

Marine Study No. 1, Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain, after Willem van de Velde the Elder, (?), ca. 1611–1693, Dutch, active in Britain (from 1672), after Willem van de Velde the Younger,

Venice from the Lido North Italian Set: No. 17, Sir David Young Cameron, 1865–1945, British, 1896, Etching, balustrade, barges, boats, buildings, cityscape, domes, fishermen (people), fishing boats, gondolas, gondoliers, lagoon,

Boat Sketch, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, blued white, laid paper; mounted on, moderately thick, slightly textured, cream,

Dr Syntax Alarmed by a Whale, Thomas Rowlandson, 1756–1827, British, 1812, Watercolor with pen and red-brown ink over graphite; verso, lower left: splotches of red, green and blue watercolor on medium, moderately textured, beige, wove

Landscape with Birds and Dog, Attributed to Marmaduke Cradock, 1660–1716, British, undated, Gray wash with pen and brown ink over graphite on moderately thick, moderately textured, blued white laid paper, Sheet: 7 3/16 x 11 7/8 inches (18.3

search results: Art clear search