Images at Librifly

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A Gentleman Riding With a Groom, and Coversing, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 7 13/16 × 10 3/8 inches (19.8 × 26.4 cm), gentleman,

Animals a pair: 1. Lioness, Samuel William Reynolds, 1773–1835, British, after James Northcote, 1746–1831, British, 1799, Stipple engraving, Sheet: 15 1/2 x 20 5/8in. (39.4 x 52.4cm), animal art, leg (animal component), lioness,

Study of Small Fishing Vessel on Shore, Cornelius Varley, 1781–1873, British, undated, Graphite on medium, moderately textured, cream wove paper, Sheet: 9 3/4 x 14 3/16 inches (24.8 x 36 cm), bay (body of water), flag, ladder, marine

A Dandie Dinmont Terrier, John E. Ferneley Jr., 1815–1862, British, 1848, Oil on canvas, Support (PTG): 20 x 26 1/4 inches (50.8 x 66.7 cm), animals, dog (animal), fur, mountain, pedigree, sporting art, Victorian

Indian Fishing Boats, George Chinnery, 1774–1852, British, after 1819, Pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm), figures (representations), fishermen,

A Buck and Two Deer, Sawrey Gilpin, 1733–1807, British, 1760, Graphite on thin, smooth, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm) and Mount: 9

Deer and their Young, Robert Hills, 1769–1844, British, 1812, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/8 x 5 7/8 inches (21.3 x 14.9 cm), animal art, deer, fawn

Forming of the Aurora as Delineated, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider, James Seymour, 1702–1752, British, undated, Red chalk, with graphite; verso: graphite on medium, slightly textured, beige, laid paper, Sheet: 7 1/2 × 9 5/16 inches (19.1 ×

Glenfinlas, Print made by Richard Parkes Bonington, 1802–1828, British, after Francois Alexandre Pernot, 1793–1865, French, Printed by François le Villain, active 1824–1835, French, 1826, Lithograph on medium, smooth, cream wove

Wild Duck Shooting, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in gray ink, brown ink and graphite on medium, slightly textured, blued white, wove paper, Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm), dogs

A Donkey, unknown artist, ( J. H. ), after unknown artist, ( J. H. ), 1756, Etching on moderately thick, slightly textured, beige laid paper, Sheet: 8 9/16 x 7 5/16 inches (21.7 x 18.6 cm), Plate: 3 3/4 x 4 9/16 inches (9.6 x 11.6 cm), and

Embarkation at Southampton, June 20th 1794, Thomas Rowlandson, 1756–1827, British, 1794, Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper, Mount: 6 9/16 x 14 inches (16.7

Chameleon and a Mammal, unknown artist, 1829, Watercolor with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 10 1/2 x 16 11/16in. (26.7 x 42.4cm), animal art, chameleon, mammals

Landscape with a Hunting Party, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray ink over graphite with pen and gray ink and wash line on border on thick, moderately textured, beige, wove support

The Quorn Hunt in Full Cry: Second Horses, John Dalby, active 1826–1853, British, after Henry Thomas Alken, 1785–1851, British, ca. 1835, Oil on canvas, Support (PTG): 15 x 20 inches (38.1 x 50.8 cm), chasing, dog (animal), fences,

'Some Do and Some Don't: It is All a Notion:' Getting a Fall, Henry Thomas Alken, 1785–1851, British, between 1848 and 1851, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 7 9/16 × 10 11/16 inches (19.2 ×

A Cow, James Sowerby, 1756–1822, British, undated, Graphite on medium, moderately textured, cream wove paper, Sheet: 2 × 3 3/8 inches (5.1 × 8.6 cm), animal art, Cattle, cows

Columba guinea (Speckled Pigeon, African Rock Pigeon), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12

Study of Two Laid Up Sailing Vessels, Samuel Prout, 1783–1852, British, undated, Graphite on moderately thick, rough, beige wove paper, Sheet: 9 1/2 × 11 7/8 inches (24.1 × 30.2 cm), architectural subject, lookout, marine art, masts,

Scenes From a Steeplechase: Another Hedge, Henry Thomas Alken, 1785–1851, British, ca. 1845, Oil on canvas, Support (PTG): 10 x 14 inches (25.4 x 35.6 cm), animals, breeches, clouds, equestrians, hedge, horse riding, horses (animals),

Boats on a Stormy Sea, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor over graphite on moderately thick, rough, beige wove paper, Sheet: 4 x 7 inches (10.2 x 17.8 cm), marine art, sailboats,

Colt Third Issue of Brood Mare and Second by the Black Arab, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 1/8 × 6 3/8 inches

Shipping in a Calm, Peter Monamy, 1681–1749, British, between 1700 and 1725, Oil on canvas, Support (PTG): 16 x 12 1/4 inches (40.6 x 31.1 cm), boats, flags, marine art, men, sailors, sea, ship, shipping, water, yachts, England,

A Meet in the grounds of Raby Castle, Peter DeWint, 1784–1849, British, undated, Graphite, white gouache, and pen and black ink on medium, slightly textured, gray, wove paper, Sheet: 7 7/8 × 12 inches (20 × 30.5 cm), architectural

Tiger, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, slightly textured, cream, wovev paper, Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm) and Mount: 13

The Hurries, Coal Boats Loading, North Shields, attributed to Joseph Mallord William Turner, 1775–1851, British, ca. 1795, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 5/8 x 14 inches (21.9 x 35.6 cm), coal, docks,

An Eagle, James Bruce, 1730–1794, British, undated, Graphite on thin, smooth, cream wove paper, Sheet: 12 × 7 3/4 inches (30.5 × 19.7 cm), animal art

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty, Henry Thomas Alken, 1785–1851, British, between

Head of a Lion, unknown artist, ( J. H. ), after unknown artist, ( J. H. ), 1756, Etching on moderately thick, slightly textured, beige laid paper, Sheet: 8 9/16 x 7 1/4 inches (21.7 x 18.4 cm), Plate: 2 7/8 x 3 9/16 inches (7.3 x 9 cm),

Archery Meeting in Bradgate Park, Leicestershire, John Ferneley, 1782–1860, British, 1850, Oil on canvas, Support (PTG): 46 1/2 x 99 inches (118.1 x 251.5 cm), archery, arrows, bows, carriage, carriages, children, costume, dogs

Sketch of a Cow, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, cream laid paper, Sheet: 4 5/8 × 6 1/2 inches (11.7 × 16.5 cm), animal art, cow, grasses, study (visual work

The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750, James Seymour, 1702–1752, British, 1750, Oil on canvas, Support (PTG): 42 × 66 inches (106.7 × 167.6 cm), horses (animals), landscape, sporting art

Deir Kadige, noon, January 2, 1867 (26), Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, rough, cream wove paper, Sheet: 7/8 x 7 3/4 inches (2.2 x 19.7 cm), boats, marine art, palm

Sleeping Pig, James Ward, 1769–1859, British, undated, Black and red chalk and graphite on medium, slightly, cream wove paper, Sheet: 5 1/2 x 10 1/4 inches (14 x 26 cm), animal art, pig, sleeping

Fishing Boats on the Beach with Sails Drying, Samuel Prout, 1783–1852, British, undated, Watercolor, pen and brown ink, gouache, and graphite, with stumping on moderately thick, slightly textured, beige wove paper, Sheet: 10 5/8 × 7

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth., Henry Thomas Alken, 1785–1851, British, between 1818 and 1822, Graphite and red chalk on medium, slightly textured, blued white,

View of Horse Guards and Whitehall, unknown artist, eighteenth century, Formerly attributed to Thomas Malton the Younger, 1748–1804, British, ca. 1750, Oil on canvas, Support (PTG): 25 3/4 × 36 1/2 inches (65.4 × 92.7 cm), architectural,

A Greyhound, Facing Left, James Seymour, 1702–1752, British, undated, Pen, in brown ink, and graphite on medium, slightly textured, cream, laid paper, mounted on, very thick, slightly textued, blue wove card paper, Contemporary

Penzance, Cornwall, Print made by James C. Allen, active 1821–1831, British, after Henry Gastineau, 1791–1876, British, Published by Isaac Taylor Hinton, 1799–1847, British, 1833, Line engraving and etching on moderately thick,

The Soft Shell'd Tortoise Got in Savanah River Georgia, William Bartram, 1739–1823, British, ca. 1773, Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 3 3/8 x 4 15/16 inches (8.6 x 12.5

Hunting Sketch: Gone to Earth, Sawrey Gilpin, 1733–1807, British, undated, Graphite on thin, moderately textured, laid paper, Sheet: 8 5/8 × 13 5/8 inches (21.9 × 34.6 cm), dogs (animals), horseback riders, horseback riding, horses

A Man throwing a Ball to a Dog, George Chinnery, 1774–1852, British, undated, Pen, in brown ink, and graphite on medium, moderately textured, light blue, laid paper, Sheet: 3 7/16 × 6 1/8 inches (8.7 × 15.6 cm), ball, dog (animal),

King Charles Spaniel, Sir David Wilkie, 1785–1841, British, 1835, Graphite, pen and brown ink, brown wash, white gouache and red gouache on medium, slightly textured, beige wove paper, Sheet: 9 1/8 × 7 13/16 inches (23.2 × 19.8 cm) and

Before the Start: Jockey on Racehorse Receiving Triner's Instructions (one of a pair), Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 10 13/16 × 17 1/16

Gale of Winds, George Jackson, active 1839–1844, undated, Watercolor, with pen, in brown ink, graphite and scratching out on moderately thick, slightly textured, cream, wove paper, Sheet: 3 5/16 × 4 1/4 inches (8.4 × 10.8 cm) and

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Men-of-war off the Coast, John Cleveley the younger, 1747–1786, British, undated, Gray wash, pen and brown ink on medium, moderately textured, cream laid paper mounted to beige, moderately textured, wove paper, Sheet: 3 3/4 × 5 inches

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), buildings,

The Horse Race at Rome During the Carnival, Paul Sandby RA, 1731–1809, British, after David Allan, 1744–1796, British, born in Scotland, Published by Paul Sandby RA, 1731–1809, British, ca. 1781, Aquatint and etching on medium,

The Harbor, Alexandria, Charles Dyce, active 1848, British, And: Eliza Dyce, ca. 1849, Watercolor over graphite with scraping out on medium, slightly textured, cream wove paper laid down on contemporary mount with trompe l'oeil frame,

Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off, William Daniell, 1769–1837, British, 1833, Oil on canvas, Support (PTG): 27 x 42 inches (68.6 x 106.7 cm), beach, boats, church, flag, fort, landscape,

Chestnut Mare and Foal, Sawrey Gilpin, 1733–1807, British, undated, Watercolor, pen and black ink, and brown ink on thick, slightly textured, beige, wove paper, Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm), animal art

View in the Island of Pulo Condore, John Webber, 1752–1793, British, 1792, Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper, Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm), animal art

Shipping in the Mediterranean, Robert Cleveley, 1747–1809, British, undated, Watercolor, graphite, and pen and black ink on medium, moderately textured, beige wove paper mounted to medium, moderately textured, beige wove paper, Sheet: 7

'Sporting Incidents:' Drawing For the Soft-ground Etching of 'Through the Wood', Henry Thomas Alken, 1785–1851, British, undated, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 8 5/16 × 12 1/2 inches

A Camel, Facing Left, Sept. 1856, George Jones, 1786–1869, British, 1856, Pen, in brown ink, with graphite, heightened with blue wash, and white gouache on medium, slightly textured, blue, wove paper, Sheet: 3 3/4 × 5 1/2 inches

In the Channel, Augustus William Reeve, active 1831–1888, undated, Watercolor with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 6 3/8 × 8 7/8 inches (16.2 × 22.5 cm), barrels, channel (water body component),

Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825, James Ward, 1769–1859, British, 1825, Graphite and watercolor on medium, slightly textured, cream wove paper mounted on medium, smooth, cream wove paper, Sheet: 7 x 10 3/8 inches

Views in the Levant: A Camel, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, over graphite on medium, slightly textured, cream, laid paper, mounted on moderately thick, slightly textured, brown, wove paper, Sheet: 9

Part of the Bay of Gibraltar, the Spanish Lines, George Lothian Hall, 1825–1888, British, 1844, Watercolor and pen and brown ink over graphite with scraping out on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches

A Bird, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 16 1/8 × 13 inches (41 × 33 cm), animal art, bird

Shipping, Joseph Mallord William Turner, 1775–1851, British, between 1828 and 1830, Brushed brown ink, pen and brown ink, gouache, graphite and white chalk on medium, slightly textured, blue wove paper, Sheet: 5 3/8 x 7 3/8 inches (13.6

An Angler's Catch of Coarse Fish, Dean Wolstenholme, 1798–1882, British, Formerly Dean Wolstenholme, 1757–1837, British, ca. 1850, Oil on panel, Support (PTG): 8 x 10 inches (20.3 x 25.4 cm), fish, fishing, scales, sporting art

Viewing at the Royal Academy, Thomas Rowlandson, 1756–1827, British, ca. 1815, Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, blued white, wove paper, Sheet: 5 3/4 x 9 1/2 inches (14.6 x

The Blockade Station, Rye, Clarkson Stanfield, 1793–1867, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 9 1/4 inches (16.5 × 23.5 cm), beach, birds, boats, flags, genre

For Japaning, Where may be 200 Different Sorts, Peter P. Benazech, 1767–1794, after C. Fenn, Published by Robert Withy, active 1750–1765, British, Published by John Ryall, active 1755–1762, British, Published by Robert Sayer,

A Starved Greyhound, John Sell Cotman, 1782–1842, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 x 10 5/8 inches (20.3 x 27 cm), dog (animal), greyhound, sporting art

Views in the Levant: View of a Harbour and Town From the Sea, Turkey, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, pen and black ink, brown ink, and graphite on medium, moderately textured, cream, laid paper, mounted

Foxhunting: Rider and a Couple of Hounds Entering a Covert, Samuel Alken, 1756–1815, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 9 7/8 × 15 3/4 inches (25.1

Sea Study with Hulk, Sailing Boat and Rowing Boat, David Cox, 1783–1859, British, 1830s, Black chalk, watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 x 7 inches (20.3 x 17.8 cm), boat, marine

Study for Mare and Foal, Lytchetts, Clayhidon, Robert Polhill Bevan, 1865–1925, British, 1917, Charcoal with rubbing on moderately thick, slightly textured, cream, laid paper, Sheet: 13 9/16 × 17 inches (34.4 × 43.2 cm) and Image: 9

Preparing for a Hunt at Selhurst Park, Nov. 14, 1796, Thomas Daniell, 1749–1840, British, active in India, 1796, Watercolor, with pen, in brown ink, brown wash, and graphite on medium, moderately textured, cream, wove paper, Sheet:

Grouse Shooting, James Pollard, 1792–1867, British, undated, Graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 6 5/16 × 16 5/8 inches (16 × 42.2 cm) and Image: 5 3/8 x 15 7/8 inches (13.7 x 40.3 cm),

Bless Thee Bottom, Bless Thee-Thou Art Translated, (?) Isaac Cruikshank, 1756–1810, British, 1794, Etching, hand-colored, Sheet: 9 7/16 x 8 3/8in. (24 x 21.3cm

A Whipper-In and a Couple of Hounds Running Hard in Open Country, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 1/8 × 12 13/16 inches (23.2 × 32.5 cm),

Port on a Stormy Day, George Chambers, 1803–1840, British, 1835, Oil on canvas, Support (PTG): 13 x 18 inches (33 x 45.7 cm), barrel, birds, blue, boat, clouds, day, gray (color), ketch (fore-and-aft-rigged vessel), lighthouse,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Margate Hoy, Print made by Charles Catton the elder RA, 1728–1798, British, Published by W. Hinton, 1785–1795, 1785, Etching, aquatint and hand-coloring on moderately thick, slightly textured, gray laid paper, Sheet: 11 15/16 x 18

Dying Man in Church with Soldiers, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 6 3/8 × 7 3/4 inches (16.2 × 19.7 cm) and Mount: 8 × 9 1/4 inches (20.3 × 23.5 cm), abbey,

The Derby Pets: The Winner, James Pollard, 1792–1867, British, between 1840 and 1842, Oil on canvas, Support (PTG): 12 3/4 x 17 3/4 inches (32.4 x 45.1 cm), costume, equestrian, jockey, race (event), reins, riding, shawls, spectators,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

For Japaning, Where may be 200 Different Sorts, Peter P. Benazech, 1767–1794, after C. Fenn, after unknown artist, ( C. Fenn ), Published by John Ryall, active 1755–1762, British, Published by Robert Withy, active 1750–1765,

Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, moderately textured, cream, wove paper, Sheet: 4 5/8 × 5 inches (11.7 × 12.7 cm),

'Doing the Thing: and the Thing Done:' Afternoon. Returning Home in Fine Trim. Doing the Most you Can, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, beige,

The Drag of Sir Watkin Williams Wynn, John Ferneley, 1782–1860, British, 1843, Oil on canvas, Support (PTG): 44 1/8 × 72 1/4 inches (112.1 × 183.5 cm), animal art, carriage, coach (carriage), costume, dogs (animals), fence, genre

England expects Everyman to -DO- his Duty, George Cruikshank, 1792–1878, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 5 inches (11.7 × 12.7 cm), man, military art, soldier, sword,

A Horse Grazing, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, beige, laid paper, Sheet: 6 3/4 × 8 9/16 inches (17.1 × 21.7 cm), animal art

Three Deer, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink, graphite, with rubbing on moderately thick, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper,

African Wild Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown in- and graphite on moderately thick, smooth, white, wove paper, Sheet: 4 5/16 × 6 1/2 inches (11 × 16.5 cm), animal art

Two Sheep, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 6 15/16 x 9 3/16in. (17.6 x 23.3cm)

Scenes from a steeplechase: Taking a Hedge, Henry Thomas Alken, 1785–1851, British, ca. 1845, Oil on canvas, Support (PTG): 10 x 14 inches (25.4 x 35.6 cm), animals, clouds, equestrians, hedge, horse racing, horse riding, horses

Fox and the Hedgehog (Porcupine), Samuel Howitt, 1756–1822, British, undated, Watercolor and pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal

A Cutter and Other Shipping in a Breeze, unknown artist, formerly attributed to Richard Parkes Bonington, 1802–1828, British, 1827-1828, Watercolor, with pen, in brown ink, blue ink, gouache and scratching out on medium, slightly

A Kingfisher, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 13 1/4 × 8 1/4 inches (33.7 × 21 cm), animal art, bird, kingfisher, Kingfishers

The Fishery, Print made by William Woollett, 1735–1785, British, after Richard Wright, ca. 1720–ca. 1775, British, 1768, Engraving and etching on moderately thick, slightly textured, beige, laid paper, mounted on thick, smooth,

Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, laid paper,

Bottom Fishing Near Totten Mill, Robert Pollard, 1755–1838, British, And James Pollard, 1792–1867, British, undated, Graphite and pen and brown ink on blued white, medium, moderately textured, wove paper, Sheet: 4 1/4 x 12 7/8 inches

Hunting: The Meet, Sawrey Gilpin, 1733–1807, British, undated, Pen, in brown ink, and graphite on medium, slightly textured, cream, laid paper, Sheet: 8 3/8 × 14 3/4 inches (21.3 × 37.5 cm), animal art, dog (animal), horseback

Game Keeper and Boy Ferreting a Rabbit, John Frederick Lewis, 1804–1876, British, ca. 1828, Watercolor, pen and brown ink, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 10 1/2 x 7 5/8 inches

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