Images at Librifly

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Lion and Snake, Print made by Samuel William Reynolds, 1773–1835, British, after James Northcote, 1746–1831, British, Published by James Daniell, active ca. 1780–1820, British, 1799, Mezzotint, etching, and roulette on medium,

Starboard-quarter view of a Flagship in light airs and similar view of another, Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672), between 1675 and 1685, Graphite on medium, slightly textured, cream laid

Spitzbergen, East End, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41

View on the Thames with Westminster Bridge, Samuel Scott, 1701/2–1772, British, between 1743 and 1744, Oil on canvas, Support (PTG): 25 x 30 inches (63.5 x 76.2 cm), architectural, boats, bridge (built work), buildings, church, city,

Coast Scene near Plymouth, Samuel Prout, 1783–1852, British, undated, Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount, Sheet: 18 1/8 × 23 inches (46 × 58.4 cm), beach, boats,

A Macaw, Ducks, Parrots and Other Birds in a Landscape, Jacob Bogdani, 1660–1724, Hungarian, active in Britain (from 1688), between 1708 and 1710, Oil on canvas, Support (PTG): 56 x 82 inches (142.2 x 208.3 cm), birds, ducks, landscape,

A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground, William Anderson, 1757–1837, British, 1790, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 15

Antique Letter Box Converted into a Humidor, unknown artist, after Philip Reinagle, 1749–1833, British, ca. 1840, Oil on wood, Overall: 5 1/2 x 12 1/4 x 9 inches (14 x 31.1 x 22.9 cm), boats, cigar box, fishing, genre subject, horses

Two Wood Pigeons, Charles Collins, 1660–1744, British, 1736, Watercolor, gouache, brown ink on slightly textured, medium, cream laid paper, Sheet: 21 1/4 × 15 1/8 inches (54 × 38.4 cm), animal art

Cave of the Golden Calf: Study of Musicians and Animals, Spencer Frederick Gore, 1878–1914, British, 1912, Graphite on medium, slightly textured, beige wove paper, Sheet: 8 1/8 x 8 1/4 inches (20.6 x 21 cm), animal art, animals,

The Cyder Feast, Print made by Edward Calvert, 1799–1883, British, 1828, Wood-engraving on thin, smooth, cream Asian paper, Sheet: 3 7/16 x 5 1/2 inches (8.8 x 13.9 cm) and Image: 3 1/16 x 5 1/16 inches (7.7 x 12.8 cm), animal art,

A Sea Piece - A Rough Sea with a Fishing Boat, Joseph Mallord William Turner, 1775–1851, British, 1820 to 1830, Watercolor on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm) and Frame: 15 1/4 x 20

The Wild Bull of Chillingham, Print made by Thomas Bewick, 1753–1828, British, 1781, Wood-engraving on moderately thick, smooth, cream vellum, Sheet: 10 1/16 x 13 9/16 inches (25.5 x 34.5 cm) and Image: 7 3/16 x 9 5/8 inches (18.3 x 24.4

Fishing Boats at Hastings, Print made by James Dobie, 1849–1911, British, 1882, Etching on moderately thick, moderately textured, beige laid paper, Sheet: 12 3/8 x 16 11/16 inches (31.4 x 42.4 cm), Plate: 7 9/16 x 10 13/16 inches (19.2 x

Returning from the Hunt, John Frederick Herring Jr., 1815–1907, British, ca. 1855, Oil on canvas, Support (PTG): 20 1/2 x 26 inches (52.1 x 66 cm), bridge (built work), equestrian, horse (animal), hunters, meteorology, oval, rain,

Study of a Saddled Horse and Horse's Head, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink and graphite on medium, slighlty textured, cream laid paper, Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm), animal art, horses

Skating in Hyde Park, Julius Caesar Ibbetson, 1759–1817, British, ca. 1785, Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 9 15/16 × 13 15/16 inches

Ducks and Other Birds about a Stream in an Italianate Landscape, Francis Barlow, ca. 1626–1704, British, 1671, Oil on canvas, Support (PTG): 48 x 64 3/8 inches (121.9 x 163.5 cm), animal art, birds, buildings, ducks, herons, Italianate,

Unidentified Madoqua (Dik-dik): study of head and skull, James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm), animal art

Shelter for Cattle, Julius Caesar Ibbetson, 1759–1817, British, undated, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 2 3/8 × 3 inches (6 × 7.6 cm), animal art, cattle, genre subject,

A Lion Attacking a Horse, George Stubbs, 1724–1806, British, 1762, Oil on canvas, Support (PTG): 96 x 131 inches (243.8 x 332.7 cm), allegory, animal art, antiques, biting, blood (animal material), drama, hills, horse (animal),

Bowing Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and black ink on medium, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm), abstract art, bowing, figure, figure study, study (visual

Illustration for R.S. Surtees', 'The Analysis of the Hunting Field': The Leap: 'That Will Shut Out Many, and Make the Thing Select', Henry Thomas Alken, 1785–1851, British, undated, Watercolor over etched outline, with gouache, and pen in

Senegalese Wolf or Grey Jackal, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, gray ink, brown ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 1/8 × 6 3/8

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), beach, channel (water

Two Studies of an Indian Elephant's Head, Thomas Daniell, 1749–1840, British, active in India, ca. 1840, Gray wash over graphite on medium, slightly textured, cream laid paper, Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm), animal art,

River Scene with Church, Cottage and Windmill, John Collet, ca. 1725–1780, British, undated, Black ink, brown ink, gray wash and brown wash on medium, moderately textured, cream wove paper, Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm),

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Myles Sandys' Hounds and Huntsmen Scenting a Hare, Thomas Sunderland, 1744–1828, British, undated, Pen, in brown ink, over graphite, with gray wash and blue wash on medium, slightly textured, beige, wove paper, Sheet: 12 × 17 13/16

The Farmyard, Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 4

Deerhound and Bitch Cornering a Stag at the Edge of a Woodland Pool, Newton Limbird Smith Fielding, 1799–1856, British, 1832, Watercolor, gum arabic gouache, with pen in brown ink and black ink on medium, moderately textured, cream, wove

A Weasel, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 1/4 × 15 7/8 inches (26 × 40.3 cm), animal art, weasel

The Clarence Gold Cup at Hampton, Henry Bernard Chalon, 1771–1849, British, 1815, Oil on four-fold mahogany screen, Overall: 70 x 94 inches (177.8 x 238.8 cm), carriage, landscape, race (concept), screen (furniture), sporting art,

Mount Sabine & Possessions Island, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Low Tide, boat landing, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on thick, cream, rough wove paper, Sheet: 7 1/2 x 11 inches (19.1 x 27.9 cm), clouds, docks, landing (marine structure), marine art, men,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Landscape, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, cream laid paper; mounted on, moderately thick, slightly textured, cream, wove

On the Coast of Brittany, Alexander T. Francia, 1820–1884, 1839, Watercolor, graphite, and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 × 12 3/8 inches (19.1 × 31.4 cm), beach, cliffs, coast,

Near Maimoun, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 1 9/16 x 11 5/8 inches (4 x 29.5 cm), boats, geese, hills,

Horse, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 7 1/4 x 9in. (18.4 x 22.9cm) and Mount: 10

Partridge Shooting, Edward Duncan, 1803–1882, British, 1830, Oil on millboard, Support (PTG): 12 x 16 inches (30.5 x 40.6 cm), animals, birds, chase, chasing, dog (animal), farmland, fence, field, figures, gate, hounds (dogs),

A Cavalry Battle, Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664), undated, Gray wash with black ink and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm), battle,

Sidmouth from Offshore, Henry Haseler, active 1814–1825, ca. 1815, Watercolor with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 12 5/8 inches (17.1 × 32.1 cm), boats, buildings, cityscape, clouds,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

The Brown Hyena, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink and graphite on medium, smooth, cream, wove paper, Sheet: 3 7/8 × 6 5/8 inches (9.8 × 16.8 cm), animal art

A Game of Bowls, John Collet, ca. 1725–1780, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, laid paper, Sheet: 8 1/8 × 10 1/4 inches (20.6 × 26 cm), bowls, buildings, field,

Horses Going Up For the Start of a Race, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, beige, laid paper, Sheet: 6 3/16 × 15 5/8 inches (15.7 × 39.7 cm), crowd, figures (representations), horse

A Tiger Attacking a Horse, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/2 × 3 5/8 inches (11.4 × 9.2 cm), animal art

Study for a Sculptural Column, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink, brown wash, red colored pencil and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/2 x 7 5/8 inches

Head and Neck of a Frightened Horse, Left Profile, Henry Thomas Alken, 1785–1851, British, undated, Graphite and white gouache on thick, rough, brown, wove paper, Sheet: 4 9/16 × 5 1/2 inches (11.6 × 14 cm), Contemporary drawn border:

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Wellesley Grey Arabian Led through the Desert, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), ca. 1810, Oil on canvas, Support (PTG): 40 1/8 x 50 inches (101.9 x 127 cm), animal art, camels (mammals),

Colonel Mordaunt's Cock Match at Lucknow, Richard Earlom, 1743–1822, British, after Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), 1792, Mezzotint with hand coloring on moderately thick, slightly textured,

Three-quarter View of a Lioness, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black chalk on thin, smooth, beige wove paper, Sheet: 12 5/8 x 7 3/4 inches (32.1 x 19.7 cm), animal, animal art, lioness, study (visual

Jockey on a horse with three figures, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink over graphite on medium, slightly textured, cream laid paper, Sheet: 5 1/8 × 6 3/8 inches (13 × 16.2 cm), animal art, sporting art

A Thrush, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 13 × 8 1/8 inches (33 × 20.6 cm), animal art, bird, Mistle Thrush

The Suffolk Hunt: Gone Away, John Frederick Herring, 1795–1865, British, 1833, Oil on canvas, Support (PTG): 11 x 15 inches (27.9 x 38.1 cm), costume, dogs (animals), horse (animal), hunting, rural, sporting art, trees, England,

Colonel Thornton Driving Tandem on His Sporting Tour of Scotland, George Garrard, 1760–1826, British, 1786, Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige, laid paper,

Morning Ride, Henry Thomas Alken, 1785–1851, British, between 1822 and 1823, Graphite and watercolor on thin, smooth, blued white, wove paper, Sheet: 7 3/16 × 9 1/2 inches (18.3 × 24.1 cm), genre subject, horseback riders, horseback

The Apotheosis of Nelson, Benjamin West, 1738–1820, American, active in Britain (from 1763), 1807, Oil on canvas, Support (PTG): 39 1/2 x 29 inches (100.3 x 73.7 cm), admiral, allegory, architectural subject, babies, cannon,

Portrait of Thomas Cholmondeley, first Lord Delamere, on His Hunter (study for 'The Cheshire Hunt at Tatton Park'), Henry Calvert, active 1826–1854, British, ca. 1839, Oil on panel, Support (PTG): 16 x 12 inches (40.6 x 30.5 cm), costume,

Near Eb-bosh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream, wove paper, mounted on, moderately thick, moderately textured, cream wove paper, Sheet: 1 15/16 x 5

Indian Rhinoceros, John R. Skeaping, 1901–1980, British, Cast 1990 (original model 1915), Bronze, Overall: 4 1/2 x 10 inches (11.4 x 25.4 cm), animal art, Indian, rhinoceros

Near Nesle Sheikh Hassan, Looking South, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, beige wove paper, Sheet: 2 5/16 x 6 7/8 inches (5.9 x 17.5

Two Turkish Cavalrymen, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, smooth, cream, wove paper, Sheet: 8 7/16 × 11 1/2 inches (21.4 × 29.2 cm), military art

The Portraiture of the Fine Chesnut Arabian, Print made by Richard Houston, ca. 1721–1775, British, after Thomas Spencer, 1700–1753, British, 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 13 5/8in.

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel

Graphite Sketch of Two Unidentified Birds, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/4 inches (22.2 × 15.9 cm), animal art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Sailing Ships, Richard Dadd, 1817–1886, British, 1861, Oil on panel, Support (PTG): 7 3/4 x 21 inches (19.7 x 53.3 cm), marine art, ocean, sails, schooners, sea, ships, sloops (sailing vessels), waves (natural events

Horse, With Rider Lightly Sketched, Walking to Left, James Seymour, 1702–1752, British, undated, Red chalk and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, moderately textured, beige, wove

'Sporting Notions': 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself', Henry Thomas Alken, 1785–1851, British, between 1831 and 1832, Graphite and red chalk on medium, moderately textured,

Studies of Bullock Carriages, Delhi, 14 January 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art,

An English Postilion, Thomas Rowlandson, 1756–1827, British, ca. 1785, Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, beige, laid paper, mounded on, thick, moderately textured, beige, laid paper,

The Rising Moon, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper with beige chine collé, Sheet: 10 3/8 x

Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Near Gau el Kebir, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, cochineal, pen and brown ink on medium, slightly textured, cream, wove paper, mounted on thick, moderately textured, cream wove paper, Sheet: 2 3/4 x 7

'The Porthole, ' Sergeant and Private of the 42d Gordon Highlanders, David Octavius Hill, 1802–1870, British, and Robert Adamson, 1821–1848, Scottish, 1846, Salted paper print from a paper negative on thin, smooth, cream wove paper,

Two Fishing Boats on the Banks of Inland Waters, George Chambers, 1803–1840, British, 1831, Oil on panel, Support (PTG): 13 1/2 x 17 5/8 inches (34.3 x 44.8 cm), banks, birds, blue, boats, brown, clouds, collar, dock, fishing,

A View of Hobart, Tasmania, Lt. Gen. Charles Emilius Gold, 1803?–1871, 1846, Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper, Sheet: 7 1/2 x 13 5/16in. (19.1 x 33.8cm) and Sheet: 7 1/2 × 13

Remarkable Iceberg, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

A Racehorse, Bridled and Saddled, James Seymour, 1702–1752, British, undated, Pen, in brown ink, and graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, brown, laid paper,

Mare with Foal, Sawrey Gilpin, 1733–1807, British, undated, Graphite on heavy textured wove paper prepared with orange wash on medium, moderately textured, beige wove paper, mounted on moderately thick, slightly textured, cream wove

Kindly, with Jockey Up, James Seymour, 1702–1752, British, undated, Graphite and pen and brown ink on medium, moderately textured, beige, laid paper, Sheet: 6 5/16 × 8 1/16 inches (16 × 20.5 cm), figure study, genre subject, horse

Chili Skunk, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 3 9/16 × 6 1/16 inches (9 × 15.4 cm), animal art

The Towing Path, Print made by Francis Seymour Haden, 1818–1910, British, 1864, Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper, Sheet: 7 5/16 x 9 15/16 inches (18.5 x 25.3 cm), Plate: 5

Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings, Thomas Stringer, 1722–1790, British, Formerly Francis Sartorius, 1734–1804, British, 1773, Oil on canvas, Support (PTG): 35 1/2 x 48 inches (90.2 x

Hercules Beetle, George Edwards, 1694–1773, British, ca. 1758, Watercolor with gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 9 × 11 1/8 inches (22.9 × 28.3 cm), animal art, beetle (insect), wings

A View of the Royal Palace at Naples, Print made by unknown artist, (Dubois), Published by John Bowles, 1701–1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporary mount

Study for a Mother and Child Grouping, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, slightly textured, blue wove paper, Sheet: 8 x 5 3/4 inches (20.3 x 14.6 cm), abstract art, child, figure,

Royal Horse Artillery at the Gallop, George Bryant Campion, 1796–1870, British, undated, Black chalk, white gouache and watercolor on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm), army,

Mr. B. on the Middle Watch--'Cold blows the wind & rain's coming on's - Plate 3, Print made by George Cruikshank, 1792–1878, British, after Capt. Frederick Marryat, 1792–1848, British, Published by George Humphrey, ca. 1773–ca. 1831,

Four Studies of Dancing Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, slightly textured, blue wove paper, Sheet: 8 x 5 3/4 inches (20.3 x 14.6 cm), abstract art, dance, figure,

Bark Refitting, Francis Seymour Haden, 1818–1910, British, 1865, Etching on moderately thick, moderately textured, cream antique laid paper, Sheet: 9 5/8 x 13 1/2 inches (24.5 x 34.3 cm), Plate: 5 1/2 x 8 5/16 inches (14 x 21.1 cm), and

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boat, channel (water

Dongola Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 1/4 × 6 3/8 inches (10.8 × 16.2 cm), animal art

Study of a Fox, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), between 1810 and 1830, Oil on paper laid to board, Support (PTG): 6 1/4 x 8 1/2 inches (15.9 x 21.6 cm), animal, animal art, fox (animal), fur,

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