Images at Librifly

search results: Art clear search

An Officer upon a Rampart Directing the Bombardment of a Distant Town, Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664), undated, Pen and black ink with gray wash on medium, slightly textured, cream laid paper mounted on

Ships on the beach, Samuel Austin, 1796–1834, British, undated, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 4 7/8 × 13 5/8 inches (12.4 × 34.6 cm), beach, boats, coast, marine art, rocks

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

A Grey Horse Trotting Out of a Wood, Sir Francis Grant, 1803–1878, British, undated, Pen, in brown ink on medium, slightly textured, cream, wove paper, Sheet: 7 × 7 1/2 inches (17.8 × 19.1 cm), animal art

Abyssinian Parakett, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on wove paper, Sheet: 18 x 14in. (45.7 x 35.6cm), animal art, bird, branch, leaves

Witley Court in Worcestershire, the Seat of Lord Foley, Print made by William Angus, 1752–1821, British, after Edward Dayes, 1763–1804, British, Published by William Angus, 1752–1821, British, 1810, Etching and line engraving on

A Tiger Pierced with an Arrow, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art, arrow,

Sheep, Robert Hills, 1769–1844, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm), animal art, sheep

The Sportsman, Print made by John Browne, 1741–1801, British, after Gaspar Poussin, 1615–1675, French, after Joseph Farington, 1747–1821, British, Published by John Boydell, 1720–1804, British, 1775, Etching, line engraving,

Mr. Ashton Smith, Richard Dighton, 1795–1880, British, 1841, Graphite and watercolor on medium, smooth, cream wove paper, Frame: 10 11/16 × 26 3/16 × 13/16 inches (27.2 × 66.5 × 2 cm) and Image: 9 1/4 × 7 11/16 inches (23.5 × 19.5

Sagittarius serpentarius (Secretary Bird), James Bruce, 1730–1794, British, ca. 1768, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm), animal art

Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery, John Frederick Herring, 1795–1865, British, before 1847, Oil on canvas, Support (PTG): 28 x 36 inches (71.1 x 91.4 cm), black, brown,

Foxhunting: Hunt Servants Returning Hounds to Kennels, Samuel Henry Gordon Alken, 1810–1894, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 8 1/2 × 9 1/16

A Hound Facing Left, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 3 1/8 × 3 5/8 inches (7.9 × 9.2 cm), Mount: 12 × 14 1/4 inches (30.5 × 36.2 cm), and Binding: 12 inches

'Fearnought Going to Run Against The D: of Devon: Smart', James Seymour, 1702–1752, British, undated, Graphite and brown wash on medium, slightly textured, blued white laid paper, Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm), figure

Zebra, George Stubbs, 1724–1806, British, exhibited 1763, Oil on canvas, Support (PTG): 40 1/2 x 50 1/4 inches (102.9 x 127.6 cm), animal, animal art, dark, exoticism, forest, gifts, landscape, zebra (mammal), Africa

Landing Place at Pallanza, Charles Gore, 1729–1807, British, undates, Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm) and Image:

A Chicken Eating?, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, moderately textured, cream wove paper, Sheet: 16 3/8 × 13 1/2 inches (41.6 × 34.3 cm), animal art, chicken, chickens

Plymouth Roads, John Thomas Serres, 1759–1825, British, undated, Watercolor, pen with black ink over graphite on slightly textured, medium, cream wove paper, Sheet: 8 7/8 × 25 inches (22.5 × 63.5 cm), boats, Land, marine art, men,

Bull Attacking Mastiff, Samuel Howitt, 1756–1822, British, undated, Pen and black ink, graphite, gray wash and brown wash on medium, slighlty textured, cream wove paper, Sheet: 5 1/8 × 7 3/8 inches (13 × 18.7 cm), animal art, attack,

A Baboon, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 10 7/8 × 8 1/4 inches (27.6 × 21 cm), animal art, Baboons

Steeplechasing: The Hurdle, William J. Shayer, 1811–c.1885, British, 1869, Oil on canvas, Support (PTG): 4 3/4 x 9 3/4 inches (12.1 x 24.8 cm), equestrian, horse (animal), hurdle, jockey, landscape, racing, rural, sporting art,

A Married Sailor's Adieu, Julius Caesar Ibbetson, 1759–1817, British, ca. 1800, Oil on panel, Support (PTG): 6 3/4 x 10 inches (17.1 x 25.4 cm), bell, boats, boy, children, costume, daughters, family, father, genre subject, girls,

Animals: an eagle with a dead pheasant, watched by a fox, Print made by John Murphy, c.1748–1820, British, after James Northcote, 1746–1831, British, Published by James Daniell, active ca. 1780–1820, British, 1799, Mezzotint on

Study of a Donkey Under a Tree, George Morland, 1763–1804, British, after 1796, Graphite on medium, slighlty textured, cream laid paper, Sheet: 15 1/16 × 7 1/4 inches (38.3 × 18.4 cm), animal art, donkey, hooves (animal components),

'Landscape Scenery', No. 18: Scenes of Horse Drawn Artillery, etc., Henry Thomas Alken, 1785–1851, British, 1821, Graphite on medium, slightly textured, blued white, wove paper, Sheet: 6 3/16 × 9 1/2 inches (15.7 × 24.1 cm),

The Rising Moon, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint, with plate tone on thick, smooth, cream wove paper with cream chine collé, Sheet: 10 3/4 x 14 5/16 inches (27.3 x

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Foxhound, George Stubbs, 1724–1806, British, ca. 1760, Oil on paper laid on board, Support (PTG): 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm), Animalia (kingdom), boulder, dog (animal), forest, hunting, lake, shore (landform), sporting art,

A Lion and His Mate, Sawrey Gilpin, 1733–1807, British, undated, Graphite, brown wash and gray wash on thick, rough, beige wove paper, Sheet: 9 3/4 × 15 inches (24.8 × 38.1 cm), animal art, lion, partner

A Gentleman's Art Gallery, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 11/16 x 9 inches (14.4 x 22.9 cm), art,

Four Sketches of Horse Tails, Sawrey Gilpin, 1733–1807, British, 1760, Graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 9 7/16 × 6 3/8 inches (24 × 16.2 cm), animal art

Study of a Lioness, Benjamin Robert Haydon, 1786–1846, British, 1812, Pen and brown ink, over graphite on medium, moderately textured, beige, laid paper, Sheet: 4 3/8 × 6 3/8 inches (11.1 × 16.2 cm), animal art, lioness, sketch,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails, Possibly Henry Thomas Alken, 1785–1851, British, undated, Watercolor, graphite, and gouache, with pen, in brown ink, black ink, and gray ink on thick,

Near Mesghouneh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, cream wove paper, Sheet: 2 3/8 x 8 1/16 inches (6 x 20.5 cm), boats, horizon line,

The Head of Loch Fyne, with Dindarra Castle, Anthony Vandyke Copley Fielding, 1787–1855, British, 1850, Watercolor, pen, brown ink, gouache, gum, and graphite, with scraping on thick, slightly textured, cream wove paper, Sheet: 12 ×

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), buildings, channel

Near Kilh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, cochineal, pen and brown ink on medium, slightly textured, cream, wove paper, mounted on thick, slightly textured, cream wove paper, Sheet: 2 7/8 x 7 3/16 inches

Bostrychia carunculata (Wattled Ibis), James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm), animal art

'Getting Across the Country Like a Gentleman', Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 9 1/4 × 13 3/8 inches (23.5 × 34 cm), bushes, dogs

A Two-Decker on Fire at Night off a Fort, Charles Brooking, 1723–1759, British, ca. 1740, Oil on canvas, Support (PTG): 9 5/8 x 11 7/8 inches (24.4 x 30.2 cm), boats, brigs, castle, fire, flames, fort, lifeboats, marine art, night,

The Horse Mart, Robert Polhill Bevan, 1865–1925, British, ca. 1917, Black chalk and charcoal on medium, slightly textured, cream, laid paper, Sheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm) and Image: 9 3/8 × 13 1/16 inches (23.8 ×

A Goose and a Baboon, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 3/16 inches (13 × 18.3 cm), animal art, baboon, barrel,

Tortoise, Print made by James Heath, 1757–1834, British, after James Bruce, 1730–1794, British, 1789, Engraving, hand colored, animal art, tortoise

Lamprey, with His Owner Sir William Morgan, at Newmarket, John Wootton, 1682–1764, British, 1723, Oil on canvas, Support (PTG): 41 x 49 1/2 inches (104.1 x 125.7 cm), breeches (trousers), coat, decoration, fields (agricultural land),

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt., Henry Thomas Alken, 1785–1851, British, between 1818 and 1822, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 7/8 ×

Dry Dock, Southampton, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on medium, smooth, cream antique laid paper, Sheet: 2 11/16 x 6 7/8 inches (6.8 x 17.5 cm) and Image: 2 1/2 x 6

The Spoiled Child, Scene VI, Lewis Vaslet, 1742–1808, British, ca. 1802, Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm) and

Cow, Sawrey Gilpin, 1733–1807, British, undated, Graphie on medium, moderately textured, blue, laid paper, ounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 6 3/8 × 7 13/16 inches (16.2 × 19.8 cm) and Mount:

Mares and Foals in a Field, Thomas Rowlandson, 1756–1827, British, undated, Pen and red-brown ink, and graphite, with wash on moderately thick, smooth, blued white, wove paper, Sheet: 5 5/8 x 9 3/16 inches (14.3 x 23.3 cm), animal art,

The Sporting Parson: 'A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor, and white gouavhe on moderately thick,

Studies of Two Dancing Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm), abstract art, dance, figure, figure study,

Secretary Bird, Luigi Balugani, 1737–1770, Italian, undated, Graphite and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 5/8 x 7 5/8 inches (14.3 x 19.4 cm), animal art, bird

Shrubat-ur-Reech, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Graphite, gray wash and pen and gray ink on moderately thick, smooth, white, wove paper, Sheet: 3 7/8 × 5 7/8 inches (9.8 × 14.9 cm), animal art

'Gone Away', Adrian Jones, 1845–1938, British, ca. 1887, Bronze, Overall: 19 1/2 x 18 1/2 x 9 1/4 inches (49.5 x 47 x 23.5 cm), dogs (animals), fence, horn, tenor, horse (animal), hunting, man, sporting art

Visitors' Boat, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on medium, slightly textured, cream laid paper, Sheet: 7 1/16 x 4 15/16 inches (17.9 x 12.5 cm) and Image: 6 7/8 x 4

Two Gentlemen Going a Shooting, George Stubbs, 1724–1806, British, 1768, Oil on canvas, Support (PTG): 39 15/16 x 50 1/16 inches (101.4 x 127.2 cm), costume, cottage, dogs (animals), field, guns, hills, hunters, hunting, landscape,

Red-Plumed Bird-of-Paradise (Paradisea Apoda Raggiana), Southeastern New Guinea, John Collet, (?), ca. 1725–1780, British, undated, Watercolor with gouache over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 19

The Representation of the Dealer of a Squardon of Spanish Ships, Daniel Lerpiniere, c.1745–1785, British, after Richard Paton, 1717–1791, British, 1782, Engraving, battle, fire, marine art, sails, ships, smoke

A Carriage and Pair, with Coachman, Paul Sandby RA, 1731–1809, British, 1774, Gray wash, brown wash, white gouache and graphite on thin, slightly textured, beige, laid paper; mounted on, medium, slightly textured, beige, laid paper,

An Ox, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Gray wash and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm), animal art

Portrait of a Man and a Boy Looking at Prints, John Hamilton Mortimer, 1740–1779, British, between 1765 and 1770, Oil on canvas, Support (PTG): 30 x 25 inches (76.2 x 63.5 cm), art, boy, breeches (trousers), buckles, busts, chair,

Hulks at Plymouth, Samuel Prout, 1783–1852, British, undated, Watercolor, brown ink, gouache, and graphite on medium, moderately textured, beige wove paper, Sheet: 10 1/4 × 15 1/8 inches (26 × 38.4 cm), architectural subject, bay,

Trumpeter on Galloping Horse, James Stuart, 1713–1788, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 9 7/8 × 7 inches (25.1 × 17.8 cm), animal art

Coastal Scene, Hercules Brabazon Brabazon, 1821–1906, British, undated, Pastel on moderately thick, moderately textured, cream wove paper, Sheet: 6 1/8 x 8 5/8 inches (15.6 x 21.9 cm), beach, coast, landscape, marine art, mountains,

Point-to-Point Racing, Hablot Knight Browne, 1815–1882, British, undated, Watercolor, charcoal, graphite, and white gouache on medium, slightly textured, beige, wove paper, Sheet: 5 7/16 × 9 15/16 inches (13.8 × 25.2 cm), fence,

Duck Shooting, Henry Thomas Alken, 1785–1851, British, ca. 1825, Oil on canvas, Support (PTG): 10 1/4 x 12 3/8 inches (26 x 31.4 cm), bird, costume, dogs (animals), dogs (animals), ducks, grayhounds, hunt, hunter, hunting, rifle,

Elephant with Rider, James Sowerby, 1756–1822, British, undated, Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 3/4 × 9 1/2 inches (29.8 × 24.1 cm), animal art, elephants

Sleeping Leopard, George Stubbs, 1724–1806, British, 1777, Enamel on Wedgwood biscuit earthenware, Support (PTG): 4 1/4 x 6 5/8 inches (10.8 x 16.8 cm), leopard, oval, plants, rocks (landforms), sleeping, sporting art

Portrait of a sportsman, possibly Robert Rayner, Henry Walton, 1746–1813, British, ca. 1770, Oil on canvas, Support (PTG): 41 x 33 1/2 inches (104.1 x 85.1 cm), dog (animal), figure study, hunting, rifles, sporting art

A Hound with head up, James Seymour, 1702–1752, British, undated, Graphite on medium, moderately textured, cream laid paper, Sheet: 6 3/16 × 8 inches (15.7 × 20.3 cm), animal art, dog (animal

Black Game, Rabbits, and Swallows in a Park, Leonard Knyff, 1650–1721, Dutch, active in Britain (by 1681), ca. 1700, Oil on canvas, Support (PTG): 35 1/2 x 56 inches (90.2 x 142.2 cm), animal art, birds, black, castle, country house,

Lord Portmore Watching Racehorses at Exercise on Newmarket Heath, John Wootton, 1682–1764, British, ca. 1735, Oil on canvas, Support (PTG): 26 5/8 x 49 inches (67.6 x 124.5 cm), breeches (trousers), coats, equestrians, farmland, fence,

Westminster Bridge, Print made by James Walker, 1748–1808, British, after Joseph Mallord William Turner, 1775–1851, British, 1797, Etching with line engraving on medium, slightly textured, cream wove paper, Sheet: 6 5/8 × 8 7/8 inches

A Mule or Donkey, Harnessed to a Farm Cart, with Other Sketches at Top, Executed at or Near Canterbury, c. 1835, Thomas Sidney Cooper, 1803–1902, British, undated, Graphite, gray wash and brown wash on medium, slightly textured, cream,

On the Test, Francis Seymour Haden, 1818–1910, British, 1878, Etching and drypoint, with plate tone on medium, smooth, cream Asian paper with cream chine collé, Sheet: 9 5/16 x 12 15/16 inches (23.7 x 32.8 cm), Plate: 5 7/8 x 8 7/8

Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres, Sir Edwin Henry Landseer, 1802–1873, British, Summer 1846 to March 1847, Oil on canvas, Support (PTG): 69 1/4 x 94 inches (175.9 x 238.8 cm),

A Tiger, Full-Length, in Profile, Walking Towards Right, Thomas Stothard, 1755–1834, British, undated, Watercolor, with pen, in gray ink, and black ink, over graphite on moderately thick, slightly textured, beige, wove paper,

Mare and Foal, Arthur James Stark, 1831–1902, British, undated, Graphite on medium, slightly textured, cream, wove paper, mounted on moderately thick, slightly textured, cream, wove paper, Sheet: 4 3/4 × 8 inches (12.1 × 20.3 cm),

Oriental Hound, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and gray ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm), animal art

Stag Hunting - The Meet: a Hind Released From a Van.., Samuel Alken, 1756–1815, British, undated, Watercolor, with pen, in brown ink, black ink, grpahite, and gouache on moderately thick, moderately textured, blued white, wove paper,

H.M.S. St. Vincent at Plymouth, Nicholas Condy, 1793–1857, British, undated, Pen and black ink, watercolor and gouache on medium, slightly textured, gray wove paper, Sheet: 4 3/16 × 10 1/16 inches (10.6 × 25.6 cm), beach, marine art,

Black-backed Jackal, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, white, wove paper, Sheet: 4 1/4 × 6 9/16 inches (10.8 × 16.7 cm), animal

Figure Study for a Relief Design, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and black ink on medium, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm), abstract art, design, figure, figure

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

The English Merchant Ship 'Malabar', William Clark, 1803–1883, British, 1836, Oil on canvas, Support (PTG): 24 1/4 × 36 inches (61.6 × 91.4 cm), boat, brig, checked, checkered, English, flags, lighthouse, marine art, men,

Procyon Cancrivorus, Crab-eating Racoon, Black Variety, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, gray ink and graphite on mediium, smooth, white, wovve paper, Sheet: 4 1/16 × 6 1/2 inches

A View at Blackwall, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper, Mount: 7 5/8 x 10 inches (19.4 x 25.4 cm) and Sheet: 4

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel

Captain Barclay's Rally Match - The Finish, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray ink over graphite on thick, moderately textured, wove paper, Sheet: 5 11/16 x 9 3/16 inches (14.4 x 23.3

Study of Horses Carrying Calves on their Backs, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/8 × 8 inches (14.3 × 20.3 cm), animal art, calfs

A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..., John Wootton, 1682–1764, British, undated, Graphite, pen, in black ink, and gray wash on medium, slightly textured, cream, laid paper, Sheet: 7 5/8 × 6 13/16

Mountain Landscape: with cows and goats foreground and figures, left, Peter La Cave, active 1769–1810, 1801, Watercolor, pen and black ink on medium, slightly textured, beige wove paper, Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm),

Outside the Guard House at Windsor, Edmund Bristow, 1787–1876, British, between 1817 and 1821, Oil on canvas, Support (PTG): 24 x 30 inches (61 x 76.2 cm), animal art, castle, dog (animal), guard houses, guards, helmets, horse

Studies of Oxen and Equestrians, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel (mammal),

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

A River Scene, George Chinnery, 1774–1852, British, undated, Pen and brown ink, watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 8 5/8 inches (17.8 × 21.9 cm), boat, fishing, marine art,

Head of an Aga of the Janisseries, Princess Augusta Charlotte, 1766–1828, British, after John Hamilton Mortimer, 1740–1779, British, undated, Pen and black ink on medium, slightly textured, cream wove paper, Sheet: 12 1/8 x 9 1/2

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