Images at Librifly

search results: Art clear search

Lake Geneva and Mount Blanc, Joseph Mallord William Turner, 1775–1851, British, 1802 to 1805, Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper, Sheet: 28 7/8 x 44 5/8 inches (73.3 x

A Cheetah killing an Antelope, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 3/4 × 5 7/8 inches (14.6 × 14.9 cm), animal art

Near Broadstairs, William J. Blacklock, 1805–1858, undated, Watercolor and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm), boats, cliffs, clouds, dock, landscape, marine

A Scene on the Road in France, Charles Cooper Henderson, 1803–1877, British, 1835, Oil on canvas, Support (PTG): 8 1/2 x 12 inches (21.6 x 30.5 cm), animal art, bags, bridle, brown coat, carriage, horses (animals), men, path, road,

Port with Moored Steamship, Hercules Brabazon Brabazon, 1821–1906, British, undated, Pastel and graphite on medium, slightly textured, cream wove paper mounted on card, Sheet: 5 x 5 3/8 inches (12.7 x 13.7 cm) and Mount: 7 3/4 x 7 1/4

Hound Standing: profile, facing left, Sydenham Teast Edwards, 1768–1819, British, 1795, Graphite and watercolor, Sheet: 6 7/8 x 8 5/8in. (17.5 x 21.9cm) and Frame: 15 3/4 × 17 1/16 × 3/8 inches (40 × 43.4 × 0.9 cm), animal art, dog

A Couple of Foxhounds with a Terrier, the property of Lord Henry Bentinck, William Barraud, 1810–1850, British, ca. 1845, Oil on canvas, Support (PTG): 44 x 56 inches (111.8 x 142.2 cm), animals, blanket, boots, costume, dogs (animals),

'The Manege-Gallop with the right leg' engraved as plate 14 in 'Twenty Five Actions of the Manage Horse...', John Vanderbank, 1694–1739, British, 1729, Pen, in gray ink, black ink, graphite, and gray wash on medium, slightly textured,

Horse and Stable Lad, Adrian Jones, 1845–1938, British, ca. 1890, Bronze, Overall: 13 1/4 x 17 x 5 1/4 inches (33.7 x 43.2 x 13.3 cm), horse (animal), man, sporting art

Illustration for R.S. Surtees', 'The Analysis of the Hunting Field': Getting Away: 'Let's Take the Lead', Henry Thomas Alken, 1785–1851, British, undated, Watercolor over etched outline, with gouache, and pen in black ink on medium,

A House Sparrow, James Sowerby, 1756–1822, British, undated, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 3/8 × 8 1/4 inches (34 × 21 cm), animal art, grass, sparrows

Ships in harbor, Robert Salmon, 1775–ca.1845, British, 1805, Oil on canvas, Support (PTG): 26 1/2 x 45 inches (67.3 x 114.3 cm), bicorne, boats, cannon, dock, full-rigged ships, harbor, ketch (fore-and-aft-rigged vessel), marine art,

A Mare, Possibly a Study for 'L'Amour de Cheval', Dated 1827, in the Tate Gallery, James Ward, 1769–1859, British, undated, Charcoal on medium, slightly textured, gray wove paper, mounted on, medium, moderately textured, beige, laid

Plate X, Fowl Body, Lateral View, Print made after George Stubbs, 1724–1806, British, 1804, Line engraving on moderately thick, slightly textured, cream wove paper, Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm), Plate: 20 × 15 inches

Two Men at Fisticuffs, James Gillray, 1757–1815, British, undated, Watercolor with pen and black ink on medium, slighlty textured, cream laid paper, Sheet: 7 1/2 × 7 3/8 inches (19.1 × 18.7 cm), boxing, fence, genre subject, men,

A Hawk, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 1/2 × 8 1/2 inches (34.3 × 21.6 cm), animal art, bird, hawk, Hawks

Quarterdeck by Moonlight - When Homeward Bound, I. H. Gascoigne, active 1830s–1840s, 1842, Pen and brown ink and watercolor with scratching out on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 7 1/2 inches (23.5 × 19.1 cm),

The Sleeping Shepherd, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint on medium, slightly textured, cream laid paper, Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm), Plate: 4 15/16 x 4

Naked Hyaena of the Deserts of Nubia, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, white, wove paper, Sheet: 3 7/8 × 6 11/16 inches (9.8 × 17 cm), animal art

Rabbits, Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, blued white wove paper, Sheet: 5

The Bornou Race, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and gray ink and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 1/16 × 6 5/16 inches (10.3 × 16 cm), animal art

The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton, James Seymour, 1702–1752, British, 1747, Oil on canvas, Support (PTG): 24 1/2 x 29 1/4 inches (62.2 x 74.3 cm), animal art, animals, boy, breeches,

Four Mules with Panniers and a Cart, Paul Sandby RA, 1731–1809, British, undated, Graphite and brown wash on medium, slightly textured, cream, laid paper, mounted on moderately thick, slightly textured, cream, wove paper, Sheet: 2 1/16

Steeplechasing: Two Riders Taking a Wooden Fence, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, moderately textured, blued white, wove paper, Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm), building,

Interior of a Post-House Stable, With Horses Feeding, Charles Cooper Henderson, 1803–1877, British, undated, Watercolor with pen in brown ink, over graphite on medium, moderately textured, cream, wove paper, Sheet: 7 1/16 × 16 13/16

Studies of Donkeys, Sawrey Gilpin, 1733–1807, British, undated, Pen and black ink and graphite on medium, moderately textured, cream laid paper, Sheet: 6 3/4 × 11 5/8 inches (17.1 × 29.5 cm), animal art, burro, donkeys, grazing,

Horse and Rider being Attacked by a Lion, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink with brown wash over graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/2 × 6 3/4 inches (11.4 × 17.1 cm), animal

Cassypha semirufa (Ruppell's Robin Chat), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Head of a Hound, George Morland, 1763–1804, British, undated, Graphite on medium, slightly textured, cream wove paper mounted very thick, smooth, cream wove card, Sheet: 6 5/8 × 5 1/2 inches (16.8 × 14 cm), animal art, collar (animal

Sailboat near Rocks, James Miller, active 1773–1814, undated, Gray wash and graphite on medium, slightly textured, blued white laid paper, Sheet: 6 3/8 × 7 13/16 inches (16.2 × 19.8 cm) and Image: 4 7/8 × 6 5/8 inches (12.4 × 16.8 cm),

Men-of-War and other Shipping on the Thames (most probably at Deptford), Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), undated, Watercolor and pen and black ink and graphite on medium, slightly textured,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Grouse Shooting: The Right Sort, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in red ink, and brown ink, over graphite on medium, slightly textured, cream, wove paper, mounted on thick, slightly textured,

Grouse Shooting: The Wrong Sort, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream, wove paper, mounted on thick, moderately textured, brown,

Beach Scene with Figures by a Breakwater, James Holland, 1799–1870, British, 1861, Watercolor and white gouache and graphite on medium, slightly textured, gray wove paper, Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm), beach, breakwater,

Vessels in a Choppy Sea, Richard Parkes Bonington, 1802–1828, British, ca. 1824, Watercolor with scratching out on medium, cream, slightly textured, wove paper, Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm), clouds, marine art, sea,

P. Monamy, Print made by James Bretherton, ca. 1730–1806, British, after Thomas Stubly, active 1733–1738, British, undated, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 11 15/16 x 9 1/4 inches (30.3 x 23.5

Musicians and a Fakir, Amritsar, 25 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel

A Dog, George Chinnery, 1774–1852, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 3 1/4 x 2 3/4 inches (8.3 x 7 cm), animal art, dog (animal

A Bird, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 13 inches (20.6 × 33 cm), animal art, bird

A Lancashire River, Francis Seymour Haden, 1818–1910, British, 1881, Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper, Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm), Plate: 10 15/16 x 15 7/8 inches

Polecat, Samuel Howitt, 1756–1822, British, ca. 1817, Watercolor, pen and black ink, pen and gray ink, and graphite on wove paper, Sheet: 7 5/8 × 6 1/2 inches (19.4 × 16.5 cm), animal art

A Parrot, James de Carle Sowerby, 1787–1871, British, undated, Watercolor, blue gouache, and graphite on medium, smooth, cream wove paper, Sheet: 8 3/16 × 5 5/8 inches (20.8 × 14.3 cm), animal art, branch, parrot

Boats on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 3 x 4 3/4 inches (7.6 x 12.1 cm), boats, figures (representations),

J. & W. Chaplin's Dover-London Stage on the Road, John Cordrey, active 1765–1825, British, 1814, Oil on canvas, Support (PTG): 20 3/8 x 30 1/8 inches (51.8 x 76.5 cm), carriage, costume, horses (animals), reins, road, sporting art,

Dutch Shipping off the Low Countries, Adam Silo, ca. 1674–1772, Dutch, 18th century, Oil on panel, Support (PTG): 9 x 12 3/4 inches (22.9 x 32.4 cm), barges, Dutch, marine art, merchants, rowboat, sailors, sea, ships, sloops (sailing

View of an Iceberg in the Island of Spitzbergen, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and

Man on Horseback Carrying a Spear, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 12 5/8 × 8 7/8 inches (32.1 × 22.5 cm), animal art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated, Etching on medium,

The Dog and the Wolf, Samuel Howitt, 1756–1822, British, undated, Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm), animal art, dog (animal),

Studies of a Cattle, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, cream laid paper, Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm), animal art, cattle, cows, hills, study (visual work), valley

Fingal's Cave, Staffa, George Cuitt, 1743–1818, British, undated, Watercoclor, graphite, and scratching out on medium, moderately textured, cream, laid paper, Sheet: 13 1/8 × 16 13/16 inches (33.3 × 42.7 cm), basalt, birds, boats,

Men-of-War and Sailing Boats Near a Shore, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red brown and gray ink over graphite on cream, moderately thick, slightly textured, wove paper, glued to mat, Sheet: 8 1/16

Foxhunting: Road Riders or Funkers, Richard Barrett Davis, 1782–1854, British, 1840, Oil on canvas, Support (PTG): 11 x 30 inches (27.9 x 76.2 cm), animals, costume, hills, horses (animals), hunters, landscape, recreation, riders,

Dancing Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, slightly textured, blue wove paper, Sheet: 8 x 5 5/8 inches (20.3 x 14.3 cm), abstract art, dance, figure, figure study,

Profile of a Horse Facing Left, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/8 × 7 inches (14.3 × 17.8 cm), Mount: 12 × 14 1/4 inches (30.5 × 36.2 cm), and Binding: 12

Flying Childers and Grooms, James Seymour, 1702–1752, British, undated, Graphite on medium, moderately textured, blued white, laid paper, Sheet: 3 7/8 × 6 1/4 inches (9.8 × 15.9 cm), figure study, grooms (caretakers of horses), horse

A Small Breeze, Print made by Thomas Boydell, active 1750–1751, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1753, Etching and line engraving with hand coloring on moderately thick,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

From the Isola Borromena, Lago Maggiore, Joseph Mallord William Turner, 1775–1851, British, ca. 1795, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 7/8 x 9 inches (14.9 x 22.9 cm), boats, Grand Tour,

Ships Heeling Over in a Stormy Sea, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Brown ink and brown wash with gouache on moderately thick, rough, gray wove paper, pasted on thick, smooth, cream card,

Going to Cover, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Mount: 9

An English Sloop and a Frigate in a Light Breeze, Francis Swaine, 1730–1782, British, undated, exhibited between 1762 and 1782, Oil on canvas, Support (PTG): 10 x 13 3/8 inches (25.4 x 34 cm), boats, breeze, flags, frigate, marine art,

Unidentified Fish, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slighly textured, cream laid paper, Sheet: 12 × 16 inches (30.5 × 40.6 cm), animal art

Battersea Bridge, Francis Seymour Haden, 1818–1910, British, 1868, Etching and drypoint, with plate tone on moderately thick, slightly textured, beige wove paper, Sheet: 9 13/16 x 12 1/4in. (24.9 x 31.1cm), Plate: 6 15/16 x 9 15/16 inches

Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through, Samuel Henry Gordon Alken, 1810–1894, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 9

A Brig at Anchor, Trees Beyond, Edward Calvert, 1799–1883, British, undated, Brown ink on medium, slightly textured, cream wove paper, mounted to moderately thick, moderately textured, cream laid paper, Sheet: 1 7/8 × 2 1/8 inches (4.8

Kew, Francis Seymour Haden, 1818–1910, British, 1864, Etching and drypoint on medium, slightly textured, cream Asian paper, Sheet: 8 1/4 x 6 1/8 inches (21 x 15.5 cm), Plate: 5 15/16 x 5 3/4 inches (15.1 x 14.6 cm), and Image: 5 15/16 x 5

Fishing Boats Becalmed off le Havre, Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor and gouache on medium, slightly textured, blue wove paper, Sheet: 5 1/2 x 7 3/4 inches (14 x 19.7 cm), boats, clouds, fishing,

Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, moderately textured, beige, wove paper, Sheet: 4 7/16 × 4 3/4 inches (11.3

Hounds in a Landscape, John Wootton, 1682–1764, British, undated, Gray wash, pen and brown ink, black ink, charcoal crayon, and graphite on medium, slightly textured, cream, laid paper, Mount: 14 5/16 × 12 1/4 inches (36.4 × 31.1

Two Greyhounds in a Landscape, Charles Hancock, 1802–1877, British, between 1830 and 1850, Oil on canvas, Support (PTG): 27 x 34 inches (68.6 x 86.4 cm), dogs (animals), greyhounds (breed), landscape, pedigree, rural, sporting art

The Huntsman and a Rider Encouraging the Hounds, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 10 7/16 × 14 7/16 inches (26.5 × 36.7 cm), dogs (animals),

Sheepdog Asleep in a Landscape, Attributed to Andrew Geddes, 1783–1844, British, undated, Watercolor, black chalk, brown chalk, white chalk and graphite on medium, slighlty textured, cream wove paper, Sheet: 6 × 8 1/4 inches (15.2 × 21

A Young Deer, Robert Hills, 1769–1844, British, 1801, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/4 x 5 1/8 inches (17.1 x 13 cm), animal art, deer

Falcon: Hen Krestel, William Lewin, 1747–1795, British, before 1790, Watercolor, gouache, graphite and pen and black ink on medium, smooth white vellum, Sheet: 8 1/4 × 6 3/4 inches (21 × 17.1 cm), animal art, bird, branch, falcon

Butterfly Hunting, Thomas Rowlandson, 1756–1827, British, ca. 1806, Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper, Sheet: 5 1/4 x 7 3/16 inches (13.3 x 18.3 cm), butterflies, doorway, garden, genre

Studies of Camels and Egyptian Men, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 3/8 x 3 7/8 inches (3.5 x 9.8 cm), animal art, camels (mammals),

Abstract Figure Composition, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art, dancing, figure,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Island of Portland, Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), undated, Gray wash with pen and brown ink and graphite on medium, moderately textured, beige laid paper, Sheet: 3 × 4 3/8 inches

Man on Horseback Carrying a Spear, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 13 1/2 inches (22.2 × 34.3 cm), animal art

English Ships Under Sail in a Very Light Breeze, Charles Brooking, 1723–1759, British, ca. 1752, Oil on canvas, Support (PTG): 15 x 23 inches (38.1 x 58.4 cm), boats, flags, marine art, merchants, sailboats, sea, seascape, ships,

White-Barred Aguara Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 9/16 × 7 5/16 inches (11.6 × 18.6 cm), animal art

Pheasant Shooting, Edward Duncan, 1803–1882, British, 1825, Watercolor, with pen, in brown ink, over graphite, and gouache on medium, slightly textured, blued white, wove paper, Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm), dogs

Netting Deer in Richmond Park, Sir George Hayter, 1792–1871, British, undated, Graphite, with white gouache on moderately thick, slightly textured, green-gray, wove paper, Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm), deer, dogs

A Lion Standing over a Wounded Leapard, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm), animal art, cave,

Two Dancing Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm), abstract art, dance, figure, figure study, Vorticism

Tom Conolly of Castletown Hunting with His Friends, Robert Healy, 1743–1771, British, 1769, Pastel, chalk, and white gouache on moderately thick, moderately textured, cream laid paper, Sheet: 20 1/4 × 53 1/2 inches (51.4 × 135.9 cm) and

Studies of Geese, James Ward, 1769–1859, British, undated, Watercolor, oil, and graphite with scratching out on medium, smooth, cream wove paper, Sheet: 10 3/4 x 17 7/8 inches (27.3 x 45.4 cm), animal art, animals, birds, geese,

Man on Horseback Carrying Bow and Arrows, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 13 1/4 inches (22.2 × 33.7 cm), animal art

Dhole of Ceylon, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 9/16 × 7 7/16 inches (11.6 × 18.9 cm), animal art

Sloven, with Jockey Up, Galloping to Right, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream, laid paper, Sheet: 6 1/4 × 8 5/16 inches (15.9 × 21.1 cm), figure study, galloping, horse

Study of a Saddled Bay Hunter, John Ferneley, 1782–1860, British, 1828, Oil on canvas, Support (PTG): 28 x 36 inches (71.1 x 91.4 cm), animal, equestrian, horse (animal), hunter, portrait, saddle, sporting art, stirrup

Snipe Shooting, Henry Thomas Alken, 1785–1851, British, or possibly Samuel Henry Gordon Alken, 1810–1894, British, undated, Graphite and watercolor on thick, slightly textured, cream, wove paper, Sheet: 10 1/2 × 14 3/8 inches (26.7

Brown and White Norfolk or Water Spaniel, George Stubbs, 1724–1806, British, 1778, Beeswax and oil on panel, Support (PTG): 31 3/4 x 38 1/4 inches (80.6 x 97.2 cm), animal, animal art, clouds, dog (animal), flowers (plants), river,

A Harrier, William Webb, ca. 1780–1845, British, undated, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 4 7/16 × 6 1/2 inches (11.3 × 16.5 cm) and Frame: 10 7/16 × 12 5/16 × 13/16 inches (26.5 × 31.2 × 2 cm),

Coast Scene, John Wilson Ewbank, 1779–1847, British, undated, Graphite with white gouache on medium, smooth cream card, Sheet: 5 1/2 × 8 3/4 inches (14 × 22.2 cm), boats, coast, marine art, sails, ships

Ralph John Lambton on His Hunter, 'Undertaker', James Ward, 1769–1859, British, ca. 1815, Graphite on medium, slightly textured, beige, wove paper, Sheet: 7 7/8 × 11 5/8 inches (20 × 29.5 cm), horse (animal), hunter, sporting art,

search results: Art clear search