Images at Librifly

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Carnarvon Castle, John Varley, 1778–1842, British, undated, Watercolor and graphite on medium, slightly textured, cream, wove paper, Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm), architectural subject, beaches, boats, castles, clouds,

Nine Greyhounds in a Landscape, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), ca. 1807, Oil on canvas, Support (PTG): 25 1/16 x 29 7/8 inches (63.7 x 75.9 cm), animal art, animals, dogs (animals), equestrian,

The Return from Coursing, William Hamilton, 1751–1801, British, undated, Watercolor, with pen, in gray ink, over graphite on medium, smooth, blued white, wove paper, Sheet: 7 3/16 × 9 11/16 inches (18.3 × 24.6 cm), building, child,

The Zattere, Sunset, James Holland, 1799–1870, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 6 × 7 7/8 inches (15.2 × 20 cm), abstract art, architectural subject, boardwalk,

A Salmon River, no. 2, Francis Seymour Haden, 1818–1910, British, 1884, Etching and mezzotint on moderately thick, moderately textured, cream wove paper, Sheet: 7 11/16 x 11 1/8 inches (19.5 x 28.2 cm), Plate: 4 5/8 x 6 1/4 inches (11.7 x

St. Simon, Joseph Edgar Boehm, 1834–1890, British, 1885, Bronze, Overall: 22 1/2 x 28 x 8 1/2 inches (57.2 x 71.1 x 21.6 cm) and Base or socle: 2 inches (5.1 cm), animal art, horse (animal

Wareham Bridge, Francis Seymour Haden, 1818–1910, British, 1877, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 8 3/16 x 10 7/8 inches (20.8 x 27.6 cm), animal art, arches, architectural

Sailing Boats and Barges on a Dutch(?) Estuary, John Berney Crome, 1794–1842, British, ca. 1825, Oil on canvas, Support (PTG): 34 × 48 inches (86.4 × 121.9 cm), barges, boats, brig, Dutch, estuary, marine art, men, ocean, rowboat,

Silks and Satins of the Turf, Benjamin Herring, 1830–1871, British, 1865, Oil on panel, Support (PTG): 20 x 43 1/2 inches (50.8 x 110.5 cm), breeches, bridle, course, equestrians, horses (animals), jockey caps, jockeys, race (event),

A Spaniel Lying Down, Sir Edwin Henry Landseer, 1802–1873, British, ca. 1860, Oil on panel, Support (PTG): 4 1/2 × 10 1/2 inches (11.4 × 26.7 cm), animal art, dog (animal), Spaniel

Interior of a Stable, with Tow Horses Feeding, William Burgess, 1749–1812, British, undated, Brown wash, watercolor, pen and brown ink, white gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 13 1/4

The Breaking Up of the Agamemnon, no. 1, Francis Seymour Haden, 1818–1910, British, 1870, Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper, Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm),

Sketch of a Man-O-War firing Guns, Willem van de Velde the Elder, ca. 1611–1693, Dutch, active in Britain (from 1672), undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 7/8 × 6 3/16 inches (22.5 × 15.7 cm),

Ackerman's Library for Works of Art, John Bluck, active 1791–1831, British, after Augustus Charles Pugin, 1762–1832, French, 1813, Hand colored aquatint on slightly textured, medium, cream wove paper, Sheet: 9 5/8 × 11 5/8 inches

Unidentified madogua (Dik-dik), James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm), animal art

The Kill, Samuel Howitt, 1756–1822, British, undated, Watercolor with pen in brown ink, gray ink, and graphite on medium, slightly textured, beige, wove paper, mounted on very thick, smooth, wood pulp card paper, Sheet: 17 1/2 × 26

Pleasure Boats in an Estuary, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown ink, over graphite on moderately thick, moderately textured, wove paper, mounted onto more wove paper of the same thickness and

Horse Frightened by a Lion, George Stubbs, 1724–1806, British, between 1762 and 1768, Oil on canvas, Support (PTG): 27 3/4 x 41 inches (70.5 x 104.1 cm), animal art, anthropomorphism, cave, danger, fear, frightened, horse (animal),

Port Townshend, Strait of Georgia, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

A Mare: Possibly a Study for 'L'Amour de Cheval', Dated 1827, in the Tate Gallery, James Ward, 1769–1859, British, 1827, Black chalk and white chalk on medium, smooth, brown wove paper, Sheet: 9 5/8 x 12 1/2 inches (24.4 x 31.8 cm),

A Ship Running into Harbour with Other Craft at a Jetty, Thomas Whitcombe, 1763–after 1824, British, 1788, Oil on canvas, Support (PTG): 17 1/4 × 24 1/4 inches (43.8 × 61.6 cm), cliffs, clouds, cutter (sailing vessel), harbor, jetty

Mill on the Tavy, William Payne, active 1850s, British, undated, Watercolor on thick, slightly textured, cream wove paper, Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm), boat, hills, landscape, marine art, mill, river, sunset,

Man of War Moored in Harbor, Mountains in the Background, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, mounted on, thick, moderately textured,

Sowadi, 8:30 am, 4 January 1867 (65), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 9/16 x 9 1/4 inches (14.1 x 23.5 cm), beach,

Dog of the North American Indians, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 7/8 × 7 9/16 inches (12.4 × 19.2 cm), animal

Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons, Hercules Brabazon Brabazon, 1821–1906, British, after Sir Joshua Reynolds RA, 1723–1792, British, undated, Black chalk, red chalk, white chalk and

Six Studies of Dancing Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, slightly textured, blue wove paper, Sheet: 8 x 5 3/4 inches (20.3 x 14.6 cm), abstract art, dance, figure,

Stormy Sea Breaking on a Shore, Joseph Mallord William Turner, 1775–1851, British, between 1840 and 1845, Oil on canvas, Support (PTG): 17 1/2 x 25 inches (44.5 x 63.5 cm), abstract art, landscape, light, meteorology, movement, science,

Royal Horse Artillery, 1843, John Grant, Died 1873, after Thomas H. Jones, active 1836–1848, 1843, Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 13 7/8 x 18 inches (35.3 x 45.7 cm), Plate: 10

The Dongola Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Graphite, gray wash, pen and gray ink on moderately thick, smooth, cream, wove paper, Sheet: 4 1/16 × 6 inches (10.3 × 15.2 cm), animal art

Costume Note, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 2 1/4 × 2 5/8 inches (5.7 × 6.7 cm), abstract art, costume, decoration

Spotted Hyena, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown inki and graphite on medium, smooth, cream, wove paper, Sheet: 3 15/16 × 6 9/16 inches (10 × 16.7 cm), animal art

Ships on a Calm Sea, Francis Swaine, 1730–1782, British, undated, Gray wash with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm), flags, marine art, masts, sea, ships

Two-wheeled Tip-cart with Horses, Paul Sandby RA, 1731-1809, British, undated, Graphite and gray wash on medium, slightly textured, blued white, laid paper, Sheet: 2 1/8 x 8 1/2 inches (5.4 x 21.6 cm), animal art, cart, figure study,

Dun-Footed Aguara-Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, black ink and graphite on medium, slightly textured, white, wove paper, Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm), animal

Drifting, John MacWhirter, 1839–1911, British, undated, Gray wash, gray wash, and white gouache on medium, slightly textured, blue wove paper, Sheet: 9 15/16 × 13 7/8 inches (25.2 × 35.2 cm), abstract art

'Fanny's Colt', July 26, 1886, John Frederick Tayler, 1802–1889, British, 1886, Watercolor, over graphite, with pen, in brown ink, and black ink on medium, smooth, blued white, wove paper, mounted on thick, smooth, white, wove

Storm Over a Coast, Giles F. Phillips, 1780–1867, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 6 1/16 × 9 1/2 inches (15.4 × 24.1 cm), beach, boats, coast, marine art, Masts and rigging, men,

Greenland Fishery, Print made by John Boydell, 1720–1804, British, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1754, Etching and line engraving with hand coloring on moderately thick,

Man Holding Horse by the Bridle, George Morland, 1763–1804, British, undated, Brown wash and graphite on thin, slightly textured, cream laid paper, Sheet: 8 15/16 x 9 9/16in. (22.7 x 24.3cm) and Sheet: 9 × 9 1/2 inches (22.9 × 24.1 cm),

Saddled Horse, with a Crest Branded on His Flank, Walking to Right, James Seymour, 1702–1752, British, undated, Pen, in brown ink on medium, moderately textured, beige, laid paper, Sheet: 6 1/8 × 8 5/16 inches (15.6 × 21.1 cm),

A Yellow-shouldered Blackbird, James Sowerby, 1756–1822, British, undated, Watercolor, graphite, and pen and black ink on thin, slightly textured, cream wove paper, Sheet: 7 1/8 × 4 3/8 inches (18.1 × 11.1 cm), animal art, bird,

Two Laden Hay Carts With Horses, Paul Sandby RA, 1731–1809, British, undated, Graphite and brown wash on medium, slightly textured, beige, laid paper, mounted on moderately thick, slightly textured, cream, wove paper, Sheet: 3 7/8 x 4

Four Prize Wethers, Print made by John West Giles, active 1827–1865, after Henry Strafford, active 1833–1873, 1837, Lithograph with hand coloring on thick, slightly textured, cream wove paper, Sheet: 18 x 22 3/4 inches (45.7 x 57.8 cm)

Three Figure Studies, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art, figure, figure study,

Whitby, John Atkinson Grimshaw, 1836–1893, British, 1878, Oil on board, Support (PTG): 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm), boats, bridge (built work), cityscape, marine art, moon, night, ships, topsail schooner

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

A Fieldfare, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 × 8 inches (33 × 20.3 cm), animal art, bird, Fieldfare

Bachelor's Hall: Capping on Hounds, Francis Calcraft Turner, active 1782–1846, British, 1835 to 1836, Oil on canvas, Support (PTG): 14 x 19 inches (35.6 x 48.3 cm), animals, chasing, horse (animal), horseback riding, hounds (dogs),

Hare in a Landscape, Newton Limbird Smith Fielding, 1799–1856, British, 1827, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/4 inches (22.2 × 15.9 cm), animal art, fence, landscape,

Going Along a Slapping Pace, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, gouache and graphite on medium, slightly textured, beige wove paper, Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm), dogs (animals), equestrians,

Vulture, James Bruce, 1730–1794, British, ca. 1768, Watercolor, pen and brown ink on moderately thick, moderately textured, cream, laid paper, Sheet: 15 × 12 1/8 inches (38.1 × 30.8 cm), animal art

Moonlight, Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain, after Peter Monamy, 1681–1749, British, Published by John Bowles, 1701–1779, British, 1745, Line engraving and etching on moderately thick,

Brood Mare and Third Foal, with Marks of Quagga, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and black ink and brown ink on mediium, slightly textured, cream, wove paper, Sheet: 3 7/8 × 6 1/2 inches

The English Brig 'Norval' before the Wind, William Clark, 1803–1883, British, 1833, Oil on canvas, Support (PTG): 19 7/8 x 29 5/8 inches (50.5 x 75.2 cm), banners, birds, boats, brig, English, flags, hills, marine art, men, ocean,

Study of a horse lying down, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm), animal art, horse (animal), resting, seated

Studies of Camels, William Simpson, 1823–1899, British, 1860, Graphite; verso: graphite and watercolor on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel

A Kingfisher, Thomas Atwood, ca. 1761–1766, British, undated, Watercolor, gouache, and pen and brown ink on moderately thick, slighlty textured, cream wove paper, Sheet: 6 × 5 3/4 inches (15.2 × 14.6 cm), animal art, bird, branches,

Ship at Sea, Attributed to William Wyld, 1806–1889, British, undated, Watercolor and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 3/4 × 4 inches (7 × 10.2 cm), marine art, sea, ship, waves (natural events

Tangiers Beach: A Horse Shying at a Crab, Joseph Crawhall, 1861–1913, British, undated, Pen, in brown ink on medium, smooth, beige, laid paper, Sheet: 4 15/16 × 7 5/8 inches (12.5 × 19.4 cm), animal art

Shipping in the English Channel, Charles Brooking, 1723–1759, British, ca. 1755, Oil on canvas, Support (PTG): 35 1/2 x 46 3/8 inches (90.2 x 117.8 cm), boats, clouds, cutter (sailing vessel), flags, frigates, marine art, sea,

Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder, Possibly James Seymour, 1702–1752, British, undated, Pen, in brown ink, and graphite on medium, moderately textured, beige, laid paper, Mount: 13 3/16 × 13

A Stormy Sea, Evening, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Brown ink and brown wash with gouache on moderately thick, rough, gray wove paper, pasted on thick, smooth, cream card, Sheet: 4 x 7

A Jockey-Cart, John Leech, 1817–1864, British, undated, Graphite, Sheet: 5 3/8 × 8 1/4 inches (13.7 × 21 cm) and Frame: 10 7/8 × 13 3/4 × 3/16 inches (27.6 × 35 × 0.5 cm), animal art, carriage, cart, horse (animal), jockey

Beddington, William Ellis, 1747–1810, British, after William Ellis, 1747–1810, British, Published by William Ellis, 1747–1810, British, 1792, Aquatint and etching on moderately thick, moderately textured, cream wove paper, Sheet:

Auntie Bee with her two Nieces in a Pony Cart, Joseph Crawhall, 1861–1913, British, 1896, Black ink wash on medium, smooth, beige wove paper, Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm) and Frame: 12 1/16 × 14 15/16 × 1 inches (30.7 ×

Monkeys (one of three on one mount), Richard Brookes, 1721–1763, ca. 1760, Pen and black ink and gray wash on medium, slighlty textured, cream laid paper, Sheet: 2 3/4 × 3 1/8 inches (7 × 7.9 cm), animal art, monkeys (animals), sticks

The Rising Moon, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on

Study of a Dead Woodcock and Another Bird, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 9 1/8 inches (18.4 × 23.2 cm), animal art, bird, dead, study (visual work

Six Foxhounds Resting, John Frederick Tayler, 1802–1889, British, formerly J. F. Taylor, active 1830–1840, undated, Graphite, gray wash and brown wash on medium, slightly textured, blued white, wove paper, Sheet: 4 5/8 × 8 1/4 inches

Topping a Flight of Rails and Coming Well into the Next Field, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, gouache and graphite on medium, slightly textured, wove paper, Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm),

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), beaches, channel

Tangier, Joseph Crawhall, 1861–1913, British, 1887, Watercolor and gouache on very thick, rough, beige cardboard, Sheet: 15 5/8 × 16 15/16 inches (39.7 × 43 cm), animal art

A Mammal (coatimundi?) and a Primate (Marmoset?). A Coatimundi and a Lion-Headed Marmoset, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 13 3/8 × 8 5/8 inches (34 × 21.9 cm), animal art,

View of Sheerness, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor and brown ink over graphite on moderately thick, rough, beige wove paper, Sheet: 6 3/8 x 12 inches (16.2 x 30.5 cm), marine art,

The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765, Benjamin West, 1738–1820, American, active in Britain (from 1763), between 1765 and

Cape Aia and Balaklava Bay, 1854, Gaspard Le Marchant Tupper, 1862–1906, 1854, Watercolor and white gouache on moderately thick, moderately textured, light blue, wove paper, Sheet: 7 3/8 x 21 inches (18.7 x 53.3 cm), bay, cape, cliff,

Merchant Ship off Shore, Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 11 7/8 inches

Boat Building on the Teign, Samuel Lucas, 1805–1870, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 18 1/8 inches (23.8 × 46 cm), boat, dock, landscape, marine art, ship,

Study of a tiger, Sawrey Gilpin, 1733–1807, British, undated, Red chalk and watercolor on moderately thick, rough, brown wove paper, Sheet: 10 1/8 × 12 inches (25.7 × 30.5 cm), animal art

Spaniel Chasing a Hare, Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, beige, wove paper, mounted on, thick, slightly textured, beige, wove paper, Mount: 10 7/8 × 15 1/16 inches (27.6

A Bird with Wings Spread, James Sowerby, 1756–1822, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 8 inches (16.5 × 20.3 cm), animal art, bird, Eurasian Skylark

Hounds: 'Seagull', Archibald Thorburn, 1860–1935, British, 1878, Black chalk, red chalk, white gouache, pastels, and graphite on medium, slightly textured, brown, wove paper, Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm), animal art

Releasing a Bag-Fox, George Alken, 1794–active 1837, British, 1821, Graphite and watercolor on moderately thick, smooth, cream, wove paper, Sheet: 8 1/2 × 11 1/8 inches (21.6 × 28.3 cm), bag, dogs (animals), field, fox (animal), fox

Peruvian Paso, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm), animal art, horse

Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated,

Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower, John Collet, ca. 1725–1780, British, undated, Watercolor, with pen, in black ink on medium, beige, moderately textured, wove paper, Sheet: 3 1/8 × 4 13/16 inches

Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot, George Stubbs, 1724–1806, British, ca. 1767, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), cliff, costume, cottage, dogs (animals),

Boats, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 2 11/16 x 5 1/2 inches (6.8 x 14 cm), boats, figures (representations), genre subject, marine

View of a Sea Port, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching printed in brown ink on moderately thick,

Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby, Follower of Samuel Prout, 1783–1852, British, undated, Watercolor over graphite on thick, slightly textured, cream wove paper, Sheet: 6 5/8 x 10 3/16 inches (16.9

'The National Sports of Great Britain, ' 1821: Owling, Henry Thomas Alken, 1785–1851, British, 1821, Graphite and watercolor on medium, slightly textured, cream, wove paper, mounted on, moderately thick, smooth, beige, wove paper,

A Boar Hunt, James Seymour, 1702–1752, British, undated, Pen, in brown ink, and graphite on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, beige, wove paper, Mount: 9 1/8 × 10 7/8

A Racing Saddle on a Horse's Back, With Details of Stirrup, Sawrey Gilpin, 1733–1807, British, undated, Graphite, watercolor, and pen in gray ink on moderately thick, moderately textured, cream, laid paper, Sheet: 6 3/4 × 9 1/8 inches

Shipping on the Medway, Kent, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor, brown ink, and black ink on medium, smooth, cream wove paper, Sheet: 7 1/8 x 13 3/4 inches (18.1 x 34.9 cm),

Foxhunting: Rider, Taking a Fence, George Alken, 1794–active 1837, British, undated, Watercolor, with pen, in brown ink, over graphite on medium, slightly textured, blued white, wove paper, Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm),

A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On, James Seymour, 1702–1752, British, undated, Red chalk on moderately thick, moderately textuerd, blued white, laid paper, Sheet: 9 3/16 × 12 1/4 inches (23.3 × 31.1 cm),

John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds, Thomas Stringer, 1722–1790, British, Formerly attributed to Francis Sartorius, 1734–1804, British, 1779, Oil on canvas, Support (PTG): 37 3/4 x 57 1/2

The Suffolk Hunt: Full Cry, John Frederick Herring, 1795–1865, British, 1833, Oil on canvas, Support (PTG): 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm), brook, costume, dogs (animals), fence, landscape, riding, rural, sporting art,

A South-East View of the City of Boston in North America, J. Carwitham, active 1720–1740, after unknown artist, undated, Hand-colored engraving, boats, churches, cityscape, marine art, sails, sea, ships, Boston, Massachusetts,

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