Images at Librifly

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Nine Figure Studies, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art, figure study, head,

Three Sheep, Sawrey Gilpin, 1733–1807, British, undated, Graphite and white gouache on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 6 3/8 × 7 7/8

Study of a Lion, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art, lion

Shipping and Warehouses, Robert Cleveley, 1747–1809, British, undated, Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm) and Contemporary drawn border: 6

Brown's Parakeet, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

A Fishing Village, Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on medium, slightly textured, cream wove paper, Sheet: 8 9/16 x

The Earl of Shrewsbury's Groom Holding a Hunter, Henry Bernard Chalon, 1771–1849, British, ca. 1800, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), costume, country house, dog (animal), earl, field, horse (animal),

Crouching Monkey, Henri Gaudier-Brzeska, 1891–1915, French, between 1912 and 1913, Black chalk on thin, smooth, beige wove paper, Sheet: 9 1/2 x 10 inches (24.1 x 25.4 cm), animal, animal art, monkeys (animals), Vorticism

No.6 Battle of Fuontes d'Ouoro, 5th July 1811, Charles Turner, 1774–1857, British, after T. St. Clair, active 1810–1815, 1811, Aquatint, colored, army, battle, military art, Almeida, Guarda, Portugal

Study of a Lion, Sawrey Gilpin, 1733–1807, British, undated, Graphite and brown wash on moderately thick, slighlty textured, cream laid paper, Sheet: 6 1/2 × 9 1/4 inches (16.5 × 23.5 cm), animal art, lion, seated, study (visual work

Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, slightly textured, blued white, wove paper, Sheet: 10 1/4 ×

Scene of a Storm, with a Vessel Wrecked, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching printed in brown ink on

Tockus hemprichii (Hemprich's Hornbill) or Tockus abloterminatus (Crowned Hornbill), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6

A Country Amusement - Bull Baiting, Robert Dighton, 1752–1814, British, undated, Pen and black ink and gray wash on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm), bull, carriage, dogs

Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right..., Samuel Alken, 1756–1815, British, undated, Watercolor, with pen, in brown ink, black ink, graphite, and gouache on medium, moderately textured, cream, wove paper,

Luxor, 7:00 am, 20 January 1867 (198), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink and gouache over graphite on moderately thick, slightly textured, gray-green wove paper, Sheet: 3 9/16 x 10 3/8 inches (9 x

Exotic Birds, Print made by Robert Robinson, active 1674–1706, British, after Francis Barlow, ca. 1626–1704, British, undated, Mezzotint, state before all letters on medium, slightly textured, blued white, laid paper, Sheet: 7 1/16

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782, Print made by Thomas Gaugain, 1748–1812, French, after James

Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company, Samuel Scott, 1701/2–1772, British, ca. 1745, Oil on canvas, Support (PTG): 31 1/4 x 59 1/4 inches (79.4 x 150.5 cm), barges, barges (ceremonial watercraft),

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry, John Dixon, ca. 1740–1811, Irish, after Thomas Gainsborough RA, 1727–1788, British, Published by John Boydell, 1720–1804, British, 1771, Mezzotint and etching on

Study of cattle and figures in a landscape, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm), animal art, figure study, landscape

Fortified Buildings rising Steeply from a River Bank (in Italy ?) with Boat centre and distant Mountains, Thomas Wyck, (?), 1616–1677, Dutch, undated, Gray wash with graphite on medium, slightly textured, cream laid paper mounted on medium

The Death: The Fox Hoist to a Fence, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, smooth, cream, wove paper, Sheet: 10 1/4 × 17 5/16 inches (26 × 44 cm), death,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

A Sailing Barge being loaded with Hay, December 1827, Cornelius Varley, 1781–1873, British, 1827, Graphite with watercolor and black ink on medium, slightly textured, cream wove paper, Sheet: 11 1/4 x 20 inches (28.6 x 50.8 cm), barge,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Horse running towards left..., Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink with gray wash and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 9 inches (16.5 × 22.9 cm), animal art, horse

View at Caernarvon, Wales, William Payne, active 1850s, British, 1826, Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 6 13/16 × 8 1/2 inches (17.3 × 21.6 cm), banks, boats,

'Sporting Notions': 'I Had No Notion of the Comforts of Hunting by Water', Henry Thomas Alken, 1785–1851, British, between 1831 and 1832, Graphite and red chalk on thin, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 8 1/4

By the Sea (tail piece), Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper,

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One., Henry Thomas Alken, 1785–1851, British, between 1818 and 1822, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 7 × 8

Gebel Sheikh Eredi from Gau el Kebir, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink and blue ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 1/16 x 11 3/8 inches (7.8 x

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Horse's Foreleg: Possibly a Study for 'L'Amour de Cheval', Dated 1827, in the Tate Gallery, James Ward, 1769–1859, British, undated, Graphite on medium, slightly textured, cream wove paper, mounted on, medium, moderately textured,

The Thames and Waterloo Bridge from Somerset House, Frederick Nash, 1782–1856, British, ca. 1825, Oil on artist's board, Support (PTG): 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm), boats, buildings, city, cityscape, dock, industry, marine

A Coatimundi, James Sowerby, 1756–1822, British, undated, Watercolor, white gouache, and graphite on medium, slightly textured, wove cream paper, Sheet: 10 13/16 × 8 9/16 inches (27.5 × 21.7 cm), animal art, Coati

Llamas and a fox in a wooded landscape, Thomas Weaver, 1774–1843, British, 1828, Oil on canvas, Support (PTG): 25 x 30 inches (63.5 x 76.2 cm), animal art, animals, bird, fence, fox (animal), landscape, llamas, magpy, trees, woods

Coits Played opposite the Horns, Kennington Common, Robert Dighton, 1752–1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8

A Rhinoceros Standing on a River Bank, William Daniell, 1769–1837, British, undated, Graphite with rubbing on medium, slightly textured, blued white, wove paper, Sheet: 8 13/16 × 11 11/16 inches (22.4 × 29.7 cm), animal art,

Gebel Abu Fodde, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, mounted on very thick, slightly textured, white wove paper, Sheet: 2 7/16 x 6 15/16 inches (6.2 x 17.6

Three Racehorses Approaching the Winning Post, William Lock II, 1767–1847, British, undated, Pen, in brown ink and graphite on thin, slightly textured, cream, laid paper, Sheet: 10 1/4 × 16 inches (26 × 40.6 cm), caps, flags, horses

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Towing Path, Print made by Francis Seymour Haden, 1818–1910, British, 1864, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 7 15/16 x 10 5/16 inches (20.1 x 26.2 cm), Plate: 5 1/2 x 8 3/8

The Greater Grison, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, white, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

Doge's Palace, Sir David Young Cameron, 1865–1945, British, 1902, Etching and drypoint, arcade, arches, architectural subject, balconies, balustrades, railings and their components, bridge (built work), buildings, canal, capitals,

'Sporting Notions': 'I Have a Notion That I Don't Look Unlike Mazeppa', Henry Thomas Alken, 1785–1851, British, between 1831 and 1832, Graphite and red chalk on thin, slightly textured, blued white, wove paper, Sheet: 6 1/2 × 8 1/4 inches

A Syce or Groom, Sir Charles D'Oyly, 1781–1845, British, active in India, Printed by The Behar Amateur Lithographic Press, 1781–1845, British, active in India, undated, Chromolithograph on medium, slightly textured, cream wove paper

Boat at Sea, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, blued white, aid paper; mounted on moderately thick, slightly textured, cream,

Foxhunting: The Death, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightlly textured, cream, wove paper, Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm), bushes,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boat, channel (water

A Bird's Egg, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm), animal art, egg

Thou Art Weighed in the Balances, and Art Found Wanting, John Kirby Baldrey, active 1750–1821, 1788, Etching, hand-colored, Sheet: 9 1/2 x 11 1/8in. (24.1 x 28.3cm

A Lion, Thomas William Wood, 1855–1872, British, undated, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm), animal art, leaves, lion, rocks (landforms

Christmas Harbour, Kerguelen Land, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Study of Sailing Ships, George Jones, 1786–1869, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 3 1/8 × 4 5/8 inches (7.9 × 11.7 cm), marine art, sailing, sails, sea, ships

Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca.

Lissotis hartlaubii (Hartlaub's Bustard), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Camels, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, blued white wove paper, Sheet: 2 x 4 5/8 inches (5.1 x 11.7 cm), animal art, camels (mammals), figure

View of Gibraltar, Charles Dyce, active 1848, British, ca. 1849, Pen and brown ink, watercolor and graphite on medium, slightly textured, beige wove paper, Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm), cliff, houses, marine art,

Uraeginthus bengals (Red Cheeked Cordon Bleu), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches

Farmyard Animals: Tribulation, Julius Caesar Ibbetson, 1759–1817, British, 1797, Watercolor and pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm), animal art, animals,

Duvaucel's Squirrel, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 3/16 × 6 5/8 inches (10.6 × 16.8 cm), animal art,

A-Hunting We Will Go (tail piece), Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, cream

Man, Horses and Dogs, unknown artist, nineteenth century, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 13 7/8 × 7 3/4 inches (35.2 × 19.7 cm), animal art, dog (animal), figure study, horses (animals), man

Cow Lying Down, Sawrey Gilpin, 1733–1807, British, undated, graphite on medium, moderately textured, cream, wove paper, mounted on, moderately thick, smooth, cream, wove paper, Sheet: 5 1/2 x 8 1/4in. (14 x 21cm) and Mount: 10 3/8 ×

Bird of Paradise, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm), animal art, bird-of-paradise, branch

Bear and Bee-Hives, Samuel Howitt, 1756–1822, British, undated, Brown wash, graphite and pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 9 × 7 3/8 inches (22.9 × 18.7 cm), animal art, bear, beehives, bees

Two Sloths, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm), animal art, Mammalia (class), Three-toed Sloths

Studies of Camels, Edward Lear, 1812–1888, British, January to April 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 7 x 4 9/16 inches (17.8 x 11.6 cm), animal art, camels (mammals),

Two Boats with Crews, Study for The Royal William at Sea, Samuel Scott, 1701/2–1772, British, undated, Brushed black ink, gray wash and graphite; verso: graphite and pen and brown ink on medium, slightly textured, cream laid paper, Sheet:

Fishing Vessel off Yarmouth, circle of John Sell Cotman, 1782–1842, British, 1835, Black and red and white chalk on medium moderatley textured gray laid paper, Sheet: 6 1/8 x 9 inches (15.6 x 22.9 cm), clouds, landscape, marine art,

Pony and Hooded Gig, Paul Sandby RA, 1731–1809, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/2 × 4 3/4 inches (6.4

Cave of the Golden Calf: Worshippers and Calf, Spencer Frederick Gore, 1878–1914, British, 1912, Graphite and watercolor on medium, slightly textured, beige wove paper, Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm), animal art, animals,

The Portraiture of Dormouse, Print made by Richard Houston, ca. 1721–1775, British, after Thomas Spencer, 1700–1753, British, 1755, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm),

'Scraps', no. 34: Mounted Mameluke Pointing a Pistol, Henry Thomas Alken, 1785–1851, British, 1823, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm), genre

Five Studies of Dancing Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, slightly textured, blue wove paper, Sheet: 8 x 5 5/8 inches (20.3 x 14.3 cm), abstract art, dance, figure,

The Homeward Star, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), etching begun ca. 1880; impression printed in 1924, Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper,

I am not learned in Vaccine Matters - but I think those look like Charley's Calves, Hablot Knight Browne, 1815–1882, British, Undated, Black chalk and watercolor on moderately thick, moderately textured, gray laid paper, Sheet: 21 1/2 x 28

Shipwreck, Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain, after Peter Monamy, 1681–1749, British, Published by John Bowles, 1701–1779, British, 1745, Line engraving and etching on moderately thick,

A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock, William Alexander, 1767–1816, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Mount: 4 3/4 × 7 1/2 inches

Colonel Mordaunt's Cock Match at Lucknow, Richard Earlom, 1743–1822, British, after Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), Published by Robert Sayer, 1725–1794, British, 1792, Mezzotint on medium,

Lion Lying Down, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 10 5/16 × 13 3/4 inches (26.2

Fishing Boats in a Calm Sea, Charles Brooking, 1723–1759, British, between 1745 and 1759, Oil on canvas, Support (PTG): 14 15/16 x 23 5/16 inches (37.9 x 59.2 cm), boats, brigs, fishermen, fishing boats, frigate, marine art, ocean,

Bergen op Zoom, David Cox, 1783–1859, British, 1826, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 2 5/8 x 6 7/8 inches (6.7 x 17.5 cm), boats, marine art, sails, Europe, Netherlands, Oosterschelde

Llama, Samuel Howitt, 1756–1822, British, undated, Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 5 1/2 inches (19.7 × 14 cm), animal art, llamas

Man Hunting with a Pointed Staff and a Hound, Francis Barlow, ca. 1626–1704, British, ca. 1645-1650, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 4 5/8 × 6 inches (11.7 × 15.2 cm), dogs (animals), hunting,

The Sleeping Shepherd, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint on thick, smooth, cream wove paper with cream chine collé, Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm),

Iceberg in Baffin's Bay, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41

Beni Eddeir, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, cream wove paper, Sheet: 1 15/16 x 8 1/4 inches (4.9 x 21 cm), boats, figures

The Thames, Early Morning, Towards St. Paul's, John William Inchbold, 1830–1888, British, ca. 1849, Watercolor and graphite, with scraping on medium, moderately textured, cream wove paper, Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2

Richmond, William Henry Bartlett, 1809–1854, British, undated, Pen and black ink and watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 3 7/8 × 6 1/2 inches (9.8 × 16.5 cm), boats, landscape, marine art,

A Rhinoceros in the Peshwa's Menagerie at Poona, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, 1790, Pen and black ink, brown ink, gray wash, gouache, and graphite on medium, moderately textured, beige, laid paper, Sheet: 8 7/8

Burnett Inlet, Barrow Strait, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Horse Walking to Left, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 7 3/4 × 5 3/8 inches (19.7 × 13.7 cm), Mount: 12 × 14 1/4 inches (30.5 × 36.2 cm), and Binding: 12

Marengo, Bonaparte's Arab, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor with pen and black ink, over graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 × 6 1/8 inches (10.2 × 15.6 cm), animal art

Head of a Racoon, James Sowerby, 1756–1822, British, undated, Graphite, gray wash and white gouache on medium, slightly textured, cream wove paper, Sheet: 8 5/8 × 11 inches (21.9 × 27.9 cm), animal art, Mammalia (class), Raccoon

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Charging an Ox Fence, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, gouache and graphite on medium, slighlty textured, cream wove paper, Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), equestrians, fences, galloping,

The Race, unknown artist, ca. 1850, Watercolor, graphite, and gouache on medium, slightly textured, gray/green, wove paper, Mount: 5 1/16 × 14 inches (12.9 × 35.6 cm) and Sheet: 4 15/16 × 13 13/16 inches (12.5 × 35.1 cm), horse racing,

Foxhunting: The Toast, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm), birds, chairs,

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