Images at Librifly

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Study of the Royal Stag, James Valentine, 1815–1879, British, ca. 1865, Albumen print from wet collodion negative on thin, smooth, cream wove paper, Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm) and Mount: 13 × 16 3/8 inches (33 × 41.6

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand, Henry Thomas Alken, 1785–1851, British, between 1818 and 1822, Graphite and red chalk on medium,

A View of Rochester, the Town and Harbour, Henry Gastineau, 1791–1876, British, undated, Watercolor, with pen, in brown ink, black ink, red ink, gouache, graphite, gum arabic, and scratching out on Very thick, moderately textured,

View of Skiddaw and Derwentwater, Joseph Farington, 1747–1821, British, ca. 1780, Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, blued white, laid paper, Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)

Woolwich, Print made by Charles Golding Constable, 1821–1879, British, between 1820 and 1835, Etching on moderately thick, slightly textured, beige wove paper with cream chine collé, Sheet: 6 5/16 x 7 11/16 inches (16.1 x 19.5 cm), Sheet:

Dutch Fishing Boats at Anchor in an Estuary, William Joy, 1803–1867, British, undated, Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper, Sheet: 11 5/16 x 16 1/4in. (28.7 x 41.3cm) and Sheet: 11 7/8

A Smack Under Sail in a Light Breeze in a River, Charles Brooking, 1723–1759, British, between 1756 and 1759, Oil on canvas, Support (PTG): 14 1/2 x 24 1/2 inches (36.8 x 62.2 cm), boats, city, marine art, men, river, sailboats,

Dava Singh, Amritsar, 26 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel (mammal),

Full Cry, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Mount: 9 5/16

Walruses on Cliffs, James Sowerby, 1756–1822, British, undated, Graphite on medium, moderately textured, cream wove paper, Sheet: 11 7/8 × 9 1/2 inches (30.2 × 24.1 cm), animal art, cliffs, walruses

Mr. B seeking the Bubble reputation - Plate 5, Print made by George Cruikshank, 1792–1878, British, after Capt. Frederick Marryat, 1792–1848, British, Published by George Humphrey, ca. 1773–ca. 1831, British, 1820, Aquatint and

Two Greyhounds Lying under a Tree, Thomas Rowlandson, 1756–1827, British, undated, Pen and black and gray ink with gray wash over graphite; verso: pen and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 7 1/8 x

View with several Vessels lying close to the Shore, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching printed in

Port Mahon, Minorca, Gaspar Butler, active ca. 1718–1730, British, active in Naples, ca. 1735, Oil on canvas, Support (PTG): 19 1/2 x 65 1/2 inches (49.5 x 166.4 cm), barges (flat-bottomed watercraft), bay (body of water), beach, boats,

William Johnstone-Pulteney, later fifth Lord Pulteney, Thomas Gainsborough RA, 1727–1788, British, ca. 1772, Oil on canvas, Support (PTG): 93 1/2 x 59 inches (237.5 x 149.9 cm), art, art patron, breeches (trousers), buckles, coat,

Foxhunting: Going to Draw Cover..., Samuel Alken, 1756–1815, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, beige, wove paper, Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm), bushes, dogs

The Chase, William Henry Simmons, 1811–1882, British, 1851, Engraving and etching, animal art, deer, dog (animal), ocean, rocks (landforms

The Purple Heron, unknown artist, Undated, Watercolor, with pen, in brown ink, gray ink, gouache, and graphite, on medium, moderately textured, cream, wove paper, mounted on, very thick, moderately textured, cream, cardboard, Mount:

Landscape, Castle and Cattle, William Green, 1760–1823, British, undated, Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream wove paper, Sheet: 15 3/4 × 22 inches (40 × 55.9 cm), animal art, castle,

Animals a pair: 2. Tigress, Samuel William Reynolds, 1773–1835, British, after James Northcote, 1746–1831, British, 1799, Stipple engraving, Sheet: 15 1/2 x 20 5/8in. (39.4 x 52.4cm), animal art, tigers

Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P., James Ward, 1769–1859, British, 1835, Oil on canvas, Support (PTG): 28 x 36 inches (71.1 x 91.4 cm), animal art, dogs (animals), fence, field,

Near Honfleur, Richard Parkes Bonington, 1802–1828, British, ca. 1823, Watercolor and graphitre on medium, moderately textured, cream wove paper, Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm), boats, coastline, marine art, people,

Unidentified Bird, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm), animal art

Sir William Drury, of Hawstead, Suffolk (1550–1590), Daniël van den Queborne, 1552/1557–1602/1605, Dutch, 1587, Oil on canvas, Support (PTG): 93 3/4 x 61 1/2 inches (238.1 x 156.2 cm), Accession Day tilts, armor, brocade,

Plains Viscacha, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, ?, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on thick, smooth, white, wove paper, Sheet: 4 5/8 × 7 5/8 inches (11.7 × 19.4

The Sporting Parson: 'He Sheweth Them the Way They Should Go', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and gouache on moderately thick, moderately textured, gray-brown wove paper, Sheet: 10 3/4 × 15 1/16

A Tiger Resting: the frontispiece for 'Oriental Field Sports', Samuel Howitt, 1756–1822, British, 1805, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 13 inches (23.2 × 33 cm), animal art, palm

An English Flagship Under Easy Sail in a Moderate Breeze, Charles Brooking, 1723–1759, British, ca. 1750, Oil on canvas, Support (PTG): 14 1/2 x 22 1/2 inches (36.8 x 57.2 cm), clouds, flags, frigates, marine art, men-of-war, merchants,

Cockburn Island, Admiralty Inlet, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Scarborough: Shipwreck at the Foot of the Castle Cliff, Francis Nicholson, 1753–1844, British, ca. 1808, Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 11 13/16 x 16 1/2in. (30 x 41.9cm)

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

A Journeyman Printer's Description of the Art of Etching on Copper, Print made by George Cruikshank, 1792–1878, British, 1859, Etching on medium, slightly textured, cream wove paper

The Berkeley Hunt, 1842: The Death, Francis Calcraft Turner, active 1782–1846, British, 1842, Oil on canvas, Support (PTG): 16 x 24 inches (40.6 x 61 cm), animals, breeches, bridle, dead, death, dogs (animals), field, hills, hounds

The Duke of Rutland's Bonny Black, John Wootton, 1682–1764, British, ca. 1715, Oil on canvas, Support (PTG): 30 x 48 1/2 inches (76.2 x 123.2 cm), animal art, black, breeches, brick, building, coat, duke, hats, hills, horses

Bulldog Facing Left, unknown artist, nineteenth century, early 19th century, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 6 1/4 inches (14 × 15.9 cm), animal art

Lion Attacking a Stag, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm), animal art, attack, cave, eating,

Four dogs, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated, Etching on medium,

A Crowded Race Meeting, Thomas Rowlandson, 1756–1827, British, between 1805 and 1810, Watercolor, with pen, in brown ink, gray ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 5 7/8 × 9 1/2 inches (14.9

Tortoise, Print made by James Heath, 1757–1834, British, after James Bruce, 1730–1794, British, 1789, Engraving, hand colored, animal art, tortoise

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Plains Viscacha, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink and graphite on medium, smooth, white, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

An Arabian Stallion Walking to Right, William Sawrey Gilpin, 1762–1843, British, undated, Graphite and watercolor on moderately thick, moderately textured, cream, wove paper, Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm), animal art

Cavalry Charging, Conrad Gessner, 1746–1826, Swiss, 1801, Lithograph on medium, moderately textured, cream wove paper, Image: 8 7/8 × 12 1/16 inches (22.5 × 30.7 cm), military art

Dover, James Stark, 1794–1859, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 10 1/8 inches (17.1 × 25.7 cm), beaches, cliffs, docks, landscape, marine art, people, sea,

Sketch of a Horse, Robert Polhill Bevan, 1865–1925, British, undated, Black chalk on thin, brown, smooth wove paper, Sheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm), animal art, horse (animal), rear

A Raven and Two Swans, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in black ink and brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 5 3/16 × 7 1/4 inches (13.2 × 18.4 cm), animal

A Ship's Boat, Samuel Scott, 1701/2–1772, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/4 x 13 1/4 inches (15.9 x 33.7 cm), boat, hats, marine art, men, oars, rope, sailors,

Ominum Gatherum No. 6, Henry Heath, active 1824–1835, British, after Henry Heath, active 1824–1835, British, undated, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm),

Five Horses near a Brook, John Frederick Herring, 1795–1865, British, possibly by John Frederick Herring Jr., 1815–1907, British, 1850, Watercolor, with pen, in gray ink, over graphite on moderately thick, smooth, cream, wove paper,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia, Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733), 1745, Oil on canvas, Support (PTG): 14 1/8 x 12 1/4 inches (35.9 x 31.1

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only, Print made by Remi Parr, active 1723–1750, British, after Peter Monamy, 1681–1749, British, Published by Bowles & Carver, 1763–1830,

Goree, Samuel Davis, 1757–1819, British, undated, Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/4 x 18 1/2 inches (29.8 x 47 cm), boats, island, marine art, ocean,

Racing Scene, Samuel Howitt, 1756–1822, British, 1792, Watercolor, pen and black ink, and gray ink on medium, smooth, cream, wove paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 11 9/16 × 15

Sketch of Two Ships on a Catalogue Page, Joseph Mallord William Turner, 1775–1851, British, ca. 1823, Graphite on medium, slightly textured cream wove paper, adhered to medium, slightly textured cream laid paper, Sheet: 8 7/8 x 16 5/8

Seapiece with Boats: Evening, unknown artist, nineteenth century, Formerly attributed to Peter DeWint, 1784–1849, British, formerly Joseph Mallord William Turner, (as purchased), 1775–1851, British, ca. 1815, Oil on paper, Support

Penzance Pier from the Dolphin Inn Window, October 15, 1807, John Samuel Hayward, 1778–1822, 1807, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 20 7/8 inches (18.1 × 53 cm), bay, boats, marine

Dancing Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art, dancing, figure, figure

Boat on the Nile, Edward Lear, 1812–1888, British, January - March 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 3 1/4 x 5 3/4 inches (8.3 x 14.6 cm), boat, figures

Ship Study, Cornelius Varley, 1781–1873, British, 1823, Graphite on moderately thick, moderately textured, cream wove paper, Sheet: 18 x 8 3/8 inches (45.7 x 21.3 cm), figures, hats, marine art, masts, men, pulleys, rigging,

Study of a Galloping Horse, unknown artist, nineteenth century, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm), animal art

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun., Henry Thomas Alken, 1785–1851, British, between 1822 and 1827, Graphite and red chalk on thin, slightly textured, blued white, wove paper, Sheet: 6 15/16 × 8 11/16

Foxhunting: The Few Not Funkers, Richard Barrett Davis, 1782–1854, British, 1840, Oil on canvas, Support (PTG): 11 x 30 inches (27.9 x 76.2 cm), animals, chasing, costume, dogs (animals), field, horse (animal), hunters, landscape,

The Admiral House, Simon's Town, Cape of Good Hope, Lt. Humphrey John Julian, active 1842–1849, 1844, Watercolor, gouache, and graphite, with scraping on medium, smooth, cream wove paper, Sheet: 9 × 14 inches (22.9 × 35.6 cm) and

Cader Idris from the Mawddach Estuary above Barmouth, John Sell Cotman, 1782–1842, British, ca. 1802, Black ink and gray wash over graphite on medium smooth cream wove paper, Sheet: 4 3/4 x 8 3/8 inches (12.1 x 21.3 cm) and Contemporary drawn

Goats Beneath a Banana Tree, George Chinnery, 1774–1852, British, 1840, Pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm), animal art, goats, landscape, trees

Partridge Shooting, Print made by Matthew Dubourg, active 1786–1838, British, after James Pollard, 1792–1867, British, Published by Jonathan Watson, 1820–1847, British, 1822, Aquatint and etching with hand coloring on moderately

Captain Richard Gubbins, John Constable, 1776–1837, British, between 1804 and 1805, Oil on canvas, Support (PTG): 30 x 25 1/8 inches (76.2 x 63.8 cm), captain (military officer), clouds, coat, costume, man, military art, portrait,

Horses Fighting, Sawrey Gilpin, 1733–1807, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 21 5/8 × 31 inches (54.9 × 78.7 cm), animal art, fighting, horses (animals

Peacock, peahen, parrots, canary, and other birds in a park, Jacob Bogdani, 1660–1724, Hungarian, active in Britain (from 1688), between 1708 and 1710, Oil on canvas, Support (PTG): 65 3/4 x 54 inches (167 x 137.2 cm), birds, building,

A Bulldog, Samuel Howitt, 1756–1822, British, after 1815, Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 12 7/8 inches (23.8 × 32.7 cm), animal art, bulldog (dog), chain,

George Morland, Henry Robert Morland, 1730–1797, British, ca. 1779, Oil on canvas, Support (PTG): 21 × 16 1/4 inches (53.3 × 41.3 cm), art, artist, cravat, easel, hat, man, neckpiece, painter, portrait

The Coast near Scheveningen with Fishing Pinks on the Shore, Charles Brooking, 1723–1759, British, ca. 1755, Oil on canvas, Support (PTG): 20 x 31 1/4 inches (50.8 x 79.4 cm), beach, boats, costume, dogs (animals), fishermen (people),

Two Riders Jumping a Wooden Fence, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm), fence, galloping,

Porpoises, July 7, 1883, Henry Moore, 1831–1895, British, 1883, Watercolor with graphite on medium, slightly textured, cream wove paper, Sheet: 10 x 13 15/16in. (25.4 x 35.4cm) and Sheet: 9 7/8 × 13 inches (25.1 × 33 cm), animal art,

An English Ship at Sea Running In a Gale, Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672), ca. 1700, Oil on canvas, Support (PTG): 30 × 25 inches (76.2 × 63.5 cm), marine art, ships, storm, waves

Study of a Cow, Thomas Gainsborough RA, 1727–1788, British, between 1755 and 1760, Black chalk and white chalk on medium, slightly textured, beige laid paper, Sheet: 5 5/8 x 7 1/4 inches (14.3 x 18.4 cm), animal art, cows, horns,

Rider in Armour, James Seymour, 1702–1752, British, undated, Pen, in brown ink on medium, moderately textured, cream, laid paper, Sheet: 7 × 5 7/8 inches (17.8 × 14.9 cm), armor, figure study, horse (animal), horseback riders,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Turbaned Cavalryman, Right Arm with Curved Sword Upraised, Henry Thomas Alken, 1785–1851, British, betwwen 1827 and 1851, Graphite on medium, smooth, cream, wove paper, Sheet: 6 5/16 × 4 13/16 inches (16 × 12.2 cm), cavalry, genre

Square in the Village of Los Silos, Tenerife, Alfred Diston, active 1818–1829, 1827, Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to thick brown card, Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5

Victoria Headland, Mouth of the Thlew-ee-cho-de-zeth, Charles Hamilton Smith, 1776–1859, Belgian, after Sir George Back F.R.S, 1796—1878, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove

Two Horses' Heads, John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720), undated, Pen, in brown ink, brown wash, gray wash, red chalk and graphite on medium, moderately textured, beige, laid paper, Sheet: 5 3/16 ×

Two Horses, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textutred, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 3 7/8 × 6 inches (9.8 × 15.2 cm) and

The Tiger Hunt: Bagged, Willoughby Wallace Hooper, 1837–1912, British, ca. 1872, Albumen print from wet collodion negative on medium, semigloss photographic paper, Sheet: 7 × 9 3/8 inches (17.8 × 23.8 cm) and Mount: 12 × 13 3/4 inches

The Gray Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, gray ink and graphite on medium, smooth, cream, wove paper, Sheet: 3 13/16 × 6 5/8 inches (9.7 × 16.8 cm), animal art

Colius striatus (Speckled Mousebird), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5

Study of a Dog Lying Down, Sir Edwin Henry Landseer, 1802–1873, British, 1860, Oil on canvas, Support (PTG): 9 1/2 × 15 inches (24.1 × 38.1 cm), animal art, dog (animal

The 48th Regiment with Casemate, Gibraltar, George Lothian Hall, 1825–1888, British, 1844, Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper, Sheet: 6 1/4 ×

Abyssinian Dog, Samuel Howitt, 1756–1822, British, ca. 1813, Watercolor and pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 9 7/8 × 7 5/8 inches (25.1 × 19.4 cm), animal art, dog (animal

An Old Barn, Trees and Cow, Heneage Finch fourth Earl of Aylesford, 1751–1812, British, undated, Pen, brown ink, brown wash, gray wash, and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/4 × 11 1/8 inches (21 ×

A Prowling Tiger, Elizabeth Pringle, active ca. 1800, ca. 1800, Graphite, brushed black ink and white gouache on moderately thick, slightly textured, cream laid paper, Sheet: 18 7/8 x 23 7/8 inches (47.9 x 60.6 cm), animal art, tiger

Netting Partridges, Thomas Ross, active from 1753, British, ca. 1750, Pen and black ink, gray ink, and gray wash on Medium, slightly textured, cream, laid paper, Sheet: 7 9/16 × 11 13/16 inches (19.2 × 30 cm), dog (animal), figures

Chalcomitra senegalensis (Scarlet Chested Sunbird), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches

Yellow-eyed Babbler (Chrysomma sinense) perched on Chinese hat plant (Holmskioldia sanguinea), , Unknown artist, probably Indian, formerly attributed to George Edwards, 1694–1773, British, ca. 1770, Watercolor, gouache, and pen and ink on

Study of a Camel facing right, Sawrey Gilpin, 1733–1807, British, undated, Graphite and brown ink on medium, slightly textured, cream laid paper, Sheet: 9 5/8 × 11 7/8 inches (24.4 × 30.2 cm), animal art, camel (mammal

Dutch Sailing Vessels, William Anderson, 1757–1837, British, 1814, Oil on panel, Support (PTG): 10 1/2 x 13 1/8 inches (26.7 x 33.3 cm), barges (ships' boats), barrels (containers), costume, Dutch, flags, frigate, marine art, men,

Head of a Bull, Sawrey Gilpin, 1733–1807, British, 1760, Graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 4 7/16 × 6 11/16 inches (11.3 × 17 cm), animal art

Study of cattle with a calf in foreground, Sawrey Gilpin, 1733–1807, British, undated, Graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 6 × 8 1/2 inches (15.2 × 21.6 cm), animal art, calf, cattle, cows,

Two Kingfishers beside a Lake, James Sowerby, 1756–1822, British, undated, Oil on canvas, Sheet: 7 1/2 × 8 5/8 inches (19.1 × 21.9 cm), animal art, branches, kingfishers, lake, tree

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