Images at Librifly

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Edward Horner Reynard and his Brother George Grouse-Shooting At Middlesmoor, Yorkshire, with Their Gamekeeper Tully Lamb, John Ferneley, 1782–1860, British, 1836, Oil on canvas, Support (PTG): 34 1/4 x 42 1/8 inches (87 x 107 cm), costume,

A Horse Affrighted by a Lion, Print made by George Stubbs, 1724–1806, British, after George Stubbs, 1724–1806, British, 1788, Etching with roulette work, third state, Plate: 9 7/8 x 13 inches (25.1 x 33 cm), animal art, horse

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Rabbits (tail piece), Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper,

The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860, William Simpson, 1823–1899, British, ca. 1860, Watercolor and gouache over graphite on medium, slightly texured, blue wove paper, Sheet: 9 7/8 x 13 7/8

Woodcock Shooting, Edwin Gill, active 1810, died 1868, undated, Graphite and watercolor on medium, smooth, cream, wove paper, Sheet: 10 3/4 × 13 1/2 inches (27.3 × 34.3 cm) and Image: 10 1/2 × 13 1/4 inches (26.7 × 33.7 cm), dogs

Study of a Lion and Study of a Lioness' Head, John Frederick Lewis, 1804–1876, British, ca. 1820, Graphite, black chalk, and white chalk on medium, slightly textured, beige wove paper, Sheet: 10 5/8 x 14 5/8 inches (27 x 37.1 cm), animal

Raven and Snake, Samuel Howitt, 1756–1822, British, ca. 1813, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm), animal art, bird, biting, raven, snake

Epsom, unknown artist, nineteenth century, 1896, Watercolor with graphite and gouache on moderately thick, modertatly textured, brown, wove paper, Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm), crowd, horse racing, landscape, race

Sir Charles Blunt at the Death of the Boar, James Ward, 1769–1859, British, undated, Graphite on medium, moderately textured, brown, laid paper, Sheet: 14 7/8 × 12 inches (37.8 × 30.5 cm), boar, genre subject, horses (animals),

Fall of a City, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm), armies,

Musicians, Amritsar, 23 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel (mammal),

Epsom Races: Preparing to Start, James Pollard, 1792–1867, British, 1834 to 1835, Oil on canvas, Support (PTG): 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm), costume, equestrian, jockeys, recreation, sporting art, Victorian, England,

Snug Corner Cove Prince William's Sound, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

New Eddystone, Bhem's Canal, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands, unknown artist, ca. 1785, Pen and black ink, gray ink, brown ink, and gray wash on medium, moderately textured, cream, laid paper, mounted on

Bathing Machine on the Common, near Southsea Castle, John Nixon, ca. 1760–1818, British, 1788, Watercolor, pen, and gray ink on medium, slightly textured, cream wove paper, Sheet: 4 3/4 x 7 5/8 inches (12.1 x 19.4 cm), baby, bathing

Foxhunting: The Leap, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 9 5/16 × 12 1/2 inches (23.7 × 31.8 cm), buildings, fence,

Warships Lying Offshore, the Commanding Admiral Being Rowed out to Join the Flagship, Her Sails Illuminated by a Break in the Clouds, Charles Martin Powell, 1775 –1824, British, early 19th century, Oil on canvas, Support (PTG): 23 3/4 × 35

Foxhunting: The Start, With Rider in Foreground Mounting on Off-Side, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper, Sheet: 12 7/8 × 18 7/8 inches (32.7 × 47.9 cm), dogs

Two Heads of Donkeys, Sawrey Gilpin, 1733–1807, British, undated, Graphite on moderately thick, moderately textured, cream, laid paper, mounted on, moderately thick, smooth, cream, wove paper, Sheet: 5 3/8 × 7 11/16 inches (13.7 ×

'Sporting Notions': 'My Good Fellows Have You any Notion Where You Can Get a Saw', Henry Thomas Alken, 1785–1851, British, between 1831 and 1832, Graphite and red chalk on thin, slightly textured, blued white, wove paper, Sheet: 6 7/8 × 8

Four horses galloping: (?) a mythological study, possibly for Phaeton's Chariot, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink and graphite on thick, rough, brown laid paper, Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm),

To his Grace the Duke of Newcastle, this print of The Return from Shooting, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), and Samuel Alken, 1756–1815, British, after Francis Wheatley,

Noon, Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain, after Peter Monamy, 1681–1749, British, Published by John Bowles, 1701–1779, British, 1745, Line engraving and etching on moderately thick,

Loaded Camel, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and brown ink and graphite on medium, slighlty textured, cream wove paper, Sheet: 7 5/8 × 9 5/8 inches (19.4 × 24.4 cm), animal art, camel (mammal), genre, load,

The Dog and The Shadow, Samuel Howitt, 1756–1822, British, undated, Watercolor and graphite on medium, slighlty, textured, cream wove paper, Sheet: 7 1/4 × 6 inches (18.4 × 15.2 cm), animal art, dog (animal), reflection, shadow

Cricket played by the Gentlemens Club, Whiteconduit House, Robert Dighton, 1752–1814, British, 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 ×

Studies of figures on horses, cattle at lower left, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/2 × 7 3/8 inches (11.4 × 18.7 cm), animal art

Trois Dogs: a Graphic Tale, with a Moral... for Those Who Can Find It Out!, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by A. Ducôte, active 1832–1840, British, Published by Thomas McLean, 1788–1875, British, 1834,

Part of Waterloo Bridge with the Shot Tower, &c., Print made by George Cooke, 1781–1834, British, after Clarkson Stanfield, 1793–1867, British, Published by Longman & Co., active 1804–1914, British, Published by John & Arthur Arch,

A Mistica, Gibraltar, George Lothian Hall, 1825–1888, British, 1844, Watercolor, pen and black ink and graphite on thick, moderately textured, cream wove paper, Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm), marine art, ocean, ship,

The Annual Sculling Race for Doggett's Coat and Badge, Thomas Rowlandson, 1756–1827, British, between 1805 and 1810, Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 5 11/16

A Setter in a Landscape, Sawrey Gilpin, 1733–1807, British, undated, Pen and black ink, graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 5 3/8 × 6 3/4 inches (13.7 × 17.1 cm), animal art, dog (animal

Smugglers Defeated, Print made by Richard Earlom, 1743–1822, British, after Sir Peter Francis Bourgeois, 1756–1811, British, ca. 1798, Color mezzotint, Sheet: 20 x 26 1/4 inches (50.8 x 66.7 cm), cave, clouds, conflict, genre

One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket, Attributed to James Seymour, 1702–1752, British, ca. 1730, Oil on canvas, Support (PTG): 12 x 14 inches (30.5 x 35.6

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Studies of Ships, Francis Place, 1647–1728, British, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 7/8 × 5 1/2 inches (17.5 × 14 cm), architectural subject, decks, gunports, hulls, marine art,

Two Scorpions and Two Centipedes, unknown artist, undated, Watercolor and gouache with pen and black ink and pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm), animal art,

Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf, Spencer Frederick Gore, 1878–1914, British, 1912, Graphite on medium, slightly textured, beige wove paper, Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm), animal art,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Foxhunting: Encouraging Hounds, John Frederick Herring, 1795–1865, British, 1839, Oil on panel, Support (PTG): 10 x 12 inches (25.4 x 30.5 cm), costume, dogs (animals), horse (animal), hunting, sporting art

Studies of Human Head with Canine Features, Peter Paul Lens, 1714–1750, Flemish, 1728, Graphite and pen and black ink on thin, slightly textured, cream laid paper, Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm) and Sheet: 8 1/8 × 12 7/8 inches

A-Hunting We Will Go, Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on medium, slightly textured, cream wove paper, Sheet: 4

Flamingo, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 1/4 × 6 7/8 inches (10.8 × 17.5 cm), animal art, bird, dead

Studies of a Turkey, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on medium, cream, slighlty textured wove paper, Sheet: 2 1/4 x 6 5/8 inches (5.7 x 16.8 cm), animal art, studies (visual works), turkey (bird

Gilbert McHutchin, William Williams, 1758–1797, British, ca. 1780, Oil on canvas, Support (PTG): 30 x 25 inches (76.2 x 63.5 cm), boots, breeches, dog (animal), handkerchief, hat, hunting, man, pond, portrait, rifle, sporting art,

The Ploughing Team, Robert Polhill Bevan, 1865–1925, British, 1905 or 1906, Charcoal on medium, smooth, cream, wove paper, Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm) and Image: 8 3/4 × 11 inches (22.2 × 27.9 cm), animal art

The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin, William Alexander, 1767–1816, British, 1793, Watercolor, pen and brown ink, and graphite on medium, slightly textured,

Design for a Medal: Britannia Ruling the Waves, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), 1736, Pen and black ink, over graphite, incised for transfer on medium, moderately textured, beige laid paper

Hog Deer, Samuel Howitt, 1756–1822, British, after 1813, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/8 × 5 5/8 inches (21.3 × 14.3 cm), animal art, deer, palm trees

Cow Grazing, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, modertately textured, beige, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm) and

Childers, the Fleetest Horse that Ever Run at Newmarket, Print made by Richard Houston, ca. 1721–1775, British, after James Seymour, 1702–1752, British, 1755, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x

Reclining Lioness, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black chalk on thin, smooth, beige wove paper, Sheet: 9 3/4 x 15 1/8 inches (24.8 x 38.4 cm), animal, animal art, lioness, Vorticism

Male and Female Dancing Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm), abstract art, dance, figure, figure study,

The Cadger's Trot (first State), Print made by Thomas Bewick, 1753–1828, British, Published by Robertson & Ballantine Lithography, active 1820, British, 1823, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 8 1/4 x 10

A Maiden Lady and her Family, Print made by unknown artist, (G., T. W.), Published by Orlando Hodgson, active 1820–1840, British, between 1820 and 1840, Lithograph with watercolor on moderately thick, slightly textured, beige wove paper,

Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland, Thomas Roberts, 1748–1778, Irish, 1771, Oil on canvas, Support (PTG): 22 1/2 x 36 inches (57.2 x 91.4 cm), agriculture, animals, buildings, dogs

A Barge with a Wounded Soldier, John Crome, 1768–1821, British, early 19th century, Oil on canvas (transferred from panel), Support (PTG): 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm), barge, boat, boats, clouds, coast, fisherman, marine

A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in 'The National Sports of Great Britain', Henry Thomas Alken, 1785–1851, British, 1821, Watercolor, with pen, in blue ink and graphite on medium, slightly

Three Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm),

Vanity Fair - Artists. 'Historic Art'. Mr. G.W. Ward. 20 December 1873, Leslie Matthew 'Spy' Ward, 1851–1922, British, 1873, Chromolithograph

Foxhunting: Full Cry, Edwin W. Cooper of Beccles, 1785–1833, British, 1816, Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 5/8 × 19 3/16 inches

Sawley Abbey, Francis Seymour Haden, 1818–1910, British, 1873, Etching and drypoint on thick, slightly textured, cream wove paper, Sheet: 12 3/16 x 17 1/4 inches (31 x 43.8 cm), Plate: 9 15/16 x 15 1/16 inches (25.3 x 38.2 cm), and Image:

Turbaned Cavalryman Standing Beside a Horse, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, slightly textured, beige, wove paper, Sheet: 4 3/8 × 6 1/2 inches (11.1 × 16.5 cm), cavalry, genre subject, horse

Bull and Cow, Samuel Howitt, 1756–1822, British, after 1813, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 5 3/4 inches (18.7 × 14.6 cm), animal art, bull, cow

Eremopterix nigriceps (Black-crowned Sparrow Lark), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches

Horse and Dog, Henry Thomas Alken, 1785–1851, British, or possibly Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, blued white, wove paper, Sheet: 5 5/8 × 8 3/8 inches (14.3 × 21.3 cm), animal

The Launching of H.M.S. 'Hibernia' 1804, Thomas Rowlandson, 1756–1827, British, ca. 1804, Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 9 13/16 x 15 1/4

A Dove, James Sowerby, 1756–1822, British, undated, Watercolor and gouache over graphite on thick, slightly textured, cream wove paper, Sheet: 17 × 10 7/8 inches (43.2 × 27.6 cm), animal art, dove

Halmaturus Rutilans, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3

American Cross-Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 3 15/16 × 6 11/16 inches (10 × 17 cm), animal art

The Huntsman, Galloping to Left and Encouraging Hounds, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 8 7/8 × 12 9/16 inches (22.5 × 31.9 cm), dogs

A Parrot, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm), animal art, branch, parrot

Block House Fort, Gosport, Hampshire, Richard Beavis, 1824–1896, British, undated, Watercolor and graphite on moderately thick, slighlty textured, cream wove paper, Sheet: 4 7/8 × 13 3/8 inches (12.4 × 34 cm), boat, coast, fort,

'How to Twist Your Neck', Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream, wove paper, Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8

New Holland Dingo, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink, gouache and graphite on moderately thick, slightly textured, white wove paper, Sheet: 4 3/16 × 6 7/16 inches (10.6 ×

Mares and Foals, Sawrey Gilpin, 1733–1807, British, between 1770 and 1780, Oil on metal (zinc?), Support (PTG): 6 1/4 x 4 3/4 inches (15.9 x 12.1 cm), animal art, animals, clouds, foals, horses (animals), mares, oval, trees

Rustic Studies, Henry James Brocas, ca. 1790–1846, Irish, undated, Brown wash on medium, slightly textured, beige wove paper, Sheet: 9 3/8 x 15 inches (23.8 x 38.1 cm), animal art, cattle, figure study, horse (animal), laborers, men,

A Kaag at Anchor with Sails Hoisted and a State Yacht and Other Vessels, Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672), ca. 1665, Oil on canvas, Support (PTG): 14 × 16 3/4 inches (35.6 × 42.5 cm),

Making a Cast at a Fault, Print made by Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, Published by Laurie & Whittle, 1755?–1836, British, 1794, Mezzotint on moderately thick, slightly

An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by A. Ducôte, active 1832–1840, British, Published by Thomas McLean, 1788–1875,

Five Studies for a Sculpture, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink and graphite on medium, smooth, cream wove paper, Sheet: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm), abstract art, figure, figure study,

Trap Ball Played at the Black Prince, Newington, Butts, Robert Dighton, 1752–1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5

Boat on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 11/16 x 1 9/16 inches (4.3 x 4 cm), boat, marine art, river, sail, sky, study

Foxhunting: At Cover, William J. Shayer, 1811–c.1885, British, 1863, Oil on millboard, Support (PTG): 3 3/8 x 4 7/8 inches (8.6 x 12.4 cm), animals, blood, costume, dogs (animals), hunter, rural, sporting art, Victorian

Study of Boats with Horses and Carts, Cornelius Varley, 1781–1873, British, undated, Graphite on moderately thick, moderately textured, cream wove paper, Sheet: 9 1/4 x 14 1/2 inches (23.5 x 36.8 cm), bay (body of water), boat, carts,

Two Deer, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 7 1/8 × 8 11/16 inches (18.1 × 22.1

Flying Childers Galloping to Left: Bridled but not Saddled, James Seymour, 1702–1752, British, undated, Black chalk, white gouache, and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick,

The Close of the Season, John Leech, 1817–1864, British, undated, Graphite, Sheet: 6 3/8 x 9 3/4in. (16.2 x 24.8cm) and Frame: 11 13/16 × 14 5/8 inches (30 × 37.2 cm), animal art, close, dogs (animals), horses (animals), jockeys,

Coastal scene with Figures, Boats, Lighthouse, etc., James Pattison Cockburn, 1778–1847, British, undated, Pen and brown ink with brown wash on medium, moderately textured, gray wove paper, Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm),

A Grey Pony and a Black Charger in a Stable, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), 1804, Oil on canvas, Support (PTG): 25 x 30 inches (63.5 x 76.2 cm), animal art, animals, barn, black, hay, horses

Castletown Harbour, Isle of Man, William Leighton Leitch, 1804–1883, British, undated, Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 7 15/16 x 11 15/16in. (20.2 x 30.3cm)

The Needles, Isle of Wight, Frederick Calvert, ca. 1785–1845, Irish, undated, Pen and brown ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 8 1/8in. (13 x 20.6cm) and Mount: 5 1/4 × 8 1/4 inches (13.3 ×

Jerboa, James Bruce, 1730–1794, British, ca. 1768, Pen and black ink, watercolor, and graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm), animal art

Hare Coursing, Philip Reinagle, 1749–1833, British, ca. 1810, Oil on canvas, Overall: 14 1/8 × 11 1/8 inches (35.9 × 28.3 cm), dog (animal), grass, hare, landscape, man, rabbit, sporting art

Two Kingfishers beside a Lake, James Sowerby, 1756–1822, British, undated, Oil on canvas, Sheet: 10 1/2 × 7 3/4 inches (26.7 × 19.7 cm), animal art, branches, kingfishers, lake, tree

Two kangaroos with details, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 × 9 5/16 inches (30.5 × 23.7 cm), animal art, kangaroos

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

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