Images at Librifly

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Goats, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink, gray wash and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 4 5/8 × 6

Foxhound, George Stubbs, 1724–1806, British, ca. 1760, Oil on paper laid on board, Support (PTG): 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm), Animalia (kingdom), dog (animal), forest, hunting, mountain, shore (landform), sky, sporting art,

Elephant, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Pen and black ink, gray wash, and graphite on medium, slighlty textured, cream laid paper mounted to medium, slightly textured, cream wove paper, Sheet: 6 3/8 × 6

Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf, Spencer Frederick Gore, 1878–1914, British, 1912, Graphite and pen and black ink on medium, slightly textured, beige wove paper, Sheet: 12 x 10 3/4 inches (30.5

Six Studies of Figures on Horses, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 3 3/4 × 6 3/8 inches (9.5 × 16.2 cm), animal art, genre subject, horse (animal), horseback

'Qualified Horses and Unqualified Riders:' `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting', Henry Thomas Alken, 1785–1851, British, undared, Watercolor, pen and black ink, and graphite on medium, slightly

Onychognathus albirostris (White Billed Starling), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm) and Binding: 16

Studies of Stags' Heads, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 3 1/2 × 6 3/8 inches (8.9 × 16.2 cm), Mount: 12 × 14 1/4 inches (30.5 × 36.2 cm), and Binding: 12

Upright Landscape, unknown artist, nineteenth century, Formerly attributed to Joseph Mallord William Turner, 1775–1851, British, Formerly attributed to Peter DeWint, 1784–1849, British, ca. 1830, Oil on paper, Support (PTG): 11 3/4 ×

Rhodes, Joseph Mallord William Turner, 1775–1851, British, between 1823 and 1824, Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/4 x 8 7/8in. (13.3 x 22.5cm), boats, city,

Beached Fishing Vessel, Thomas Miles Richardson Sr., 1784–1848, British, undated, Watercolor and gouache with pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 9 1/2 × 6 inches (24.1 × 15.2 cm), architectural

Study for a Tiger and Monkeys, James Northcote, 1746–1831, British, undated, Pen and brown ink, graphite, brown wash and black chalk on medium, slightly textured, cream laid paper, Sheet: 12 x 13 7/8 inches (30.5 x 35.2 cm), animal art,

Off the Nore, Joseph Mallord William Turner, 1775–1851, British, between 1840 and 1845, Oil on paper, laid on canvas, Support (PTG): 12 x 18 inches (30.5 x 45.7 cm), brushstrokes, landscape, marine art, meteorology, science, sea,

Dik-dik, James Bruce, 1730–1794, British, ca. 1768, Watercolor, pen and brown ink and graphite on vellum, Sheet: 5 1/2 × 6 3/8 inches (14 × 16.2 cm), animal art

The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765, Benjamin West, 1738–1820, American, active in Britain (from 1763), between 1765 and 1766,

A Starling, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 13 1/8 × 8 1/4 inches (33.3 × 21 cm), animal art, bird, Starlings

A Mediterranean Port (or Aden?), Charles Dyce, active 1848, British, ca. 1849, Watercolor over graphite with scraping out on medium, slighlty textured, cream wove paper, Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm), figures, houses,

Studies of a Jockey Whipping-On, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, wove paper, Mount: 9 5/16 × 6 1/2 inches

Sir Charles Warre Malet's String of Racehorses at Exercise, Francis Sartorius, 1734–1804, British, ca. 1800, Oil on canvas, Support (PTG): 22 1/2 x 29 3/4 inches (57.2 x 75.6 cm), equestrian, landscape, riding, rural, saddlecloth,

Two Shakos of the Dublin Militia: One Green, One Red, Michael Angelo Hayes, 1811–1880, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 7 3/4 × 4 1/2 inches (19.7 ×

The Encampment, Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), undated, Watercolor, graphite, pen and black ink and pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 5

Man Leading a Trotting Stallion to Right, James Seymour, 1702–1752, British, undated, Graphite and black chalk on medium, moderately textured, cream, laid paper, Sheet: 7 3/16 × 9/16 inches (18.3 × 1.4 cm), figure, figure study, horse

Genets, Joseph Wolf, 1820–1899, German, undated, Watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 3 5/8 × 4 5/8 inches (9.2 × 11.7 cm), animal art, genets (animals), Nature

Hare Hunting, Francis Barlow, ca. 1626–1704, British, undated, Pen, in brown ink, and gray wash on medium, slightly textured, cream, laid paper, Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm) and Frame: 17 1/4 × 23 1/8 × 1 1/4 inches

The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks, Henry Thomas Alken, 1785–1851, British, undated, Watercolor and gouache on medium, moderately textured brown laid paper mounted to thick, card,

The Volunteers of the City and County of Dublin, Print made by Joseph Collyer, 1748–1827, British, after Francis Wheatley, 1747–1801, British, 1784, Etching and engraving, printed in color and hand-colored, Image: 16 1/2 x 25in. (41.9 x

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), breakwater, channel

Portrait of the Short Horned Bull Patriot, Print made by William Ward, 1766–1826, British, after Thomas Weaver, 1774–1843, British, 1810, Mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 20

A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left, Unknown artist, nineteenth century, after Philip Reinagle, 1749–1833, British, ca. 1805, Enamel on porcelain, Support (PTG): 5 × 6 3/4 inches (12.7 × 17.1 cm),

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Sunset on the Thames, Francis Seymour Haden, 1818–1910, British, 1865, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 6 1/2 x 8 5/8 inches (16.5 x 21.9 cm), Plate: 5 5/16 x 8 3/8 inches (13.5

Sheep, Print made by J. S. Cooper, active 1885, British, ca. 1880, Drypoint and etching on moderately thick, slightly textured, cream laid paper, Sheet: 12 3/16 x 16 9/16 inches (31 x 42.1 cm), Plate: 6 3/8 x 9 11/16 inches (16.2 x 24.6 cm),

Red Panda, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, and graphite on moderately thick, smooth, white, wove paper, Sheet: 4 1/4 × 6 3/4 inches (10.8 × 17.1 cm), animal art

A Horse Frightened by a Snake, Sawrey Gilpin, 1733–1807, British, 1792, Oil on canvas, Support (PTG): 11 3/8 x 14 1/8 inches (28.9 x 35.9 cm), animal art, frightened, horse (animal), oval, snake

The Free-Martin, Sawrey Gilpin, 1733–1807, British, undated, Graphite, pen and brown ink on medium, moderately textured, beige, laid paper, Sheet: 5 3/16 × 6 1/8 inches (13.2 × 15.6 cm), animal art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boats, channel (water

A Huntsman on Horseback, Brian Hatton, 1887–1916, British, undated, Graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 6 15/16 × 10 5/8 inches (17.6 × 27 cm), figure study, horse (animal), horseback riders,

Rosa McDermott and Lord Marchhare, John Leech, 1817–1864, British, undated, Graphite and watercolor on medium, smooth, wove paper, Sheet: 4 1/16 × 4 3/4 inches (10.3 × 12.1 cm) and Frame: 6 15/16 × 6 15/16 × 1/4 inches (17.7 × 17.7 ×

A View of the Tower of London, Supposed on his Majesty's Birthday, Samuel Scott, 1701/2–1772, British, 1771, Oil on canvas, Support (PTG): 39 3/4 x 76 inches (101 x 193 cm), architectural subject, architecture, barges (flat-bottomed

A Horse in Harness Seen From the Near Side, Thomas Sidney Cooper, 1803–1902, British, undated, Watercolor and graphite on medium, moderately textured, beige, wove paper, Sheet: 4 5/8 × 6 7/16 inches (11.7 × 16.4 cm), Contemporary drawn

A Race Meeting at Newmarket Heath, Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664), ca. 1671, Gray wash with pen and brown ink on medium, slightly textured, beige laid paper, Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9

Petoowack Arctic Highlands Formation, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

The Grand Canal, Venice, James Duffield Harding, 1798–1863, British, 1835, Watercolor, with pen in brown and blue ink, gouache and arabic gum over graphite on cream, moderately thick moderatelytextured, wove paper, stretched over solid

A Chestnut Horse at Exercise, James Seymour, 1702–1752, British, undated, Gouache, graphite, with pen, in black ink on medium, slightly textured, laid paper, Contemporary drawn border: 6 11/16 × 8 inches (17 × 20.3 cm), Mount: 11 9/16

'Sporting Incidents:' Drawing For the Soft-gound Etching of 'Panther Hunting', Henry Thomas Alken, 1785–1851, British, undated, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 7 7/8 × 12 3/8 inches (20

Sea Battle of the Anglo-Dutch Wars, Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672), ca. 1700, Oil on canvas, Support (PTG): 44 3/4 x 72 1/2 inches (113.7 x 184.2 cm), battle, boats, Dutch, English,

Calcutta, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, wove paper,

Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Pen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 7

Shipping on the Thames, John Constable, 1776–1837, British, ca. 1818, Graphite on medium, slightly textured, cream wove paper, Sheet: 3 7/8 x 5 1/8 inches (9.8 x 13 cm), boats, marine art, river, river, shipping, ships, Berkshire,

Study of Cattle and Donkeys, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, cream laid paper, Sheet: 6 7/8 × 12 3/8 inches (17.5 × 31.4 cm), animal art, burro, cattle, cows, donkey, study (visual

Boat Sketch, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, moderately textured, cream laid paper; mounted on, moderately thick, slightly textured, cream, wove

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Horse Skeleton, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, beige, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 9 1/8 × 10 13/16 inches (23.2 × 27.5

Moote Ram the Dwarf Dancing before Sepoys, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 3 1/4 × 2 3/8 inches (8.3 × 6 cm), dancing, dwarf,

A Quail, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 9 5/8 × 7 5/8 inches (24.4 × 19.4 cm), animal art, Aves (class), grass, pheasant family, Quails

To the British Nation, Print made by Thomas Sutherland, ca. 1785–1838, British, after William Heath, 1795–1840, British, 1836, Colored aquatint on medium, slightly textured, beige wove paper, Sheet: 26 1/16 x 39 1/4 inches (66.2 x 99.7

A Race Meeting (Weighing In), Charles Turner, 1774–1857, British, undated, Watercolor, pen and black ink, red ink, brown ink, and graphite on medium, slightly textured, beige, wove paper, Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm),

'Sporting Notions': 'This Gives Me a Notion it's Better to 'Look Before You Leap' ', Henry Thomas Alken, 1785–1851, British, between 1831 and 1832, Graphite with red chalk on thin, smooth, blued white, wove paper, Sheet: 6 9/16 × 8 7/16

Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753, -Died 1828, unknown artist, ( T. A. Kidd ), after Caroline Kirkley, active 1796–1797, British, 1829, Engraving

The Portrature of Sedbury, Print made by Richard Houston, ca. 1721–1775, British, after James Seymour, 1702–1752, British, 1755, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm),

Aardwolf, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, cream wove paper, Sheet: 4 3/16 × 6 11/16 inches (10.6 × 17 cm), animal art

Canal at Shenstone's, The Leasowes, William Ellis, 1747–1810, British, 1806, Watercolor, gouache, and graphite on medium, slightlhy textured, cream wove paper, Sheet: 6 1/2 × 11 1/8 inches (16.5 × 28.3 cm), boats, canal, figures,

Tiger and Crocodile, Print made by Charles Turner, 1774–1857, British, after James Northcote, 1746–1831, British, Published by James Daniell, active ca. 1780–1820, British, 1799, Mezzotint and etching on medium, slightly textured,

Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor with pen in gray ink, over graphite on medium, slightly textured, cream, laid paper, mounted

Portrait of a Sportsman with His Son, Francis Wheatley, 1747–1801, British, 1779, Oil on canvas, Support (PTG): 36 x 28 inches (91.4 x 71.1 cm), animals, boots, breeches, conversation piece, dead, dogs (animals), family, father,

Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider, Spencer Frederick Gore, 1878–1914, British, 1912, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 14 x 10 inches (35.6 x 25.4 cm),

Snow Leopard, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 13/16 × 7 3/4

Fishing off Hastings, David Cox, 1783–1859, British, early 1810s, Graphite, brown wash and red chalk on moderately thick, moderately textured, beige wove paper, Sheet: 4 7/8 x 7 inches (12.4 x 17.8 cm), birds, boats, coast, fishing,

Chili Skunk, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3 cm), animal art

Hounds Followed by Three Riders, Sawrey Gilpin, 1733–1807, British, undated, Pen, in brown ink, brown wash, and graphite on medium, slightly textured, blued white, laid paper, Sheet: 7 5/8 × 9 1/8 inches (19.4 × 23.2 cm), dogs

The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian, William Dickinson, 1746–1823, British, after Henry William Bunbury, 1750–1811, British, Published by William Dickinson, 1746–1823,

A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle, Henry William Bunbury, 1750–1811, British, undated, Watercolor, graphite and black chalk on moderately thick, moderately textured, cream, laid paper, Sheet: 20 × 15 13/16

Staffa, Fingal's Cave, Joseph Mallord William Turner, 1775–1851, British, 1831 to 1832, Oil on canvas, Support (PTG): 35 3/4 x 47 3/4 inches (90.8 x 121.3 cm), birds, brushstrokes, caves, cliffs, island, landscape, marine art,

A British Encampment, Dirk Langendyck, 1748–1805, 1799 to 1801, Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 9/16 x 14 5/16in. (24.3 x 36.4cm) and Sheet: 9 5/8 ×

Crowned Eagle and Two Birds, Richard Brookes, 1721–1763, 1760, Pen and black ink with gray wash on medium, slighlty textured, cream laid paper mounted to medium, slighly textured, cream wove paper, Sheet: 5 5/8 × 3 1/2 inches (14.3 × 8.9

Two Greyhounds Chasing a Hare, unknown artist, undated, Watercolor, pen and black ink, pen and brown ink, and white gouache on thick, rough, cream wove paper, Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm), animal art, dogs (animals),

Encombe Woods, no. 2, Francis Seymour Haden, 1818–1910, British, 1881-1882, Etching and drypoint on moderately thick, smooth, cream laid paper, Sheet: 11 11/16 x 17 inches (29.7 x 43.2 cm), Plate: 8 3/8 x 13 5/16 inches (21.3 x 33.8 cm),

A Thames Barge, James Stark, 1794–1859, British, undated, Graphite and brown wash on medium, smooth, cream wove paper, Sheet: 3 3/8 × 6 1/16 inches (8.6 × 15.4 cm), arch bridges, barges (flat-bottomed watercraft), bridge (built work),

Rehearsal of an opera, Marco Ricci, 1676–1729, Italian, active in Britain (1708–10; 1711–16), ca. 1709, Oil on canvas, Support (PTG): 18 1/4 x 22 3/4 inches (46.4 x 57.8 cm), animal, art, bonnets (hats), cello, chitarrone, dog

No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro, Charles Turner, 1774–1857, British, after T. St. Clair, active 1810–1815, 1810, Aquatint, colored, army, battle, military art, Portugal

Relief Design of an Abstract Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/2 x 7 1/2 inches (29.2 x 19.1 cm),

Boat on the Nile, Edward Lear, 1812-1888, British, 1854, Watercolor, graphite, pen and red ink on moderately thick, rough, beige wove paper, Sheet: 2 3/16 x 9 1/16 inches (5.6 x 23 cm), boat, landscape, marine art, river, river,

Conqueror Going to Start, James Seymour, 1702–1752, British, undated, Graphite and pen and brown ink on medium, slightly textured, beige, laid paper, Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm), figure study, horse (animal), horse

Cerco de Paro, Lima, Godfrey Thomas Vigne, 1801–1863, British, ca. 1855, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 7/8 × 19 1/4 inches (27.6 × 48.9 cm), animal art, buildings,

Animals of the Cat Family, with a Bear and Foxes, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, slightly textured, cream, wove paper, mounted on, thick,

The Artist's Bookplate and Pen Inscription from a Drawing Album, Rev. William Gilpin, 1724–1804, British, between 1745 and 1748, Etching (bookplate) with pen and brown ink (attached inscription) on thin, slightly textured, white wove paper

Sussex Lake, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

Bewdley Bridge, Worcester, Attributed to Peter Rashleigh, active 1775, Pupil of John Malchair, 1730–1812, German, active in Britain (1754–1812), 1775, Graphite and gray wash on medium, slightly textured, cream laid paper, Sheet: 9 1/4

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Two Leopards, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, cream wove paper, Sheet: 7 3/8 × 8 3/8 inches (18.7 × 21.3 cm), animal art, cats, leopards

Four Studies for Two Figural Designs, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and black ink on medium, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm), abstract art, design, figure, study

A View of Boppart, with Figures on the River Bank, Joseph Mallord William Turner, 1775–1851, British, 1817, Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 12 1/2 inches

Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth, James Seymour, 1702–1752, British, undated, Graphite on thin, slightly textured, cream, laid paper, mounted on, moderately thick, slightly textured, dark green, wove

Heaving up His Majesty's Frigate 'Diana' at Blackburn's Yard, near Plymouth, John Rogers, 1808–ca.1888, British, 1813, Oil on canvas, Support (PTG): 23 × 49 5/8 inches (58.4 × 126 cm), boats, construction, dock, dog (animal),

Cart and Driver, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 5 5/8 inches (16.5 × 14.3 cm), animal art

Coastal Scene, Print made by Charles Golding Constable, 1821–1879, British, undated, Etching on moderately thick, slightly textured, beige card, laid on thick, slightly textured, beige card, Mount: 4 5/8 x 5 13/16 inches (11.8 x 14.7 cm)

A Dangerous Leap, unknown artist, ca. 1850, Pen in brown ink on medium, smooth, cream, wove paper, Sheet: 3 9/16 × 4 5/16 inches (9 × 11 cm), fence, figure study, horse (animal), horseback riders, horseback riding, leaping, man,

Lion Lying Down, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 9 1/2 × 13 1/2 inches (24.1 ×

Guinea Parrot, George Edwards, 1694–1773, British, 1736, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 10 3/4 × 8 3/4 inches (27.3 × 22.2 cm), animal art, bird, branch, parrot

Cow Lying Next to a Barn, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, smooth, cream, wove paper, Sheet: 6 9/16 × 8 9/16 inches (16.7 × 21.7

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