Images at Librifly

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One of a Group of Three Studies of Gondolas, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/4 × 2 1/2 inches (5.7 × 6.4 cm), boat, gondola, marine

French harbor scene, unknown artist, nineteenth century, ca. 1825, Oil on millboard, Support (PTG): 11 3/8 x 13 3/8 inches (28.9 x 34 cm), boats, French, harbor, marine art, sea, seascape, ships, Europe, France

Deir Kadige, 1:00 p.m., January 2, 1867, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, rough, beige wove paper, Sheet: 3 1/8 x 12 5/16 inches (7.9 x 31.3 cm), boats, landscape,

Head and Shoulders of a Boxer Dog, Profile Right, Henry Thomas Alken, 1785–1851, British, undated, Graphite and white gouache on thick, rough, brown, wove paper, Sheet: 4 3/16 × 4 3/16 inches (10.6 × 10.6 cm), Contemporary drawn

The St. Leger, Doncaster: Preparing to Start, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm), barn, blanket,

Dead Teal, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in gray ink, black ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 9 1/2 × 12 7/8 inches (24.1 × 32.7 cm),

Going at a Rank of Hurdles with Temper and Resolution, Henry Thomas Alken, 1785–1851, British, 1827, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm), dogs (animals),

View of Valetta, Malta, James Holland, 1799–1870, British, undated, Watercolor with touches of red gouache over graphite on slightly textured, thick, heavy wove paper, Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm), coast, landscape,

Studies of Boats on a Riverside, James Ward, 1769–1859, British, undated, Graphite and gray wash on medium, slightly textured, blued white laid paper mounted on medium, slighlty textured, beige paper, Sheet: 9 1/8 x 7 1/4 inches (23.2 x

Rider Galloping to Left, Benjamin West, 1738–1820, American, active in Britain (from 1763), undated, Graphite on medium, slightly textured, cream, wove paper, Sheet: 7 3/8 × 6 5/8 inches (18.7 × 16.8 cm), equestrian, horse (animal),

Shipping off the Coast near Corton, Joseph Stannard, 1797–1830, British, undated, Graphite, black chalk and pastel on thick, slightly textured, gray card, Sheet: 9 x 13 9/16in. (22.9 x 34.4cm) and Sheet: 9 × 13 1/2 inches (22.9 × 34.3

Cave of the Golden Calf: Study of Two Frenzied Dancers, Spencer Frederick Gore, 1878–1914, British, 1912, Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper, Sheet: 6 x 8 inches (15.2 x 20.3 cm),

John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk, James Dunthorne, 1730–1815, British, 1765, Oil on canvas, Support (PTG): 35 1/2 x 54 inches (90.2 x 137.2 cm), dogs (animals), farmhouse, fox (animal), fox hunting, horses

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Icy Bay & Mount Saint Elias, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

Retrieving a Rabbit, Edwin Gill, active 1810, died 1868, undated, Graphite and watercolor on medium, smooth, cream, wove paper, Sheet: 10 13/16 × 13 7/16 inches (27.5 × 34.1 cm) and Image: 10 5/8 × 13 3/8 inches (27 × 34 cm), dogs

Male Dancing Figure, in Profile, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art, dance,

The Cadger's Trot, Print made by Thomas Bewick, 1753–1828, British, Published by Robertson & Ballantine Lithography, active 1820, British, 1823, Lithograph on medium, slightly textured, beige laid paper, Sheet: 8 1/8 x 10 1/4 inches

'Scraps', no. 33: Mounted Mameluke Brandishing a Sword, Henry Thomas Alken, 1785–1851, British, 1823, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 9 3/16 inches (16.7 × 23.3 cm), genre

English Royal Yachts at Sea in a Strong Breeze, in Company with a Ship Flying the Royal Standard, Studio of Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672), ca. 1689, Oil on canvas, Support (PTG): 21 1/2 x

Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, 'The Fox who Lost His Tail', Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in black ink, over graphite on medium, slightly textured, cream, wove

Eagle, a Celebrated Stallion, James Ward, 1769–1859, British, 1809, Oil on canvas, Support (PTG): 35 3/4 x 48 inches (90.8 x 121.9 cm), animal art, clouds, fence, flowers (plants), hills, horses (animals), landscape, pasture, rocks

The Guards on the March for the Duke of York's Campaign in France, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured,

Riders and Hounds in an Open Landscape, James Seymour, 1702–1752, British, undated, Pen, in brown ink, and graphite on medium, moderately textured, beige, laid paper, mounted on, thick, slightly textured, wove paper, mounted on,

Head and Neck of a Horse, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/8 × 9 3/8 inches (15.6 × 23.8 cm), animal art, gaze, head, horse (animal), neck

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Mount Minto and Mount Adam, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

Woodpecker and Two Birds, Richard Brookes, 1721–1763, 1760, Pen and black ink with gray wash on medium, slightly textured, cream laid paper, Sheet: 5 5/8 × 3 5/8 inches (14.3 × 9.2 cm), animal art, birds, branches, woodpeckers

A Starling, Isaac Spackman, died 1771, British, undated, Watercolor and gouache on vellum, Sheet: 10 15/16 x 8 5/8in. (27.8 x 21.9cm) and Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm), animal art

Small Indian Civet, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, white, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

Final Instructions, Philip William May, 1864–1903, British, undated, Pen and black ink, Sheet: 5 1/2 × 6 1/2 inches (14 × 16.5 cm), costume, genre subject, hats, hats, horse (animal), jockeys, moustache, sporting art

A Waterbuffalo, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Pen and black ink, gray wash and graphite on medium, slighlty textured, cream laid paper mounted to medium, slighlty textured cream laid apper,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Two Kangaroos with Details, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 × 18 3/4 inches (30.2 × 47.6 cm), animal art, kangaroos

Unidentified Fish, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 12 1/16 × 16 inches (30.6 × 40.6 cm), animal art

Man on Horseback Carrying a Spear, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 8 3/4 × 13 1/2 inches (22.2 × 34.3 cm), animal art

Majesty's Ship Tyber of 46 Guns off Teignmouth, Commanded by Captain Dacres, unknown artist, nineteenth century, undated, Watercolor and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 9 inches (18.4 × 22.9

The Heralds, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray brown ink over graphite on medium, moderately textured, blued white, laid paper, Sheet: 6 3/16 x 7 7/16 inches (15.7 x 18.9 cm),

The Famous Lincolnshire Ox, Print made by unknown artist, James Barenger, 1780–after 1831, British, Published by Marshall, Lovitt & Armitage, Hull, Yorkshire, British, 1823, Etching and aquatint with hand coloring on medium, slightly

A Soldier's Knapsack: Two Studies, Side and Front View, Michael Angelo Hayes, 1811–1880, British, undated, Watercolor, pen and black ink, graphite, white gouache, gray wash on medium, moderately textured, cream, wove paper, Sheet: 5

Opening the Fold, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1880, Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper, Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm),

Elaborately Saddled Horse, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 8 3/4 inches (19.1 × 22.2 cm), animal

The Royal Sport, Pit Ticket, unknown artist, eighteenth century, after William Hogarth, 1697–1764, British, undated, Gouache on ivory, Image: 5 1/8 x 6 11/16 inches (13 x 17 cm), animals, anxiety, arena, betting, carpenter, chaos,

Cowdray, Francis Seymour Haden, 1818–1910, British, 1882, Etching and drypoint, with plate tone on thick, smooth, beige wove paper, Sheet: 8 7/8 x 12 3/4 inches (22.5 x 32.4 cm), Plate: 8 7/8 x 12 3/4 inches (22.5 x 32.4 cm), and Image:

Man of War with Other Shipping, Captain T. Richbell, active 1792–1825, 1791, Watercolor, pen and black ink, gray wash, and gouache on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper,

Monitors, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on moderately thick, slightly textured, greened white laid paper, Sheet: 5 5/8 x 8 11/16 inches (14.3 x 22 cm) and Image: 5

Fishing Smacks, Joseph Powell, 1780–1834, British, undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 7 13/16 x 11in. (19.8 x 28cm) and Sheet: 7 7/8 × 11 inches (20 × 27.9 cm),

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated, Etching on

Donkeys and Figures on a Beach, Julius Caesar Ibbetson, 1759–1817, British, Formerly attributed to William Collins, 1788–1847, British, ca. 1815, Oil on panel, Support (PTG): 9 1/4 x 12 1/4 inches (23.5 x 31.1 cm), animal art, basket,

Study of a Horse's Hooves, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/2 x 4 3/8 inches (19.1 x 11.1 cm), animal art

Ships at Wharf with Passengers Disembarking, Luke Clennell, 1781–1840, British, undated, Watercolor, black ink, and graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6

Shipping in a Choppy Sea, Follower of William Owen, 1769–1825, British, Formerly attributed to William Joy, 1803–1867, British, Formerly attributed to John Cantiloe Joy, 1806–1859, British, undated, Watercolor, graphite, and

Academy by Lamplight, Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), 1769, Oil on canvas, Support (PTG): 50 x 39 3/4 inches (127 x 101 cm), academy, artists, Borghese Gladiator, ca. 100 BC, by Agasias of

Ships Firing, Francis Swaine, 1730–1782, British, undated, Gray wash and graphite with black ink on medium, slightly textured, cream laid paper, Sheet: 6 × 10 3/8 inches (15.2 × 26.4 cm), cannons (artillery), flags, marine art, sails,

Studies of Spider Crabs, Venice, Myles Birket Foster, 1825–1899, British, 1874, Watercolor and graphite on moderately thick, slightly textured, cream card, Sheet: 6 × 8 1/2 inches (15.2 × 21.6 cm), animal art, crabs, sand, Europe,

Owl: Little Owl, William Lewin, 1747–1795, British, before 1790, Watercolor and gouache over graphite with gum arabic on medium, smooth, white vellum, Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm), animal art, bird, branch, owl,

Landscape with Owl and Bats, unknown artist, (J. B.), 1873, Pen and brown ink on medium, smooth, cream laid paper, Sheet: 7 5/8 × 9 3/8 inches (19.4 × 23.8 cm), animal art, bats (animals), birds, branches, eggs, landscape, man, moon,

Ship Building, William Callow, 1812–1908, British, active in France, 1841, Watercolor with pen and brown and black ink, over graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 8 9/16 x 13 3/8 inches

Horse with Rider Wearing Tricorne Hat, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/4 × 3 3/4 inches (10.8 × 9.5 cm), Mount: 12 × 14 1/4 inches (30.5 × 36.2 cm), and

Barmouth Bay, Moses Griffith, 1747–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper mounted on thick card, Sheet: 10 x 16 3/4 inches (25.4 x 42.5 cm) and Mount: 10 7/8 x 17 1/2 inches (27.6 x

Felis Uncia, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on medium, smooth, cream, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art, leopard

Cock Siskind, Thomas Atwood, ca. 1761–1766, British, undated, Watercolor, gouache and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 7/8 × 6 1/2 inches (17.5 × 16.5 cm), animal art, bird, branches

Two Geese and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds the Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca. 1626–1704, British,

Beach Scene, Attributed to John Sell Cotman, 1782–1842, British, ca. 1820, Oil on paper on board, Support (PTG): 8 3/4 x 12 7/8 inches (22.2 x 32.7 cm), beach, castle, dock, figures (illustrations), hats, landscape, marine art,

Boat Sketch, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, moderately textured,

An Eagle?, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm), animal art, eagles (birds), Golden Eagle

Arcadian Shepherds by a Pool, Joshua Cristall, 1768–1847, British, undated, Watercolor and graphite, with scraping on moderately thick, slightly textured, beige wove paper, Sheet: 12 1/8 x 8 3/8 inches (30.8 x 21.2 cm), arcadian art,

St. Michael's Mount, Cornwall, Attributed to Luke Clennell, 1781–1840, British, undated, Watercolor and graphite on medium, slightly textured, blued white wove paper, Sheet: 4 3/8 × 6 3/4 inches (11.1 × 17.1 cm), coast, dock, island,

Calf, with Head of a Cow, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 5 1/4 × 7 3/4 inches (13.3

The Turkish Fort, Sir David Young Cameron, 1865–1945, British, 1909, Etching and drypoint, Plate: 5 1/2 x 10 3/8in. (13.9 x 26.4cm) and Sheet: 7 1/4 x 1 1/4in. (18.4 x 3.2cm), architectural subject, fort, landscape, military art,

Study of a Dog, David Cox, 1783–1859, British, 1840s, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 7/8 x 4 5/8 inches (9.8 x 11.7 cm), animal art, dog (animal

Saddled Gray Horse Walking, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), undated, Oil on moderately thick, moderately textured, brown, wove paper, Sheet: 5 5/16 × 7 9/16 inches (13.5 × 19.2 cm), Contemporary

Filley Bearing Marks of Quagga, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 × 6 7/16 inches (10.2 × 16.4 cm), animal art

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Madoqua (Dik-dik), James Bruce, 1730–1794, British, ca. 1768, Watercolor, pen and brown ink, over gaphite on medium, slightly textured, cream laid paper, Sheet: 4 1/2 × 5 3/4 inches (11.4 × 14.6 cm), animal art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Commander with Aides on Horseback Directing a Battle, Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664), undated, Brown wash and graphite on medium, slightly textured, laid cream paper, Sheet: 7 1/2 × 10 13/16 inches (19.1

A Seascape with Men-of-War and Small Craft, Attributed to Francis Holman, 1760–1790, British, ca. 1780, Oil on canvas, Support (PTG): 38 1/4 x 56 inches (97.2 x 142.2 cm), boats, clouds, flags, marine art, men-of-war, ocean, sailboats,

Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left, James Seymour, 1702–1752, British, undated, Graphite and gray wash on medium, moderately textured, cream, wove paper, Contemporary drawn border: 6 5/8 × 7 1/8 inches

Four Registers of Fourteen Dancing Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and black ink on medium, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm), abstract art, dance, figure,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Drawing for 'Specimens of Riding Near London:' Fancy - View Near Gray's Inn Road, Henry Thomas Alken, 1785–1851, British, between 1809 and 1823, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 5/16 ×

A Hog, Sleeping, James Ward, 1769–1859, British, ca. 1807, Graphite on medium, slightly textured, cream, wove paper; mounted on, medium, moderately textured, beige, laid paper, Sheet: 5 1/4 x 8 7/8 inches (13.3 x 22.5 cm), animal

View Near the City of Tientsin, William Alexander, 1767–1816, British, 1800, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 x 14 5/16 inches (22.9 x 36.3 cm), architectural subject, boats,

Barmouth Estuary with Cader Idris, North Wales, attributed to John Sell Cotman, 1782–1842, British, undated, Watercolor, pen and gray ink and graphite on medium, moderately textured, cream laid paper, Sheet: 6 1/4 x 12 inches (15.9 x 30.5

Two Pointers, Facing Right with a Sportsman, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on thick, smooth, cream, wove paper, Sheet: 9 3/16 × 11 inches (23.3 × 27.9 cm), bush, dogs (animals), fields,

Horse and Rider Walking to Right, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm), Mount: 12 × 14 1/4 inches (30.5 × 36.2 cm), and Binding:

Edinburgh Castle and Horse Fair, Walter Geikie, 1795–1837, British, ca. 1828, Pen, black ink and gray wash over graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm), animal art, fair,

A Sailing Ship near Shore, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper mounted on thick, smooth, beige card, Mount: 5 5/8 × 7 5/8

Pelecanus onocrotalus (Great White Pelican), James Bruce, 1730–1794, British, ca. 1769, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 21 × 14 inches (53.3 × 35.6 cm), animal art

Dinant Belgian Set: No. 9, Sir David Young Cameron, 1865–1945, British, 1907, Etching and drypoint, arches, architectural subject, balconies, boats, bridge (built work), buildings, chairs, chimneys, church, cityscape, column

Arctic Dog, Facing Right, James Ward, 1769–1859, British, undated, Graphite on medium, slightly textured, cream, wove paper, Sheet: 6 3/4 x 7 1/4 inches (17.1 x 18.4 cm), animal art, dog (animal

Dane's Island, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, cream, laid paper; mounted on, moderately thick, moderately textured, cream,

A Sportsman, Edward Haytley, active 1740–1761, British, 1752, Oil on canvas, Support (PTG): 20 3/8 x 14 3/8 inches (51.8 x 36.5 cm), canteen, costume, dog (animal), figure study, glove, hat, hunter, landscape, man, rifle, rocks

Five Sculptural Studies, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink, graphite and red pencil on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.6 cm), abstract art, figure,

Six Snipe and four herons on two plates on one for 'A New Drawing Book..of various kinds of birds, Drawn from the Life by Francis Barlow', 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca.

A Boatload, John Crome, 1768–1821, British, undated, Watercolor, with pen, in brown ink on medium, slightly textured, cream, wove paper, Contemporary drawn border: 6 × 10 1/8 inches (15.2 × 25.7 cm) and Sheet: 4 7/8 × 9 1/16 inches

Boats on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, blue wove paper, Sheet: 4 1/16 x 6 1/16 inches (10.3 x 15.4 cm), boats, figures

A Skunk (Zorille?) with another skunk in background, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, rough, cream wove paper, Sheet: 11 3/4 × 18 7/8 inches (29.8 × 47.9 cm), animal art, Mammalia (class),

Village of Friendly Indians at the Entrance of Buter Canal near Hanover, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches

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