Images at Librifly

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Two Cows and a Calf, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, smooth, cream, wove paper, Sheet: 6 5/16 × 8 11/16 inches (16 × 22.1 cm) and

Wareham Bridge, Francis Seymour Haden, 1818–1910, British, 1877, Etching and drypoint, with plate tone on medium, smooth, cream antique laid paper, Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.8 cm), Plate: 5 7/8 x 8 3/4 inches (15 x 22.3

Study of a Female Figure, Abstract Figure Study, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink, graphite and red pencil on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.6 cm),

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Spanish Palace at Naples, Print made by unknown artist, (de Bois), Published by John Bowles, 1701–1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporary mount made of

The Battle of the Dogger Bank, 5th August, 1781, Dominic Serres RA, 1722–1793, French, active in Britain (from the 1750s), 1781, Pen and gray ink and gray wash with trace s of watercolor over graphite on Cream, moderately textured, thin,

Golding Constable's Black Riding-Horse, Attributed to John Constable, 1776–1837, British, between 1805 and 1810, Oil on panel, Support (PTG): 14 x 18 1/4 inches (35.6 x 46.4 cm), animal, animal art, horse (animal), landscape, sky,

A French Nobleman out Shooting, Thomas Rowlandson, 1756–1827, British, 1778, Pen and brown ink with graphite; verso: gray brown and red brown blots on medium, moderately textured, beige, wove paper, Sheet: 5 11/16 x 5 3/8 inches (14.4 x

Before the Race, John Willis Good, 1845–1879, British, 1875, Bronze, Overall: 12 3/4 x 11 1/4 x 4 1/8 inches (32.4 x 28.6 x 10.5 cm), horse (animal), jockey, sporting art

A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond, Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), between 1787 and 1808, Watercolor, pen, black ink, and

Design for Deer Hunting Mural in the Cabaret Theatre Club, Spencer Frederick Gore, 1878–1914, British, 1912, Oil and chalk on paper, Support (PTG): 11 x 24 inches (27.9 x 61 cm), abstract art, deer, hills, horses (animals), hunting,

Deer Before a Thicket, Samuel Howitt, 1756–1822, British, undated, Pen and black ink, gray wash and graphite on medium, moderately textured, cream wove paper, Sheet: 6 × 9 inches (15.2 × 22.9 cm), animal art, deer

Sheep-shearing, James Ward, 1769–1859, British, undated, Graphite on medium, smooth, cream wove paper, mounted on, medium, moderately textured, beige, laid paper, Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm), animal art, genre

Hecla & Griper, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

View of Malta, Charles Dyce, active 1848, British, ca. 1849, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm), boats, hills, houses, marine art, men, ocean, ships,

Cave of the Golden Calf: Kneeling Figures, Spencer Frederick Gore, 1878–1914, British, 1912, Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm),

The Opening of the First Eddystone Lighthouse in 1698, Peter Monamy, 1681–1749, British, ca. 1703, Oil on canvas, Support (PTG): 24 1/4 x 54 inches (61.6 x 137.2 cm), boats, flags, full-rigged ships, lighthouse, longboats, marine art,

An English Man of War, Starboard Quarter View: Possibly the Victory, Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672), ca. 1675, Pen and brown ink with gray wash over graphite on moderately thick, moderately

'The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..., John Vanderbank, 1694–1739, British, 1729, Pen, in gray ink, black ink, gray wash and

Red-capped Parakeet (female), unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and black ink and graphite on wove paper, Sheet: 18 x 14in. (45.7 x 35.6cm), animal art, bird, branch, female,

A Dun Diver (Goosander), Robert Wilkinson Padley, ca. 1775–1835, British, Formerly James Barenger, 1780–after 1831, British, 1817, Oil on canvas, Support (PTG): 25 x 30 inches (63.5 x 76.2 cm), landscape, river, rural, sporting art

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Jack in Office, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by A. Ducôte, active 1832–1840, British, Published by Thomas McLean, 1788–1875, British, 1835, Lithograph, hand-colored on moderately thick, smooth,

Three Figures beside a Horse, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink and graphite on medium, slighlty textured, cream laid paper, Sheet: 5 1/8 × 6 3/4 inches (13 × 17.1 cm), animal art, equestrians, figures

The Capybara, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on mdeium, smooth, white, wove paper, Sheet: 4 1/16 × 6 7/16 inches (10.3 × 16.4 cm), animal art

Coracias abyssinicus (Abyssinian Roller), James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm), animal art

The Erebus Passing Through the Chain of Icebergs, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and

Head of a Pointer, in Profile Left, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, slightly textured, cream, wove paper, Sheet: 4 3/4 × 5 3/4 inches (12.1 × 14.6 cm), animal art

The Exeter College Eight on the Isis, Oxford, William Turner of Oxford, 1789–1862, British, 1824, Watercolor over graphite, witih gouache on moderately thick, smooth, cream wove paper, Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm),

Two Huskies, Samuel Howitt, 1756–1822, British, ca. 1817, Watercolor, pen and black ink and graphite on medium, moderately textured, cream wove paper, Sheet: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm), animal art, dogs (animals), hut

Dusty Millers, Francis Seymour Haden, 1818–1910, British, 1877, Etching and drypoint, with plate tone on thin, smooth, cream Asian paper (2 layers), Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm), Plate: 5 7/16 x 8 7/16 inches (13.8 x 21.4

Study of a horse with a figure on its back, Sawrey Gilpin, 1733–1807, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 × 9 1/4 inches (20.3 × 23.5 cm), animal art, horse (animal

Three Studies for a Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art, figure,

Privet Hawk Moths and Callajoppa Exaltatoria, Eleazar Albin, active 1713–1759, British, 1720, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 10 5/8 × 8 1/4 inches (27 × 21 cm), animal art,

St. Mawes, Cornwall, Joseph Mallord William Turner, 1775–1851, British, ca. 1823, Watercolor and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm), cityscape, cliffs,

Desenzano, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, beige wove paper, Sheet: 1 5/8 x 4 7/16 inches (4.1 x 11.3 cm), boat, lake, landscape, marine art, mountains, sail, sky,

An Essex Farm, Francis Seymour Haden, 1818–1910, British, 1874, Etching and drypoint, with plate tone on moderately thick, smooth, cream laid paper, Sheet: 8 7/16 x 13 7/16 inches (21.5 x 34.2 cm), Plate: 6 15/16 x 10 3/8 inches (17.6 x

Leopards at Play Among Fallen Trees and Rocks, Samuel Howitt, 1756–1822, British, ca. 1807, Watercolor, over graphite, with pen in gray and brown ink on medium, slightly textured, beige, wove paper, Sheet: 12 13/16 × 18 13/16 inches

The Duke of Ancaster's Bay Stallion, Blank, Walking Towards a Mare, William Shaw, active 1758–1772, British, ca. 1770, Oil on canvas, Support (PTG): 40 1/8 x 50 1/8 inches (101.9 x 127.3 cm), animals, equestrian, horses (animals),

Euplectes axillaris (Fan-tailed widowbirds), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3

Dusty Millers, Francis Seymour Haden, 1818–1910, British, 1877, Etching and drypoint, with plate tone on thin, smooth, cream Asian paper, Sheet: 6 3/4 x 9 1/2 inches (17.1 x 24.1 cm), Plate: 5 7/16 x 8 3/8 inches (13.8 x 21.3 cm), and

Atlas Moth, George Edwards, 1694–1773, British, ca. 1758, Watercolor with gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 9 × 11 1/8 inches (22.9 × 28.3 cm), animal art, butterfly, Color, moth, pattern

An East Indiaman Moored, Small Boats Alongside, Other Boats Further Off, Samuel Prout, 1783–1852, British, undated, Watercolor with brown ink over graphite on moderately thick, moderately textured, blue wove paper, Sheet: 7 9/16 x 10 3/16

The Check, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Mount: 9 1/4

Two Cows, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, smooth, cream, wove paper, Sheet: 6 x 7 7/8in. (15.2 x 20cm) and Mount: 9 1/2 × 10 11/16

Miss-Ann-Thropy, Print made by Henry Heath, active 1824–1835, British, after unknown artist, Published by Thomas McLean, 1788–1875, British, undated, Etching, hand-colored on moderately thick, slightly textured, beige wove paper,

Portrait Head of Samuel Palmer, George Richmond, 1809–1896, British, 1827, Graphite on medium, slightly textured, blued white laid paper, Sheet: 4 5/16 × 3 3/8 inches (11 × 8.6 cm), animal art, figure study, portrait, sheep

A Boar, a Leopard, a Lion, a Tiger, a Wolf, a Ram, and Two Eagles, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in black ink, and gray ink, and traces of graphite on medium, slightly textured, cream, wove

A Greyhound, Sawrey Gilpin, 1733–1807, British, 1760, Watercolor, graphite, gray wash, pen and black ink on moderately thick, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Victorious, James Seymour, 1702–1752, British, undated, Gouache, pen and brown ink, black ink, and graphite on medium, moderately textuerd, beige, laid paper, Sheet: 5 11/16 × 7 3/16 inches (14.4 × 18.3 cm) and Image: 5 3/8 × 6 7/8

Horse, Man and Pig, unknown artist, nineteenth century, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 11 5/8 × 7 7/8 inches (29.5 × 20 cm), animal art, coat, figure study, glasses, eye, hat, horses

'Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' ', Hablot Knight Browne, 1815–1882, British, undated, Graphite, watercolor, and white gouache on medium, slightly textured, beige, wove paper,

Study of Moored Boat with Seated Figure, Cornelius Varley, 1781–1873, British, undated, Graphite on medium, cream, slightly textured wove paper, Sheet: 8 3/8 x 10 3/8 inches (21.3 x 26.4 cm), boat, man, marine art, rope, tree

The Reverend Thomas Levett and Favourite Dogs, Cock-shooting, James Ward, 1769–1859, British, 1811, Oil on canvas, Support (PTG): 28 1/8 x 36 1/8 inches (71.4 x 91.8 cm), costume, dog (animal), female, fence, fields, flowers (plants),

Lord Glamis and his Staghounds, Dean Wolstenholme, 1757–1837, British, 1823, Oil on canvas, Support (PTG): 51 x 81 inches (129.5 x 205.7 cm), aristocracy, breeches, clouds, dogs (animals), equestrian, farming, farmland, hat, hills,

Lunar Crater, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

Two Horsemen, James Gray Mayhew, 1771–1845, undated, Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/2 × 5 1/8 inches (16.5 × 13 cm), animal art, armor, bridles, capes

The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845, Justinian Gantz, 1802–1862, 1845, Graphite, pen and black ink, and watercolor on medium, slightly textured, cream wove paper, Sheet: 12 13/16 × 20 3/16 inches

The Luxor, Paris, December 1833, William Callow, 1812–1908, British, active in France, 1833, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 12 7/8 x 9 5/16 inches (32.7 x 23.7 cm), architectural subject,

Zebra, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), 1803, Oil on canvas, Support (PTG): 24 3/4 x 30 inches (62.9 x 76.2 cm), animal art, boulders, cave, landscape, light, menagerie, zebra (mammal

The Mountain Daisy, William Henry Lake Price, ca. 1810–ca. 1896, 1857, Albumen print from wet collodion negative on thin, smooth, cream wove paper, Sheet: 7 7/8 × 7 1/2 inches (20 × 19.1 cm) and Mount: 13 7/8 × 12 inches (35.2 × 30.5

A Woodcock, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 8 5/16 × 6 3/8 inches (21.1 × 16.2 cm) and Image: 6 × 4 1/16 inches

Dancing Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art, dance, figure, figure study,

Two Durham Oxen, Print made by Charles Turner, 1774–1857, British, after Thomas Weaver, 1774–1843, British, 1828, Mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 24 x 30 inches (61 x 76.2

An Illustration of H. Bunbury ('Geoffrey Gambado'), 'An Academy for Grown Horsemen: 'A Bit of Blood', Henry William Bunbury, 1750–1811, British, undated, Pen, in brown ink, with brown wash on medium, slightly textured, beige, wove paper,

A River in Ceylon, George Chinnery, 1774–1852, British, undated, Watercolor and pen and black ink on medium, slightly textured, wove paper, Sheet: 5 5/8 × 10 3/8 inches (14.3 × 26.4 cm), boats, landscape, marine art, river, Asia,

A Weasel, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 × 12 3/8 inches (20.3 × 31.4 cm), animal art, weasel

Head of a Swan, Possibly James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 3 1/4 × 4 1/4 inches (8.3 × 10.8 cm), animal art, swan

Camel studies, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 5/16 x 2 1/8 inches (3.3 x 5.4 cm), animal art, camels (mammals), figure

Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, pen and black ink, gray ink, and graphite on medium, moerately

Westminster Bridge, Frederick Nash, 1782–1856, British, ca. 1825, Oil on artist's board, Support (PTG): 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm), animals, barges (flat-bottomed watercraft), boats, carriage, cart, city, cityscape, dock,

A Terrier Sitting, Looking Up to Right, William Henry Hunt, 1790–1864, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige wove paper, Sheet: 4 9/16 × 4 7/8 inches (11.6 × 12.4 cm), animal art

'Sporting Notions': 'It's My Notion That This is the Only Way to Get Her Along', Henry Thomas Alken, 1785–1851, British, between 1831 and 1832, Graphite and red chalk on thin, smooth, blued white, wove paper, Sheet: 6 3/8 × 8 1/8 inches

Two Anteaters, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 9 5/8 inches (20.3 × 24.4 cm), animal art, anteaters, Mammalia (class

Lion Walking in Rocky Landscape, Sawrey Gilpin, 1733–1807, British, undated, Graphite and rubbing on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 10

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Patagonian Parakeet Macaw, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

Wrestling, Charles Turner, 1774–1857, British, 1810, Watercolor over etched outline on moderately thick, moderately textured, blued white, wove paper, Mount: 11 5/8 × 14 3/4 inches (29.5 × 37.5 cm), Contemporary drawn border: 8 9/16 ×

Three Cart-Horses in Traces, attributed to Peter DeWint, 1784–1849, British, undated, Watercolor with pen, in brown ink on medium, slightly textured, cream, wove paper, Sheet: 4 5/8 x 9 7/8 inches (11.7 x 25.1 cm), animal art,

Beagles in Full Cry, John Dalby, active 1826–1853, British, Formerly David Dalby of York, 1780–1849, British, 1845, Oil on canvas, Support (PTG): 14 1/2 x 19 1/4 inches (36.8 x 48.9 cm), clouds, dogs (animals), hunting, landscape,

A Hunting Party, Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664), undated, Black chalk and gray wash on medium, moderately textured, beige, laid paper, Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm), Contemporary drawn

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Tristan d' Acunha, January, Henry William Parish, active 1792, 1793, Watercolor on medium, slightly textured, cream laid paper, Sheet: 3 3/4 × 9 1/8 inches (9.5 × 23.1 cm), animal art

View in the Island of Pulo Condore, John Webber, 1752–1793, British, 1792, Graphite, squared for transfer on medium, slightly textured, cream wove paper, Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm), animal art

Landscape, unknown artist, undated, Watercolor on medium, slightly textured, cream wove paper mounted to thick, cream card, Sheet: 3 3/8 × 4 inches (8.6 × 10.2 cm), beach, coast, fog, marine art, storm, windmill

A Cow Byre, Robert Hills, 1769–1844, British, undated, Brown wash, gray wash, and graphite on moderately thick, slightly textured, greened white wove paper, Sheet: 12 5/8 x 12 3/8 inches (32 x 31.4 cm), agriculture, animal art,

Coast Scene with Shipping, Charles Bentley, 1806–1854, British, undated, Watercolor and pen and brown ink over graphite, with scraping out on heavy, moderately textured, wove paper, Sheet: 9 1/4 × 14 5/8 inches (23.5 × 37.1 cm), boat,

Yarmouth Sands, Joseph Mallord William Turner, 1775–1851, British, ca. 1840, Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm), beaches, docks, landscape,

Selling Fish on a Beach, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray and red-brown ink, and graphite; verso: watercolor blots on moderately thick, moderately textured, beige, wove paper, Sheet: 5 1/2 x 8

Foxhunting Scene, Benjamin Marshall, 1768–1835, British, 1808, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), breeches (trousers), collar, dry, fence, frock coats, genre subject, gesture, hats, top, horses (animals),

Study of Cattle, Sawrey Gilpin, 1733–1807, British, undated, Pen and black ink over graphite on medium, slighlty textured, cream laid paper, Sheet: 7 × 11 5/8 inches (17.8 × 29.5 cm), animal art, cattle, cows, jersey, resting

Study of a cantering horse, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream wove paper mounted to medium, moderately textured, cream laid paper, Sheet: 9 7/8 × 8 7/8 inches (25.1 × 22.5 cm) and

Head of a Horse, Facing Left, James Seymour, 1702–1752, British, undated, Graphite and brown wash on medium, moderately textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 8 5/8

A Small Sailing Ship Drawn Up on the Shore Below Some Fortified Buildings, William Alexander, 1767–1816, British, undated, Gray wash with graphite and black ink on medium, smooth, cream laid paper, Sheet: 7 3/8 x 11 1/4 inches (18.7 x 28.6

Nasua (Solitaria) Monachus, From Life, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, with pen and brown ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7

A Bear, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on medium, smooth, cream wove paper, Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm), animal art, bear, bears

Study of a Cow's Hoof, Sawrey Gilpin, 1733–1807, British, undated, Graphite; verso: graphite on medium, slightly textured, cream laid paper, Sheet: 4 7/8 × 5 1/2 inches (12.4 × 14 cm), animal art, cow, hoof, leg, study (visual work

Greyhound Dhole, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 3/8 × 6 3/4 inches (11.1 × 17.1 cm), animal art

Figures on camels, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm), animal art, camels

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