Images at Librifly

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Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

A Bird's Egg, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 2 3/4 × 2 1/2 inches (7 × 6.4 cm), animal art, egg

A Baboon, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 5/8 × 8 inches (32.1 × 20.3 cm), animal art, baboon, Baboons

Mount Hecla Iceland, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

An Arab in the Clothes of Guyirat, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm),

Exhibition of Royal Academy, Print made by Pietro Antonio Martini, 1738–1797, Italian, after Johann Heinrich Ramberg, 1763–1840, German, active in Britain (1781–88), 1787, Etching, Sheet: 15 x 20 1/2in. (38.1 x 52.1cm), architectural

Sailing Wherries and Boats in a Choppy Sea, John Sell Cotman, 1782–1842, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 3 1/2 x 6 3/8 inches (8.9 x 16.2 cm), boats, marine art, sea, waves (natural

Return From the Chase, After a Fall, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, and graphite on thick, moderately textured, beige, wove paper, Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm), Contemporary

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boats, channel (water

Heron Hawking below Stirling Castle, Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664), ca. 1690, Oil on canvas, Support (PTG): 24 1/2 × 24 1/8 inches (62.2 × 61.3 cm), birds, bow (weapon), castle, clouds, coat,

The Death, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, blued white, laid

'Scraps', no 17: Racing, Three Horses with Jockeys Up Galloping to Right, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 9 1/16 inches (16.7 × 23 cm),

A Man and a Saddled Horse, Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, mounted on moderately thick, moderately textured, cream, laid paper,

View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground, Thomas Robins the elder, 1715–1770, British, ca. 1755, Oil, pen and ink on vellum, varnished, Sheet: 16 3/8 x 24 3/8in. (41.6 x 61.9cm),

Steeplechasing: The Start, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 15/16 × 6 1/8 inches (25.2 × 15.6 cm), buildings, fields, galloping, horse

A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in 'The National Sports of Great Britain', Henry Thomas Alken, 1785–1851, British, 1821, Graphite and watercolor on medium, slightly textuered, cream, wove

Avenue and Entrance to St. James Barracks, Michel Jean Cazabon, 1814–1888, Trinidadian, active in France ca. 1839-1847, 1857, Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured,

Old Fox held by a Groom, James Seymour, 1702–1752, British, 1721, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), animal art, belt, boots, bridle, brown coat, hills, horse (animal), jockey, landscape, man, saddle

Tiger in a Cave, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), ca. 1814, Oil on panel, Support (PTG): 32 1/2 x 24 3/4 inches (82.6 x 62.9 cm), animal art, bone, cave, jungle, landscape, Orientalism, palm

Venice, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache and graphite on medium, moderately textured, cream laid paper, Sheet: 6 x 8 7/8 inches (15.2 x 22.5 cm), architectural subject, boats, cityscape,

Traders and a Warship in Coastal Waters, George Chambers, 1803–1840, British, between 1820 and 1840, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 9 x 12 1/4 inches (22.9 x 31.1 cm), buoy, marine art,

Racehorse at Exercise, Ridden by a Training-Groom, James Seymour, 1702–1752, British, undated, Gouache, with pen, in black ink, and graphite on medium, slightly textured, laid paper, mounted on moderately thick, slightly textured,

Eira Ferruginea - Gulo Castaneus Griffith's Cuvier, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper,

Algeciras from Gibraltar, George Lothian Hall, 1825–1888, British, 1843, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm), cannons, figure, fort,

Groom with a Rearing Horse, Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 10 11/16 × 14 7/16 inches (27.1 × 36.7 cm), animal art, groom (caretaker of horses),

The Bocas from the Old Fort, Maquerite, Michel Jean Cazabon, 1814–1888, Trinidadian, active in France ca. 1839-1847, 1857, Pen in black ink, gray ink, gray wash, black wash, gouache, graphite and scratching out on medium, slightly

The Return Home, Print made by Edward Calvert, 1799–1883, British, 1830, Wood-engraving on moderately thick, smooth, beige wove paper, Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm) and Image: 1 5/8 x 3 inches (4.1 x 7.6 cm), animal art,

Crossing the Tropic, Oct. 15, 1826, Richard Bridgens, active 1838, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/2 × 7 7/8 inches (24.1 × 20 cm), buckets (vessels), marine art, pirates, rigging,

Lions at Play, Sir Edwin Henry Landseer, 1802–1873, British, undated, Red and black chalk with graphite on medium, smooth, beige wove paper, Sheet: 6 x 9 1/2 inches (15.2 x 24.1 cm), animal art, animals, lions

Anatomical Study of a Horse, Founded on `Eclipse', Nov. 26, 1832, William Mulready, 1786–1863, Irish, 1832, Graphite on medium, slightly textured, blued white, wove paper, Sheet: 3 1/16 × 4 3/8 inches (7.8 × 11.1 cm), animal art,

Fishing Smack and Other Vessels in a Strong Breeze, Joseph Stannard, 1797–1830, British, 1830, Oil on panel, Support (PTG): 12 3/4 x 17 inches (32.4 x 43.2 cm), boats, breeze, clouds, fishing, flags, marine art, men, sea, seamen,

Freeman, the Earl of Clarendon's gamekeeper, with a dying doe and hound, George Stubbs, 1724–1806, British, 1800, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), Cervidae (family), costume, dark, dog (animal), dusk,

A Lion, James Sowerby, 1756–1822, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 3 3/4 × 4 3/4 inches (9.5 × 12.1 cm), animal art, lion, lions

Isola Bella, Lago Maggiore, John Skinner Prout, 1806–1876, British, undated, Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 13 1/8 × 9 3/4 inches (33.3 × 24.8

Cows From Various Angles, Robert Hills, 1769–1844, British, undated, Graphite on medium, slightly textured, beige wove paper, Sheet: 6 1/2 × 9 inches (16.5 × 22.9 cm), animal art, cows, grass, studies (visual works

Seven Studies of Jockeys' Caps, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, cream, laid paper, mounted on, medium, slightly textured, blued white, laid paper, Mount: 8 9/16 × 10 1/16 inches

Portsmouth Children, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on medium, slightly textured, cream antique laid paper, Sheet: 2 3/4 x 3 7/8 inches (7 x 9.9 cm) and Image: 2 5/8

Portunua pelagicus (Blue Crab), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8

The Sporting Parson: 'D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' ', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and gouache on moderately thick, slightly textured, gray,

A Dutch Packet in a Rising Breeze, Thomas Rowlandson, 1756–1827, British, 1791, Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5

Vicunas, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), 1831, Oil on canvas, Support (PTG): 14 x 12 inches (35.6 x 30.5 cm), animal art, hills, landscape, mountains, vicunas, South America

Coursing, Thomas Weaver, 1774–1843, British, 1800, Watercolor, graphite, and white gouache on medium, smooth, beige, wove paper, Sheet: 9 7/16 × 12 5/16 inches (24 × 31.3 cm), dogs (animals), forest, horse (animal), horseback

Ship Aground Brighton, Joseph Mallord William Turner, 1775–1851, British, 1830, Watercolor, brushed black ink, gouache on medium, slightly textured, blue wove paper, Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm) and Frame: 15 1/4 x 20 1/4 x

Foxhunting: The Refreshment, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, brown ink, blue ink, graphite and gouache on medium, slightly textured, cream, wove paper, Sheet: 9 3/8 × 12 7/16 inches

The Sea Otter, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, white gouache, graphite, pen and black ink on medium, smooth, white, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

Study for Two Standing Pallah Deer, Samuel Daniell, 1775–1811, British, ca. 1802, Graphite on medium, slighlty textured, cream laid paper, Sheet: 3 5/8 × 5 1/2 inches (9.2 × 14 cm), animal art, deer, grazing, standing

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Lord Southampton's Shooting Pony, with 'Sailor', His Retriever, and 'Rover', His Spaniel, James Ward, 1769–1859, British, ca. 1822, Graphite on medium, slightly textured, cream wove paper, Mount: 9 1/8 × 10 11/16 inches (23.2 × 27.1

An Admiralty Yacht Running Inshore at Tenby, Nicholas Pocock, 1740–1821, British, 1792, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/2 x 16 1/2 in. (29.2 x 41.9 cm),

Rough-Coated Collie, James Ward, 1769–1859, British, 1809, Oil on board, Support (PTG): 10 x 16 inches (25.4 x 40.6 cm), animal art, beach, dog (animal), hills, landscape, sea, shells, shore (landform

Benisouef, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, pen and brown ink on medium, slightly textured, beige, wove paper, mounted on, thick, slightly textured, cream wove paper, Sheet: 3 3/4 x 11 9/16

Head of a Horse, Sawrey Gilpin, 1733–1807, British, 1760, Graphite, brush and brown ink on medium, slightly textured, beige, laid paper, Sheet: 8 3/16 × 6 5/16 inches (20.8 × 16 cm), animal art

A Match at Newmarket, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper, mounted on, moderately thick,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Graves of the Officers in the Fort on Cathcart's Hill, William Simpson, 1823–1899, British, 1854, Watercolor and gouache over graphite on medium, cream, slightly textured, wove paper, Sheet: 8 1/8 x 13 3/4 inches (20.6 x 34.9 cm), fort,

A Parrot, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm), animal art, parrot

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..., Print made by Peter P. Benazech, 1767–1794, after Francis Swaine, 1730–1782, British, Published by Robert

A Race on the Knavesmire at York, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen, in brown ink and gray ink on thick, slightly textured, brown, wove paper, Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm), building,

Galloping Rider With Whip Under His Arm, Julius Caesar Ibbetson, 1759–1817, British, undated, Gray wash, black wash and graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 8 1/2 × 9 5/8 inches (21.6 × 24.4

Action off the Cape of Good Hope, Samuel Scott, 1701/2–1772, British, ca. 1757, Oil on canvas, Support (PTG): 26 1/4 x 37 1/4 inches (66.7 x 94.6 cm), battle, fire, flags, French, marine art, men, men-of-war, merchants, sails, sea,

Four Sketches of Hind Quarters of Horse, Sawrey Gilpin, 1733–1807, British, 1760, Graphite, pen and brown ink on moderately thick moderately textured, beige, laid paper, Sheet: 9 3/8 × 6 3/8 inches (23.8 × 16.2 cm), animal art

Farm horse being held by a stable lad, Sawrey Gilpin, 1733–1807, British, undated, Watercolor and graphite on medium, slighlty textured, beige wove paper, Sheet: 4 1/2 × 7 inches (11.4 × 17.8 cm), animal art, equestrian, genre subject,

Ploceus ocularis (Spectacled Weaver), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Dhole of Sumatra, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, cream, wove paper, Sheet: 4 3/4 × 7 9/16 inches (12.1 × 19.2 cm), animal art

Calais Jetty, France, Richard Parkes Bonington, 1802–1828, British, ca. 1824, Oil on panel, Support (PTG): 11 3/4 x 13 7/8 inches (29.8 x 35.2 cm), beach, birds, boats, fishermen (people), gray (color), jetty (erosion protection work),

The Needles from Alum Bay, George Barret Jr., 1767–1842, British, undated, Pen and black ink, pen and brown ink, gray wash and brown wash on moderately thick, slightly textured, cream laid paper, Sheet: 5 1/2 × 12 inches (14 × 30.5 cm),

A Lapwing, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 7/8 × 7 1/4 inches (22.5 × 18.4 cm), animal art, bird, lapwing

Study of a Fakir, Amritsar, 26 March 1860, William Simpson, 1823–1899, British, 1860, Graphite; verso: graphite and watercolor on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8

Bunting, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on medium, slightly textured, cream antique laid paper, Sheet: 6 15/16 x 4 7/8 inches (17.7 x 12.4 cm), Sheet: 6 7/8 x 4 7/8

Thomas Wilkinson, M.F.H., with the Hurworth Foxhounds, John Ferneley, 1782–1860, British, 1846, Oil on canvas, Support (PTG): 58 x 95 inches (147.3 x 241.3 cm), black, brown, dogs (animals), fields (agricultural land), horses

Bedouin Grayhound of Akkaba, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink, black ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 3 7/8 × 6 5/8 inches (9.8 × 16.8 cm),

A Rhinoceros: Head and Shoulders, Facing Left, Thomas Daniell, 1749–1840, British, active in India, undated, Black chalk, graphite, and gray wash on medium, slightly textured, cream, wove paper, Sheet: 6 1/4 x 8 1/2 inches (15.9 x 21.6

'Landscape Scenery', No. 7: Scenes of Cricket and a Waggoner With His Team, Henry Thomas Alken, 1785–1851, British, 1821, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 1/8 × 9 7/8 inches (15.6 ×

Sketch with a Figure and an Animal, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, beige laid paper; mounted on, moderately thick, slightly

Captain William Locker, Dominic Serres RA, 1722–1793, French, active in Britain (from the 1750s), 1769, Oil on canvas, Support (PTG): 14 1/2 x 12 inches (36.8 x 30.5 cm), cabin (vehicle space), captain (military officer), cravat,

Christmas Harbour, Kerguelen's Land, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

Head Portrait of Grayhound, Sawrey Gilpin, 1733–1807, British, 1760, Watercolor and graphite on moderately thick, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, brown, laid paper, Sheet: 6 1/4

'Qualified Horses and Unqualified Riders:' 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...', Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, black ink, and

Monkeys (one of three on one mount), Richard Brookes, 1721–1763, ca. 1760, Pen and black ink with gray wash on medium, slightly textured, cream laid paper, Sheet: 2 3/4 × 3 1/8 inches (7 × 7.9 cm), animal art, monkeys (animals), staffs

Wolf, James Bruce, 1730–1794, British, 1764, Watercolor, gouache, graphite, pen and black ink on moderately thick, moderately textured, cream, laid paper, Sheet: 9 3/8 × 7 5/8 inches (23.8 × 19.4 cm), animal art

The Exhibition Stare-Case, Somerset House, Thomas Rowlandson, 1756–1827, British, ca. 1800, Watercolor and pen and ink on medium, slightly textured, cream wove paper, Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm), cane, dog (animal),

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758, Print made by Peter P. Benazech, 1767–1794, after Francis Swaine,

A Two-Decker and other Shipping Offshore, Nicholas Pocock, 1740–1821, British, between 1755 and 1821, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 10 inches (18.4 × 25.4

Studies of Warriors on Horseback and Horseheads, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 9 1/2 × 14 3/8 inches (24.1 × 36.5 cm), animal art

Head and neck of a horse facing right, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm), animal art, horse (animal

Memnon, with William Scott Up, John Frederick Herring, 1795–1865, British, 1825, Oil on canvas, Support (PTG): 26 9/16 x 33 1/4 inches (67.5 x 84.5 cm), animal art, breeches, clouds, crowds, equestrian, fence, field, hat, horses

The Leicestershire Hunt - The Death, Possibly Henry Thomas Alken, 1785–1851, British, undated, Watercolor, graphite, and gouache, with pen, in brown ink, black ink, and gray ink on thick, moderately textured, beige, wove card paper,

Coursing: The Kill, Samuel Howitt, 1756–1822, British, 1794, Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm), dogs (animals), hare, horse

Kashmir Goats, William Daniell, 1769–1837, British, between 1790 and 1810, Oil on canvas, Support (PTG): 29 1/2 x 24 inches (74.9 x 61 cm), animals, hills, horns, landscape, mountains, oval, rural, sporting art, trees, Asia,

A Sketch for `Foresters Stalking Deer', John Frederick Lewis, 1804–1876, British, Formerly Sir Edwin Henry Landseer, 1802–1873, British, between 1824 and 1827, Oil over charcoal outline on panel, Support (PTG): 5 7/8 x 8 inches (14.9 x

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

The Turret-Ship, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on medium, slightly textured, cream antique laid paper, Sheet: 5 1/16 x 6 7/8 inches (12.9 x 17.5 cm) and Image: 4

Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826, unknown artist, (Indian Company, Agra School), 1826, Watercolor, pen and black ink, and graphite on

Finding things not exactly what he expected - Plate 2, Print made by George Cruikshank, 1792–1878, British, after Capt. Frederick Marryat, 1792–1848, British, Published by George Humphrey, ca. 1773–ca. 1831, British, 1820, Aquatint

Greenwich, David Cox, 1783–1859, British, between 1820 and 1829, Watercolor with scratching out on thick, smooth, cream wove paper, Sheet: 7 5/8 x 11in. (19.4 x 27.9cm) and Sheet: 7 3/4 × 11 1/8 inches (19.7 × 28.3 cm), boats,

Study of a pig, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 7/8 × 6 5/8 inches (12.4 × 16.8 cm), animal art, pig

A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right, Follower of Samuel Prout, 1783–1852, British, undated, Watercolor with brown ink and gouache over graphite on moderately thick, slightly textured,

The Tiger at Bay: an illustration for Captain Thomas Williamson's 'Oriental Field Sports', Samuel Howitt, 1756–1822, British, 1807, Watercolor, with pen, in gray ink, black ink, and graphite on medium, moderately textured, cream, laid

Ship, 'The Earl Cornwallis', Thomas Daniell, 1749–1840, British, active in India, ca. 1790, Gray ink and gray wash over graphite on medium, smooth, cream laid paper, Sheet: 4 3/8 x 5 1/2 inches (11.1 x 14 cm), flag, marine art, sails,

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