Images at Librifly

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Russian Camel, Samuel Howitt, 1756–1822, British, undated, Watercolor and graphite on medium, cream, smooth wove paper, Sheet: 9 13/16 × 7 1/2 inches (24.9 × 19.1 cm), animal art

Sketch of Two Female Figures, Amritsar, 26 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art,

Jeytie Lifting Weights, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 × 7 1/4 inches (20.3 × 18.4 cm), athlete,

Scene on Brighton Beach, Attributed to Augustine Maria Aglio, 1777–1857, Italian, active in Britain, 1847, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 5 1/8 × 8 1/2 inches (13 × 21.6 cm), beach,

Whipper-in With a Hound, the Field Ahead at Left, Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 10 1/8 × 16 1/16 inches (25.7 × 40.8 cm), dogs (animals),

Foxhunting: Full Cry, George Alken, 1794–active 1837, British, between 1827 and 1837, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 10 3/16 inches (16.7 × 25.9 cm), dogs (animals),

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas, Charles Claude Pyne, 1802–1878, 1872, Watercolor, gouache, graphite, and pen, in brown ink on medium, slightly textured, blued white,

Falkland Islands Wolf, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 3/16 × 6 1/2 inches (10.6 × 16.5 cm), animal art, wolf

Full Cry. 1821: Riders Taking a Wooden Fence, George Alken, 1794–active 1837, British, 1821, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 8 9/16 × 11 1/8 inches (21.7 × 28.3 cm), dogs (animals),

The Wreck of the Nuestra Senora de los Remedios, Print made by John Boydell, 1720–1804, British, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1753, Etching and line engraving on

Frightened Horse Tied to a Post, Sawrey Gilpin, 1733–1807, British, undated, Pen, in brown ink, graphite, gray wash and brown wash on medium, moderately textured, cream, laid paper, Sheet: 7 7/16 × 9 3/16 inches (18.9 × 23.3 cm),

Barmouth, Merionethshire, Print made by William Daniell, 1769–1837, British, Published by Longman & Co., active 1804–1914, British, and William Daniell, 1769–1837, British, 1814, Aquatint with watercolor on moderately thick,

Backswords, Charles Turner, 1774–1857, British, 1810, Watercolor over etched outline on medium, slightly textured, blued white, wove paper, Mount: 11 1/2 × 14 5/8 inches (29.2 × 37.1 cm), Contemporary drawn border: 8 3/8 × 11 1/2

Thirteen Drawings of Horses, Horsemen, Hounds, etc., James Seymour, 1702–1752, British, undated, Thirteen graphite drawings bound into an album on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2

'Scraps', No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds, Henry Thomas Alken, 1785–1851, British, 1823, Graphite and white gouache on medium, slightly textured, blued white, wove paper, Sheet: 7 3/16 × 9 3/16 inches (18.3

A Lady's Grey Hunter, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), ca. 1806, Oil on canvas, Support (PTG): 24 3/4 x 29 1/4 inches (62.9 x 74.3 cm), horse (animal), landscape, mountain, saddle, sporting art,

The Portraiture of Bald Charlotte, Print made by Richard Houston, ca. 1721–1775, British, after James Seymour, 1702–1752, British, 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 13 5/8in. (29.5 x

Antigonus Disposing of Perdita, Mary Hoare, 1753–1820, British, ca. 1781, Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed

One of George Lane Fox's Winning Greyhounds: the Black and White Greyhound Bitch, Juno, also called Elizabeth, George Garrard, 1760–1826, British, 1822, Oil on panel, Support (PTG): 11 3/4 x 14 inches (29.8 x 35.6 cm), clouds, dog

Two Full-Length Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, slightly textured, blue wove paper, Sheet: 8 x 5 5/8 inches (20.3 x 14.3 cm), abstract art, dance, figure, figure

The Portraiture of the Famous Horse Old Partner, Print made by Richard Houston, ca. 1721–1775, British, after James Seymour, 1702–1752, British, 1755, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 13 5/8in.

Fishing Boats, Francis Swaine, 1730–1782, British, undated, Pen and black ink, graphite, and gray wash on medium, moderately textured, beige laid paper, Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm), boats, buildings, cityscape,

Old Tower, Leith, Print made by John Clerk of Eldin, 1728–1812, British, undated, Etching with pen and brown ink and gray wash on moderately thick, textured, beige laid paper, Sheet: 2 1/2 x 4 1/8 inches (6.4 x 10.5 cm), architectural

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

The Berkeley Hunt, 1842: Full Cry, Francis Calcraft Turner, active 1782–1846, British, 1842, Oil on canvas, Support (PTG): 16 x 24 inches (40.6 x 61 cm), animals, breeches, bridle, chase, chasing, dogs (animals), field, hills,

The Riding School, Thomas Rowlandson, 1756–1827, British, undated, Pen and brown ink over graphite on medium, smooth, cream wove paper, Sheet: 5 11/16 x 8 3/8 inches (14.4 x 21.3 cm), courtyard, dog (animal), genre subject, horses

Foxhunting at Melton Mowbray, 1835: The Cream of the Thing, Edward Hull, 1810–1877, ca. 1835, Watercolor, with pen, in brown ink, graphite, gum arabic and gouache on thick, moderately textured, cream, wove paper, Sheet: 10 1/4 × 14

A Repose after Shooting, George Stubbs, 1724–1806, British, 1770, Oil on canvas, Support (PTG): 40 1/4 x 50 1/2 inches (102.2 x 128.3 cm), costume, dogs (animals), forest, guns, hunters, hunting, landscape, leisure, men, rifles

Two Riders Conversing, Sawrey Gilpin, 1733–1807, British, undated, Pen, in brown ink, over graphite on medium, slightly textured, blued white, laid paper, Sheet: 6 × 7 9/16 inches (15.2 × 19.2 cm), figure study, horseback riders,

Steeplechasing: Four Riders Taking a Ditch and an Oxer, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 9 15/16 × 16 3/16 inches (25.2

Shipping off the Mumbles, George Chambers, 1803–1840, British, 1838, Watercolor and graphite on medium, rough, cream wove paper, Sheet: 7 1/2 x 11 1/2 inches (19.1 x 29.2 cm), Frame: 15 1/4 x 20 1/4 x 1 inches (38.7 x 51.4 x 2.5 cm), and

A Grey Spotted Hound, John Wootton, 1682–1764, British, 1738, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), bird, birds, dead, dog (animal), gray (color), sporting art, swallow, water, woods

Lion Walking, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 11 7/16 x 16 5/8in. (29.1 x 42.2cm)

The Kill, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray ink over graphite on medium, slightly textured, blued white wove paper, Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm), dogs (animals), fox (animal), fox

Holy Island and Castle, Northumberland, Capt. Francis Grose, 1731–1791, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm) and

Two Ships at Anchor, John Constable, 1776–1837, British, 1803, Graphite on medium, slightly textured, cream laid paper, Sheet: 7 7/8 x 9 7/8 inches (20 x 25.1 cm), anchor, boats, marine art, sea, ships

A Junk, William Alexander, 1767–1816, British, undated, Watercolor, with pen in brown ink, over graphite on medium, moderately textured, beige wove paper, mounted on, moderately thick, slightly textured, white, wove paper, Mount: 14

Studies of Women and Children, Amritsar, 26 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art,

Hills at Topechancee, 23 December 1859, William Simpson, 1823–1899, British, 1859, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel (mammal),

The Victory Returning from Trafalgar, in Three Positions, Joseph Mallord William Turner, 1775–1851, British, ca. 1806, Oil on canvas, Support (PTG): 26 3/8 x 39 1/2 inches (67 x 100.3 cm), boats, cliffs, HMS Victory, island, marine art,

Two Figure Studies, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm), abstract art, dance, figure, figure study, Vorticism

Cricket on the Goodwin Sands, Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor, gouache and white chalk on medium, slightly textured, gray wove paper, Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm), beach, cricket,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, James Bruce, 1730–1794, British, undated, Watercolor, gouache and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2

Foxhunting, James Seymour, 1702–1752, British, undated, Gouache, with pen, in black ink, brown ink, and graphite on medium, slightly textured, laid paper, mounted on moderately thick, moderately textured, beige, laid paper, Sheet: 5

Friendly Cove, Nootka Sound, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

Magellanic Aguara Fox: Cerdocyon Magellanicus, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 3 15/16 × 6 9/16 inches (10 × 16.7

'Some Do and Some Don't: It is All a Notion:' Getting into a Difficulty, Henry Thomas Alken, 1785–1851, British, between 1848 and 1851, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 7 9/16 × 10 11/16 inches

Horse with Rider Wearing Tricorne Hat, Walking to Right, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 3/8 × 3 3/4 inches (11.1 × 9.5 cm), Mount: 12 × 14 1/4 inches (30.5

Rochester Cathedral and Castle, Frederick Nash, 1782–1856, British, ca. 1825, Oil on artist's board, Support (PTG): 5 1/2 x 8 1/2 inches (14 x 21.6 cm), boats, brigantine, buildings, castle, cathedral, church, cityscape, dock,

The St. Leger, Doncaster: The Finish, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm), building, crowd, horse

Inverness, David Roberts, 1796–1864, British, 1859, Graphite on medium, slightly textured, beige wove paper, Sheet: 4 15/16 × 7 1/16 inches (12.5 × 17.9 cm), boats, bridge (built work), cityscape, marine art, port, spires, towers,

An Asian Openbill Stork (Anastomus oscitans), unknown artist, Undated, Watercolor, pen and black ink, gray ink, gouache and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 25 7/16 × 17 5/16 inches (64.6 × 44 cm),

View of Malta, Charles Dyce, active 1848, British, 1848, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 13 7/8 inches (24.8 × 35.2 cm), boats, houses, marine art, men, ocean, ships, Europe,

The Hon. George Pryse Cambell (1793-1858), as a Midshipman, Henry Edridge, 1769–1821, British, 1805, Watercolor, with pen, in black ink, , graphite and scratching out on medium, slightly textured, beige, wove paper, mounted on, thick,

Sheikh Abadeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, gray wove paper, Sheet: 2 13/16 x 8 15/16 inches (7.1 x 22.7 cm), boat, marine art, river,

The Tarpan. Wild Horse. Native to Russia, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and brown ink and black ink on medium, slightly textured, cream, wove paper, Sheet: 3 15/16 × 6 3/8 inches (10 ×

Fox Attacking a Sheep, Attributed to Thomas Dalziel, 1823–1906, British, undated, Black chalk, with stumping on medium, slightly textured, cream wove paper, Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm), animal art, animals, attacking,

A Chimpanzee?, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 6 3/8 inches (20 × 16.2 cm), animal art, Primates (order

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean, ...., Print made by Peter P. Benazech, 1767–1794, after Francis Swaine, 1730–1782, British, Published by Robert

Stags and Deer at Rest, Robert Hills, 1769–1844, British, undated, Graphite and gray wash on thin, smooth, cream wove paper, Sheet: 2 3/8 x 7 1/8 inches (6 x 18.1 cm), animal art, deer

The Three Witches from Macbeth: Though the Bark Cannot be Lost..., Mary Hoare, 1753–1820, British, ca. 1781, Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper, Mount: 13 3/8 x 11 5/16 inches

Sailboat Sketch, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, beige, laid paper; mounted on, moderately thick, slightly textured, cream,

'Qualified Horses and Unqualified Riders:' 'Charging an Ox Fence with Good Success', Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, blued white, wove

View of Castle Cornet, Guernsey, Channel Islands, with Shipping, John Thomas Serres, 1759–1825, British, ca. 1800, Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 9 3/8 x 26

Madonna and Child on a Cloud, Madonna with the child on a cloud, painting, religious art, 18th century, oil on canvas, Height, 95 cm (37.4 inches), Width, 73 cm (28.7 inches

Gustaf Wilhelm Palm, Summer Landscape with Mountain, Summer landscape with mountain, painting, landscape art, 1850s, Oil on paper, mounted on board, Oil on paper glued on wood fiber board, Height, 24.9 cm (9.8 inches), Width, 41.5 cm

Landscape with an Angel Halting a Rider, Landscape with angel that stops a rider, painting, landscape art, Oil on canvas, Height, 35 cm (13.7 inches), Width, 47 cm (18.5 inches

Oscar Törnå, Landscape at Skedevi, Landscape from Skedevi, painting, landscape art, 1880, oil on canvas, Height, 43 cm (16.9 inches), Width, 77 cm (30.3 inches), Signed, Oscar, Törnå, , Schedevi, February 1880

Manner of Carlo Maratta, Madonna and Child, Madonna with child, painting, religious art, Oil on canvas, Height, 59.5 cm (23.4 inches), Width, 45 cm (17.7 inches

The Adoration of the Magi, King's adoration, painting, religious art, oil on copper, Height, 31 cm (12.2 inches), Width, 26 cm (10.2 inches

Govert Dircksz Camphuysen, Dog and a Birch Log, Dog in landscape, painting, landscape art, oil on canvas, Height, 139.5 cm (54.9 inches), Width, 173.5 cm (68.3 inches), Inscriptions English, Signed, G. Camphuisen 1651, down right

Edvard Bergh, Rocky Landscape with Waterfall and Watermill, Småland, Småland's rock landscape with waterfall and a mill, painting, landscape art, 1862, oil on canvas, Height, 169 cm (66.5 inches), Width, 247 cm (97.2, inch), Signed,

Vilhelm Hammershøi, Interior with a Reading Lady, Interior with reading lady, painting, genre art, 1900, Oil on canvas, Height, 73 cm (28.7 inches), Width, 61 cm (24 inches), Inscriptions, Signed, VH, monogram

A Hermit in a Landscape Exorcising Evil Powers, Hermit in Landscape Encouraging evil powers, painting, landscape art, Oil on canvas, Height, 100.5 cm (39.5 inches), Width, 128 cm (50.3 inches

Helmer Osslund, Autumn, Nordingrå, painting, landscape art, Oil on paper on canvas mounted on masonite, Height: 66 cm (25.9), Width: 97 cm (38.1

Johan Christian Dahl, Norwegian Mountain Landscape, Norwegian mountain landscape, painting, landscape art, 1819, Oil on canvas, Height, 74 cm (29.1 inches), Width, 105 cm (41.3 inches), Signed, Dahl 1819

Georg Engelhard Schröder, Susannah in the Bath, Susanna in the bath, Counterpart to NM 6144, painting, religious art, oil on canvas, Height, 43.5 cm (17.1 inches), Width, 38 cm (14.9 inches), Signed, Schröder pin

Per Ekström, Landscape with Reflecting Water, Landscape with reflective water, painting, landscape art, Oil on canvas, Height, 156 cm (61.4 inches), Width, 104 cm (40.9 inches), Inscriptions, Signed, P. Ekström

Attributed to Pier Francesco Mola, Landscape with a Woman and Two Soldiers, Landscape with a Woman and two soldiers, painting, landscape art, oil on canvas, Height, 63 cm (24.8 inches), Width, 48, cm (18.8 inches

Maria Wrangel, Landscape from Åre, painting, landscape art, oil on cardboard, Height, 26 cm (10.2 inches), Width, 33.5 cm (13.1 inches), Signed, M, Wrangel, down left, in black oil paint

Jacob van Ruisdael, View of Egmond aan Zee, painting, landscape art, circa 1648, Oil on oak, Height, 31 cm (12.2 inches), Width, 35 cm (13.7 inches

Elias Martin, Landscape with Cattle, Landscape with cattle, painting, landscape art, 1785, Watercolor, Height, 53 cm (20.8 inches), Width, 74 cm (29.1 inches), Signed, EM

Attributed to Master of the Legend of Saint Catherine, Madonna and Child, Madonna with child, painting, religious art, oil on panel, Height, 44 cm (17.3 inches), Width, 32 cm (12.5 inches

The Holy Family with the Infant St. John, The Holy Family with His Child, painting, religious art, 17th century, Oil on copper, Height, 17 cm (6.6 inches), Width, 12 cm (4.7, inches

Attributed to Sisto Badalocchio, St. Catherine, Holy Catherine, painting, religious art, Catherine of Alexandria, Oil on canvas, Height, 47 cm (18.5 inches), Width, 37 cm (14.5 inches

Olof Sager-Nelson, Landscape, painting, landscape art, 1891, Oil on canvas, Height, 40 cm (15.7 inches), Width, 31 cm (12.2 inches), Signed, Olof, Nelson -91

Oscar Törnå, Landscape near Grez-sur-Loing, Landscape from Grez-sur-Loing, painting, landscape art, 1876, oil on canvas, Height, 43 cm (16.9 inches), Width, 77 cm (30.3 inches), Signed, Oscar Törnå Sept, 1876. Grez-sur-Loing

Abraham van Dijck, Isaac Blessing Jacob, Isaac bless Jacob, painting, religious art, oil on canvas, Height, 125 cm (49.2 inches), Width, 108 cm (42.5 inches

Anders Zorn, Group Anna Andersdotter, Our Daily Bread, Our daily bread, painting, genre art, Grud Anna Andersdotter, 1886, Watercolor on paper, Height, 68 cm (26.7 inches), Width, 102 cm (40.1 inches, Signed, Zorn Mora, Sept

School of Jacopo Bassano, Landscape with Vine Harvest, Landscape with wine harvest, painting, landscape art, Oil on canvas, Counterpart to NMDrh 715, Height, 91 cm (35.8 inches), Width, 136 cm (53.5 inches

Landscape with Poultry, Landscape with hens, Decorative painting from Mälsåker castle, painting, landscape art, oil on canvas, Height, 70 cm (27.5 inches), Width, 105 cm (41.3 inches

Jean Henri De Coene, Landscape with Skaters, Landscape with skaters, painting, landscape art, oil on panel, Height, 35 cm (13.7 inches), Width, 45 cm (17.7 inches

Laurentius Master, The Visitation, Maria's and Elisabeth's meeting, painting, religious art, oil on panel, Height, 56 cm (22 inches), Width, 35 cm (13.7 inches

Attributed to Pauwel Casteels, Joshua Defeating Amalek, Joshua defeats Amalek, painting, religious art, oil on panel, Height, 45 cm (17.7 inches), Width, 65 cm (25.5 inches

Carl Larsson, The Old Man and the Nursery Garden, Old Man and New Planting, painting, genre art, 1883, Watercolor, Height, 93 cm (36.6 inches), Width, 61 cm (24 inches), Signed, CARL LARSSON 1883

Carl Larsson, Carl Michael Bellman, The Art of Sculpture, Carl Michael Bellman in Sergel's studio, Cartoon for the Fresco in the Lower Hall of the NM, Sculpture art, Bellman in Sergel's studio, Cardboard for fresco in NM's lower stairwell,

Vilhelm Hammershøi, Landscape, From Camps, painting, landscape art, 1905, Oil on canvas, Height, 41 cm (16.1 inches), Width, 68 cm (26.7 inches

Jan Frans van Bloemen, Landscape with a Woman Carrying a Pitcher, Landscape with woman wearing a mug, painting, landscape art, oil on canvas, Height, 32 cm (12.5 inches), Width, 53 cm (20.8 inches

Christ and the Canaanite woman, painting, religious art, Oil, Height, 116 cm (45.6 inches), Width, 84 cm (33 inches

After Giovanni Bellini, Head of Christ, Christian head, painting, religious art, oil on canvas, Height, 29 cm (11.4 inches

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