Images at Librifly


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Oriental ceramic art; : Walters, W. T. (William Thompson), 1820-1894
The evolution of the art of music : Parry, C. Hubert H. (Charles Hubert Hastings), 1848-1918
The art of literature : a series of essays : Schopenhauer, Arthur, 1788-1860
Chronique artésienne (1295-1304) nouvelle édition, et Chronique tournaisienne (1296-1314) : publiée pour la première fois d'après le manuscrit de Bruxelles : Funck-Brentano, Frantz, 1862-1947
Essays on literary art : Stanley, Hiram Miner
The connoisseur ; essays on the romantic and picturesque association of art and artists : Robinson, Frederick S
La sculpture a Troyes et dans la Champagne méridionale au seizième siècle; étude sur la transition de l'art gothique a l'italianisme par Raymond Koechlin et Jean-J. Marquet de Vasselot : Koechlin, Raymond, 1860-1931
Gardens Ancient and Modern; an epitome of the literature of the garden-art : Sieveking, Albert Forbes, 1857
The attitude of the Greek tragedians toward art : Huddilston, John H
Roman art; some of its principles and their application to early Christian painting; : Wickhoff, Franz, 1853-1909
Catalogue of modern paintings, statuary, bronzes, ceramics and other artistic property collected by the late Henry Hilton : to disposed of at absolute public sale--February 13 and 14--at Chickering Hall--and--February 13th and the three following
L'art et la révolution. Traduction de Jacques Mesnil : Wagner, Richard, 1813-1883
Trans-Mississippi International Exposition, Omaha, June to November, 1898 : art, manufacturing, mechanics, commerce, science, music : illustrating the progress of the West : Trans-Mississippi and International Exposition (1898 : Omaha, Neb
Painting on glass and porcelain and enamel painting; a complete introduction to the preparation of all the colours and fluxes used for painting on glass, porcelain, enamel, faience and stoneware, the colour pastes and coloured-glasses, together
The origins of art : a psychological and sociological inquiry : Hirn, Yrj
Saints in art : Waters, Clara Erskine Clement, 1834-1916
Sir John Everett Millais : his art and influence : Baldry, A. L. (Alfred Lys), 1858-1939
Art in needlework; a book about embroidery : Day, Lewis Foreman, 1845-1910
Miniscula : lyrics of nature, art and love : Bourdillon, Francis William, 1852-1921
The grotesque in church art : Wildridge, T. Tindall (Thomas Tindall
Study Heads of a Girl and a Boy, Oil on Oak, 36.5 x 52.5 cm, Unmarked, Jacob Jordaens (1), (Art / style of), Antwerpen 1593–1678 Antwerpen
Rider at a lock, oil on oak, 31 x 23 cm, not marked, Philips Wouwerman, (Art / style of), Haarlem 1619–1668 Haarlem
Portrait of Anna Hungerl, wife of the Munich councilor Joseph Schowinger von Wyl (?), 1553, oil on maple wood (?), 55.5 x 42.5 cm, Not specified, but dated in the scrolled cartouche: IERES ALTES [sic!] • 26 • /, ANNO 1553, Hans Mielich,
Mars and the Art of War, 1596, copperplate engraving, sheet: 24.6 x 17.5 cm (slightly trimmed within the margin of the plate), U. l., numbered: 3, Cernitur in dubio mea magna potentia bello, Per me mors triftis, per me victoria l [a] eta.,
Bacchic Scene, Oil on canvas, 62.5 x 90 cm, Not specified, Cornelis van Poelenburg (Poelenburch), (Art / style of), Utrecht (?) 1594/95–1667 Utrecht
St. Paul in Half Figure, oil on canvas, 115 x 96 cm, unmarked, Johann Carl Loth, (Art (?) / style of (?)), München 1632–1698 Venedig
Map, Carte de Moscovie dressée par Guillaume de L’Isle de l’Academie Royale des Sciences a Son Excellence Monseigneur André Artémonides de Matueof ..., Guillaume Delisle (1675-1726), Copperplate print
Zosterops japonica, Print, The warbling white-eye (Zosterops japonicus), also known as the Japanese white-eye and mountain white-eye, is a small passerine bird in the white-eye family. The specific epithet is occasionally written japonica, but
Christ on the Mount of Olives, oil on copper, 18 x 21.5 cm, unsigned, Adam Elsheimer, (Art / style of), Frankfurt a. M. 1578–1610 Rom
River Landscape, 1630-1640, oil on panel, 46.5 x 63 cm, unmarked, Salomon van Ruysdael, (Art / style of), Naarden b. Amsterdam 1600/03 – 1670 Haarlem
Broken window in the circle with Joshua, who hangs the five Amonite kings, including two empty escutcheons, 1585, feather in black, gray washed, cut out, glued on to backing paper, sheet: 23.3 x 22.3 cm, O. M. dated: 1585, o. in the
Half-length portrait of a young man, oil on canvas, 50 x 40 cm, unmarked, Ferdinand Bol, (Art / style of), Dordrecht 1616–1680 Amsterdam
Gustave Herter, American, 1830-1898, Art Exhibition Stand, between 1860 and 1864, Walnut, Overall: 47 × 45 × 30 1/2 inches (119.4 × 114.3 × 77.5 cm
The hl., Hieronymus, oil on oak, 63 x 47.5 cm, unsigned, Salomon Koninck, (Art / style of), Amsterdam 1609–1656 Amsterdam
Stormy sea with fishermen, oil on canvas, 48 x 64.5 cm, not specified, Salvator Rosa, (Art (?) / style of (?)), Arenella/Neapel 1615–1673 Rom
The Ponte Lucano with the tomb of Plautier at Tivoli, oil on oak, 31 x 39 cm, Jan Both, (Art (?) / style of (?)), Utrecht (?) um 1615/18–1652 Utrecht
Forest Landscape with Village, oil on canvas, 94.7 x 127 cm, not marked, Gillis Claesz. de Hondecoeter, (Art / style of), Antwerpen oder Mechelen um 1575 (?)–1638 Amsterdam
The Adoration of the Shepherds, Oil on Oak, 73 x 58 cm, Unmarked, Aegidius Sadeler II, (Art / style of), Antwerpen um 1570–1629 Prag
Livestock with lying shepherd and dog, 2nd half of the 17th century?, Oil on copper, 31.5 x 26.5 cm, unsigned, Adam Pynacker, (Art / style of), Schiedam b. Rotterdam 1620 (?) – 1673 Amsterdam
Forest landscape with touring car, oil on panel, 85 x 125 cm, not specified, Gillis van Coninxloo (3), (Art / style of), Antwerpen 1544–1607 Amsterdam
Map, Carte de Moscovie dressée par Guillaume de L’Isle de l’Academie Royale des Sciences a Son Excellence Monseigneur André Artémonides de Matueof ..., Guillaume Delisle (1675-1726), Copperplate print
River Landscape, Oil on panel, 49.5 x 90.5 cm, Unsigned, Salomon van Ruysdael, (Art / style of), Naarden b. Amsterdam 1600/03 – 1670 Haarlem
Portrait of Philip the Magnanimous of Hesse, oil on canvas, mounted on softwood, 52 x 39 cm, not marked, Christoph Amberger, (Art / style of), um 1505–1561/62 Augsburg
St. Catherine, oil on panel, 60.5 x 60.5 cm, unsigned, Cesare da Sesto, (Art (?) / style of (?)), Sesto Calende 1477–1523 Mailand
Portrait of the engraver Johann Jakob Falkeisen, 1882, oil on canvas, 110 x 82 cm, signed and dated lower left: A. Höflinger, 1882, inscribed top left: JOH., JAC, ., FALKEISEN, geb., 1804, † 1883, Conservator of the public., Art
Landscape with Diana Hunt, oil on canvas, 60 x 93.5 cm, unsigned, Alexander Keirincx, (Art (?) / style of (?)), Antwerpen 1600–1652 Amsterdam
Homily of John the Baptist, c. 1600, oil on copper, 28.5 x 22 cm, unsigned, Paul Bril, (Art / style of), Antwerpen 1553/54–1626 Rom
Matthaus Merian, German, 1621-1687, George Gutthaeter, Merchant and Art Connoisseur of Nuremberg, mid- to late 17th century, engraving printed in black ink on laid paper, Plate: 6 7/8 × 4 7/8 inches (17.5 × 12.4 cm
Nijmegen, oil on oak wood, 50.7 x 71 cm, Not specified, Jan van Goyen, (Art / style of), Leiden 1596–1656 Den Haag
Still Life with Flower Cartridge to a Madonna and Child, oil on canvas, 76 x 57.5 cm, unsigned, Daniel Seghers, (Art (?) / style of (?)), Antwerpen 1590–1661 Antwerpen
Moving sea with ships, oil on panel, 10.5 x 15.5 cm, Unsigned, Simon de Vlieger, (Art / style of), Rotterdam um 1600/01–1653 Weesp
The hl., Sebastian, oil on canvas, 80.5 x 65 cm, unmarked, Guido Reni, (Art / style of), Bologna oder Calvenzano 1575–1642 Bologna
Vegetable Market in Amsterdam, around 1675, oil on canvas, 71 x 80.5 cm, unsigned, Emanuel de Witte, (Art (?) / style of (?)), Alkmaar um 1617–1691/92 Amsterdam
The Annunciation, oil on canvas, 62 x 77 cm, unmarked, Carlo Dolci, (Art / style of), Florenz 1616–1687 Florenz
Vertumnus and Pomona, oil on copper, 55 x 73 cm, inscribed on the reverse with illegible ligated artist monogram, Pieter van Avont, (Art / style of), Mecheln 1600–1652 Deurne b. Antwerpen
Vase, Hugh C. Robertson, American, 1844–1908, Chelsea Keramic Art Works, Chelsea, Massachusetts, 1872–1889, c.1885–89, Glazed stoneware, Made in Chelsea, Massachusetts, United States, North and Central America, Ceramics,
Comb, Chancay, Late Intermediate period, c.1000–1476, c.1000–1400 AD, Wood and camelid fiber, Made in Perú, South America, Fiber art, jewelry & personal accessories, 3 1/2 x 2 in. (8.9 x 5.1 cm
Side Chair, Hector Guimard, French, 1867–1942, Ateliers d'Art et de Fabrication, Paris, France, c.1897–1914, c.1900, Pearwood and original leather, Made in Paris, Île-de-France, France, Europe, Furniture, 42 3/4 x 17 7/8 x 20 1/4
Plague under, plague above, plague everywhere, James Ensor, 1888, drawing, 1888, Belgian Art
Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art
The blind man, Eugène Laermans, 1898, painting, 1898, Belgian Art
Don Quixote, James Ensor, circa 1860-1949, drawing, Belgian Art
Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art
Writing woman seen from behind, James Ensor, 1882, drawing, 1882, Belgian Art
Copy, James Ensor, circa 1860-1949, drawing, Belgian Art
Farmer with horse cart, Marie Colombier, James Ensor, circa 1880-1890, drawing, Belgian Art
La gamme d'amour, James Ensor, 1929, literary work, 1929, Belgian Art
Two women and a theologian, James Ensor, circa 1880-1890, drawing, Belgian Art
La gamme d'amour, James Ensor, 1929, literary work, 1929, Belgian Art
Monks at a ball game, James Ensor, circa 1880-1890, drawing, Belgian Art
Seated nude with crossed legs, James Ensor, circa 1860-1949, drawing, Belgian Art
Three gentlemen in conversation, James Ensor, circa 1880-1890, drawing, Belgian Art
Silhouettes and heads, James Ensor, 1880, drawing, between circa 1880 and circa 1883, Belgian Art
Trees, James Ensor, circa 1860-1949, drawing, Belgian Art
Silhouettes, James Ensor, circa 1860-1949, drawing, Belgian Art
Adoration by the Kings, Peter Paul Rubens, (1624), painting, (1624), Belgian Art
Triumph of a Roman Squire, James Ensor, circa 1860-1849, print, Belgian Art
Death and doctor at a tombstone, James Ensor, 1880, drawing, between circa 1883 and circa 1888, Belgian Art
The cuirassiers at Waterloo, James Ensor, 1891, drawing, 1891, Belgian Art
The painter Alfred William Finch, James Ensor, 1880, painting, circa 1880s, Belgian Art
Thomas Gerritzn Doesburch and Claesje Hendricksdr Roeclaes with their daughters, Anonymous Master, northern Dutch, 1559, painting, 1559, Belgian Art
La gamme d'amour, James Ensor, 1929, literary work, 1929, Belgian Art
La gamme d'amour, James Ensor, 1929, literary work, 1929, Belgian Art
Arab rider attacked by lion, James Ensor, 1880, drawing, between circa 1885 and circa 1886, Belgian Art
Study of the lion hunt, James Ensor, circa 1880-1890, drawing, Belgian Art
Sitting nude, Ramah, 1921, painting, 1921, Belgian Art
Don Quixote, James Ensor, 1870, drawing, between circa 1877 and circa 1880, Belgian Art
Man with paint pot, James Ensor, 1880, drawing, between circa 1880 and circa 1885, Belgian Art
Soldiers and civilians, James Ensor, circa 1880-1890, drawing, Belgian Art
Madonna at the Fountain, Jan van Eyck, 1439, painting, 1439, Belgian Art
Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art
La gamme d'amour, James Ensor, 1929, literary work, 1929, Belgian Art
Café concert in Munich, James Ensor, 1880, drawing, between circa 1880 and circa 1883, Belgian Art
Don Quixote, horse's head, James Ensor, circa 1870-1880, drawing, Belgian Art
Philippe de Croy, Rogier van der Weyden, (1460), painting, (1460), Belgian Art
Don Quixote, head, James Ensor, circa 1870-1880, drawing, Belgian Art
Pig and silhouettes, James Ensor, circa 1860-1949, drawing, Belgian Art
La gamme d'amour, James Ensor, 1929, literary work, 1929, Belgian Art
Wiped-out drawing, James Ensor, drawing, Belgian Art
House with steeple, James Ensor, 1890, drawing, circa after 1890, Belgian Art

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