Images at Librifly

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Christoph Reisser's sons, Alfred Keller, Hagenbund XII. exhibition, lithography, total: height: 80, 30 cm; width: 40, 20 cm, exhibition posters, plant ornaments, art nouveau

Wilhelm Weimar, Pelike Form I, glass negative, black and white negative process, Total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2455, work of applied art (ceramics), standing figure

Giorgio Sommer, Museo di Napoli - Minerva, albumin paper, black and white positive process, image size: height: 25, 40 cm; width: 20, 60 cm, inscribed: recto and: exposed: 1512 Museo di Napoli Minerva Sommer - Napoli, inventory, photography,

Wilhelm Weimar, figure, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left : in black ink: 424, sculpture, sculpture, sculpture art, female nude, standing figure, standing female

Wilhelm Weimar, chair, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 913, handicrafts, arts and crafts, industrial design, chair, ornaments, furniture and

Stamp seal (squatting lion), Hematite, cut, drilled, Hematite, Total: Height: 1.67 cm; Width: 1.75 cm; Depth: 0.7 cm, Body jewelry, glyptic, Lion (predator), Taming and training of animals, The lenticular seal stone shows a squatting lion

Hugo Erfurth, Paul Klee, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 38.4 cm; width: 27.6 cm, dry stamp, HUGO ERFURTH, DRESDEN 1928, GDL, o. in lead: K 59 Atelier,

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Turner am Barren, silver gelatin paper, black and white positive process, sheet size: height: 8.40 cm; width: 11.20 cm, stamp: verso center: Atelier für Photographie aller Art,

Dying Niobides (Ascos figure), Formerly Johannes W. F. Collection Reimers (Hamburg), clay, hand-modeled, pressed into the mold, clay, Total: Height: 13.6 cm; Width: 12.2 cm; Depth: 6.4 cm, ceramic, small sculptures/small works of art, grave

Wilhelm Weimar, altar by Hein Baxmann in the Dreeinigkeitskirche in Hamburg-Allermöhe, silver gelatin paper, black and white positive process, image size: height: 23.00 cm; width: 17.00 cm, Wilhelm Weimar? Allermöhe, altar, church interior,

Wilhelm Weimar, tumbler, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1154, b, apostle, work of applied art (metals), jug, cup, goblet, sword, the apostle

Wilhelm Weimar, Japanese lacquer work, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1323, photography, flower ornaments, trees, shrubs, work of applied art

Heinrich Kühn, reaper, Staatliche Landesbildstelle Hamburg, collection on the history of photography, Japan paper, oil overprint, image size: height: 28.30 cm; width: 21.50 cm, inscribed: verso and Object inscription of the Staatliche

Hugo Erfurth, Thuringian peasants, paper, platinum printing, image size: height: 11.2 cm; width: 15.7 cm, inscribed and dated: Cardboard recto above and below the print: in brown ink: 93, H. Erfurth, Dresden, inscribed: cardboard verso: lower

Wilhelm Weimar, Oven with chinoiseries, glass negative, black and white negative process, Total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2483rd, work of applied art (ceramics

Léon Vidal, Dossière de la Cuirasse du Roi Henri II, paper, photochrome print, image size: height: 33.80 cm; width: 24.50 cm, inscribed: recto: printed above the photograph: Musee National Du Louvre Galerie D'Apollon; below the photograph:

Wilhelm Weimar, element of an oven, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 2541. works of applied art (ceramics), ornaments, plant ornaments, crucifixion,

Wilhelm Weimar, Oven, glass negative, black and white negative process, Total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2482nd, work of applied art (ceramics

Relief St. Three Kings, ivory, silver, carved, painted, Total: Diameter: 4, 8 cm, Christianity, carving, Adoration of the Christ Child, Adoration by the Three Wise Men, Annunciation of the birth of Christ to the shepherds, Medieval Art

Wilhelm Weimar, tile with view of Maassluis, Holland, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2552. work of applied art (ceramics

François Rupert Carabin, tobacco pot in pumpkin shape, earthenware, copper glaze, total: height: 13, 60 cm (with lid); width: 14, 50 cm, monogrammed: on the bottom: ligated stamp monogram: R C f [Rupert Carabin fecit], 59, smoking utensils,

The right side of the silver endosse with the vita of John the Baptist, Museo del Duomo S. Maria del Fiore, Florence, albumin paper, black and white positive process, image size: height: 25, 10 cm; width: 19, 50 cm, FIRENZE - Museo di S. Maria

Wilhelm Weimar, box for writing utensils (bunko), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 1161, a, photography, work of applied art (lacquer), bird

Joseph Maria Olbrich, Lithographic Institute Albert Berger, Secession. Art exhibition of the Vereinigung bildender Künstler Österreichs, paper, lithography, lithography in dark brown and gold on strong paper, total: height: 85 cm; width: 49,

Wilhelm Weimar, name shawl from Holland, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 2532. work of applied art (textiles), ornaments, letters, alphabet,

Imprimerie F. Champenois, Alfons Mucha, Lorenzaccio Pièce en V actes et un épilogue d'Alfred de Musset - Adaptation by M. Armand d'Artois. Théâtre de la Renaissance, paper, lithograph, total: height: 207 cm; width: 75, 5 cm, signed: u. r.

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Der sogenannte Kremser Fremdenverkehrswagen auf dem Holstenplatz, Hamburg, silver gelatin paper, black and white positive process, Total: height: 18.10 cm; width: 24.00 cm,

Wilhelm Weimar, Munich Faience Cabinet, exhibition, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2061. cabinet, plate, plate, applied art (collecting and

Wilhelm Weimar, Schenkkanne, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 1332, b, work of applied art (ceramics), jug (drinking vessel), history of Paris

Wilhelm Weimar, foot element and fire grate of the Nuremberg kiln by Andreas Leupold (1662), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left in black ink: 1583rd, work of applied art,

Robert Rive, Tempio di Mercurio in Pompei, albumin paper, black and white positive process, image size: height: 20 cm; width: 25, 3 cm, dry stamp: recto and on the cardboard: Robert Rive, Naples, inscribed: recto and center: title, travel

Wilhelm Weimar, Five vases from Japan, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 893. work of applied art (ceramics), container (ceramics): vessel, jug, pot,

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Öffentliche Bücherhalle, Hamburg, collodion paper, black and white positive process, total: height: 23.00 cm; width: 17.30 cm, dry stamp: recto lower right: J. Hamann, Hamburg,

Mino da Fiesole: Tomb of Bernardo Giugni, Badia Fiorentina, Florence, albumin paper, black and white positive process, image size: height: 25.50 cm; width: 18.70 cm, P. 1. N°. 2048 FIRENZE - Chiesa di Badia. Monumento a Bernardo Giugni. (Mino

Carel Adolph Lion Cachet, Roeloffzen & Hübner, Tentoonstelling Architectuur en verwante Kunsten - Stedelijk Museum, paper, lithography, Total: Height: 121, 5 cm; Width: 79, 5 cm, monogrammed: recto and printed: LC, exhibition posters, art

Wilhelm Weimar, plate with Apollo and Daphne, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 2554. work of applied art (ceramics

Wilhelm Weimar, portrait photograph of a ruler with soldiers, glass negative, black and white negative process, total: height: 17.8 cm; width: 12.8 cm, numbered: top left: in black ink: 29. Man, Soldier, Ruler/Landlord, Photography (art

Jean Baptiste Massier, vase, stoneware, glazed, Total: Height: 24, 70 cm; Diameter: 13, 00 cm, Manufacture stamp J. Massier fils Vallauris, AM, ceramics, ornamental objects, foliage and ribbon work, Art Nouveau

Domenico di Niccolò del Coro: David and Goliath, detail of the floor in the Cathedral of Siena, albumin paper, black and white positive process, image size (each): height: 25, 50 cm; width: 19, 40 cm, SIENA - Cattedrale. David giovanetto,

Andrea Bregno: Tomb of Cardinal Cristoforo Della Rovere, S. Maria del Popolo, Rome, albumin paper, black and white positive process, image size: height: 24.90 cm; width: 19.00 cm, ROMA - Chiesa di S. Maria del Popolo. Monumento del Card.

Wilhelm Weimar, Japanese lacquer work, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1337, photography, flowers, work of applied art (lacquer), plant ornaments

Paolo Lombardi, wooden pilaster at the Istituto di Belle Arti, Siena, albumin paper, black and white positive process, sheet size: height: 25, 70 cm; width: 20, 50 cm, stamp engraving: recto and center: Blind stamp: Lombardi, Fotografo,

Heinrich Hamann, Studio J. Hamann, Johann Hinrich W. Hamann, Holsatia-Werke, Bahrenfeld: cut, silver gelatin paper, black and white positive process, total: height: 18.70 cm; width: 24.60 cm, titled and dated: verso: handwritten in lead:

Martin Engelbrecht, Andreas Hofer, Johann Rumpp, ground and elevation of a crucifix base, copperplate engraving, sheet size: height: 36.2 cm; width: 21.7 cm, signed, numbered and inscribed in the plate: Another Crucifix Stick, Ioh. Rumpp inv.

George Barbier, Meynial éditeur, Paris, Romance sans paroles, from the fashion almanac Falbalas et Fanfreluches 1923, handmade paper, non-opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, sheet size: Height: 24,

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Civil Justice Building, Hamburg, silver gelatin paper, black and white positive process, Total: Height: 18, 60 cm; Width: 24, 30 cm, J. Hamann, Hamburg 1, Neustädterstr, 66/68,

Hans Rudi Erdt, Hollerbaum & Schmidt, Central-Africa-Expedition 1907/08 of Duke Adolf Friedrich zu Mecklenburg - Exhibition of scientific results, paper, lithography, Total: Height: 71 cm; Width: 95 cm, signed and dated: recto u. l. Print: HANS

Edmond Aman-Jean, The Studio - September Number, cardboard, lithography, total: height: 36, 6 cm; width: 26, 3 cm, monogrammed: in print middle left motif: AJ, product advertising (posters), woman, arm positions, gestures, head, face,

Wilhelm Weimar, Two covers with book clasps, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: right: in black ink: 2518, a, numbered: right: in black ink: 2518, b, work of applied art (bone,

Hugo Erfurth, Paul Wiecke as Hamlet, silver gelatin paper, black and white positive process, image size: height: 22.8 cm; width: 14.7 cm, signed, exposed: HUGO ERFURTH, DRESDEN, photographed, inscribed: recto: top right, exposed: PAUL

Wilhelm Weimar, jug, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 1153, a, apostles, work of applied art (metals), St. Andrew's cross, cross, jug (drinking

altar of the Basilica di San Marco, Venice, albumin paper, black and white positive process, image size: height: 25, 10 cm; width: 19, 40 cm, VENEZIA - Basilica di San Marco. Altars of San Marco. (XV secolo.) Illegibly inscribed with lead on the

Louis Comfort Tiffany, vase model Y 4209, glass, glass production, paperweight technique, total: height: 14.80 cm; diameter: 8.90 cm, incised mark: L.C.T.; Y 4209 (model number), decorative objects, art nouveau

Andrew Lang, Roycroft, Elbert & Hubbard, Aucassin and Nicolete, Being a Love Story translated out of the Ancient French by Andrew Lang Paper, suede, total (book cover): Height: 21, 8 cm; width: 14, 2 cm, unmarked, book decoration, historical

Léon Vidal, Flambeau de l'Autel du St. Esprit, paper, photochrome print, image size: height: 32.3 cm; width: 17.1 cm, inscribed: recto: printed above the photograph: Musee National Du Louvre Galerie D'Apollon; below the photograph: Photochromie

Wilhelm Weimar, Krug Kreußener Steinzeug, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1460, drinking vessels, work of applied art (ceramics), coat of arms

Wilhelm Weimar, vase, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 1366, work of applied art (ceramics), container (ceramics): vessel, jug, pot, vase, flower

Wilhelm Weimar, sampler, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 2525. work of applied art (textiles), ornaments, letters, alphabet, writing, numbers,

Wilhelm Weimar, knitting with Maria Magdalena, glass negative, black and white negative process, total: height: 17.8 cm; width: 12.8 cm, numbered: o.: in black ink: 36. work of applied art (textiles), flower ornaments, ornaments, banderole,

František Urban, Lit. Ústav K. Kříž, Český pomocný zemský spolek pro nemocné s plícními chorobami v Království českém, lithography, total: height: 116.00 cm; width: 84.50 cm, signed and dated: o. left in print: F. Urban - 1904,

Nicola Perscheid, Max Klinger, Amphitrite, 1899, marble (en face), silver gelatine paper, black and white positive process, image size: height: 27, 30 cm; width: 16, 10 cm, signed and dated: recto: N. Perscheid/Leipzig/1899, title: verso: in

Sophocles, Vatican Museums, Collections of Classical Antiquities, Rome, albumin paper, black and white positive process, image size: height: 36.00 cm; width: 21.00 cm, numbered: u. center of the image: exposed: 25, sculpture, sculpture,

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Im Schlachthof, silver gelatin paper, black and white positive process, Total: Height: 23, 50 cm; Width: 29, 70 cm, Dry stamp: recto lower right: J. HAMANN, Hamburg, Atelier für

Wilhelm Weimar, cartouche with guild emblem, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 928, photography, work of applied art (metals), ornaments, cartouche

George Barber, Meynial éditeur, Paris, Gérard d'Houville. Falbalas et Fanfreluches. Introductory text from the fashion almanac Falbalas et Fanfreluches 1925, handmade paper, type printing, line elevation, sheet size: height: 25.3 cm; width:

Wilhelm Weimar, Figure Weeping Girl in duplicate, glass negative, black and white negative process, Total: height: 17.8 cm; width: 12.8 cm, numbered: u. l.: in black ink: 215, work of applied art (ceramics

Hugo Erfurth, Wilhelm Steinhausen, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 39, 6 cm; width: 29, 4 cm, inscribed: verso o. in the middle: in lead: Steinhausen, label:

George Barbier, Meynial éditeur, Paris, Le gout des chales, from the fashion almanac Falbalas et Fanfreluches 1923, handmade paper, opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, sheet size: height: 24.3 cm;

Pietro Krohn, Bing & Grøndahl, lidded vessel from the heron service, foundation of Mrs. Margarete Mohrmann, Hamburg, porcelain, underglazed decoration, total: height: 13.00 cm, inscribed: Bottom: on the bottom: 3 towers, B & G, KJOBENHAN

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Öffentliche Bücherhalle, Hamburg, collodion paper, black and white positive process, total: height: 22.30 cm; width: 17.50 cm, stamp engraving: recto and right: J. Hamann,

Arnold van Roessel, Drukkerij Kotting, Reclame Bureau Julius Dickhout Pachter of Gem. Aanplakzuilen, lithography, Total: Height: 110 cm; Width: 80, 2 cm, monogrammed: in print left in motif: AR, product and business advertising (posters),

Wilhelm Weimar, Abendroth-Haus, Hamburg, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2397. photography, interior decoration (of a house), column, pillar

Wilhelm Weimar, Paris room, exhibition, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: o.: in black ink: 922, inscribed: o.: in black ink: W.W. F=15 cm, photography, Chair, Cabinet,

Wilhelm Weimar, Selette with vase and small sculpture snowy owl, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 749, a, chair, sculpture, sculpture, sculpture art,

Jean-Louis Forain, Imp. H. Hérold, Deuxième Salon du Cycle (Palais de l'Industrie), paper, lithograph, total: height: 86 cm; width: 201 cm, signed: Middle left in the printing plate: J. L. Forain, product and business advertising (posters),

Jan Bukowski, Pierwsza Wystawa Wspólczesnej Sztuki Koscielnej im. Piotra Skargi, paper, lithography, total: height: 95, 3 cm; width: 68, 5 cm, signed: im Druck u. Mitte: JAN BUKOWSKI, exhibition posters, cross, grape, vine tendril, vine

Louis Comfort Tiffany, Vase model M 2055, Acquired by S. Bing, Gallery L'Art Nouveau, at the World Exhibition 1900 in Paris, Glass, flashed, Favrile glass, clear clear glass with opal glass flashing, Total: Height: 34, 80 cm; Diameter: 11,

Carlo Naya, Venezia - Monumento di Tiziano nella Chiesa dei Frari di Zandomeneghi, 1892, albumin paper, cardboard, black and white positive process, sheet size: height: 35.50 cm; width: 27.00 cm, stamp engraving: below: Naya - Photographer,

Josef Wlha, 1218 Innsbruck, Hofkirche, albumin paper, black and white positive process, image size: height: 25.00 cm; width: 20.10 cm, inscribed: recto and: exposed: 1218 Innsbruck, Hofkirche; handwritten in lead on the cardboard: old inv.no,

Atelier J. Hamann, Johann Hinrich W. Hamann, Auf der Promenade beim evangelisch-katholischen Kirchengebäude, Auswandererhallen auf der Veddel, collodion paper, black and white positive process, total: height: 17.2 cm; width: 23.7 cm, dry

Josef Wlha, 1214 Innsbruck, Hofkirche, albumin paper, black and white positive process, image size: height: 25.00 cm; width: 20.10 cm, inscribed: recto and: exposed: Josef Wlha, photographer, Vienna. 1214 Innsbruck, Hofkirche Déposé;

Wilhelm Weimar, Curslacker Schützenkette, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2626, b, numbered: top: in black ink: 2626, b, works of applied art

Séraphin-Médéric Mieusement, Avignon (Eglise St. Pierre), albumin paper, black and white positive process, image size: height: 35.7 cm; width: 25.3 cm, dry stamp: recto u. l.: MIEUSEMENT, PHOTOGRAPH, inscribed: recto o.: exposed: No. 617

Gustav Heinrich Wolff, Female nude on a pillar (two out of one), drawing paper, drawing charcoal, drawing, charcoal on drawing paper, Total: Height: 33.3 cm; Width: 26.7 cm, recto lower right inscribed with charcoal two out of one and dated

Wilhelm Weimar, stabbing weapon, glass negative, black and white negative process, total: height: 23.8 cm; width: 18 cm, numbered: top left. : in black ink: 181, dog, work of applied art (base metals), epee, cutting and stabbing weapons,

G. Schuh & Cie. (Munich), Ludwig Hohlwein, First Bavarian Antler Exhibition Munich, paper, lithography, Total: Height: 125 cm; Width: 91, 5 cm, signed: middle left in the printing plate: LUDWIG HOHLWEIN, exhibition posters, deer, winter,

Wilhelm Weimar, sampler from Bavaria, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 2528. work of applied art (textiles), ornaments, letters, alphabet, writing,

Wilhelm Weimar, star-shaped bowl, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 1883, work of applied art (ceramics

Alfred Mohrbutter, Living pictures in Krefeld provided by Mr. Alfred Mohrbutter, 1899, paper, lithography, total: height: 126 cm; width: 82 cm, signed and dated: bottom left in printing form: Mohrbutter 99th, product and business advertising

Gustav Heinrich Wolff, Standing Girl Figure, Japan paper, woodcut, woodcut on Japan paper, image size: height: 34, 5 cm; width: 10, 5 cm, estate stamp GUSTAV H. WOLFF NACHLASS on verso printmaking, printing, Free Graphic Art (printmaking,

Alfred Roller, Ver Sacrum, Lithographic Institute Albert Berger, XII. Exhibition of the Vereinigung bildender Künstler Österreichs Secession, Lithography, Total: height: 95, 00 cm; width: 31, 20 cm, exhibition posters, geometric ornaments,

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Tram depot at Sandweg, Hamburg, silver gelatin paper, black and white positive process, Total: Height: 18.4 cm; Width: 24.3 cm, Atelier für Photographie aller Art prämiert

Wilhelm Weimar, relief In Christi Dodt sin wi levendich worden, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: lower left. In black ink: 1801, photography, work of applied art (wood, e.g.

Séraphin-Médéric Mieusement, Cathédrale de Beauvais, albumin paper, black and white positive process, image size: height: 35.7 cm; width: 25.1 cm, dry stamp: recto u. l.: MIEUSEMENT, PHOTOGRAPH, inscribed: recto o.: exposed: No. 1223

Alexandre Bigot, Flat spherical vase, purchased in 1896 by S. Bing L'Art Nouveau, Paris, stoneware, glazed, Total: Height: 12, 60 cm; Diameter: 18, 70 cm, signed: Underside: engraved signature on the bottom: ABigot mai 95, ceramics,

Wilhelm Weimar, centrepiece, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2357, work of applied art (ceramics

Helmet with ear indication, bronze, chased, riveted, bronze, Total: Height: 29 cm; Width: 17 cm; Depth: 19.5 cm, protective clothing, weapons (warfare/military), ritual objects and accessories, armor (warfare/military), early archaic,

Hugo Erfurth, Maria Carmi, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 21, 2 cm; width: 15, 5 cm, signed and dated: recto u. li.: in lead: Hugo Erfurth 1914, inscribed:

Wilhelm Weimar, Candelabra of Rusa, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1384, candleholder, candelabra, work of applied art (bronze

Rudolph Dührkoop, Elena Luksch-Makowsky with the children Peter and Andreas, paper, pigment print, total: height: 37, 70 cm; width: 29, 30 cm, signed: recto: u. li. in picture signed in red: R. Dührkoop - Hamburg -, portrait photography,

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