Images at Librifly

search results: Art clear search

Paolo Lombardi, The high altar in the church Santa Maria in Portico a Fontegiusta, Siena - detail, albumin paper, black and white positive process, sheet size: height: 25, 50 cm; width: 19, 70 cm, stamp engraving: recto u. right: blind stamp:

Jean Carriès, Vase, stoneware, glazed, Total: Height: 15, 70 cm; Diameter: 8, 50 cm, incised mark: Bottom: incised signature on the bottom: Jean Carriès 30, ceramics, ornamental objects, art nouveau

George Barbier, Meynial éditeur, Paris, Gentils propos, from the fashion almanac Falbalas et Fanfreluches 1922, handmade paper, non-opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, sheet size: Height: 24, 7 cm;

Édouard Baldus, La Madeleine, Paris, albumin paper, black and white positive process, image size: height: 19.4 cm; width: 26.3 cm, stamp: verso and on the cardboard: architectural photography, exterior of a church, art styles and ornaments

Giorgio Sommer, funeral monument for Konradin in S. Maria del Carmine - Naples, albumin paper, black and white positive process, sheet size: height: 25, 10 cm; width: 20, 50 cm, inscribed: recto and: exposed: No. 6134 [?, title illegible], as

Wilhelm Weimar, tile, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2610. work of applied art (ceramics), man, eating and drinking, table, society/social life

Wilhelm Weimar, Paris room, exhibition, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 921, inscribed: top: in black ink: D.A.F.=18 cm, photography, Chair,

Gustav Heinrich Wolff, Pharmakeutriai (Poisoners) Angelika and Heinz Spielmann, Japan paper, woodcut, woodcut on Japan, image size: height: 30, 4 cm; width: 18 cm, signed and dated: recto bottom right: in pencil: 1925 Wolff, inscribed: recto

László Moholy-Nagy, photogram, silver gelatin paper, black and white positive process, picture size: height: 23, 3 cm; width: 18, 7 cm, sticker: verso top left: in typescript: Photogram by L. Moholy-Nagy, Exhibition of, HOW TO MAKE A

Thomas Brooks, Chute & Brooks, Charles Wallace Chute, Estatua del General Belgrano. Plaza 25 de Mayo. Buenos Ayres, albumin paper, black and white positive process, image size: height: 42.90 cm; width: 33.60 cm, ; Geographische Gesellschaft in

Wilhelm Weimar, figure centaur from a group of biscuit porcelain, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 1754, numbered: bottom left in black ink: 1754, work

Wilhelm Weimar, tureen with stand (Johann Huess, c. 1800), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: u.: in black ink: 2520th, inscribed: re.: in black ink: good photograph, tureen

George Barbier, Le Retour, from the fashion almanac Falbalas et Fanfreluches 1924, handmade paper, opaque watercolor, etching, stencil printing (pochoir), Total: Height: 25.3 cm; Width: 16.5 cm, monogrammed, inscribed and dated: in the

Ernest Chaplet, pole vase, Acquired by the artist at the world exhibition in Paris in 1900, porcelain, copper glaze, lead glaze, copper glaze, Total: Height: 25.40 cm; Diameter: 9.80 cm, Bottom: workshop sign painted green on the floor

Hugo Erfurth, Rabindranath Tagore, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, picture size: height: 17, 1 cm; width: 12, 4 cm, inscribed:

Hugo Erfurth, Max Sauerlandt, silver gelatin paper, black and white positive process, image size: height: 29.3 cm; width: 23.7 cm, in lead: repro; 559, 14, stamp: verso and in the middle: copyright stamp of the Staatliche Landesbildstelle

Paolo Lombardi, The marble pulpit in the cathedral of Siena - detail, albumin paper, black and white positive process, sheet size: height: 25.6 cm; width: 20.3 cm, stamp engraving: recto and left: blind stamp: P. Lombardi, Fotografo, Siena,

Stefan Filipkiewicz, Aureliusz Pruszyński, Stanisław Kamocki, Wystawa Dziel Artystów Morawskich i Polskich w Hodoninie na Morawach urzadza Zwiazek Artystów Morawskich, lithography, part (top): height: 63, 30 cm; width: 95, 00 cm, signed: im

Vilh. Søborgs Eftfs. Etabl, Paul Fischer, Skandinavisk Panoptikon I København, Copenhagen, lithography, Total: Height: 86, 00 cm; Width: 59, 80 cm, signed: u. r. im Druck: Paul Fischer, product advertising (posters), art/culture (posters),

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Die evangelische Gnadenkirche, albumin paper, black and white positive process, Total: Height: 29, 80 cm; Width: 24, 00 cm, Stamp: verso and verso: Atelier für Photographie aller

Paolo Lombardi, The Piccolomini Altar in the Cathedral of Siena - detail, albumin paper, black and white positive process, sheet size: height: 24, 80 cm; width: 19, 00 cm, stamp engraving, blind stamp: P. Lombardi, Fotografo, Siena,

Wilhelm Weimar, buckle and clasp, glass negative, black and white negative process, total: height: 23.8 cm; width: 18 cm, numbered: u.: in black ink: 61, numbered: u. : in black ink: 61, arts and crafts, arts and crafts, industrial design,

Wilhelm Weimar, Schenkkanne, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 1332, a, work of applied art (ceramics), jug (drinking vessel), history of Paris

G. di Biagio or Vito di Marco: Sibylle of Delphi, detail of the floor in the Cathedral of Siena, albumin paper, black and white positive process, image size: height: 25, 40 cm; width: 19, 40 cm, SIENA - Cattedrale. La Sibilla Delfica, dettaglio

Wilhelm Weimar, pharmacist's handle pot, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 1903, a, work of applied art (ceramics), pottery, ceramics (collecting and

Leonardo Bistolfi, Lit. Doyen di L. Simonetti, Prima Esposizione internazionale d`Arte decorativa moderna Torino 1902, paper, lithography, total: height: 110 cm; width: 161, 5 cm, signed and inscribed: u. li. in print: LBistolfi [ligated] rip.

Michelangelo: Battle of the Centaurs, unfinished bas-relief, Casa Buonarroti, Florence, albumin paper, black and white positive process, image size: height: 19.70 cm; width: 24.90 cm, FIRENZE - Galleria Buonarroti. Guerra dei Centauri con i

Hugo Erfurth, double portrait in the landscape, paper, oil print, image size: height: 14, 8 cm; width: 20, 2 cm, signed: recto u. re. in lead: Hugo Erfurth 1912, inscribed: verso in the middle: in lead: oil, stamp: verso and left: inscribed:

Karel Špillar, Ant. Vítek, Volné Směry, paper, lithography, total: height: 91 cm; width: 49.3 cm, product advertising (posters), female nude, flowers, musical instruments, nudes, symbolic representations, allegories, emblems of art,

Wilhelm Weimar, Five figures (Meissen porcelain), glass negative, black and white negative process, Total: height: 18 cm; width: 17.8 cm, numbered: top left: in black ink: 1467, work of applied art (ceramics

Manufaktur Mutz, bottle, earthenware, glazed, tin glaze, lead glaze, Total: Height: 30 cm; Width: 14, 5 cm, Stamp: on the bottom: MUTZ [straight], ALTONA, Ceramics, Drinking and serving utensils, Ornamental objects, Art nouveau

John La Farge, (artist), American, 1835 - 1910, Lesson Study on Jersey Coast, 1881, watercolor and gouache on wove paper, sheet: 20.5 × 27.6 cm (8 1/16 × 10 7/8 in.), Anonymous Gift, in Honor of the 50th Anniversary of the National Gallery

Jean-Baptiste Greuze, (artist), French, 1725 - 1805, The Ungrateful Son, c. 1770, red chalk on brown laid paper with framing line in black ink, overall: 42.7 x 33.1 cm (16 13/16 x 13 1/16 in.), Gift in memory of Douglas Huntly Gordon and in

Lovis Corinth, (artist), German, 1858 - 1925, Tod bei Strucks (Death Visits the Strucks), Totentanz (Dance of Death), (series), 1921 (published 1922), softground etching in black on wove paper, plate: 24 x 17.8 cm (9 7/16 x 7 in.), sheet:

Agnolo Gaddi, (painter), Florentine, c. 1350 - 1396, Saint Andrew and Saint Benedict with the Archangel Gabriel, shortly before 1387, tempera on poplar panel, overall: 197 × 80 cm (77 9/16 × 31 1/2 in.), Most early paintings are also

Honoré Daumier, (artist), French, 1808 - 1879, Ratapoil, model 1851, cast c. 1891, bronze, overall: 43.5 x 16.4 x 18.2 cm (17 1/8 x 6 7/16 x 7 3/16 in.), Viewed from any direction, the swaying, strutting Ratapoil is Daumier's brilliant

Giovanni Benedetto Castiglione, (artist), Italian, 1609 - 1664, Noah Leading the Animals into the Ark, c. 1645, brush and oil paint on brown laid paper, overall: 39.4 x 54.8 cm (15 1/2 x 21 9/16 in.), Partial Gift of Gilbert Butler, in Honor

Lovis Corinth, (artist), German, 1858 - 1925, Tod und Jüngling (Death and the Young Man), Totentanz (Dance of Death), (series), 1921 (published 1922), softground etching in black on wove paper, plate: 23.9 x 17.8 cm (9 7/16 x 7 in.),

Puccio di Simone, (painter), Florentine, active c. 1330 - 1360, Allegretto Nuzi, (painter), Umbrian, active from c. 1340; died 1373, Saint Venantius, 1354, tempera on panel, painted surface: 89.2 x 33 cm (35 1/8 x 13 in.), overall (with

Byzantine 13th Century, (painter), Madonna and Child on a Curved Throne, c. 1260/1280, tempera on linden panel, painted surface: 82.4 x 50.1 cm (32 7/16 x 19 3/4 in.), overall: 84 x 53.5 cm (33 1/16 x 21 1/16 in.), framed: 90.8 x 58.3 x 7.6 cm

Puccio di Simone, (painter), Florentine, active c. 1330 - 1360, Allegretto Nuzi, (painter), Umbrian, active from c. 1340; died 1373, Saint Anthony Abbot, 1354, tempera on panel, painted surface: 89.3 x 33.6 cm (35 3/16 x 13 1/4 in.),

American 19th Century, (artist), Winslow Homer, (artist after), American, 1836 - 1910, Art-Students and Copyists in the Louvre Gallery, Paris, From 'Harper's Weekly', January 11, 1868, p.25, (series), published 1868, wood engraving

Lovis Corinth, (artist), German, 1858 - 1925, Tod und Weib (Death and the Woman), Totentanz (Dance of Death), (series), 1921 (published 1922), softground etching in black on wove paper, plate: 23.9 x 17.7 cm (9 7/16 x 6 15/16 in.), sheet:

Duccio di Buoninsegna, (painter), Sienese, c. 1250/1255 - 1318/1319, The Nativity with the Prophets Isaiah and Ezekiel, 1308-1311, tempera on single poplar panel, painted surface (left side image): 43 × 16 cm (16 15/16 × 6 5/16 in.),

Jacopo Palma il Giovane, (painter), Venetian, 1544 or 1548 - 1628, Lamentation, c. 1620, oil on canvas, overall: 134.6 x 109.2 cm (53 x 43 in.), framed: 158 x 132.9 x 8.1 cm (62 3/16 x 52 5/16 x 3 3/16 in.), Given in memory of William E.

Matteo de' Pasti, (artist), Italian, c. 1420 - 1467/1468, Leone Battista Alberti, 1404-1472, Architect and Writer on Art and Science, 1446/1450, bronze, overall (diameter): 9.34 cm (3 11/16 in.), gross weight: 205.24 gr (0.452 lb.), axis:

Lovis Corinth, (artist), German, 1858 - 1925, Tod und Greis (Death and the Old Man), Totentanz (Dance of Death), (series), 1921 (published 1922), softground etching in black on wove paper, plate: 23.8 x 17.6 cm (9 3/8 x 6 15/16 in.), sheet:

Jacopo Bellini, (painter), Venetian, c. 1390/1400 - 1470/1471, Saint Anthony Abbot and Saint Bernardino of Siena, 1459, tempera on poplar panel, overall: 110 x 57 cm (43 5/16 x 22 7/16 in.), framed: 127 x 74 x 9.8 cm (50 x 29 1/8 x 3 7/8

Odilon Redon, (artist), French, 1840 - 1916, L'Art Celeste (The Celestial Art), 1894, lithograph, image: 31.5 x 25.9 cm (12 3/8 x 10 3/16 in.), sheet: 50.8 x 39.6 cm (20 x 15 9/16 in

Lovis Corinth, (artist), German, 1858 - 1925, Tod und Künstler (Death and the Artist), Totentanz (Dance of Death), (series), 1921 (published 1922), softground etching and drypoint in black on wove paper, plate: 23.9 x 17.8 cm (9 7/16 x 7

Honoré Daumier, (artist), French, 1808 - 1879, Nadar élevant la Photographie à la hauteur de l'Art, 1862, lithograph, sheet: 44.8 × 30.9 cm (17 5/8 × 12 3/16 in

Christoph Weiditz the Elder, (medalist), German, c. 1500 - 1559, Francisco de los Cobos, c. 1475/1480-1547, Privy Counselor and Chancellor, Art Patron, 1531, lead, overall (diameter): 6.17 cm (2 7/16 in.), gross weight: 163.2 gr (0.36

Mino da Fiesole, (artist), Florentine, 1429 - 1484, Faith, 1475/1480, marble, overall: 126 x 43 cm (49 5/8 x 16 15/16 in.), In the art of the Middle Ages and Renaissance, the Virtues were often personified by human figures carrying

Robert Adam, (artist), British, 1728 - 1792, A Design for Illuminations to Celebrate the Birthday of King George III, 1763, watercolor over graphite heightened with white on laid paper, overall: 42.3 x 57.5 cm (16 5/8 x 22 5/8 in.), Anonymous

Agnolo Gaddi, (painter), Florentine, c. 1350 - 1396, Saint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation, shortly before 1387, tempera on poplar panel, overall: 194.6 × 80 cm (76 5/8 × 31 1/2 in.), Most early

Roman 3rd Century, (artist), Symbols of Bacchus as God of Wine and the Theater, c. 200/225 A.D., mosaic, marble, and glass, overall: 178.4 x 254.7 cm (70 1/4 x 100 1/4 in.), Given to the National Gallery of Art for the American People from

Gerard Seghers, (artist), Flemish, 1591 - 1651, The Repentant Magdalen, c. 1627/1630, oil on canvas, overall: 120.7 x 175 cm (47 1/2 x 68 7/8 in.), framed: 149.9 x 204.5 x 8.3 cm (59 x 80 1/2 x 3 1/4 in.), Gift (Partial and Promised) of

Agnolo Gaddi, (painter), Florentine, c. 1350 - 1396, Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ, shortly before 1387, tempera on poplar panel, overall: 204 × 80 cm (80 5/16 × 31 1/2 in.), Most early

James McNeill Whistler, (artist), American, 1834 - 1903, Fine Art Society, (publisher), The Kitchen, 1858, etching in black, plate: 22.86 × 15.88 cm (9 × 6 1/4 in.), sheet (with tab): 23.5 × 15.88 cm (9 1/4 × 6 1/4 in

Corcoran Art Gallery., Jarvis, J. F. (John F.) (b. 1850), Underwood & Underwood, Corcoran Gallery of Art, Renwick Gallery, 1885, Washington (D.C

Corcoran Art Building., Corcoran Gallery of Art, Renwick Gallery, 1880, Washington (D.C

Art and landscape scenery, Central Park, N.Y. Rustic arbor., New York (State), New York (N.Y.), New York, Central Park (New York, N.Y.), Manhattan (New York, N.Y

Art and landscape scenery, Central Park, N.Y. Fountain at Fifth Avenue entrance., Chase, W. M. (William M.) (ca. 1818-1901), 1865?-1896, New York (State), New York (N.Y.), New York, Central Park (New York, N.Y.), Manhattan (New York, N.Y

The art gallery Mount St. Vincent., New York (State), New York (N.Y.), New York, Central Park (New York, N.Y.), Manhattan (New York, N.Y

drawing, Floris Verster, 1895, Signature front lower left: Fl. V. 95, wax crayon, paper, signed, Carrier: 26.2 x 45.3cm, 262 x 453mm, Daylight: 25.5 x 44.6cm, 255 x 446mm, With passe-partout: 42.5 x 60cm, 425 x 600mm, landscape, forest,

prize medal, Nicolaas Reijers, 1789, General: 4.8 x 0.4cm (48 x 4mm), Weight: 46.4g, city coat of arms, lyre, man, figure, Silver prize medal on Pieter van Lelyveld, minted for the Art Association by Labor obtained, 1789. On the obverse

prize medal, Charles Wiener, 1865, minted, General: 5.8 x 0.4cm (58 x 4mm), Weight: 79.2g, allegory, personification, Silver prize medal at the International Exhibition of 1865 in Porto, won by the company Scheltema . On the front is an

engraving plate, Pieter Cornelisz. van Slingelandt Engraver, 1675, General: 29.6 x 21.5cm 296 x 215mm, Copper engraving plate in black art technique with a man's portrait: Rippert Jansz. van Groenendijck died in 1682. He is shown sitting, with

drawing, Johannes de Vos, 17th century, Signature front bottom center: JDVos / scripsit [unclear in calligraphic letters], parchment, wood, ink, calligraphic, Pen art on parchment with eight representations concerning the Relief of Leiden.

prize medal, Jacob Samuel Cohen Elion, 1866, minted, General: 5.5 x 0.4cm (55 x 4mm), Weight: 70.8g, star, personification, Silver prize medal from the General Exhibition of Dutch Industry and Art in the Palace van Volksvlijt in Amsterdam

engraving plate, Pieter Cornelisz. van Slingelandt Engraver, 1675, General: 29.6 x 21.5cm 296 x 215mm, Copper engraving plate in black art technique with a man's portrait: Rippert Jansz. van Groenendijck died in 1682. He is shown sitting, with

medal, Jacob Samuel Cohen Elion, 1866, minted, General: 5.5 x 0.5cm (55 x 5mm), Weight: 69.7g, personification, angel, Silver prize medal at the Exhibition Dutch Industry and Art in 1866, awarded to J. and A. Le Poole. On the front are

shield (armor), Anonymous, c. 1600, metal, oil paint, leather, General: 64 × 3cm (640 × 30mm), horse, soldier, horseman, fighting, mythology, Leather shield with the painted mythological depiction of Horace Cocles or Horace the

cabinet cupboard furniture, Anonymous, late 17th century, ebony, ivory, iron, spruce, General: 68.5 x 66.4 x 31.6cm 685 x 664 x 316mm, mythology, Germany, Art cabinet of spruce veneer with ebony and inlaid with ivory . The cabinet consists

family medal, Johannes Smeltzing, 1669, minted, General: 4.8 x 0.3cm 48 x 3mm, Weight: 45.4g, man's portrait, silver funeral medal by Johannes Cocceius 1603-1669. On the obverse, the bust of Johannes Cocceius is depicted seen from the front

art of cutting, Anonymous, c. 1800, pencil, wood, glass, lacquer, paper, Cut-out with different fonts, in four lines the text: You are my friends if you do what I command you. Around this, leaves and berries have been cut out. The sketch is

medal, Leopold Wiener, 1861, minted, General: 5.8 x 0.5cm (58 x 5mm), Weight: 89.3g, Bronze medal minted at the Antwerp art festival in 1861. On the obverse an allegorical depiction of the virgin of Antwerp which allows the Muze Thalia to enter

Anonymous, 1779, cast, plaster cast of the reverse of a prize medal from the Academy in Leiden. With an engraved inscription within a wreath: Aen JAN DE KRUYFF for the biography of the poet SYBRAND FEITEMA 13 of Bloemimaand 1779. In a caption the

prize medal, Charles Wiener, 1865, minted, General: 5.8 x 0.4cm (58 x 4mm), Weight: 79.2g, allegory, personification, Silver prize medal at the International Exhibition of 1865 in Porto, won by the company Scheltema . On the front is an

medal, Jacob Samuel Cohen Elion, 1866, minted, General: 5.5 x 0.5cm (55 x 5mm), Weight: 69.7g, personification, angel, Silver prize medal at the Exhibition Dutch Industry and Art in 1866, awarded to J. and A. Le Poole. On the front are

family medal, Johannes Smeltzing, 1669, minted, General: 4.8 x 0.3cm 48 x 3mm, Weight: 45.4g, man's portrait, silver funeral medal by Johannes Cocceius 1603-1669. On the obverse, the bust of Johannes Cocceius is depicted seen from the front

prize medal, Jacob Samuel Cohen Elion, 1866, minted, General: 5.5 x 0.4cm (55 x 4mm), Weight: 70.8g, star, personification, Silver prize medal from the General Exhibition of Dutch Industry and Art in the Palace van Volksvlijt in Amsterdam

cabinet cupboard furniture, Anonymous, late 17th century, ebony, ivory, iron, spruce, General: 68.5 x 66.4 x 31.6cm 685 x 664 x 316mm, mythology, Germany, Art cabinet of spruce veneer with ebony and inlaid with ivory . The cabinet consists

medal, Leopold Wiener, 1861, minted, General: 5.8 x 0.5cm (58 x 5mm), Weight: 89.3g, Bronze medal minted at the Antwerp art festival in 1861. On the obverse an allegorical depiction of the virgin of Antwerp which allows the Muze Thalia to enter

shield (armor), Anonymous, c. 1600, metal, oil paint, leather, General: 64 × 3cm (640 × 30mm), horse, soldier, horseman, fighting, mythology, Leather shield with the painted mythological depiction of Horace Cocles or Horace the

cabinet cupboard furniture, Anonymous, late 17th century, ebony, ivory, iron, spruce, General: 68.5 x 66.4 x 31.6cm 685 x 664 x 316mm, mythology, Germany, Art cabinet of spruce veneer with ebony and inlaid with ivory . The cabinet consists

cabinet cupboard furniture, Anonymous, late 17th century, ebony, ivory, iron, spruce, General: 68.5 x 66.4 x 31.6cm 685 x 664 x 316mm, mythology, Germany, Art cabinet of spruce veneer with ebony and inlaid with ivory . The cabinet consists

cutting art, C. S, after 1807, top center, top in the wavy ribbon: CS, cut, Cut: 37 x 48cm 370 x 480mm, With frame: 53.8 x 61.4 x 3.3cm 538 x 614 x 33mm, city coat of arms, carnation, rose, White paper cut, in memory of the disaster with

shield (armor), Anonymous, c. 1600, metal, oil paint, leather, General: 64 × 3cm (640 × 30mm), horse, soldier, horseman, fighting, mythology, Leather shield with the painted mythological depiction of Horace Cocles or Horace the

drawing, Johannes de Vos, 17th century, Signature front bottom center: JDVos / scripsit [unclear in calligraphic letters], parchment, wood, ink, calligraphic, Pen art on parchment with eight representations concerning the Relief of Leiden.

prize medal, Nicolaas Reijers, 1789, General: 4.8 x 0.4cm (48 x 4mm), Weight: 46.4g, city coat of arms, lyre, man, figure, Silver prize medal on Pieter van Lelyveld, minted for the Art Association by Labor obtained, 1789. On the obverse

drawing, Floris Verster, 1895, Signature front lower left: Fl. V. 95, wax crayon, paper, signed, Carrier: 26.2 x 45.3cm, 262 x 453mm, Daylight: 25.5 x 44.6cm, 255 x 446mm, With passe-partout: 42.5 x 60cm, 425 x 600mm, landscape, forest,

cabinet cupboard furniture, Anonymous, late 17th century, ebony, ivory, iron, spruce, General: 68.5 x 66.4 x 31.6cm 685 x 664 x 316mm, mythology, Germany, Art cabinet of spruce veneer with ebony and inlaid with ivory . The cabinet consists

cabinet cupboard furniture, Anonymous, late 17th century, ebony, ivory, iron, spruce, General: 68.5 x 66.4 x 31.6cm 685 x 664 x 316mm, mythology, Germany, Art cabinet of spruce veneer with ebony and inlaid with ivory . The cabinet consists

Art Building, Springfield, Mass., still image, Postcards, 1898 - 1931

Boston Public Library, Entrance Arches, Boston, Mass, Showing the Bela L. Pratt Bronze Statues of Art and Science, still image, Postcards, 1898 - 1931

The Art Institute, a noble and imposing structure. Chicago, Ill., U.S.A., still image, Stereographs, 1850 - 1930

Art Museum, Eden Park, Cincinnati, Ohio, still image, Postcards, 1898 - 1931

DeVries Art Establishment, front entrance., still image, Stereographs, 1850 - 1930

Allbright Art Gallery, Delaware Park, Buffalo, N. Y., still image, Postcards, 1898 - 1931

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