Images at Librifly

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The Adoration of the Magi, Oil on wood, 27 1/8 x 21 1/2 in. (68.9 x 54.6 cm), Paintings, Netherlandish (Antwerp Mannerist) Painter (ca. 1520), The Adoration of the Magi was a favorite theme in Antwerp Mannerist painting, which emerged in the

L'Art de Tourner, ou de faire en perfection toutes sortes d'ouvrages au tour, 1749, Engraving, Overall: 15 15/16 x 10 9/16 x 1 3/4 in. (40.5 x 26.8 x 4.5 cm), Books

Opera cloak, ca. 1882, French, silk, fur, feathers, metal, The flowers of Art Nouveau are attenuated and languorous. The tulip was a special favorite of the era, encouraging the stretched stems and torpid blossoms that nod downward in a

Sugar Bowl, 1891–94, Made in Trenton, New Jersey, United States, American, Porcelain, H. 4 1/2 in. (11.4 cm); Diam. 5 3/8 in. (13.7 cm), Ceramics, American Art China Company (1891–1894

Enthroned Virgin, ca. 1175–1200, Made in possibly Gotland, Sweden, Scandinavian, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm), Sculpture-Wood, Carved from a narrow block of poplar, this figure was originally set

Marble sarcophagus with the myth of Endymion, Antonine, mid-2nd century A.D., Roman, Marble, Overall: 19 1/4 x 78 1/4 x 21 in. (48.9 x 198.8 x 53.3 cm), Stone Sculpture, Found on the Via Ardeatina, on the outskirts of Rome. The myth of

Bottle (Florero), 1st–5th century, Mexico, Mesoamerica, Teotihuacan, Ceramic, Height 4-3/4 in., Ceramics-Containers, The clean lines of this ceramic vessel are representative of the refined and abstract aesthetic that dominated the art

Terracotta bowl, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Terracotta; lead-glazed ware, H. 5 3/16 in. (13.2 cm); diameter 6 1/4 in. (15.9 cm), Vases, The figure may represent Hercules performing one of his twelve

A sleeping cupid, 1630–45, Chiaroscuro woodcut in blue-gray and black printed from two blocks, Sheet: 11 5/8 × 14 5/8 in. (29.5 × 37.2 cm), Prints, Bartolomeo Coriolano (Italian, Bologna ca. 1599–ca. 1676 Bologna (?)), After Guido Reni

Art-Union medal of William Mulready, 1877, British, Bronze, Diameter: 2 1/2 in. (6.4 cm), Medals and Plaquettes, Medalist: George Gammon Adams (British, Staines 1821–1898 Chiswick

Double-headed figure, 2300–2200 B.C., Ecuador, Valdivia, Ceramic, H. 3 1/2 x W. 1 1/2 in. (8.9 x 3.8 cm), Ceramics-Sculpture, Some of the earliest known works of art in western South America have been found on Ecuador's Santa Elena

清 青花“爵祿封侯”瓷盤, Plate with Monkey, Bees, Magpie, and Deer, Qing dynasty (1644–1911), late 17th–early 18th century, China, Porcelain painted with blue underglaze, H. 1 1/8 in. (2.9 cm); Diam. of rim 5 7/8 in. (14.9

Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850, 1850, Illustrations: etching on stone, book: 12 3/4 x 15 1/4in. (32.4 x 38.7 cm), Books,

Box Lid with a Lion Attacking an Elephant, ca. 5th century, Pakistan (ancient region of Gandhara), Schist, W. 3 1/2 in. (8.9 cm), Sculpture, Box lids are rare examples of nonreligious art of the fifth century, little of which has survived.

Cylindrical Vessel, 1st century B.C.–A.D. 1st century, Guatemala, Mesoamerica, Maya, Ceramic, slip, Height 10 in. (25.4 cm), Ceramics-Containers, The clean lines and spare ornament of this Maya ceramic vessel illustrate the early stages of

Head from a Large Statue of a Priest or Dignitary, Middle Kingdom–Second Intermediate Period, Dynasty 13, late, ca. 1700–1600 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris Temple, Egypt Exploration Fund excavations, Quartzite,

Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London), 1761, 1765, Etchings and engravings, Overall: 22 1/16 x 16 3/4 x

Evening dress, 1923–24, French, silk, For Callot Sœurs the example of China amended Western dress, stressing tubular simplicity and Chinese ornament and technique. The confluence of Egyptomania, Japonisme, and Chinoiserie under the

Figure of a Lion, 1845–55, Made in Waynesboro, Pennsylvania, United States, American, Earthenware, Height: 7 1/2 in. (19.1 cm), Ceramics, John Bell (American, Waynesboro, Pennsylvania, 1800–1880), This figure of a lion is quite

萩下絵和歌色紙　藤原家隆, Poem by Fujiwara no Ietaka (1158–1237) on Decorated Paper with Bush Clover, Edo period (1615–1868), mid- to late 17th century, Japan, Poem card (shikishi) mounted as a hanging scroll; ink and gold on

Pendant Mask, 13th–15th century, Dominican Republic, Caribbean, Hiquëy, Macao area, reportedly, Taino, Bone, H. 3-5/8 x W. 3 7/8 in., Bone/Ivory-Ornaments, Large, prominent eye sockets and evenly matched teeth exhibit the

Box Lid with a Phoenix, ca. 5th century, Pakistan (ancient region of Gandhara), Schist, W. 4 3/16 in. (10.6 cm), Sculpture, Box lids are rare examples of nonreligious art of the fifth century, little of which has survived. They are closely

Wine cooler (one of a pair), Ignaz Joseph Würth (Austrian, first mentioned 1769, died 1792), 1781, Austrian, Vienna, Silver, Overall (wt confirmed): 11 15/16 x 9 7/8 in., 6000g (30.3 x 25.1 cm, 6kg), Metalwork-Silver, Ignaz Joseph Würth

Scene from the Legend of the True Cross, second half 14th century, Northern French or Netherlandish, Stone, Overall: 24 1/2 x 29 1/2 in. (62.2 x 74.9 cm), Sculpture, Enthusiasm for embarking on Crusade waned during the fourteenth century,

Bird Pin or Spatula, 5th–9th century, Bolivia, Lake Titicaca region, Tiwanaku, Gold, H. 13 3/8 x W. 1/2 in. (34 x 1.3 cm), Metal-Implements, The bird at the top of this spatula is worked in a style found in the art of Tiwanaku, an

Ornament Panel, dated 1521, Engraving, 10 5/16 x 4 5/16 in. (26.2 x 11.0 cm), Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), Inspired by ancient Roman art, this ornament print was produced

Seated Avalokiteshvara, the Bodhisattva of Infinite Compassion, Anuradhapura period, ca. late 7th–first half of the 8th century, Sri Lanka, central regions, Bronze, H. 3 1/4 in. (8.3 cm); W. 2 1/8 in. (5.4 cm); D. 1 5/8 in. (4.1 cm),

A Portuguese, mid-17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Painting: H. 7 in. (17.8 cm), Codices, The arrival of European traders was soon reflected in the art of Safavid Iran. Male dress, poses from oil

Warrior Bottle, 4th–7th century, Peru, Moche, Ceramic, H. 11 1/4 x W. 6 3/4 in. (28.6 x 17.2 cm), Ceramics-Containers, War, battle, and warriors in processions are major themes in Moche art. However, the archaeological record shows little

Women's Art Class, ca. 1868, Oil on canvas, 26 7/8 x 23 1/4 in. (68.3 x 59.1 cm), Paintings, Louis Lang (1814–1893), Born in Germany, Lang arrived in 1838 in Philadelphia, where he became known as a portraitist and probably taught painting

Squash Window with Pebbles, 1885–90, Made in New York, New York, United States, American, Glass, beach-worn quartz, lead came, 24 × 24 in. (61 × 61 cm), Glass, Louis Comfort Tiffany (American, New York 1848–1933 New York), Louis

明 剔紅蓮池水禽紋臂擱, Wrist rest with kingfisher and lotus, Ming dynasty (1368–1644), 1368–1644, China, Carved red lacquer, L. 9 in. (22.9 cm), Lacquer, The pairing of the kingfisher bird and the lotus is symbolic of summer.

Terracotta medallion fragment, late 2nd–early 3rd century A.D., Roman, Terracotta; Rhône Valley ware, H. 3 1/16 in. (7.7 cm), Vases, Originally, the medallion would have decorated the body of a vessel, as with the three-handled jug in this

Vase with Flowering Plum, Southern Song (1127–1279)–Yuan (1271–1368) dynasty, 13th–14th century, China, Stoneware with reserved, carved, and painted decoration on brown glaze (Jizhou ware), H. 8 in. (20.3 cm), Ceramics, A harbinger

Teapot, 1879–83, Made in Chelsea, Massachusetts, United States, American, Earthenware, H. 4 3/4 in. (12.1 cm); Diam. 3 3/4 in. (9.5 cm), Ceramics, Chelsea Keramic Art Works (1872–1889), This rare example of domestic tableware by Chelsea

Terracotta statuette of the Diadoumenos (youth tying a fillet around his head), Hellenistic, 1st century B.C., Greek, Terracotta, 11 7/16in. (29cm), Terracottas, Copy of a Greek bronze statue of ca. 430 B.C. by Polykleitos. Connoisseurship and

Vase, 1925, French, Glazed stoneware, Height 12 1/2 in. (31.8cm), diameter 9 1/2 in. (24.1 cm), Ceramics-Pottery, Lenoble, trained in the fine arts as well as commercial ceramics, was one of the most successful French Art Deco studio

Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse), model 1480 (old aftercast), Bronze, Diam. 9.4 cm, wt. 321.66 g., Medals, Bertoldo di Giovanni (Italian, born Florence (?) ca. 1430–40, died 1491 Poggio a Caiano),

Necklace with the head of the Egyptian god Bes, Achaemenid, ca. 6th–4th century B.C., Iran, Achaemenid, Gold, L. 14 1/8 in. (85.9 cm), Metalwork-Ornaments, In the 5th century B.C. a homogeneous style of Persian court art and architecture

'Dark Prison (Carcere Oscura)', 1790–99, Watercolor over graphite, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm), Drawings, Joseph Mallord William Turner (British, London 1775–1851 London), After Giovanni Battista Piranesi (Italian, Mogliano

Priming Flask, second half 17th century, Indian, Ivory, iron, copper alloy, L. 8 1/2 in. (21.6 cm); Wt. 4 oz. (107 g), Firearms Accessories-Flasks & Primers, Zoomorphic priming flasks of carved ivory, such as these, were among the first

Situla with Design of Boats, Bronze and Iron Age period, Dongson culture, ca. 500 B.C.–A.D. 300, Vietnam, Bronze, H. 8 1/4 in. (21 cm), Metalwork, Axes, situlae, and drums play an important role in Vietnam's Dongson culture named after a

Close Helmet for the Tilt, 1573, Augsburg, German, Augsburg, Steel, gold, brass, H. 11 3/4 in. (29.8 cm); W. 8 7/8 in. (22.5 cm); D. 11 15/16 in. (30.3 cm); Wt. 6 lb. 13 oz. (3090 g), Helmets, The helmet is part of a richly decorated armor

Nursery on Schenkweg, April–May 1882, Black chalk, graphite, pen, brush, and ink, heightened with white body color on laid paper watermarked ED & CIE (in a cartouche), 11 5/8 x 23 1/16in. (29.6 x 58.5cm), Drawings, Vincent van Gogh

Tile, 1881–85, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 3/16 x 4 3/16 x 3/8 in. (10.6 x 10.6 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Dish with Bird, Rabbit and Quadruped Design, last quarter 16th century, Made in Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 2 3/16 in. (5.6 cm), Ceramics, The animals on this dish, some more recognizable than

Tile, 1881–85, Made in Chelsea, Massachusetts, United States, American, Earthenware, 3 1/16 x 6 1/8 x 3/8 in. (7.8 x 15.6 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

唐 鎏金鏨花銀碗, Bowl with Deer, Tang dynasty (618–907), late 8th–9th century, China, Silver with parcel gilding, H. 2 3/16 in. (5.6 cm); Diam. 7 1/8 in. (18.1 cm), Metalwork, The main motif of this bowl, a deer with a single

Stela of Tetu and Nefertjentet, First Intermediate Period–Middle Kingdom, Dynasty 11, ca. 2124–1981 BC, From Egypt, Upper Egypt, Thebes, Asasif, east of the tomb of Pabasa (TT 279), 'redim' (debris), 1918–19, Limestone, red, yellow

Luohan (Arhat), Qing dynasty (1644–1911), 18th–19th century, China, Bamboo, H. 8 in. (20.3 cm), Bamboo, Although not represented in Indian or Southeast Asian art, luohans (Sanskrit: arhats) play an important role in China, where they

Mask Fragment, 10th–6th century B.C., Mexico, Mesoamerica, Olmec, Serpentine, H. 2 3/8 x W. 2 5/16 x D.1 1/2 in. (6.1 x 5.9 x 3.8 cm), Stone-Ornaments, This greenstone maskette fragment depicts the lower portion of a face with a downturned

Jar with Floral Scrolls and Wrapped-Cloth Design, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Painted enamel on copper, H. 10 in. (25.4 cm); Diam. 7 1/2 in. (19.1 cm); Diam. of base 3 3/4 in. (9.5 cm),

Cippus of Horus (magical stela), Ptolemaic Period, 332–30 B.C., From Egypt, Soapstone, h. 4.5 cm (1 3/4 in.) × w. 1.8 cm (11/16 in.), This small stela is representative of the genre of Egyptian art known as the cippus (plural, cippi) or

Elizabeth Greenleaf, 1753–54, Oil on canvas, 21 1/2 x 17 3/4 in. (54.6 x 45.1 cm), Paintings, John Singleton Copley (American, Boston, Massachusetts 1738–1815 London), While there is no doubt of Copley's innate talent, these portraits

Tournament Helm, ca. 1420–30, possibly Italian or French, Steel, H. 15 in. (38.1 cm); W. 8 5/8 in. (22 cm); D. 9 7/8 in. (25.1 cm); Wt. 16 lb. 5 oz. (7399 g), Helmets, Although very similar helmets are depicted in early fifteenth century

Border Tile, ca. 1885, Made in Chelsea, Massachusetts, United States, American, Earthenware, 2 3/16 x 6 1/8 x 7/16 in. (5.6 x 15.6 x 1.1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Chandelier, ca. 1853, Gilt bronze, glass, 63 1/2 x 29 7/8 in. (161.3 x 75.9 cm), Metal, This gaslight chandelier and pair of wall sconces come from the parlor of the Tweedy House, built in 1853 in North Attleboro, Massachusetts. The three

Border Tile, 1882, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 3/16 x 2 3/16 x 3/8 in. (15.7 x 5.6 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Tile, 1881–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/16 x 4 1/16 x 3/8 in. (10.3 x 10.3 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Letter Opener, ca. 1900, Made in Newark, New Jersey, United States, American, Silver, 1/2 x 9 11/16 x 1 5/8 in. (1.3 x 24.6 x 4.1 cm); 2 oz. 2 dwt. (65 g), Silver, Unger Brothers (1872–1919), Unger Brothers manufactured jewelry and other

Figure: Seated Portuguese Male, 18th century, Nigeria, Court of Benin, Edo peoples, Brass, 5 in. H x 2 in. W x 2 3/8 in. D (12.7 x 5.1 x 6 cm), Metal-Sculpture, Merchants and explorers from Portugal first made contact with the kingdom of

Border Tile, 1885, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/16 x 2 1/8 x 3/8 in. (15.4 x 5.4 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Tile, ca. 1884, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/16 x 3/8 in. (15.6 x 7.8 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Border Tile, 1881, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 2 3/16 x 3/8 in. (15.6 x 5.6 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Border Tile, 1881, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/16 x 2 1/8 x 3/8 in. (15.4 x 5.4 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Border Tile, 1881, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 2 1/8 x 3/8 in. (15.6 x 5.4 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Border Tile, ca. 1885, Made in Chelsea, Massachusetts, United States, American, Earthenware, 2 1/8 x 6 x 5/16 in. (5.4 x 15.2 x 0.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

John Greenleaf, 1753–54, Oil on canvas, 21 1/2 x 17 3/4 in. (54.6 x 45.1 cm), Paintings, John Singleton Copley (American, Boston, Massachusetts 1738–1815 London), While there has never been any doubt of Copley’s innate talent, these

文房具牙彫根付, Writing Utensils, Edo period (1615–1868), mid-19th century, Japan, Ivory, H. 1 1/2 in. (3.8 cm); W. 1 3/8 in. (3.5 cm), Netsuke, Ryūsen (Japanese, active mid–19th century), Writing utensils, such as ink stones,

Tile, 1881–85, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/8 x 4 1/8 x 3/8 in. (10.5 x 10.5 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Border Tile, 1881–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 2 3/16 x 6 1/8 x 3/8 in. (5.6 x 15.6 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Lamp Shade, ca. 1905–20, Made in Brooklyn, New York, United States, American, Blown glass, H. 4 3/4 in. (12.1 cm); Diam. 4 in. (10.2 cm), Glass, Quezal Art Glass and Decorating Company (1901–ca. 1924

Head of a King, possibly Amememhat IV, Middle Kingdom, Dynasty 12 (?), ca. 1814–1805 B.C. suggested, From Egypt, Memphite Region, Lisht North, Pyramid Temple of Amenemhat I, east, Pit 412, debris above burial chamber, 1907–08,

Portrait medal of Antoine Perrenot Granvelle (obverse); Don Juan of Austria Receiving the Standard from Granvelle (reverse), 1571, Bronze (Copper alloy with orange-brown, Diam. 4.4 cm, wt. 32.71 g., Medals, Giovanni V. Melon (Italian, active

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/16 x 3/8 in. (15.6 x 7.8 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Border Tile, 1881, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 2 3/16 x 3/8 in. (15.6 x 5.6 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Border Tile, 1881, Made in Chelsea, Massachusetts, United States, American, Earthenware, 2 3/16 x 6 1/8 x 3/8 in. (5.5 x 15.6 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Terracotta funnel-jar, Early Hellenistic, late 4th–early 3rd century B.C., Greek, South Italian, Apulian, Canosan, Terracotta, H. 19 1/16 in. (48.4 cm), Vases, In its shape and decoration, this piece differs significantly from the vases

Border Tile, ca. 1885, Made in Chelsea, Massachusetts, United States, American, Earthenware, 2 3/16 x 6 3/16 x 7/16 in. (5.6 x 15.7 x 1.1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Tile, 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 5/16 x 4 5/16 x 3/8 in. (11 x 11 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Tile, ca. 1884, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/16 x 3 1/16 x 3/8 in. (15.4 x 7.7 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Armchair, ca. 1902–4, Walnut, H. 38, W. 25-1/2, D. 20-1/2 in. (96.5 x 64.8 x 52.1 cm), Furniture, Antoni Gaudí i Cornet (Spanish, Reus 1852–1926 Barcelona), Gaudí's organic, highly decorated architecture and interiors transformed

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 6 1/8 in. (15.6 x 15.6 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Terracotta statuette of a nude woman, Archaic, 7th century B.C., Greek, Cretan, Terracotta, Overall: 8 x 1 7/8 in. (20.3 x 4.7 cm), Terracottas, Excavated at Praisos, on Crete. Mold-made terracotta figures with highly stylized triangular

Border Tile, 1883, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 2 1/8 x 3/8 in. (15.6 x 5.4 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Mask, 4th–8th century, Mexico, Teotihuacan, Onyx marble (tecalli), Overall: 5 1/4 x 4 3/4 in. (13.34 x 12.07 cm), Stone-Sculpture, There was no tradition of portraiture at the great central Mexico city of Teotihuacan, but masks depicting

Lamp Shade, ca. 1905–20, Made in Brooklyn, New York, United States, American, Blown glass, H. 5 1/4 in. (13.3 cm); Diam. 5 1/4 in. (13.3 cm), Glass, Quezal Art Glass and Decorating Company (1901–ca. 1924

戰國 青銅臥虎, Ornament in the Form of a Reclining Tiger, Eastern Zhou dynasty, Warring States period (475–221 B.C.), 4th–3rd century B.C., China, Bronze, H. 4 1/8 in (10.5 cm); L. 6 1/2 in. (16.5 cm), Metalwork, Originally a

Border Tile, 1881–85, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 2 3/16 x 5/16 in. (15.6 x 5.6 x 0.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Border Tile, 1881, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 2 1/8 x 3/8 in. (15.6 x 5.4 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

'L'Art d'Aimer', ca. 1792, French, Beautiran, Cotton, L. 77 x W. 74 1/2, Textiles-Printed

Fragment of a Lid (?) with a Hunting Scene, 5th–6th century, Pakistan (ancient region of Gandhara), Stone, Overall: 2 x 3 7/8 in. (5.1 x 9.8 cm), Sculpture, Box lids are rare examples of nonreligious art of the fifth century, little of which

Border Tile, ca. 1881, Made in Chelsea, Massachusetts, United States, American, Earthenware, 2 1/8 x 6 x 3/8 in. (5.4 x 15.2 x 1 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Amitayus Trinity, ca. 15th century, Tibet, Copper alloy with traces of gold paint, inlaid with silver and gold, H. 7 1/2 in. (19.1 cm); W. 5 1/4 in. (13.3 cm); D. 2 1/2 in. (6.4 cm); Wt. 2 lbs (.9 kg), Sculpture, This triad with Amitayus

The Pharisee and the Publican (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Woman Bathing in a Shallow Tub, 1885, Charcoal and pastel on light green wove paper, now discolored to warm gray, laid down on silk bolting, 32 x 22 1/8in. (81.3 x 56.2cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), When Degas

Study for a Portrait of a Lady, early 17th century, Black chalk heightened with white, 19 7/8 × 11 13/16 in. (50.5 × 30 cm), Cylinder seals, Anthony van Dyck (Flemish, Antwerp 1599–1641 London), The Flemish painter Anthony van Dyck,

Sulking, ca. 1870, Oil on canvas, 12 3/4 x 18 1/4 in. (32.4 x 46.4 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), Two well-known personalities in the art world, the writer Edmond Duranty and model Emma Dobigny, posed for this

The Masquerade Dress, 1911, Oil on canvas, 76 1/2 x 36 1/4 in. (194.3 x 92.1 cm), Paintings, Robert Henri (American, Cincinnati, Ohio 1865–1929 New York), Robert Henri was one of the most influential artists and teachers in

Outline Drawing of 'Sassafras Linen Press', 1904, Graphite, sheet: 10 11/16 x 9 3/16 in. (27.2 x 23.3 cm), Byrdcliffe Arts and Crafts Colony (American, 1902–1915), Ralph Radcliffe Whitehead (American (born England), Yorkshire 1854–1929

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