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Gray Weather, Grande Jatte, ca. 1886–88, Oil on canvas, 27 3/4 x 34 in. (70.5 x 86.4 cm), Paintings, Georges Seurat (French, Paris 1859–1891 Paris), This view extends from the island of La Grande Jatte, framed by trees, to the

Jos and Lucie Hessel in the Small Salon, Rue de Rivoli, ca. 1900–1905, Oil on cardboard mounted on canvas, 14 1/2 x 22 3/8 in. (36.8 x 56.8 cm), Paintings, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule), After the Natansons were

Study for a Male Figure in 'Comus–The Measure' (recto); Reclining Male Nude (verso), before 1864, Black chalk, Sheet: 11 7/16 × 8 3/4 in. (29 × 22.2 cm), Drawings, George Richmond (British, Brompton 1809–1896 London), The study of a

Drawings and Prints, Print, In the House of Mourning (from American Art Review, no. 8), Artist, After, Friedrich Leonhard Meyer, Carl Hoff, German, Brunswick 1842–after 1880, German, Mannheim 1838–1890 Karlsruhe, Meyer, Friedrich

A Black Man in Three-quarter Profile, 1522, Engraving, Sheet: 4 1/16 x 2 13/16 in. (10.3 x 7.1 cm), Prints, Frans Crabbe van Espleghem (Netherlandish, Mechelen ca. 1480–1553 Mechelen), This riveting engraving of an African is one of the rare

Connoisseurs, June 20, 1799, Hand-colored etching, Sheet: 10 11/16 × 8 7/16 in. (27.2 × 21.4 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), Rowlandson here directs his visual wit against a group of elderly art

Mirror-Bearer, 6th century, Guatemala or Mexico, Mesoamerica, Maya, Wood, red hematite, H. 14 1/8 x W. 9 x D. 9 in. (35.9 x 22.9 x 22.9 cm), Wood-Sculpture, This Mirror-Bearer figure is the best-preserved example of portable Maya wood

Asian Art, Incense burner, China, Ming dynasty (1368–1644), Zhengde mark and period (1506–21), early 16th century, 1500, 1533, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware

Seated Chief Playing Thumb Piano (Mwanangana), before 1869, Angola, Chokwe peoples, Wood (Uapaca), cloth, fiber, beads, H. 16 3/4 x W. 4 3/4 x D. 5 1/4 in. (42.5 x 12.1 x 13.3 cm), Wood-Sculpture, By the early nineteenth century, Chokwe

At the Milliner's, 1882, Pastel on pale gray wove paper (industrial wrapping paper), laid down on silk bolting, 30 x 34 in. (76.2 x 86.4 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), Mary Cassatt was the model for the customer

Marble statue of a lion, Classical, ca. 400–390 B.C., Greek, Marble, Parian 2, H. 31 1/4 in. (79.4 cm), Stone Sculpture, Marble statues of lions were sometimes used as tomb monuments or as guardians at both ends of a large tomb facade. Like

The Princess Sonia: A Romance of Girl Art Life in Paris, 1895, Commercial relief process and letterpress, Sheet: 18 1/2 × 13 7/16 in. (47 × 34.2 cm), Charles Dana Gibson (American, Roxbury, Massachusetts 1867–1944 New York

Goldsmiths' Bouquet, from Livre de Toutes Sorte de Feuilles Pour Servir a l'Art d'Orfeburie, 1627, Engraving, Sheet: 9 13/16 × 7 1/16 in. (24.9 × 17.9 cm), Jacques Caillard (French, 17th century), Published by Isaac Briot (French, Damblain

Portable Icon with the Virgin Eleousa, early 1300s, Made in probably Constantinople, Byzantine, Miniature mosaic set in wax on wood panel, with gold, multicolored stones, and gilded copper, Overall: 4 7/16 x 3 3/8 x 1/2 in. (11.2 x 8.6 x 1.3

Terracotta statuette of woman with bird face, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta; hand-made, H. 6 1/8 in. (15.6 cm), Terracottas, This figurine is typical of Cypriot coroplastic art of the Late Cypriot II and III

Goldsmiths' Bouquet, from Livre de Toutes Sorte de Feuilles Pour Servir a l'Art d'Orfeburie, 1627, Engraving, Sheet: 9 5/8 × 7 1/8 in. (24.4 × 18.1 cm), Jacques Caillard (French, 17th century), Published by Isaac Briot (French, Damblain

A Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso), 1825–79, Watercolor over black chalk, with pen and ink, brush and wash, and litho crayon., 13 5/16 x 10 5/8 in. (33.8 x 27cm), Drawings, Honoré

Drawings and Prints, Print, David Brought Before Saul (from The Art Journal), Publisher, Engraver, Artist, After, J. S. Virtue, Samuel Smith, Louisa Starr Canziani, London, British, London? 1810–1879 London, British, London

Terracotta neck-amphora (storage jar), Proto-Attic, second quarter of the 7th century B.C., Greek, Attic, Terracotta, H. 42 3/4 in. (108.6 cm); diameter 22 in. (55.9 cm), Vases, During the first half of the seventh century B.C., vase

Tin-bronze scepter head, Late Cypriot II–III, ca. 1450–1050 B.C., Cypriot, Bronze, tin, H. 5 13/16 in. (14.7 cm), Bronzes, The scepter head is topped by three mold-made bull's heads. Bull's heads are common in the art of Late Bronze Age

Drawings and Prints, Print, St. Cecily / Cecilia (Illustration for The Palace of Art in Tennyson's Poems, New York, 1903), Artist, Engraver, After, Dante Gabriel Rossetti, Dalziel Brothers, British, London 1828–1882 Birchington-on-Sea,

Versailles, France, 1923, Albumen silver print from glass negative, 17.8 x 21.9 cm (7 x 8 5/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Although he studied drama in Paris in the mid-1870s and was an itinerant

Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), 1600–1602, Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and

The Sower (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), When

Zoe, Maid of Athens, 1866, Albumen silver print from glass negative, 30.1 x 24.5 cm (11 7/8 x 9 5/8 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), A highly intelligent and deeply

Saint Michael and the Dragon, ca. 1405, Tempera on wood, gold ground, 41 3/8 x 40 3/4 in. (105.1 x 103.5 cm), Paintings, Spanish (Valencian) Painter (active in Italy, early 15th century), This work was painted in Italy by an unknown artist

Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight, 1531, Engraving, Sheet: 10 13/16 × 11 13/16 in. (27.4 × 30 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca.

Modern and Contemporary Art, Vase, Artist, Gustave Serrurier-Bovy, Belgian, Liège 1858–1910 Antwerp, Serrurier-Bovy, Gustave, Belgian, 1858, 1910, ca. 1904, 1899, 1909

Madonna and Child, ca. 1505–7, Oil and gold on wood, 20 1/4 x 18 3/4 in. (51.4 x 47.6 cm), Paintings, Luca Signorelli (Luca d'Egidio di Luca di Ventura) (Italian, Cortona, active by 1470–died 1523 Cortona), The artist gave this painting

Dover Plains, from Gallery of American Art, No. 1, 1850, Steel engraving, image: 6 7/8 x 10 3/8 in. (17.5 x 26.4 cm), Prints, James Smillie (American, Edinburgh 1807–1885 Poughkeepsie, New York), After Asher Brown Durand (American,

Dress, 1907, French, silk, In an ingenious fusion of Art Nouveau and the palette, line, and specific motifs of chinoiserie, a blue-and-white cloud pattern is isolated at the shoulder in the manner of Manchu court robes

Fury personified as an old man riding a monster, holding a skull in his left hand, ca0–39, Engraving, Sheet: 9 5/16 × 7 in. (23.6 × 17.8 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)),

Cross with Pearls, 1200–1400, Byzantine, Gold and pearls, Overall: 1 7/8 x 1 3/16 x 1/4 in. (4.8 x 3 x 0.7 cm), Metalwork-Gold, This intricately worked cross is decorated with elaborate patterns in gold filigree, granulation, and wire on

Drawings and Prints, Print, Salvator, from The Art Journal 1848, opposite p. 252, Artist, After, Ferdinand Joubert, Daniel Maclise, French, Paris 1810–1884 Menton, Irish, Cork 1806–1870 London, Joubert, Ferdinand, Maclise, Daniel,

An Academy of Painters, 1600–1638, Etching, Sheet: 16 1/4 x 20 9/16 in. (41.2 x 52.2 cm), Prints, Pierfrancesco Alberti (Italian, 1584–1638), Prints representing academy scenes became more common after the first official art academy was

Drawings and Prints, Print, Benjamin West's First Effort in Art, from the Illustrated London News, Artist, After, Edward Matthew Ward, British, London 1816–1879 Windsor, Ward, Edward Matthew, 1816, 1879, May 12, 1849

Île aux Fleurs near Vétheuil, 1880, Oil on canvas, 26 x 32 in. (66 x 81.3 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), This is one of two views of the Île aux Fleurs, an island in the Seine near Vétheuil, that Monet

Mirror Back, 7th–10th century, Mexico, Mesoamerica, Veracruz, Veracruz, Slate, Overall: 6 in. (15.24 cm), Stone-Sculpture, The scrolls and interlaces that frame this stone plaque are characteristic of the art of Veracruz. Possibly a back

The Celestial Art, 1894, Lithograph, sheet: 16 15/16 x 13 7/8 in. (43 x 35.2 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Modern and Contemporary Art, Vase, Designer, Jean Dunand, French (born Switzerland), Lancy 1877–1942 Paris, Dunand, Jean, French, born Switzerland, 1877, 1942, ca. 1920

Kleine Welten (Small Worlds), 1922, Portfolio of drypoints, woodcuts, and lithographs, Plate: 9 5/16 × 7 7/8 in. (23.7 × 20 cm), Prints, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine), Kandinsky made the

Kleine Welten IX (Small Worlds IX), 1922, Drypoint, Plate: 9 5/16 × 7 7/8 in. (23.7 × 20 cm), Prints, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine), Kandinsky made the Small Worlds (Kleine Welten) portfolio

Saltcellar: Portuguese Figures, ca. 1525–1600, Nigeria, Edo (Bini-Portuguese), Ivory, H. 7.5 x W. 3 in. (19.1 x 7.6 cm), Bone/Ivory-Containers, This saltcellar created by a Benin ivory carver reflects a local interest and emphasis on

Drawings and Prints, Print, Art of Scaling, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, 1792, 1792

Charles Suisse, 1861, Oil on canvas, 23 1/4 x 19 3/8 in. (59.1 x 49.2 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), Suisse, a former artist’s model, established an informal—and extremely liberal—art

The Cathedrals of Art, 1942, Oil on canvas, 60 1/4 x 50 1/4 in. (153 x 127.6 cm), Paintings, Florine Stettheimer (American, Rochester, New York 1871–1944 New York, New York), In this series of four monumental paintings executed between

Egyptian Art, Sealing, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., -1981, -1640, Mud

The Scream, 1895, Lithograph, Image: 14 1/16 x 9 5/16 in. (35.7 x 23.6 cm), Prints, Edvard Munch (Norwegian, Løten 1863–1944 Ekely), The extreme familiarity of this image today makes it hard to realize how shocking it and other works by

Closed Yoke, 4th–7th century, Mexico, Mesoamerica, Veracruz, Veracruz, Stone, H. 20 1/2 x W. 16 in. (52.1 x 40.6 cm), Stone-Sculpture, In Mesoamerican art, ballplayers are identified by the thick belt worn around the waist. Referred to as

Tilla Durieux (Ottilie Godeffroy, 1880–1971), 1914, Oil on canvas, 36 1/4 x 29 in. (92.1 x 73.7 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), In July 1914, just prior to the outbreak of World War I, the

Robe à la Française, 1775–1800, French, silk, This robe a la francaise shows the silhouette most associated with eighteenth-century dress. The conical bodice and the rectangular skirts both function as vehicles for the display of the

Asian Art, Vase, China, Tang dynasty (618–907), 618, 907, Jade, H. 2 16 in. (5.2 cm

Interior of Lemercier's Lithographic Printing House, ca. 1846, Lithograph, image: 13 1/4 x 16 3/4 in. (33.7 x 42.6 cm), Prints, An early adapter of lithography after it arrived in France about 1800, Joseph Lemercier established one of the

Virgin and Child in a Niche, ca. 1500, Oil on wood, 23 x 12 1/8 in. (58.4 x 30.8 cm), Paintings, Netherlandish Painter (ca. 1500), Like David’s Virgin and Child with Four Angels (displayed nearby), this picture reflects the popularity of Van

Drawings and Prints, print, Prince Arthur and Hubert (Shakespeare, King John, Act 4, Scene 1), Gems of Art, Subject, Artist, Engraver, After, William Shakespeare, James Northcote, Thomas Goff Lupton, British, Stratford-upon-Avon

Earring in the form of a three-lobed wineskin, Parthian, ca. 2nd–1st century B.C., Mesopotamia, said to be from Nineveh, Parthian, Gold, L. 1 13/16 in. (4.6 cm), Metalwork-Ornaments, Interaction between Mesopotamia and the Greco-Roman

Three Arab Horsemen at an Encampment, ca. 1832, Watercolor on wove paper, Overall: 8 9/16 x 11 5/8 in. (21.7 x 29.6 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Delacroix’s journey to North Africa in

Title Plate with Goldsmiths' Bouquet, from Livre de Toutes Sorte de Feuilles Pour Servir a l'Art d'Orfeburie, 1627, Engraving, Sheet: 9 13/16 × 7 1/16 in. (24.9 × 17.9 cm), Jacques Caillard (French, 17th century), Published by Isaac Briot

Art of Scaling, Samuel Alken (British, London 1756–1815), After Thomas Rowlandson (British, London 1757–1827 London), 1791

Washstand, 1904, Oak, ceramic tile, colored and mirror glass, and lead, 63 1/4 x 51 1/4 x 20 3/8 in. (160.7 x 130.2 x 51.8 cm), Furniture-Wood, While a young architectural apprentice, Charles Rennie Mackintosh, the son of a Glasgow

Egyptian Art, Sealing, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., -1981, -1640, Mud

Still Life with Flowers and Fruit, 1866, Oil on canvas, 28 3/4 x 23 5/8 in. (73 x 60 cm), Paintings, Henri Fantin-Latour (French, Grenoble 1836–1904 Buré), This is one of four still lifes commissioned from the artist by Michael Spartali, a

General View of the Interior (from Recollections of the Great Exhibition), September 1, 1851, Hand-colored lithograph, Sheet: 11 3/4 × 15 5/8 in. (29.9 × 39.7 cm), Prints, John Absolon (British, London 1815–1895), William Telbin (British,

Studies of Fairies with a Pair of Hands (possibly representing the Opening of Pandora's Box), 1784, Graphite and red chalk, pen and brown ink, brush and gray wash, and white gouache, sheet: 14 15/16 x 21 3/4 in. (38 x 55.3 cm), irreg.,

Ritrosetta, 1861–64, Salted paper print from glass negative with applied color, 14.5 x 13.1 cm (5 11/16 x 5 3/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), The mid-nineteenth century saw the simultaneous birth of couture,

Inter artes et naturam (Between Art and Nature), ca. 1890–95, Oil on canvas, 15 7/8 x 44 3/4 in. (40.3 x 113.7 cm), Paintings, Pierre Puvis de Chavannes (French, Lyons 1824–1898 Paris

Portrait of Marguerite Le Comte, 1764, Etching, Sheet: 9 13/16 x 7 1/2 in. (24.9 x 19 cm), Prints, Claude Henri Watelet (French, Paris 1718–1786 Paris), After Étienne de Lavallée-Poussin (French, Rouen 1733–1793 Paris), This rare proof

A Matador, 1866–67, Oil on canvas, 67 3/8 x 44 1/2 in. (171.1 x 113 cm), Paintings, Édouard Manet (French, Paris 1832–1883 Paris), The matador is the illustrious Cayetano Sanz y Pozas (1821–1890), who Manet saw in action during an 1865

The Cumaean Sibyl (after Michelangelo), 1767, Red chalk, Sheet: 19 5/16 x 14 9/16 in. (49 x 37 cm), Drawings, Jean Robert Ango (French, active Rome, 1759–70, died after 1773), Little is known about Ango, who was a French draftsman active

Henri-Charles Maniglier, ca. 1850, Daguerreotype, 7 x 10 cm (2 3/4 x 3 15/16 in.), Photographs, Unknown (French), About the time this photograph was taken, the sculptor Maniglier (1826–1901) was among the artists selected to execute the

The Lost Piece of Silver (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Drawings and Prints, Print, Danse de Caractères, Publisher, Mssrs. Fores Sporting and Fine Art print Repository & Frame Manufactory, London, Mssrs. Fores, 1761, 1838, ca. 1850, 1845, 1855, Etching, Sheet: 10 15/16 × 17 1/4 in. (27.8 ×

Mlle Bécat at the Café des Ambassadeurs, Paris, 1877–78, Lithograph on wove paper (only state), image: 8 1/8 x 7 5/8 in. (20.6 x 19.4 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris), Although cafés had flourished in Paris

Women Picking Olives, 1889, Oil on canvas, 28 5/8 x 36 in. (72.7 x 91.4 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise), At the end of 1889, Van Gogh painted three versions of this picture. He described the first

World's Columbian Exposition: Art and Architecture: The Architecture, 1893, Illustrations: photogravure, facsimile typogravure, 16 3/4 × 11 13/16 × 1 9/16 in. (42.5 × 30 × 4 cm), Books

Album with Designs for Art Nouveau Jewelry, 1899–1900, Graphite and gouache, Overall: 3 1/2 x 5 x 5/8 in. (8.9 x 12.7 x 1.6 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Small album containing 34 leaves with designs for Art

Bathers, 1874–75, Oil on canvas, 15 x 18 1/8 in. (38.1 x 46 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), This is one of Cézanne’s first paintings of bathers, a subject that engaged him for the rest

Woman with a Rake, probably 1856–57, Oil on canvas, 15 5/8 x 13 1/2 in. (39.7 x 34.3 cm), Paintings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Millet first treated this subject in a woodcut, one of ten in the series

'Autumn Crocus' Vase, ca. 1900, Glass, H. 17-3/8, W. 3-3/4 in. (44.1 x 9.5 cm.); base W. 4-1/2 inches (11.4 cm), Glass, Having learned glassmaking as a child by watching his father blow glass objects for the family's retail shop in Nancy,

The Poster: Miss Art and Miss Litho, March, 1896, Lithograph, Sheet: 19 1/16 × 12 5/8 in. (48.4 × 32.1 cm), Elisha Brown Bird (American, Dorchester, Massachusetts 1867–1943 Philadelphia, Pennsylvania

Portrait of Jonathan Richardson, Junior, the artist's son, 1729, Black, red and white chalks, sheet: 21 5/8 x 13 1/8 in. (55 x 33.3 cm), Drawings, Jonathan Richardson Sr. (British, London 1667–1745 London), Jonathan Richardson Senior was

Figure: Horn Player, 1550–1680, Nigeria, Court of Benin, Edo peoples, Brass, H. 24 13/16 x W. 11 9/16 x D. 6 3/4 in. (63 x 29.4 x 17.2 cm), Metal-Sculpture, In the art of Benin, works in bronze can be commissioned only by the Oba, or

The Temptation of Christ by the Devil, first half 12th century (possibly 1129–34), Made in Castile-León, Spain, Spanish, Fresco transferred to canvas, 69 1/2 in. × 9 ft. 10 in. (176.5 × 299.7 cm), Paintings-Fresco, The hermitage of San

By the Seashore, 1883, Oil on canvas, 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Renoir likely painted this work in his studio, posing his model and future wife, Aline

Reclining Nude, 1883, Oil on canvas, 25 5/8 x 32 in. (65.1 x 81.3 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Nudes and the grand tradition of classical art preoccupied Renoir in the 1880s. In this painting,

Kleine Welten XII (Small Worlds XII), 1922, Drypoint, Plate: 9 5/16 × 7 3/4 in. (23.7 × 19.7 cm), Prints, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine), Kandinsky made the Small Worlds (Kleine Welten)

Egyptian Art, Sealing, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., -1981, -1640, Mud

Sassafras Linen Press, 1904, Watercolor, colored pencil, and black ink, over graphite, sheet: 10 x 7 3/8 in. (25.4 x 18.8 cm), Byrdcliffe Arts and Crafts Colony (American, 1902–1915), attrib. to Ralph Radcliffe Whitehead (American (born

Asian Art, Ornament, China, pre-Han dynasty (before 206 B.C.–A.D. 220), -300, 220, Jade, L. 1/2 in. (3.8 cm

Gourd Bottle, 2nd century B.C.–A.D. 1st century, Peru, Topará, Ceramic, Overall: 5 5/8 x 6 1/2 in. (14.29 x 16.51 cm), Ceramics-Containers, The animals commonly represented in ancient Andean art are wild, while the plants are usually

Plate 38: head of a man with a moustache and cap, facing right in profile, from 'Various portraits' (Recueil de diverses pièces servant à l'art de portraiture), ca. 1647, Etching, Sheet: 2 15/16 x 2 1/2 in. (7.5 x 6.4 cm), Prints, Stefano

Terracotta group of two girls playing a game known as ephedrismos, Hellenistic, late 4th–early 3rd century B.C., Greek, Corinthian, Terracotta, H. 5 7/16 in. (13.8 cm), Terracottas, The subject of this group with one person carrying another

Desk, ca. 1902, Walnut, copper, pewter, vellum, H. 29-1/2, W. 23-2/3, D. 22-1/2 in. (74.9 x 60.1 x 57.2 cm), Furniture, Carlo Bugatti (Italian, Milan 1855–1940 Molsheim), Strikingly original, Carlo Bugatti's furniture combines the

Plate 29: bust of a laughing satyr, facing left in profile, from 'Various portraits' (Recueil de diverses pièces servant à l'art de portraiture), ca. 1647, Etching, Sheet: 5 7/16 x 4 1/4 in. (13.8 x 10.8 cm), Prints, Stefano della Bella

Winter Scene in Moonlight, 1869, Watercolor and gouache on white wove paper, 11 7/8 x 15 3/16 in. (30.2 x 38.6 cm), Drawings, Henry Farrer (American, London 1844–1903 New York), English-born Henry Farrer was the brother of Thomas C. Farrer,

Islamic Art, Band, early 19th century, 1800, 1825, Silk on linen, 10.5 in. high 20.00 in. wide (26.7 cm high 50.8 cm wide

Charger, 1694, Hungarian, Transylvania, Silver, partly gilded, Overall: 17 1/8 x 17 1/2 in. (43.5 x 44.5 cm), Metalwork-Silver, Allegorical figures of the Four Elements, labeled within ribbons as IGNIS (fire), AQUA (water), AER (air), and

Vase, ca. 1885, French, Pierrefonds, Stoneware, Height: 11 3/4 in. (29.8 cm), Ceramics-Pottery, Art Nouveau potter Olivier de Sorra is known for the fine stoneware and crystalline glazes he produced at his factory, Pierrefonds. Molded with

Saint John the Baptist; Saint Francis Receiving the Stigmata, ca. 1485–90, Oil on wood, Left wing, overall 18 x 6 5/8 in. (45.7 x 16.8 cm), original painted surface 17 5/8 x 5 7/8 in. (44.8 x 14.9 cm); right wing, overall 17 7/8 x 6 1/2 in.

Snuffbox, A. P. C., Switzerland, ca. 1770–75, Swiss, Gold, enamel, H. 1-9/16 × W. 3-9/16 × D. 1-7/8 in. (4 × 9 × 4.8 cm), Metalwork-Gold and Platinum, A. P. C., SwitzerlandPaintings after a design by François Boucher (French, Paris

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