Images at Librifly

search results: Art clear search

Recueil de Decorations Intérieures, 1812, Engravings, 19 5/16 × 13 × 1 3/16 in. (49 × 33 × 3 cm), Books, Pierre François Léonard Fontaine (French, Pontoise 1762–1853 Paris), Charles Percier (French, Paris 1764–1838 Paris), This

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 2r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

'Pair of Eagles', Folio from a Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu', ca. 1300, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Painting: H. 5 3/4 in. (14.6 cm), Codices, This folio illustrates

Band with Vine Scroll, 4th–6th century, Attributed to Egypt, Tapestry weave in purple wool (dyed with indigotin-containing dye and madder) and undyed linen on plain-weave ground of undyed linen; details in flying shuttle with undyed linen,

Portrait of the Art Dealer Wisselingh, 1899, Black, white and red chalks on pink paper, sheet: 11 7/16 x 7 5/16 in. (29 x 18.6 cm), Drawings, Charles Haslewood Shannon (British, Lincolnshire 1863–1937 Richmond), An accomplished portraitist,

The Lament of the Art of Painting, 1579, Engraving; two plates printed on two sheets, Sheet (upper plate): 14 1/4 × 21 1/8 in. (36.2 × 53.7 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), after Federico Zuccaro

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 10v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 4v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 9r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Saint Celestine V Renouncing the Papacy, after Mattia Preti, 1761, Black chalk, over a black chalk counterproof, 7 11/16 x 7 5/8 in. (19.5 x 19.3 cm.), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Mattia Preti

The Art Work of Louis C. Tiffany (Book), 1914, Leather paper, gilt metal, cardboard, with vellum and textblock, 12 3/4 x 10 1/4 x 2 7/8 in. (32.4 x 26 x 7.3 cm), Drawings, Louis Comfort Tiffany (American, New York 1848–1933 New York

Ladies Amusement: Or, The Whole Art of Japanning Made Easy, 1760, Illustrations: etching and engraving, hand-colored, 7 7/8 x 12 5/16 x 1 3/16 in. (20 x 31.2 x 3 cm), Jean Pillement (French, Lyons 1728–1808 Lyons

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 24v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 13 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design is

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 7v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 6v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Burgonet, ca. 1550, French, Steel, gold, H. 14 in. (35.6 cm); W. 8 1/4 in. (21 cm); D. 14 1/4 in. (36.2 cm); Wt. without buffe 4 lb. 3 oz. (1905 g), Helmets, The medallions on either side of the bowl are embossed with scenes from Greek

Panel, early 9th century, From Iraq, probably Baghdad. Found Iraq, Takrit, Wood (teak); carved, H. 29 1/2 in. (74.9 cm), Wood, The carved vine leaves, scrolls, border designs, and other details of this panel are typical of early Islamic

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 19r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 16r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Rangoon: Henzas on the East Side of the Shwe Dagon Pagoda, November 1855, Albumen silver print from waxed paper negative, Image: 26.1 x 34.3 cm (10 1/4 x 13 1/2 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

The Fair at Bezons, ca. 1733, Oil on canvas, 42 x 56 in. (106.7 x 142.2 cm), Paintings, Jean-Baptiste Joseph Pater (French, Valenciennes 1695–1736 Paris), The picture, Pater's masterpiece, dates to the early 1730s, preceding a smaller

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

[Emmanuel Frémiet], 1880s–90s, Albumen silver print from glass negative, Image: 20.6 × 26.4 cm (8 1/8 × 10 3/8 in.), Photographs, Possibly by Edmond Bénard (French, 1838–1907), The relationship between art and photography was heavily

Vase, 1876–80, Made in Chelsea, Massachusetts, United States, American, Probably earthenware, H. 12 3/4 in. (32.4 cm); Diam. 3 1/4 in. (8.3 cm), Ceramics, Chelsea Keramic Art Works (1872–1889

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 7 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

The Spring (La Source), 1738, Oil on canvas, 31 3/4 x 25 5/8 in. (80.6 x 65.1 cm), Paintings, Jean Marc Nattier (French, Paris 1685–1766 Paris), Reportedly, the canvas was signed and dated 1738 on the reverse. The traditional identification

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 5r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 14 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Self-Portrait II, 1944, Oil on canvas, adhered to cardboard, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Paintings, Horace Pippin (American, West Chester, Pennsylvania 1888–1946 West Chester, Pennsylvania), After World War I, Pippin, who had no

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 2r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 3v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Figure, 13th–15th century, Dominican Republic, Caribbean, Taino, Diorite or granodiorite, Height 4-1/4 in. (10.8 cm), Stone-Sculpture, The image of a kneeling or crouching figure is a pervasive one in Taino art. Even in sculptures that are

Libellus Valde Doctus Elegans, et Utilis, Multa et Varia Scribendarum (Elegant and Useful Book on the Learned Art of Writing), 1549, Plates: woodcuts, Overall: 6 5/16 x 9 7/16 x 11/16 in. (16 x 24 x 1.7 cm

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 40 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Trade card for Samuel P. Avery Fine Art Room, 1873, Etching, sheet: 6 1/4 x 9 1/2 in. (15.9 x 24.1 cm), Prints, George Cruikshank (British, London 1792–1878 London

At Lake Garda, 1907, Oil on millboard, 33 x 26 3/4 in. (83.8 x 67.9 cm), Paintings, Hans Thoma (German, Bernau im Schwarzwald 1839–1924 Karlsruhe), Thoma enrolled in art school in 1859, but it was his exposure to modern art in Paris, in

The Imado Bridge at the Foot of Mount Matsuchi, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink and color on silk, 16 3/8 x 22 5/8 in. (41.6 x 57.5 cm), Paintings, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 12r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Plaque depicting Bernard Palissy, 1846, French, Sèvres, Hard-paste porcelain; biscuit porcelain; enamel; gilt bronze, Overall (confirmed): 19 1/2 x 17 3/4 x 2 5/8 in. (49.5 x 45.1 x 6.7 cm), Ceramics-Porcelain, After a painting by Charles

St. Jerome Reading, 16th–17th century, Pen and brown ink, brush and brown and gray wash, sheet: 4 5/8 x 3 9/16 in. (11.7 x 9 cm), Drawings, Isaac Oliver (British, ca. 1565–1617), Oliver's father was a goldsmith and pewterer, who arrived

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 21 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 36v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Modelbuch new, aller Art, Nehens und Stickens, 1553, Woodcut, Overall: 6 7/8 x 4 15/16 in. (17.5 x 12.5 cm), Published by Hermann Gülfferich, 1542-1554, Frankfurt am Main, bound by Riviere & Son(s), London. Illustrated title page (copy of

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 18 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Stela of the Gatekeeper Maati, First Intermediate Period, Dynasty 11, ca. 2051–2030 B.C., From Egypt, Upper Egypt, Thebes; Probably from Tarif, Limestone, L: 59 cm (23 1/4 in.), H: 36.3 cm (14 5/16 in.), D: 8 cm (3 1/8 in.), Maati is

Plaque with the Calling of Saints Peter and Andrew, ca. 1160–80, Made in England, British, Champlevé enamel on gilded copper, 3 7/16 × 4 15/16 × 1/8 in. (8.7 × 12.5 × 0.3 cm), Enamels-Champlevé, This rare and highly important plaque

Terracotta oil lamp, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/8 x 4 in. (2.9 x 10.2 cm), Terracottas, On the discus a rhinoceros is shown tossing with its horn a large cat,

Marble pillar with Neo-Attic reliefs, Imperial, Augustan, late 1st century B.C.–early 1st century A.D., Roman, Marble, H.: 39 5/8 in. (100.6 cm), Stone Sculpture, A fine example of classicizing art, this marble pillar bears on all four

Bed, ca. 1927–28, Lacquered wood, 39 3/8 × 71 1/8 × 84 1/4 in. (100 × 180.7 × 214 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were French, one of the era’s most

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 5v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Schreibkunst (The Art of Writing), 1601, 1631, Woodcut; etching (fold out plates), Overall: 8 1/16 x 6 5/16 x 1 3/16 in. (20.5 x 16 x 3 cm), Anton Neudörffer (German, Nuremberg 1571–1628 Regensburg

Caricature of the Art of Painting, 1800–1866, Pen and brown ink, Sheet: 8 7/16 x 7 1/4 in. (21.5 x 18.4cm), Drawings, Hippolyte Bellangé (French, 1800–1866

Improvisation 27 (Garden of Love II), 1912, Oil on canvas, 47 3/8 x 55 1/4 in. (120.3 x 140.3 cm), Paintings, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine), In his influential treatise, Concerning the Spiritual

Cup with two dragons, Ming (1368–1644) to Qing (1644–1911) dynasty, 16th–18th century, China, Jade (nephrite), H. 2 in. (5.1 cm); W. 4 5/8 in. (11.7 cm); D. 3 in. (7.6 cm), Jade, Found in all media, feline dragons with short snouts,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 16v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Seated Feline, 1st century B.C.–A.D. 4th century, Colombia or Ecuador, Tolita-Tumaco, Ceramic, H. 5 1/2 in. (14 cm), Ceramics-Sculpture, Feline imagery is a recurrent theme in Precolumbian art. Large felines such as pumas and jaguars are

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 17 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Marble leg of a table with a tiger's head, Imperial, 1st–2nd century A.D., Roman, Marble, H. 11 1/4 in. (28.6 cm.), Stone Sculpture, The image of a tiger--an animal from India, Armenia, or the area south of the Caspian Sea--was fairly rare

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 13v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 37v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

清乾隆 剔紅庭園人物圖筆筒, Brush holder with scholars in a garden, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Carved red lacquer, H. 6 1/2 in. (16.5 cm); Diam. 6 3/4 in. (17.1 cm), Lacquer, This

Design for a Hallway with Wrought-iron Details, ca. 1925, Graphite, ink, watercolor, and metallic paint, sheet: 9 3/4 x 17 5/16 in. (24.7 x 43.9 cm), Georges de Feure (French, Paris 1868–1943 Paris), In his early career, Georges de Feure

Landscape with a Large Building, 1818–83, Graphite, squared, 14 7/8 x 19 1/2 in. (37.8 x 49.6 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883), Von Hauslab is a little known figure in the history of art. A private

南宋 黑漆葵口盤, Dish with Petal Border, Southern Song dynasty (1127–1279), 13th century, China, Black lacquer with gilding, H. 1 1/2 in. (3.8 cm); Diam. 7 1/8 in. (18 cm); Diam. of foot 4 3/8 in. (11.1 cm), Lacquer, Found in

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 32r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 6v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 30v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, Couchée dans son lit, elle relisait la lettre de son artilleur au front), published in Les Mots en liberté futuristes, Created 1917,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Terracotta bell-krater (mixing bowl) with lid, Classical, late 5th century B.C., Greek, Boeotian, Terracotta; red-figure, H. 7 in. (17.8 cm.), Vases, The hippocamp, a fantastic monster with a horse's body and a fish's tail, was fairly

Fragment of a Tabula (Square) with Birds and Pomegranates in a Vine Scroll, 5th–7th century, Attributed to Egypt, Wool, linen; tapestry weave, Textiles-Woven, Tunics and domestic furnishings were often decorated with orbiculi and tabulae

Tempus omnia manifestat': Allegory of Art and Knowledge, late 17th–early 18th century, Pen and black ink, brush and grey wash, sheet: 3 1/2 x 5 7/16 in. (8.9 x 13.8 cm), Drawings, Johann Melchior Füssli (Swiss, Zurich 1677–1736 Zurich

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 14r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 12r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 22 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Firman of Muhammad Shah Qajar, dated A.H. 1250/A.D. 1835, Made in Iran, Ink, opaque watercolor, and gold on paper, H. 16 1/2 in. (41.9 cm), Codices, In addition to being a historic document with an important message, firmans or royal edicts

Side Chair, ca. 1927–28, Lacquered wood, replacement chamois, 35 in. × 17 1/2 in. × 20 1/2 in. (88.9 × 44.5 × 52.1 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were

Samuel P. Avery (1822–1904), 1876, Oil on wood, 24 x 19 1/4 in. (61 x 48.9 cm), Paintings, Raimundo de Madrazo y Garreta (Spanish, Rome 1841–1920 Versailles), Samuel P. Avery was one of the most successful of the many art dealers active in

The Prodigal Son Kneeling Repentant among Swine, 1615–73, Pen and brown ink, brown wash, on brownish paper, 15-1/4 x 10-15/16 in. (38.7 x 27.8 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome), Painter, draftsman,

Lobed bottle vase, ca. 1880, British, Glazed earthenware, Overall (confirmed): 16 1/8 × 10 1/2 × 10 1/2 in. (41 × 26.7 × 26.7 cm), Ceramics-Pottery, This unusual and ambitious vase form designed by Christopher Dresser may have been inspired

Terracotta statuette of woman with bird face, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta; hand-made, H. 5 3/16 in. (13.21 cm), Terracottas, The statuette is handmade and solid and has a shaved surface. She is holding an infant

Two Children Teasing a Cat, Oil on canvas, 26 x 35 in. (66 x 88.9 cm), Paintings, Annibale Carracci (Italian, Bologna 1560–1609 Rome), Painted with a directness and spontaneity that looks forward to nineteenth-century art, this picture is

Flap of Bookbinding, 14th century, Attributed to Egypt, Leather, silk, and gold; cut, tooled, 14 3/16 x 5 15/16 in. (36 x 15.1 cm), Codices, A corollary of luxury book production was the development of the art of bookbinding. The envelope

'Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait', Folio from the Shah Jahan Album, recto: 1627–28; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 22r), Binder, Publisher, Riviere & Son(s), Hermann Gülfferich, London, 1542–1554, Frankfurt am Main, Riviere & Son(s),

Vase, ca. 1890–1900, French, Saint-Amand-en-Puisaye, Stoneware, confirmed: 13 3/4 × 5 × 4 1/4 in., 9.1 lb. (34.9 × 12.7 × 10.8 cm, 4.1 kg), Ceramics-Pottery, Hoentschel was an interior decorator and a collector of medieval and

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 14r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

After Sir Christopher Wren, 1920, Watercolor, gouache, and graphite on cardboard, 24 x 20 in. (61 x 50.8 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Scofield Thayer, the donor of

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 14r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Limestone funerary stele (shaft) surmounted by two sphinxes, Classical, last quarter of the 5th century B.C., Cypriot, Limestone, Overall: 34 3/4 x 26 15/16in. (88.2 x 68.5cm), Stone Sculpture, Elegant sphinxes are positioned back-to-back with

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 4v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Flying Figure Holding a Crown, Reclining River God, n.d., Black chalk, 6 7/16 x 5 1/2 in. (16.3 x 14 cm.), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels), As a student at the French Academy, David filled sketchbooks with

Bench, ca. 1927–28, Lacquered wood, goatskin, 18 × 40 × 21 in. (45.7 × 101.6 × 53.3 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were French, one of the era’s most

Pitcher, 1889–1906, Made in Trenton, New Jersey, United States, American, Belleek porcelain, with overglaze enamel decoration and gilding, 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm), Ceramics, Ceramic Art Company (American (Trenton, New Jersey),

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 31r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Love Song, 1868–77, Oil on canvas, 45 x 61 3/8 in. (114.3 x 155.9 cm), Paintings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Burne-Jones associated this painting with a refrain from a Breton folk ballad: 'Alas, I

Magical stela or cippus of Horus, Ptolemaic Period, 332–280 B.C., From Egypt, Chlorite schist, H. 20.5 cm (8 1/16 in.); W. 12 cm (4 3/4 in.); D. 4.5 cm (1 3/4 in.), This small stela is representative of the genre of Egyptian art known as the

Tale of a Strange Marriage (Konkai Zoshi), Edo period (1615–1868), ca. 1858, Japan, Handscroll; ink and color on paper, 11 3/4 in. x 25 ft. 6 in. (29.8 x 777.2 cm), Paintings, Ukita Ikkei (Japanese, 1795–1859), Satirical paintings with

search results: Art clear search