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Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 5 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Henri Fantin-Latour (1836–1904), 1861, Oil on canvas, 18 × 14 7/8 in. (45.7 × 37.8 cm), Paintings, Carolus-Duran (Charles-Auguste-Émile Durant) (French, Lille 1837–1917 Paris), Young art students Carolus-Duran and Fantin met while

Orbiculus (Roundel) with Grapevine Inhabited by Two Purple Birds Emerging from a Pot, 5th–7th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 8 in. high 8.00 in. wide (20.32 cm high 20.32 cm wide), Textiles, Tunics and

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 28r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Cope, main textile: 1720s; hood textile: mid-17th century, Dutch and Italian, Main textile: silk satin, brocaded, silk and metal-wrapped thread; Hood textile: cloth-of-gold, brocaded, silk and metal-wrapped thread, L. 57 1/2 x Gr. W. 119

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 3r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Terracotta statuette of woman with bird face, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta, H. 6 3/16 in. (15.7 cm), Terracottas, This figurine is typical of Cypriot coroplastic art of the Late Cypriot II and III periods. The

Easy Chair, ca. 1927–28, Lacquered wood, goatskin, 35 3/4 in. × 24 3/4 in. × 42 in. (90.8 × 62.9 × 106.7 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were French, one

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 9v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Everhard Jabach (1618–1695) and His Family, ca. 1660, Oil on canvas, 110 1/4 × 129 1/8 in. (280 × 328 cm), Paintings, Charles Le Brun (French, Paris 1619–1690 Paris), This painting combines the domestic intimacy and descriptive richness

Allegory of the Redemption of the World, 1528–88, Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper, 24 1/8 x 16 9/16in. (61.3 x 42cm), Drawings, Paolo Veronese (Paolo Caliari) (Italian, Verona

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 22 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Artists Judging Works of Art, 1916, Lithograph, image: 14 1/2 x 19 1/4 in. (36.8 x 48.9 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Dancers in the Rehearsal Room with a Double Bass, ca. 1882–85, Oil on canvas, 15 3/8 x 35 1/4 in. (39.1 x 89.5 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), Degas used an elongated frieze format for more than forty rehearsal

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 6 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 34r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Design for a Chinese-style Lacquer Cabinet, ca. 1720–30 , Pen and black ink, brush and gray and brown wash, sheet: 15 13/16 x 12 3/16 in. (40.2 x 30.9 cm), Anonymous, German, 18th century, Manner of Martin Schnell (Central European, Bremen

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 34v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 33v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 25r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Terracotta hydria (water jar), Archaic, ca. 510 B.C., Greek, Attic, Terracotta; black-figure, H. 21 5/16 in. (54.1 cm), Vases, On the body, Achilles and Ajax playing board game at Troy, On the shoulder, chariot departing. The scene on the

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 13r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Limestone head of a bearded man wearing a wreath, Classical, early 5th century B.C., Cypriot, Limestone, Overall: 14 x 10 x 9 3/4 in. (35.6 x 25.4 x 24.8 cm), Stone Sculpture, This fine head with delicately chiseled beard and subtly modeled

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 5r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

[Medieval Court; Statue of Coleoni; Equestrian Statue of Gattamelata by Donatello, from the Court of Monuments of Christian Art; Equestrian Statue of Colleone], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16

The Hand of Man, 1902, printed 1910, Photogravure, 24.2 x 31.9 cm (9 1/2 x 12 9/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the Photo-Secession and

Bowl with decorative medallions, Qing dynasty (1644–1911), Jiaqing mark and period (1796–1820), China, Porcelain painted with colored enamels over a transparent glaze (Jingdezhen ware), H. 2 1/4 in. (5.7 cm); W., 5 3/4 in. (14.6 cm),

Sculptor's Trial Piece showing a Nubian Head, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Sculptors' workshops in the town, Petrie/Carter excavations, 1891–92, Limestone,

狩野探幽筆　『画苑』, Famous Themes for Painting Study Known as “The Garden of Painting” (Gaen), Edo period (1615–1868), 1670, Japan, Handscroll; ink on paper, 10 7/8 in. x 11 ft. 7 7/16 in. (27.6 x 354.2 cm), Paintings, Kano

Christ Appearing to Mary Magdalen, ca. 1490, Pen and brown ink, brush and brown wash, and black chalk, 9 7/8 x 6 5/8 in. (25.1 x 16.8 cm), Drawings, Master of the Drapery Studies (German, Strasbourg, ca. 1470–1500), Although the artist

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 19v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 2v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 33r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Dancing dwarf, Ptolemaic Period, 332–150 B.C., From Egypt, Marble, H. 10 cm (3 15/16 in.); W. 4.9 cm (1 15/16 in.); D. 4.2 cm (1 5/8 in.), The marble dancing dwarf with his fine features is almost certainly from Alexandria. As in so many

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 4r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 4r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

The Life Class, Second Stone, 1917, Lithograph, image: 13 7/8 x 19 3/8 in. (35.2 x 49.2 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York), This lively scene depicts the painter Robert Henri’s evening life class,

Adam and Eve, 1900s, printed 1909, Photogravure, 17.8 x 12.8 cm. (7 x 5 1/16 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich), Born in New York to immigrant parents, Eugene was one of many young German-Americans to

Mistletoe Vase, 1904, Made in Colorado Springs, Colorado, United States, American, Glazed ceramic, 8 1/2 in. (21.6 cm), Ceramics, Artus Van Briggle was one of America’s most important and longest lasting art potteries, quintessentially

Mr. Vanderbilt's house and collection, 1883–84, Boston, Massachusetts, 4 volumes, illustrations, height: 18 7/8 in. (48 cm), Includes a total of 162 leaves of plates (some color) illustrating the interior furnishings, art collection and

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 23 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 8r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Cigarette Case, ca. 1925, Snake skin, dyed and tooled leather, gold leaf, H. 3-1/8, W. 2-1/2, D. 1-1/8 in. (7.9 x 6.4 x 2.9 cm), Leather, Legrain understood the principals and aesthetics of both modern and African art to a degree that most

Cherry Blossoms, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on paper, 69 x 36 7/8 in. (175.2 x 93.6 cm), Paintings, Matsumura Goshun (Japanese, 1752–1811), Spring breezes suffuse the atmosphere of this

Composite Camel with Attendant, third quarter 16th century, Attributed to Iran, Khurasan, Opaque watercolor and ink on paper, Painting: H. 7 7/8 in. (20 cm), Codices, While composite animals such as this one are known from earlier periods of

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 10r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Terracotta head of a woman, late 4th century B.C., Greek, Tarentine, Terracotta, H.: 12 in. (30.5 cm), Terracottas, This terracotta head showcases the mastery of Tarentine coroplastic art. It belonged to a life-size statue of a goddess, or

Lady Seated at a Table (recto); Dancing Figures (verso), 1754–1803, Recto: pen and brown ink, brush and brown wash; verso: black chalk, pen and brown ink, Sheet: 10 1/8 x 11 1/8 in. (25.7 x 28.3 cm), Drawings, George Romney (British,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 21v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 8v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Venus and the Sphinx, 1868, French, Paris, Tinted plaster, Overall (confirmed): 42 1/2 × 45 × 23 3/4 in. (108 × 114.3 × 60.3 cm), Sculpture, Auguste Préault (French, 1809–1879), Like much of the sculpture of the Romantic movement in

Coiled Serpent, 15th–early 16th century, Mexico, Mesoamerica, Aztec, Stone, H. 11 1/2 x W. 9 x D.10 5/8 in. (29.21 x 22.86 x 27.03 cm), Stone-Sculpture, Serpents held an important place in the belief systems of many peoples in ancient

Bedside Table, ca. 1927–28, Lacquered wood, ivory, 23 5/8 × 27 1/2 × 13 3/4 in. (60 × 69.9 × 34.9 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were French, one of the

Cover for L'Estampe originale, Album I, publiée par les Journal des Artistes, 1893, Lithograph printed in six colors on folded wove paper; only state, Sheet: 23 in. × 32 5/8 in. (58.4 × 82.8 cm), Prints, Henri de Toulouse-Lautrec (French,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 28v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Fan, 1914, Painted ivory, metal, silk, gilding, L. 8-1/2, W. 15-5/8 inches (21.6 x 39.7 cm.), Fans, Barbier is best known for his fashion illustrations in 'Gazette du bon ton, ' 'Journal des dames, ' and other French publications of the Art

Length, 1748, British, Spitalfields, Silk, Overall: 68 1/2 x 19 1/2 in. (174 x 49.5 cm), Textiles-Woven, Anna Maria Garthwaite began designing silks in the mid-1720s, when she was in her thirties. It is not known how she learned the art of

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 38 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Bottle with Peony Scroll, Yuan dynasty (1271–1368), mid-14th century, China, Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware), H. 17 1/2 in. (44.5 cm), Ceramics, The structured surface of this bottle ultimately

Ludwig Tieck (1773–1853), Pierre Jean David d'Angers (French, Angers 1788–1856 Paris), 1834, French, after a German, Dresden model, Bronze, Height: 12 1/4 in. (31.1 cm), Sculpture-Bronze, Pierre Jean David d'Angers (French, Angers

Terracotta amphora (jar), Archaic, ca. 560–550 B.C., Greek, Attic, Terracotta; black-figure, H. 14 5/8 in. (37.2 cm.), Vases, Obverse, Herakles battling a centaur, Reverse, Warrior battling a centaur. The warrior depicted on the reverse

Reproduction of the 'Great S-spiral frieze' fresco, Late Helladic III, ca. 1400–1200 B.C., Mycenaean, watercolor on paper, Overall: 36 x 26 1/2 in. (91.4 x 67.3 cm), Excavated 1884 west of the Great Forecourt of the Tiryns palace.. Ornamental

Drawings and Prints, Books Prints Ornament & Architecture, Title page from Modelbuch new, aller Art, Nehens und Stickens (page 1r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main,

Small Bird on a Crepe Myrtle Branch, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink and color on silk, 43 15/16 x 18 7/8 in. (111.6 x 48 cm), Paintings, Tsubaki Chinzan (Japanese, 1801–1854), At a time when the ukiyo-e

Fans upon Waves, 波に扇面流し図屏風, Edo period (1615–1868), mid-17th century, Japan, Six-panel folding screen; ink, color, and gold leaf on paper, 40 3/16 x 113 5/16 in. (102.1 x 287.8 cm), Screens, Wave-based imagery and

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 36r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Allegory of Art and Knowledge with the Coat-of-Arms of Hans Wilpert Zoller, 1694, Pen and brown ink, brush and brown wash, sheet: 3 11/16 x 5 7/16 in. (9.4 x 13.8 cm), Drawings, Mathais Füssli the Youngest (Swiss, Zurich 1671–1739 Zurich

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

La Capresse des Colonies, 1861, French, Paris, Algerian onyx-marble, bronze and gilt bronze, and enamel; white marble socle, Overall on socle (confirmed): H. 37 3/4 x W. 23 1/4 x D. 12 1/4 in., 208.4lb. (95.9 x 59.1 x 31.1 cm, 946kg) [Weight

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 29v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 25v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 15v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 18 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Allegory of Art, 1609, Pen and black ink, brush and gray wash, heightened with white on yellow prepared paper, sheet: 7 1/2 x 5 11/16 in. (19 x 14.5 cm), Drawings, Peter Schmidt von Lichtenberg (German, Lichtenberg 1585–1620 Breslau

'Ombellifères' (cow parsley) Cabinet, ca. 1900, Birchwood, rosewood, various other woods, 40 x 49 1/2 x 12 in. (101.6 x 125.7 x 30.5 cm), Furniture, Emile Gallé (French, Nancy 1846–1904 Nancy), The revolutionary style known as Art

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 37r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

[Clown], ca. 1860, Albumen silver print, Image: 8 1/16 × 6 13/16 in. (20.5 × 17.3 cm), Photographs, Charles DeForest Fredricks (American, 1823–1894), Fredricks operated one of the most successful photographic studios in New York City, at

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 32v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Fissore’s Plow from Tortona, Plow from Parma, 1861, Albumen silver print from collodion negative, Image: 4 7/16 × 10 13/16 in. (11.3 × 27.4 cm), Photographs, Pietro Semplicini (Italian, active 1850s–90s), Trained as a chemist,

Group of Draped Figures, early 1460s, Tip of the brush (or fine pen?) and brown ink, 4 5/16 x 5 7/8 in. (11 x 14.9 cm), Drawings, Attributed to Antonello da Messina (Antonello di Giovanni d'Antonio) (Italian, Messina ca. 1430–1479 Messina),

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 23v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Molded plaque: king or a god carrying a mace, Isin-Larsa–early Old Babylonian, ca. 2000–1700 B.C., Southern Mesopotamia, Isin-Larsa–Old Babylonian, Ceramic, H. 12.1 cm, W. 7.1 cm, Ceramics-Reliefs, Ceramic plaques of this sort were

清 琥珀佛手形盒, Box in the shape of Buddha’s hand, Qing dynasty (1644–1911), 19th century, China, Amber, H. 3 in. (7.6 cm); W. 2 1/2 in. (6.4 cm), Amber, The citron-shape of this box has been nicknamed Buddha’s hand (foshou)

Bracelet with Birds and Geometric Patterns, 1100–1400, Byzantine, Glass, silver stain, Overall: diam. 2 15/16 x 9/16 x 3/16 in. (diam. 7.5 x 1.4 x 0.4 cm), Glass, The silver stain used to decorate this bracelet is a medium well known in

夏秋花鳥図, Birds and Flowers of Summer and Autumn, Muromachi period (1392–1573), mid-16th century, Japan, Pair of hanging scrolls; ink and color on paper, Image (a): 37 11/16 × 17 5/8 in. (95.8 × 44.8 cm), Paintings, Shikibu

Pitcher, 1889–1906, Made in Trenton, New Jersey, United States, American, Belleek porcelain, with overglaze enamel decoration and gilding, 3 5/8 x 2 13/16 in. (9.2 x 7.1 cm), Ceramics, Ceramic Art Company (American (Trenton, New Jersey),

Vase with mythological scenes, 1867, French, Paris, White earthenware, confirmed: 26 1/4 × 14 1/8 in., 26.3 lb. (66.7 × 35.9 cm, 12 kg), Ceramics-Pottery, Artist-potters associated with Art Nouveau condemned historical revivalism.

Landscape with a Large Building, 1818–83, Watercolor over graphite, 9 5/8 x 15 3/4 in. (24.4 x 40 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883), Von Hauslab is a little known figure in the history of art. As

Modelbuch aller Art Nehens vn Stickens, 1535, Woodcut, Overall: 7 5/16 x 5 5/16 in. (18.5 x 13.5 cm), Published by Christian Egenolff, German, 1502-1555, Frankfort am Mayn. Illustrated title page, 26 pages of designs including 4 pages of

Terracotta jug, Cypro-Archaic I, ca. 750–600 B.C., Cypriot, Terracotta, H. 9 5/16 in. (23.7 cm), Vases, The front of the jug is decorated with the head of a man wearing a horned helmet. Male figures, probably deities, with horns are

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 14 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

The Passing of Venus, 1898, Brush, gouache and metallic paint on cardboard, 16-1/16 x 38-11/16 in. (40.8 x 98.2 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Overwhelming passion was a constant theme in

Studies of Three Naked Men, a Right Arm and a Nude Figure Supported by Another (recto); Studies of a Figure with Left Arm Upraised, a Leg, and Putti with Foliage (verso), 1700–1710, Pen and brown ink, brush and brown wash, over black chalk

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

King Sigurd the Crusader (Good Words for 1862, opp. p. 248), 1862, Wood engraving, Sheet: 9 5/16 × 6 5/16 in. (23.7 × 16 cm), Prints, After Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), King Sigurd the Crusader is one of

Limestone pediment from a funerary stele (shaft), Hellenistic, 3rd–2nd century B.C., Cypriot, Limestone, Overall: 13 1/2 × 48 in. (34.3 × 121.9 cm), Cesnola Inscriptions, In the center two women stand tearing their hair in mourning. They

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 29r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

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