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Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 27v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, ca. 1590, Pen and brown ink, brown wash, heightened with white, over red chalk on blue paper. Partially visible framing lines in pen and brown ink on left

Tabula (Square) with Vine Scrolls Containing Aquatic Birds, 5th–7th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 4 3/4 in. high 4 3/4 in. wide (12 cm high 12 cm wide), Textiles, Tunics and domestic furnishings

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 21 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 16 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 17r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 19 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

明晚期 剔紅歲寒三友圖漆盤, Dish with the Three Friends of Winter, Ming dynasty (1368–1644), 16th–early 17th century, China, Carved brown lacquer, H. 1 1/4 in. (3.2 cm); W. 6 3/8 in. (16.2 cm); L. 6 3/8 in. (16.2 cm), Lacquer,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 18v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Tabula (Square) with Vine Scrolls Containing Aquatic Birds, 5th–7th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 4 3/4 in. high 4 3/4 in. wide (12 cm high 12 cm wide), Textiles, Tunics and domestic furnishings

Vase with peacock feathers, ca. 1889, French, Paris, Stoneware, Overall (confirmed): 17 3/16 × 8 5/8 × 8 5/8 in., 12.6 lb. (43.7 × 21.9 × 21.9 cm, 5.7 kg), Ceramics-Pottery, Although Delaherche would later denounce the use of ornament,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 11v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

明嘉靖 剔彩壽字紋漆盤, Dish with the character for longevity (shou), Ming dynasty (1368–1644), Jiajing period (1522–66), 1522–1566, China, Carved red and yellow lacquer, H. 1/16 in. (.2 cm); Diam. 6 1/8 in. (15.6 cm), Lacquer,

Landscape with Figure, early 16th century, Pen and brown ink, 7 x 8 5/16 in. (17.8 x 21.1 cm), Drawings, The Veneto (1500–1529), This sketch is an important early example of landscape in Italian art. The composition, including a figure in

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 3 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... title page (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. Scene takes place within the interior of a room.

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 5 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 15 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Capital, 10th century, From Spain, probably Cordoba, Marble; carved, H. 14 1/2 in. (36.8 cm), Sculpture, This capital probably came from the splendid Umayyad royal residence city of Madinat al-Zahra', near Cordoba, Spain, which was founded

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 3r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 11v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 20r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Titel page from the Modelbuch aller Art Nehens vn Stickens (Page 1r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555,

Fragment from Balustrade of the Temple of Athena Nike, Acropolis, Athens, ca. 1882, Albumen silver print from glass negative, Image: 10 1/2 × 8 1/8 in. (26.7 × 20.6 cm), Photographs, William James Stillman (American, Schenectady, New York

明 鄭重 搜山圖 卷, Searching the Mountains for Demons, late Ming dynasty (1368–1644), China, Handscroll; ink and color on paper, 10 5/8 in. x 27 ft. 9 1/2 in. (27 x 847.1 cm), Paintings, Zheng Zhong (Chinese, active ca. 1612–48),

Vase with Rock, Flowers, and Butterflies, Qing dynasty (1644–1911), Kangxi period (1662–1722), China, Black lacquer over porcelain, inlaid with mother-of-pearl, H. 2 3/4 in. (7 cm); Diam. 8 1/4 in. (21 cm), Ceramics, The decorating of

Box with lid, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), 3 1/4 x 5 3/4 x 4 3/4 in. (8.3 x 14.6 x 12.1 cm), Lacquer, This covered box, part of a wedding trousseau, comprised of thirty-one pieces,

松竹桜家紋散し蒔絵長文箱, Letter Box with Pine, Bamboo, Plum Blossom, and Family Crests, Edo period (1615–1868), 19th century, Japan, Lacquered wood with gold and silver hiramaki-e, cut-out gold foil on nashiji ground (part of

Cloaca Maxima, by 1858, Albumen silver print from glass negative, Image: 31 x 37.2 cm (12 3/16 x 14 5/8 in.), Photographs, Robert Macpherson (British, Tayside, Scotland 1811–1872 Rome), After studying medicine in Edinburgh, Robert

美人気量競　五明楼　花扇, “Hanaōgi of the Gomeirō, ” from the series Comparing the Charms of Beauties (Bijin kiryō kurabe: Gomeirō Hanaōgi), Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and

Vase, 1902–18, Made in Brooklyn, New York, New York, United States, American, Blown glass, H. 12 3/4 in. (32.4 cm); Diam. 6 1/16 in. (15.4 cm), Glass, Quezal Art Glass and Decorating Company (1901–ca. 1924

Head of a princess from a group statue, New Kingdom, Amarna Period, Dynasty 18, ca. 1352–1336 B.C., From Egypt; Possibly from Middle Egypt, Amarna (Akhetaten), Quartzite, H. 14 cm (5 1/2 in.); W. 12.4 cm (4 7/8 in.); D. 16.2 cm (6 3/8 in.),

Bronze statuette of a dog, Mid or Late Imperial, 2nd–3rd century A.D., Roman, Bronze, H. 3 3/8 in. (8.6 cm), Bronzes, The Romans were ardent pet lovers. Dogs especially were great favorites and are frequently depicted in Roman art as either

Terracotta Nolan amphora (jar), Classical, ca. 480–470 B.C., Greek, Attic, Terracotta; red-figure, H. 13 11/16 in. (34.8 cm), Vases, Obverse, warriors fighting Persian archer, Reverse, warrior. The almost miraculous Greek victory in 480

Bronze mirror, Classical, ca. 425–400 B.C., Etruscan, Bronze, 9 9/16 x 6in. (24.3 x 15.3cm), Bronzes, Satyr and maenad. The motif of satyr chasing maenad is one of the most popular erotic subjects in both Etruscan and Greek art. The use of

Jewish Woman of Algiers Seated on the Ground, ca. 1846, Watercolor over graphite on wove paper (trimmed and laid down on blue wove paper), Sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2cm), Drawings, Théodore Chassériau (French, Le Limon,

Marble head of Athena, Augustan or Julio-Claudian, ca. 27 B.C.–A.D. 68, Roman, Marble, Island, H. 9 3/8 in. (23.8 cm), Stone Sculpture, The goddess Athena is represented in an archaistic style, a decorative, retrospective manner that

Relief Panel with Two Griffins Drinking from a Cup, late 9th–early 10th century, Made in Campania, Southern Italy, South Italian, Marble, polychromy, Overall: 29 3/8 x 51 3/4 x 2 1/4 in. (74.6 x 131.4 x 5.7 cm), Sculpture-Architectural,

Predica del arte del bene morire (sermon on the art of dying well), ca. 1502, Printed book with 4 woodcut illustrations, Overall: 7 7/8 x 5 1/2 x 1/4 in. (20 x 14 x 0.7 cm), Books, The sermon of the influential Dominican preacher Savonarola on

Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), Depth: 17 3/4in. (45.1cm), Lacquer, This covered box, part of a wedding trousseau, comprised of

Pectoral with Face, 1st–7th century, Colombia, Calima (Yotoco), Gold (hammered), H. 8 3/4 x W. 11 x D. 1 3/8 in. (22.2 x 27.9 x 3.5 cm), Metal-Ornaments, A large H-shaped nose pendant almost entirely obscures the face at the center of this

Mechanical casket, 1800–1810, Russian, St. Petersburg, Burr-maple, ebony and ebonized fruitwood, mahogany, birch, gold-colored silk and green baize, Overall: 7 1/4 x 16 x 9 1/2 in. (18.4 x 40.6 x 24.1 cm), Woodwork-Furniture, The design

Buddha, Tang dynasty (618–907), mid-8th century, China, Marble, H. 21 1/2 in. (54.6 cm); W. 8 3/4 in. (22.2 cm); D. 8 1/2 in. (21.6 cm), Sculpture, The heaviness of this Buddha's face and body are typical of art dating from the second half

Textile Panel with Scenes from the Ramayana, ca. 15th century, Nepal, Silk embroidery on polished cotton, Overall: 15 3/8 x 13 1/8 in. (39.1 x 33.3 cm), Textiles-Embroidered, This remarkably fine Nepalese panel is a rare survivor of an

Stand (Tray with Handle), Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 4 3/4 in. (12.1 cm); W. 10 1/4 in. (26 cm); D. 7 3/4 in. (19.7 cm), Lacquer, This tray, part of a wedding trousseau, comprised of

Dutch Girl in White, 1907, Oil on canvas, 24 x 20 in. (61 x 50.8 cm), Paintings, Robert Henri (American, Cincinnati, Ohio 1865–1929 New York), Henri championed truth and vitality in life and art. He echoed in his paintings the dark palette

Towel End, early 19th century, Attributed to Turkey, Linen, silk, metal wrapped thread; plain weave, embroidered, H. 20 1/2 in. (52.1 cm), Textiles-Embroidered, Ottoman embroidery before the eighteenth century tended to replicate the

北魏太和十年 青銅鎏金彌勒佛像, Buddha Maitreya (Mile fo), Northern Wei dynasty (386–534), dated 486, China, Gilt bronze with traces of pigment; piece-mold cast, H. 55 1/4 in. (140.3 cm); W. 24 1/2 in. (62.2 cm); D. 19 1/4 in.

Male Nude, 1856, Oil on canvas, 13 3/4 x 24 1/4 in. (34.9 x 61.6 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), This unfinished picture dates to Degas’s early years as an art student in Paris. Rather than using a fresh

The Spanish Singer, 1860, Oil on canvas, 58 x 45 in. (147.3 x 114.3 cm), Paintings, Édouard Manet (French, Paris 1832–1883 Paris), This painting, which reflects the Parisian vogue for Spanish art and culture during the Second Empire, won

Coat (Choga), mid-19th century or earlier, Made in Present-day Turkmenistan, Ground fabric: hand-spun red plain-weave wool (warp and weft); embroidery: silk; facing: ikat silk (warp), cotton (weft); lining: roller-printed Russian cotton, H. from

Plasma ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Plasma, Other: 3/8 x 1/8 x 1/2 in. (0.9 x 0.4 x 1.3 cm), Gems, Bonus Eventus as youth, holding dish of fruit and branch Bonus Eventus, the Roman

Throne Leg in the Shape of a Griffin, late 7th–early 8th century, Attributed to probably Western Iran, Bronze; cast around a ceramic core and chased, Gr. H. (base on top of iron rod) = 22 7/16 in. (57.0 cm), Metal, This throne leg in the

A Classical Landscape, probably 1660s, Oil on canvas, 27 1/2 x 36 1/4 in. (69.9 x 92.1 cm), Paintings, Sébastien Bourdon (French, Montpellier 1616–1671 Paris), Bourdon’s rigorously structured classical landscapes, such as this one, were

Naser al-Din Shah, ca. 1855–58, Salted paper print from paper negative, Image: 19.5 x 13.5 cm (7 11/16 x 5 5/16 in.), Photographs, Possibly by Luigi Pesce (Italian, 1818–1891), This photograph demonstrates what the medium brought to the

Terracotta pelike (jar), Classical, ca. 420–410 B.C., Greek, Attic, Terracotta; red-figure, H.: 14 1/2 x 11 1/16 in. (36.8 x 28.1 cm), Vases, Obverse, Dionysos banqueting Reverse, three youths The scene presents an early form of the

Design for church interior with Noli Me Tangere window, ca. 1890–1900, Made in New York, United States, American, Watercolor, gouache, photograph, collage, pen and colored inks, graphite, Overall: 20 7/8 x 20 3/4in. (53 x 52.7cm),

Terracotta vase in the form of a pomegranate, Geometric, 8th century B.C., Greek, Attic, Terracotta, H. 4 in. (10.2 cm), Vases, The pomegranate occurs with some frequency in early Greek art and mythology. Because of its large edible seeds,

Head from a Figure with a Beaded Headdress, 12th–early 13th century, Attributed to Iran, Fossiliferous limestone; carved, drilled, H. 10 in. (25.4 cm), Stone, Although three-dimensional figurative sculptures were made from the beginnings of

Cabinet with Design of Chrysanthemum by a Stream, Edo period (1615–1868), 19th century, Japan, Gold and silver maki-e on lacquered wood with metal fittings, H. 15 in. (38.1 cm); W. 15 7/8 in. (40.3 cm); D. 9 5/8 in. (24.4 cm), Lacquer, This

Ornamental Confectionery and Practical Assistant to the Art of Baking, 1893, Illustrations: lithography, 7 11/16 x 5 1/8 x 5/8 in. (19.5 x 13 x 1.6 cm), Books

Johann Joachim Winckelmann (1717–1768), ca. 1777, Oil on canvas, 25 x 19 3/8 in. (63.5 x 49.2 cm), Paintings, Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728–1779 Rome), One of the most influential writers on art and

Approach to a Mountain Village with Horsemen on the Road, ca. 1501, Pen and brown ink, traces of black chalk; mounted on an album page, 11 3/4 x 8 1/8 in. (29.8 x 20.6 cm), Drawings, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian,

Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), W. 15 5/8 in. (39.7 cm), Lacquer, This covered box, part of a wedding trousseau, comprised of

Buddha Maitreya (Mile), 北魏正光五年 青銅鎏金彌勒佛像, Northern Wei dynasty (386–534), dated 524, China, Gilt bronze, H. 30 1/4 (76.8 cm); W. 16 in. (40.6 cm); D. 9 3/4 in. (24.8 cm), Sculpture, The attenuated physique and

Covered Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 2 3/8 in. (6 cm); W. 6 13/16 in. (17.3 cm); D. 1 3/4 in. (4.4 cm), Lacquer, This covered box,

Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), W. 12 1/8 in. (30.8 cm), Lacquer, This covered box, part of a wedding trousseau, comprised of

Terracotta volute-krater (bowl for mixing wine and water), Classical, ca. 450 B.C., Greek, Attic, Terracotta; red-figure, H. 25 in. (63.5 cm), Vases, On the neck, obverse, battle of centaurs and Lapiths; reverse, youths and women, Around

Terracotta pomegranate, Classical, 5th–4th century B.C., Greek, Terracotta, Diam.: 3 5/16 in. (8.4 cm), Terracottas, Throughout Greek art and the Greek world, the pomegranate has been associated with funerary beliefs and ritual. The

大理國（十二世紀） 青銅鎏金觀音菩薩像, Bodhisattva Avalokiteshvara (Guanyin), Dali kingdom (938–1253), 12th century, China, Gilt arsenical bronze; lost-wax cast, H. 20 3/4 in. (52.7 cm); W. 6 1/2 in. (16.5 cm); Diam. (base)

Dagger (Jambiya), ca. 1825–50, Iranian, Steel, ivory, L. 15 1/4 in. (38.7 cm); L. of blade 10 1/4 in. (25.9 cm); W. 2 5/16 in. (5.9 cm); Wt. 14.3 oz. (405.4 g), Daggers, While figural representations are uncommon in Islamic art outside of

Marble head of a veiled goddess, Hellenistic, late 4th or 3rd century B.C., Greek, Marble, Overall: 12 7/8 x 11 x 12 1/4 in. (32.7 x 27.9 x 31.1 cm), Stone Sculpture, Despite its worn condition, this head radiates with the serenity and power

Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 2 1/8 in. (5.4 cm); W. 2 3/4 in. (7 cm); D. 2 1/8 in. (5.4 cm), Lacquer, This covered box, part of a

Two Ladies, Edo period (1615–1868), 1764–72, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/8 in. (28.3 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), In 1765 Harunobu introduced

清, 趙之謙, 芍藥 桃花, 扇面, Peach Blossoms and Peony, Qing dynasty (1644–1911), ca. 1860, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 7 1/2 x 21 1/2 in. (19.1 x 54.6 cm), Paintings, Zhao

Summer, modeled 1911, cast probably ca. 1911, French, Bronze, Overall (wt confirmed): 63 1/2 x 28 x 18 in., 231lb. (161.3 x 71.1 x 45.7 cm, 41 1/4 in.), Sculpture-Bronze, Aristide Maillol (French, Banyuls-sur-Mer 1861–1944 Perpignan), In

清 戴本孝 山水圖 冊 紙本, Landscapes, Qing dynasty (1644–1911), China, Album of twelve leaves; ink on paper, Each: 8 7/16 × 6 9/16 in. (21.4 × 16.7 cm), Paintings, Dai Benxiao (Chinese, 1621–1693), All his life Dai pursued a

Terracotta disk with Aphrodite riding on a swan, Late Classical, 4th century B.C., Greek, Terracotta, D. 2 3/4 in. (6.9 cm.), Terracottas, In Greek art, beginning at least in the Archaic period, Aphrodite was sometimes depicted with a swan,

Emperor Xiaowen and His Court, Northern Wei dynasty (386–534), ca. 522–23, China, Limestone with traces of pigment, H. 82 in. (208.3 cm); W. 12 ft. 11 in. (393.7 cm), Sculpture, Together with a companion piece showing an empress and her

Covered Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 2 in. (5.1 cm); W. 8 3/8 in. (21.3 cm); D. 2 1/2 in. (6.4 cm), Lacquer, This covered box,

Choosing of the Arrow, 1849, Made in United States, Bronze, 22 x 11 3/8 x 5 5/8 in. (55.9 x 28.9 x 14.3 cm), Sculpture, Henry Kirke Brown (American, Leyden, Massachusetts 1814–1886 Newburgh, New York), In 1848 Brown earned a commission

View in Central Hall, Art Treasures Exhibition, Manchester, 1857, Albumen silver print, Photographs, Philip Henry Delamotte (British, 1821–1889

Carpet with Palm Trees, Ibexes, and Birds, late 16th–early 17th century, Probably made in present-day Pakistan, Lahore, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, Rug: L. 328 in. (833.1 cm), Textiles-Rugs, This

Spieghel der Schryfkonste...(Mirror of the Art of Writing), 1605, Plates: etching and woodcut, Overall: 8 11/16 x 13 3/8 x 1 3/16 in. (22 x 34 x 3 cm

Four Gospels in Armenian, 1434/35, Armenian, Tempera and gold on paper; stamped leather binding, Overall: 11 1/16 x 7 5/8 x 3 3/8 in. (28.1 x 19.4 x 8.5 cm), Manuscripts and Illuminations, Illuminated manuscripts are among the finest works of

Terracotta jar with lid, Hellenistic, 310–30 B.C., Cypriot, Terracotta, H. 12 1/8 in. (30.8 cm), Vases, Two-handled vase with spout and cover, the knob in form of a miniature vase. The shape and decoration of this unusual vessel combine to

Augustus Saint-Gaudens, ca. 1904, Oil on canvas, 38 7/8 x 30 in. (98.7 x 76.2 cm), Paintings, Ellen Emmet Rand (American, San Francisco, California 1875–1941 Salisbury, Connecticut), Rand studied at the Art Students League in New York with

清, 王原祁, 江國垂綸圖, 卷, Fishing in River Country at Blossom Time, Qing dynasty (1644–1911), dated 1709, China, Handscroll; ink and color on paper, 10 1/4 x 57 1/2 in. (26 x 146.1 cm), Paintings, Wang Yuanqi (Chinese,

Statuette of a man with an oryx, a monkey, and a leopard skin, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 5 5/16 x W. 3in. (13.5 x 7.6cm), Ivory/Bone-Sculpture, Phoenician ivory carvers

Album d'Études–Poses, ca. 1880, Albumen silver prints from glass negatives, Albums, Louis Igout (French, 1837–1881), This album is an excellent example of the type of photography produced in the nineteenth century as an aid to artists in

Desk, 1891, British, Mahogany veneered on the exterior with Macassar ebony, silver plated brass knobs, silver molding, H. 38 x W. 29 1/2 x L. 14 in. (96.5 x 74.9 x 35.5 cm), Woodwork-Furniture, When shown in an 1893 Arts and Crafts Exhibition

Carpet with a Compartment Design, first half 16th century, Made in Iran, Silk (warp and weft), wool (pile); asymmetrically knotted pile, Rug: H. 196 in. (497.8 cm), Textiles-Rugs, This magnificent jewel-colored carpet, with its elegant,

Cruet, 1860–70, Made in East Cambridge, Massachusetts, United States, American, Blown, cut, and engraved glass, H. 7 in. (17.8 cm); Diam. 4 in. (10.2 cm), Glass, Louis F. Vaupel mastered the art of engraving in Germany before immigrating

Shield (?) with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 7 5/8 in. (19.4 cm); W. 10 1/2 in. (26.7 cm), Lacquer, This piece, part of a wedding

Jaharis Byzantine Lectionary, ca. 1100, Made in Constantinople, Byzantine, Tempera, gold, and ink on parchment; leather binding, Overall: 14 1/2 x 11 5/8 x 4 7/8 in. (36.8 x 29.6 x 12.4 cm), Manuscripts and Illuminations, Illuminated

Zaragoza à Pamplona y Barcelona - Puente de Zuera, ca. 1867, Albumen silver print from glass negative, 33.9 x 24.8 cm (13 3/8 x 9 3/4 in.), Photographs, Juan Laurent (French, 1816–1892, active Spain, 1857–1880s), José Martinez Sánchez

Flying Celestial Apsara (Feitian 飛天), Flying Celestial Apsara (Feitian), Tang dynasty (618–907), 7th century, China, Earthenware with traces of pigment, H. 26 3/4 in. (67.9 cm); W. 16 3/4 in. (42.5 cm); D. 4 3/4 in. (12.1 cm); Wt. 30.3

Old Woman in an Armchair, Oil on canvas, 50 3/8 x 39 1/8 in. (128 x 99.4 cm), Paintings, Attributed to Jacob Backer (Dutch, Harlingen 1608–1651 Amsterdam), This portrait is probably the companion piece to the Portrait of a Man in an Arm

明 魏之克(魏克) 金陵四時圖 卷 紙本, Views of Nanjing in the Four Seasons, Ming dynasty (1368–1644), dated 1635, China, Handscroll; ink and color on paper, Overall with mounting: 12 5/8 in. × 38 ft. 10 in. (32.1 × 1183.6 cm),

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, L. 10.2 cm (4 in.); W. 9.2 cm (3-5/8 in.), Aerophone-Whistle Flute-vessel flute, Tubular ceramic flutes and ocarinas (vessel

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