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Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Aquarius, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Prayer Book (compilation), Initial 'O' with St. Ursula sheltering a pope, cardinal, and female virgin saints, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Book of Hours, Flight into Egypt, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Psalter and Office of the Dead, Presentation in the Temple, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Book of Hours, Initial 'D' with gold and pearl jewel, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Virgin and Child enthroned with angels; hybrids, angels, and seraphim in margins, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346)

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Gospels, Title page of the Gospel of Mark, This volume is primarily remarkable for its excellently preserved early (but not original) binding, as well as the peculiar style of its miniatures. The manuscript opens with an unusual, icon-like

Prayer Book (compilation), Virgin and Child attended by angel, revered by cleric, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Crucifixion, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Initial 'O' with skull in suspended gold medallion, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Psalter and Office of the Dead, Initial 'E' with King David playing bells, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Prayer Book (compilation), Mass of St. Gregory, vision of Christ flanked by instruments of the Passion, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Prayer Book (compilation), Initial 'T' with Trinity, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial 'U' with wheel, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair

Prayer Book (compilation), Initial 'O' with St. Bernard trampling the devil, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Man trimming branches, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Illuminated Manuscript, Reichenau Gospels, Evangelist portrait of Mark, This Gospel book is believed to come from the Abbey of St. Peters in Reichenau, on the basis of its script, its illumination, and the fact that it contains a dedication

Illuminated Manuscript, Reichenau Gospels, Canon table, This Gospel book is believed to come from the Abbey of St. Peters in Reichenau, on the basis of its script, its illumination, and the fact that it contains a dedication image, in which a

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Psalter and Office of the Dead, Initial, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and Office of the Dead

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial 'D' with the Presentation in the Temple; musicians, hybrids, and stag hunt in margins, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of

Psalter and Office of the Dead, Armorial shields, including heraldry of Crohin family, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally

Psalter and Office of the Dead, Initial 'D' with King David pointing to his mouth, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally

Lace Book of Marie de' Medici, Transfiguration, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its

Lace Book of Marie de' Medici, Garden of Gethsemane, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its

Book of Hours, Man treading grapes, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

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