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Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Pelican wounding chest to feed young with her blood, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Gospels, Chapter list for the Gospel of Mark, This volume is primarily remarkable for its excellently preserved early (but not original) binding, as well as the peculiar style of its miniatures. The manuscript opens with an unusual, icon-like

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Prayer Book (compilation), Initial, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional motifs are of

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript, Reichenau Gospels, Ornated Initial, This Gospel book is believed to come from the Abbey of St. Peters in Reichenau, on the basis of its script, its illumination, and the fact that it contains a dedication image, in

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Illuminated Manuscript, Reichenau Gospels, Canon table, This Gospel book is believed to come from the Abbey of St. Peters in Reichenau, on the basis of its script, its illumination, and the fact that it contains a dedication image, in which a

Book of Hours, St. Matthew in his study, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial 'D' with the Visitation; drolleries with apes, hybrid musicians, and doctor with matula (for uroscopy) in margins, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Virgin and Child, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Gospels, Evangelist Mark, This volume is primarily remarkable for its excellently preserved early (but not original) binding, as well as the peculiar style of its miniatures. The manuscript opens with an unusual, icon-like prefatory image of the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Prayer Book (compilation), Initial 'S' with St. Agnes with tooth attribute of St. Apollonia, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well.

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Prayer Book (compilation), Initial 'O' with St. Sebastian in armor holding lance and arrows, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well.

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial 'I' with serpent in chalice with rosaries, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Initial 'D' with skull and crossbones, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the

Book of Hours, Man sharpening sickle, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Book of Hours, Initial 'D' with heraldry of Philip the Handsome, and marginal female grotesque playing vielle, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Man scything, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript, Vienna book of hours, Entombment, This book of hours was written in German in Vienna, Austria, ca. 1460-65. It is one of a series of manuscripts commissioned at the court of Emperor Frederick III of Austria (1415-1493),

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Gospels, Title page for the Gospel of Luke, This volume is primarily remarkable for its excellently preserved early (but not original) binding, as well as the peculiar style of its miniatures. The manuscript opens with an unusual, icon-like

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Psalter and Office of the Dead, Man with an ax chopping wood, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

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