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Prayer Book (compilation), Initial, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional motifs are of

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Illuminated Manuscript, Reichenau Gospels, Ornated Initial, This Gospel book is believed to come from the Abbey of St. Peters in Reichenau, on the basis of its script, its illumination, and the fact that it contains a dedication image, in

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Pisces, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at that

Book of Hours, Initial 'U' with hanging gray bell, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Book of Hours, King David and Christ; jousting knights bearing arms of Namur and Châtillon, hybrids, and clerics in margins, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Book of Hours, Raising of Lazarus, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Annunciation, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Psalter and Office of the Dead, Initial 'C' with singing clerics, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Aries, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at that

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Crucifixion with the Virgin and John, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Illuminated Manuscript, Reichenau Gospels, Ornated Initial, This Gospel book is believed to come from the Abbey of St. Peters in Reichenau, on the basis of its script, its illumination, and the fact that it contains a dedication image, in

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Psalter and Office of the Dead, Man holding tall plant, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Lace Book of Marie de' Medici, John the Baptist baptizing Christ, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript, Reichenau Gospels, Dedication image with St. Peter, This Gospel book is believed to come from the Abbey of St. Peters in Reichenau, on the basis of its script, its illumination, and the fact that it contains a dedication

Psalter and Office of the Dead, Initial 'D' with King David pointing to his eye before the face of God, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Psalter and Office of the Dead, Standing falconer, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and Office

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Psalter and Office of the Dead, Man about to slaughter a pig, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter

Book of Hours, Bathsheba at her bath, observed by King David, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Book of Hours, Falconer, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Virgin and Child, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Psalter and Office of the Dead, Man cutting grass with a scythe, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Gemini, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at that

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

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