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Book of Hours, Crucifixion, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Book of Hours, Presentation in the Temple, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks,

Illuminated Manuscript, Reichenau Gospels, Ornated Initial, This Gospel book is believed to come from the Abbey of St. Peters in Reichenau, on the basis of its script, its illumination, and the fact that it contains a dedication image, in

Book of Hours, Initial 'D' with harp, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Man playing serenade, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Gospels, Evangelist Luke, This volume is primarily remarkable for its excellently preserved early (but not original) binding, as well as the peculiar style of its miniatures. The manuscript opens with an unusual, icon-like prefatory image of the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Prayer Book (compilation), Christ as Man of Sorrows seated on cross, revered by cleric, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Illuminated Manuscript Turkish version of Sindbadnama, The prince hunting. Leaf from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan

Prayer Book (compilation), Annunciation, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional motifs are

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial 'D' with the Nativity; hybrids, angel musicians, and doctor with matula in margins, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Man beating acorns from a tree, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Prayer Book (compilation), Initial 'A' with St. Barbara, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with

Book of Hours, Man before fire, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Prayer Book (compilation), Initial, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional motifs are of

Lace Book of Marie de' Medici, Painted emblem with snakes, cross, oil lamp, and thistles on top of tomb, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book

Lace Book of Marie de' Medici, Noli me tangere, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Prayer Book (compilation), Initial, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional motifs are of

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Psalter and Office of the Dead, Initial, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and Office of the Dead

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Book of Hours, Leo, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at that

Book of Hours, Initial 'O' with jeweled red scallop shell, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Man sowing field, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Christ announcing Virgin's death to her; Assumption of Virgin in margin, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Lace Book of Marie de' Medici, Portrait of Marie de' Medici, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Prayer Book (compilation), Trinity: Throne of Grace, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Nimbed man on deathbed, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Illuminated Manuscript, Poem (masnavi), This is a copy of the well-known poem (mas̱navī) Subḥat al-abrār ('The Rosary of the Righteous') by Nūr al-Dīn ʿAbd al-Raḥmān ibn Aḥmad Jāmī (d. 898 AH / 1492 CE). Penned in nastaʿlīq script

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Flight into Egypt, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial 'G' with pansy, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Book of Hours, Libra, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at that

Albrechtsburg, Churches in Meißen, Flying males in art, 1903, Meißen, Stadt, Fliegender Mann, Germany

Interior of Moritzburg Castle, Stoves in Germany, Round tables, Antlers, Paintings in Saxony, 1902, Landkreis Meißen, Ermine (clothing) in art, Moritzburg, Jagdschloß, Steinsaal

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