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J. M. Moreau junior del. C.S.Gaucher ex Acad.Art.Lond. inc. 1774. ANNALS, OF THE REIGN, OF MARIE-THERESE

Mousquetons d'Honneur donnés par le 1er Consul, Engraver, About 1801, Print, Graphic art, Print, Aquatint, Dimensions - Work: Height: 21 cm, Width: 27 cm, Dimensions - Mounting:, Height: 31.7 cm, Width: 48.8 cm

IVSTO CLIVENS, THE PAINTER OF ANTWERP, Our muse will not be silent, nor the artists among you, Belgians, painting not lightly, Just, worthy. How proper, born with such a happy art you would have been

ABRAHAM BÓGAERT. So Art aen 't eye shows a neat painting, Of BÓGAERT, righted on heroic poetry, By whose gifted pen out of Rome in top lifted, His' name in Febus Choir promises a lasting life., D. van Hoogstraten. On the Preface. N. Verkolje

d art publishing house. DON CARLOS. Published by Chr. F. Kollmann in Leipzig

Daphne pursued by Apollo, sculpture by Guillaume Coustou, Tuileries Gardens, 1st arrondissement, Paris, Atget, Eugène (Jean Eugène Auguste Atget), Photographer, Photography, Graphic Art, Photography, Albumen print, Dimensions - Work:

Popol my son, I forbit you for the fourth and last time to play at war ..., Draftsman and lithographer, Between 1830 and 1847, Print, Graphic art, Print, Lithography, Color print, Dimensions - Work: Height: 25.5 cm, Width: 26.3 cm,

Possible graphic artist Jan Lauwryn Krafft. JOANNES LAURENTIUS KRAFFT, Born in Brussels, November 10, 1694., The very hand that you see in the image of the face, published it, But not that which had been a flower with a tender mouth sparkles,

FVL. monogram. Stone printing office Florimond Van Loo, Ghent. PRUDENS VAN DUYSE. His whole life was a song, The fame of Vlaandren's art field, (Woman of Ackere

Théâtre de la Tchernaya, 2me Bal, Paré et costumé ..., Draughtsman-Lithographer, Printer-Lithographer, Print, Graphic Art, Print, Lithography, Dimensions - Work: Height: 34.8 cm, Width: 24.9 cm, Dimensions - Mounting:, Height: 50 cm,

Mort de Louis Capet 16e du nom, le 21 janvier 1793, Engraver, In 1793, Print, Graphic art, Print, Etching, Dimensions - Work: Height: 35.5 cm, Width: 49 cm, Dimensions - Mounting:, Height: 36.3 cm, Width: 49.6 cm

The Art. Lady Lindsay of Balcarres playing the violin. Volume 10.11, Véron, Eugéne, Director of publication, Gaucherel, Léon, Director of creation, Rouam, Jules, Printer-bookseller, In 1877, 4th quarter of the 19th century,

THE VERY EEAW. LORD J.-B. BEECKMANS, PASTOR OF O.-L.-VROUWEKERK AND DEAN OF THE DISTRICT OF ANTWERP, AS ART PATRON REMEMBERED. STONE CUT BY JOS. NAUWENS. THE FLEMISH SCHOOL, 73. biography J.B. Beeckmans. 1868. Illustration from: 'The Flemish

Portrait in an oval frame surrounded by a hunting scene. So far armed now to carve out a civilian, For the habits of the years have met my thousand, While I am trembling, the age is already alive, Arms adorn the men; but the old man wears a long

Napoléon à Sainte-Hélène, Engraving, Print, Graphic art, Print, Aquatint, Dimensions - Work: Height: 27.8 cm, Width: 21 cm, Dimensions - Mounting:, Height: 33.1 cm, Width: 49.5 cm

View of the magnificent party given by the city of Paris on November 25, 1807, Engraver, Print, Graphic art, Print, Etching, Dimensions - Work: Height: 31.3 cm, Width: 38.6 cm

Return of Bonaparte, Great rout of the inaugurations, Printmaker, Circa 1815, Print, Graphic art, Print, Etching, Colored, Dimensions - Work: Height: 29.2 cm, Width: 43.6 cm, Dimensions - Mounting:, Height: 32.8 cm, Width: 47 cm

GASPAR DE CRAYER, a native of Antwerp in the year 1585, was a disciple of Raphael, Coxij residing in Brussels, and was so surpassed by his master in the art of painting that he became one of the masters of our century, of which these

ABRAHAM BÓGAERT. So Art aen 't eye shows a neat painting, Of BÓGAERT, righted on heroic poetry, By whose gifted pen out Rome in top lifted, His' name in Febus Choir promises a durable life., D. van Hoogstraten. On the Preface. N. Verkolje ad

The Triumphant Return of the French Heroines from Versailles to Paris on October 6, 1789, Engraver, In 1789, Print, Graphic art, French Revolution, Print, Etching, Dimensions - Work: Height: 20 cm, Width: 34.3 cm, Dimensions - Mounting:,

Plan of part of the gardens of the Château de la Muette in the Bois de Boulogne, Draftsman, 18th century, Graphic art, Drawing, Dimensions - Work: Height: 62.2 cm, Width: 76 cm

I f? Klaus, 883. Rudolf signature. HIS IMPERIAL AND ROYAL HIGHNESS ARCHDuke RODOLPH. art. imp. Ch.Chardon

Place Constantin-Pecqueur, Montmartre, 18th arrondissement, Paris, Photographer, Array, Photography, Graphic Art, Photography, Dimensions - Work: Height: 12.1 cm, Width: 17.5 cm

IOANNES COSSIERS., Painter, native of Antwerp, was born in the year 1603. He had at the beginning of his art, for maitre Cornil, de Vos. It has become very excellent. This is evidenced by his paintings that he has done in several Churches both

Undertakers of the Mirabeau convoy, To great men the grateful nation, Engraver, After 1791, Print, Graphic art, Print, Etching, Color print, Dimensions - Work: Height: 31.2 cm, Width: 50.3 cm, Dimensions - Mounting:, Height: 55 cm,

Portrait of André Pasquet, journalist, Berot, J., Photographer, Art press photography, Photographer, Circa 4-5-1865, Photography, Graphic arts, Photography, Albumen paper print, Dimensions - Work: Height: 9.4 cm, Width: 6 cm,

Central portal, Saint-Merri church, 4th arrondissement, Paris, Photograph, Graphic art, Photography, Dimensions - Work: Height: 27.7 cm, Width: 21.8 cm

Pendant le cotillon, Publisher, Guillaume, Albert, Model's author, After 1903, Print, Graphic art, Print, Photomechanical process, Dimensions - Work: Height: 21.6 cm, Width: 27.5 cm, Dimensions - Mounting:, Height: 29.6 cm, Width: 40.6

HENRICUS BLACVODÆUS HENRICUS FILIVUS OF PARISIAN DOCTOR OF MEDICINE - MEDICINE AND PROFESSOR TO THE KING + He who by nature, and by prowess, is wise in things, and by use, by speech, and by noble art of medicine, is here Blacuodæus. He lays

Nordheim sc. RICHARD ARKWRIGHT. from d. art institution i.e. Bibliogr Institute in Hildbh. Contemporaries VI Year 153

PHILIPS ZWEERTS., Here we see the image of ZWEERTS, who with a' bold panache, In witty verse, knows how to caress hearts;, Who lures, delights, and teaches the Ystad, through Tears., Art immortalizes Him, yet least on this paper., MDCCLI.,

Born at Haarlem, the 25th of July, 1683. C. Pronk ad vivin del. J. Houbraken sculps. 1751. Behold here, O Hollandt! Thy' Moschus, thy' Homeer;, Thy' Plautus, who goes against the corruption of morals;, The lewd LANGENDYK, the Livius of

FRANCISCUS DE SALIGNAC VEL SALAGNAC DE LA MOTHE-FENELON. ARCH: DUX CAMERACENSIS. Prince whom Heaven has created, To give us just laws, Choose this Mentor as your master; He knows the art of forming Kings. De Boubers, sculp

Postcard from the Royal Museums of Art and History, Brussels, Series P.H. no. 217. BEETHOVEN (LOUIS VON), Composer, born in Bonn in 1770. He was a pupil of Mozart and Haydn, and soon became the equal of his masters. Jérome Bonaparte then King

Achille Jacquet sc. GUILLAUME JOUVENEL DES URSINS. Painting by J. Fouquet, Engraving by Achille Jacquet (LOUVRE MUSEUM). Review of Ancient and Modern Art. imp. Porcabeuf_Paris

VIRO., MEDICORVM PRINCIPLES., OB. ART. HIPPOCRATES, CAM. MVLTIS INVENTIS., AVCTAM. STVDIA PROMO, TA TO. posterity CLARO., IMMORTAL. INTEGERRI, MO.CVI.SE.SVASQVE.RES., AVCTOR.LVBENS.DEBIT., HOC. ETERNAL GRATITV, DINIS. MONVMENTVM., SACRVM.

Plate 3: Cavalcade de Longchamp, Engraver, Publisher, Array, Print, Graphic art, Print, Dimensions - Work: Height: 26.3 cm, Width: 35.2 cm

Obijt Alosti in Flanders XVI. Cal. September CIƆ.IƆ884. Eat 36 BALTHASAR AYALA I.C. AND THE SENATOR, THE KING OF MACHLINIENS. HAVING HAPPY INTELLIGENCE, GRAVIOUS RETHOR, ART OF DISERTVS, LANGUAGE, AND CLEAR IVRE PERITVS:, THE REGIVS IN BELLO

TOBIAS STIMER, SCHAFHU- SANUS. HEINRICH WÄGMAN, TIGU u003d KIDNEY. possibly illustration from: Joachim de Sandrart ... Academy of the noblest art of painting Whether of the true and genuine properties, theorems, secrets and requirements of

Postcard. inscription on reverse: 'Publishers: Vlaamsche Weelde. Nieuwland, 198, Brussels, E. Barbaix, Kunstfotos, Holstraat, Ghent, - Prohibited Emphasis -' and 'August VERMEYLEN (Burssel 1872 - ....). Puike Flemish prose writer, Art critic

Le Roi de Rome au Berceau, Engraver, Draughtsman, After 1811, Print, Graphic art, Print, Etching, Dimensions - Work: Height: 40.5 cm, Width: 27 cm, Dimensions - Mounting:, Height: 32.7 cm, Width: 46.8 cm

Le sabot corse en pleine déroute, Engraving, Print, Graphic art, Print, Etching, Colored, Dimensions - Work: Height: 30.3 cm, Width: 45 cm, Dimensions - Mounting:, Height: 32.4 cm, Width: 47.5 cm

Napoleon on St. Helena, most likely with a tomb in the left background, Engraver, Print, Graphic art, Print, Lithography, Dimensions - Work: Height: 58 cm, Width: 42 cm, Dimensions - Mounting:, Height: 65.5 cm, Width: 50.1 cm

Thuriot, Legislative Assembly, Convention, Judge, Advocate General etc, etc, Photograph, Graphic art, Photography, Lithography, Dimensions - Work: Height: 30.8 cm, Width: 24 cm, Dimensions - Mounting:, Height: 32.5cm, Width: 49.8cm

When it comes to Glory and Freedom every Frenchman is a hero, Engraver, After 1830, Print, Graphic art, Print, Etching, Dimensions - Work: Height: 29.7 cm, Width: 42.6 cm, Dimensions - Mounting:, Height: 30.4 cm, Width: 44.6 cm

Lords of the Court of Spain, Albert, Alfred, Dessinateur, 1871, 3rd quarter 19th century, Maison de Victor Hugo - Hauteville House, Fine Art, Drawing, Dimensions - Work: Height: 31.2 cm, Width: 23.9 cm

Portrait of an officer of the army of the Republic, late 18th century, Engraver, Print, Graphic art, Print, Stippling (etching), Dimensions - Work: Height: 27.9 cm, Width: 23 cm, Dimensions - Mounting:, Height: 32.4 cm, Width: 49.5 cm

Propaganda photograph: one of the rooms of the 1944 Salon at the Musée d'Art Moderne in Paris, Agence Fulgur, Agence de photographe, En 2-5-1944, 2nd quarter 20th century, Photography, Graphic arts, Photography, Gelatin silver bromide print,

Pierre de Broussel, Conseiller du Roy en, sa Cour de Parlement, de Paris, Engraver, Print, Graphic art, Print, Etching, Dimensions - Work: Height: 21.6 cm, Width: 17 cm, Dimensions - Mounting:, Height: 50 cm, Width: 32.5 cm

We resolved to bury the count in the room where we were., Draftsman, Dumont, Louis-Paul-Pierre, Engraver, In 1829, 19th century, Print, Graphic art, Print, Dimensions - Work: Height: 27.5 cm, Width: 35.1 cm

THEATER DE LA PORTE ST MARTIN, OFFICES, A, 7 A.M., LE PÊTRE, DRAMA WITH A BIG SHOW IN 5 Acts & 8 Paintings by Mr CHARLES BUET, RIDEAU, A, 7 A.M. 3.4, Draftsman, Imprimerie H. Laas, Printer, In 1881, Graphic Art, Print, Poster,

steel engraving v. Carl Mayer's Art Institute in Nuremberg. MOZART. 1844

ROBERTVS FLVDD, ALIAS DE FLVCTIBVS, OF OXONIA, DOCTOR OF MEDICINE, AND ARMIGER, etc. FLUDDFUS is he who guards the land of Britain, Quiqe Machaoni illustrious in art shines, Rr 4 D.P

Clip, Brass, wood, Paper clip with two brass plates and spring fastening. Curvilinear Art Nouveau design with plant forms., Germany, ca. 1900, metalwork, Decorative Arts, Clip

Frieze, Machine-printed paper, Art Nouveau style. Stylized tulips and leafs, alternating from large to small. Background fades from a light green at the bottom to beige at the top. Printed in gold, green, and shades of beige., Chicago,

Frieze, M.H. Birge & Sons Co., 1834, Machine-printed paper, Art nouveau-style design. Large-scale yellow poppies on green stems printed on white ground. Design repeats vertically and would need to be cut apart to work as frieze., Buffalo, New

The Bramley, Thomas Strahan Co., Chelsea, MA, founded 1886 - 2005, Machine-printed paper, Floral design with large central flower positioned between two large leaves. Other types of flowers and foliage appear including iris blooms. Designed in

Tablecloth, Medium: linen ground, cotton border, silk embroidery Technique: embroidered on plain weave, crocheted border, Round Art & Crafts-style brown tablecloth has an embroidered floral design in green, orange and pale yellow. Crocheted

Study of the Back of a Young Man's Head and Raised Right Hand, The Baltimore Museum of Art, Red crayon on paper, Vertical rectangle. Taken from or intended for a composition, putting into view only a part of the hand. Seen from the right side,

Tent panel, Medium: cotton Technique: mordant painted and dyed (chintz) on tabby weave, Large tent panel with an architectural form, characteristic of Islamic art, of a a pointed, lobed arch within a frame, suggesting the mihrab or prayer

Writing Example from Spieghel der Schrijfkonste. Tweede Deel (The Mirror of Art Writing, Second Part), Jan van de Velde I, Netherlandish, 1569–1623, Simon Weynouts Frisius, Flemish, ca. 1580–1628, Engraving on laid paper, Ornate example

Sidewall, Albert Ainsworth, Machine printed on oatmeal paper, On a ground of vertical stems and flowers in two green tones large conventionalized poppies in mustard, outlined in yellowish color of stock. Art nouveau design. Drop repeat, straight

Frieze, Machine-printed paper, Art Nouveau or Mission style. Abstracted tulip flowers with long stems arranged in threes in a pyramid shape, with another single flower between each group of three. Small ivy leaves create a scalloped line across

Frieze, Machine-printed paper, liquid mica, Art Nouveau style. Bulb-shaped flowers, alternating between large and small, topped with several fleurs-de-lis. Background is decorated with a series of small dots. Printed in white and shades of beige

Frieze, Machine-printed paper, Art Nouveau style. Whiplash lines undulate and loop across the center of the frieze. The bottom contains flowers, alternating between a singular flower and groups of three. The top contains a wavy band of vining

Frieze, Wallace Wall-Paper Co., Cortland, New York, Machine-printed paper, Very stylized art nouveau floral design. Large-scale tulips enclosed in foliate framework. Band of small floral motifs along bottom edge. Printed on a chevron-like

Sidewall, Lewis Chase Wall Paper Company, Bristol, Pennsylvania, USA, Machine-printed paper, Art Nouveau style. Thick floral medallion stripes alternating with two thin floral stripes. Ribboning design and background of irregular dots/splotches

Sidewall - fragment, Machine-printed paper, Art nouveau design; single floral motif within acanthus medallion printed on background of dense flowers and foliage. Printed in green, yellow, red, metallic silver and metallic gold on red ground.,

Study for the Violet Sargent Bronze Plaque in the Art Institute of Chicago, Augustus Saint-Gaudens, American, 1848 – 1907, Pen and purple ink on cream laid paper, Young woman, three-quarter-length, seated with head in profile, directed to

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square, molded tile of white clay, reverse is embossed with an inscription framed in three concentric circles: J. & J.G. Low, Patent Art Tile Works, Chelsea Mass' Face is

Heur et Malheur (Happiness and Woe), Raymond Gayrard, French, 1777 - 1858, Cast silver, Octagonal gambling token. Obverse shows the double bust of young Janus. Inscription: HEUR ET MALHEUR (happiness and woe) / GAYRARD-F. Reverse shows l’Art

The Picnic Excursion, Winslow Homer, American, 1836–1910, Appleton's Journal of Literature, Science and Art, D. Appleton and Company, New York, NY, D. Appleton and Company, New York, Wood engraving in black ink on paper, Two groups of

Sketchbook of fifty-three leaves of pencil drawings, Bessie Beebe, Soft pencil on white and tinted paper, Sketchbook of fifty-three leaves, bound in black passe partout binding, showing eighteen figur and still life drawings. Executed in Cooper

L'Art d'Aimer (second copy), Medium: cotton Technique: printed by engraved copper plate on plain weave, Incomplete parts of the same patterns as 1995-50-146, and 147. Fragments contain text :L'AGREABLE LECON and L'ART DE AIMER., France, early

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square, molded tile of white clay, reverse has impressed set of double-line frame. Face is decorated with all-over daisy flowers under superimposed circular frame of narrow

The Manora-Poppy, Machine-printed on ungrounded paper, Art nouveau design containing large-scale poppies with foliage and pods. Printed in deep ocher-green on ocher paper., England, USA, ca. 1900, Wallcoverings, Sidewall, Sidewall

Danger Ahead, Winslow Homer, American, 1836–1910, Appleton's Journal of Literature, Science and Art, D. Appleton and Company, New York, NY, D. Appleton and Company, New York, Wood engraving in black ink on paper, A brakeman and another

Sketches of the House of Semon the Tanner, Jaffa, Palestine [Tel-Aviv, Israel] and Fishermen on the Rocks at Beyrout, Syria [Beirut, Lebanon], Frederic Edwin Church, American, 1826–1900, Graphite on paper, Horizontal view of the lower

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square molded tile made of white clay, impressed and inscription: 'J. & J.G. Low, Patent Art Tile Works, Chelsea Mass. U.S.A., copyright 1881 by J. & J.G. Low'. Tile face

Title Page, from 'L'Art Universel des Fortifications Françoises, Hollandoises, Espagnoles, Italiennes et Composées', Jean Le Pautre, French, 1618–1682, Etching on paper, Athena, seated beside a table and pointing at the plan of a

Sidewall, M.H. Birge & Sons Co., 1834, Machine-printed, Floral and foliate pattern in art nouveau style. Printed in green, red, and tan on a yellow ground, ., Buffalo, New York, USA, 1902, Wallcoverings, Sidewall

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Molded, square tile of white clay, reverse has imprinted inscribed: J & J.G. Low Patent Art Tile Works/ Chelsea, Mass. U.S.A./ copyright 1881 J & JG Low'. - set within a

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square, molded tile of white clay; reverse bears inscription in double line frame: 'J. & J.G. Low/ Patent Art Tile Works/ Chelsea, Mass. U.S.A. / copyright 1881 by J & J.G.

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square molded tile made of white clay, impressed and inscription: 'J. & J.G. Low, Patent Art Tile Works, Chelsea Mass. U.S.A., copyright 1881 by J. & J.G. Low'. Tile face

Head of a Soldier, Giuseppe Zocchi, Italian, 1711 or 1717 - 1767, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The soldier in a pointed and visored helmet faces left, one art

Dish, Keswick School of Industrial Art, 1884 – 1984, Repousséd brass, Circular, with concentric bands of ornament. At center, three fish., England, 1884–90, metalwork, Decorative Arts, Dish

Tunic fragment, Medium: cotton, wool Technique: single interlock tapestry, 1:1, A fragment with geometrical figures is strongly suggestive of Tiwanaku IV (?) art. The background is dark tan, the design in light tan, medium and dark brown,

Sampler, Mary Corker, Medium: silk embroidery, wool foundation Technique: counted cross, stem and satin stitches on plain weave foundation, Two alphabets, two verses and the inscription Mary Corker, Newbury 1798, bouquets of flowers, trees

Sampler, Matilda Jane Goddard, American, Medium: silk embroidery on wool foundation Technique: embroidered in counted cross and satin stitches on plain weave foundation, A verse and inscription in the center are surrounded by a symmetrical

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Rectangular molded tile of white clay. Face of tile shows pair of joined tile faces decorated with pair of joined rosettes surrounded by scrolling tendrils and framed in a

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square, molded tile made of white clay, Face of tile is decorated with stylized flower having double row of petals; framed in plain border; glazed deep blue., Chelsea,

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Molded glazed earthenware, Square molded tile made of white clay, Tile face is decorated with stylized dandelions (gone to seed) in an all-over pattern set between plain horizontal borders.

Sidewall - sample, Machine-printed, Art nouveau design; rows of large-scale flowers, connected by foliage. Printed in brown and green on patterned tan ground., USA, 1907–08, Wallcoverings, Sidewall - sample

Sidewall - sample, The Art Wall Paper Mills, Machine-printed, Medallion stripe design. Large red medallion with ornate framework, containing bouquet of flowers, on vertical striping., Chicago, Illinois, USA, 1907–08, Wallcoverings,

Plans, elevation, and section of the tower in Chiaravalle, Milanese, Italy, Whitney Warren Jr., American, 1864–1943, Graphite, brush and red and brown watercolor, on cream heavy wove paper, Like all Beaux-Arts trained architects of his

Tile, J.G. & J.F. Low Art Tile Works, 1883 – 1902, Glazed stoneware, Square molded tile of white clay, reverse impressed with inscription: 'J.G. & J.F. Law/ Art Tile Works/ Chelsea, Mass. U.S.A.'. Face of tile decorated with all-over pattern

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square, molded tile with inscription impressed on reverse set in a double line frame: 'J. & J.G. Low, Patent, Art Tile Works, Chelsea, Mass. U.S.A. Copyright 1881 by J &

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square, molded tile of white clay; back his hollow and shows reverse contours of face; face decorated with foliate scrolls surrounding central rosette, plain narrow band

Mr. Herrick Teaching Wood Engraved in the Women's Art School, Cooper Union, Ada C. Thompson, Engraving, Horizontal rectangle. Sketch showing the instructor standing over his pupils who are seated near a window. Inscribed (in ink) along the side:

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Molded, square tile, white clay; impressed on reverse with inscription: 'J. & J.G. Low, Patent Art Tile, Works, Chelsea, Mass. U.S.A.' Face of tile impressed with

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