Images at Librifly

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Sidewall, Printed, Quinces on heavy branches, acanthus leaves, in art nouveau style. Printed in rusty orange, brown, gold, light olive and olive., England, ca. 1880, Wallcoverings, Sidewall

Sidewall, Machine-printed and embossed, Art nouveau floral and foliate in large scale, printed in shades of blue., Chicago, Illinois, USA, 1914, Wallcoverings, Sidewall

The Artist in the Country, from Appletons' Journal of Literature, Science and Art, June 19, 1869, Cover, Winslow Homer, American, 1836–1910, John Karst, German, active in U.S., 1836 - 1922, Wood engraving on white wove paper, Artist

Ornament & vases, pl. 1, William Darling, Printed black, white oxydized heightening, blue paper, (Berlin 271) Acanthus scroll. Top: ORNAMENTS AND VASE BY I. EDWARDS I; Bottom: Published as the Art Directs by Wm. Darling Engraver in Great

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square, molded tile made of white clay, impressed and inscription: 'J. & J.G. Low, Patent Art Tile Works, Chelsea Mass. U.S.A., copyright 1881 by J. & J.G. Low'. Face of

Study for 'Science, ' 'The Progress of Civilization: Science and Art, ' State Capitol, Des Moines, IA, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a burning oil lamp with a hand clutching the handle., USA, 1905–1906,

Sketchbook of twenty-one leaves of pencil drawings, Bessie Beebe, Soft pencil on white paper, Horizontal rectangle. Sketchbook of twenty-one leaves, bound in tan linen boards, showing pencil drawings, academic studies of still-life, furniture

Art - Students and Copyists in the Louvre Gallery, Paris', Winslow Homer, American, 1836–1910, Wood engraving printed in black ink on paper, USA, January 11, 1868, graphic design, Print, Print

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square molded tile made of white clay. Tile back has design of raised concentric circles framing inscription: 'J. & J.G. Low, Patent Art Tile Works, Chelsea Mass. U.S.A.,

Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Engraving on laid paper, A busy art

Title Page, from 'Etchings of Pictures in the Metropolitan Museum, New York', Jules Ferdinand Jacquemart, French, 1837 - 1880, Etching on paper, A wreath with 'The / Metropolitan / Museum of Art'. The title as given above, and 'Etched by /

Title page, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Within an eleborate frame resembling a domed building with columns is the suite title and a vine line inscription

On the Road to Lake George, Winslow Homer, American, 1836–1910, Appleton's Journal of Literature, Science and Art, D. Appleton and Company, New York, NY, D. Appleton and Company, New York, Wood engraving in black ink on paper, View of a

Sidewall, Machine-printed, Late art-nouveau style peony-like red flower, rigidly vertical and symmetrical about a vertical axis in rigid rows, brown and green shape with horizontal striations, over fill pattern., USA, 1900–15,

Study for 'Portrait of Mrs. James Robb and her Three Children, ' Ogden Museum of Southern Art, New Orleans, LA, Thomas Sully, 1783 – 1872, Brush and oil paint on paperboard, Vignette of a female figure holding a child., USA, 1844, figures,

Minerva, or 'Arma' (Allegory of the Art of War), pl. 2 in the Schema, seu Speculum Principum (Skills of a Prince) series, Jan Sadeler, the Elder, ca. 1550 – 1600, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Charles

Tile, J.G. & J.F. Low Art Tile Works, 1883 – 1902, Glazed stoneware, Square molded tile of white clay, impressed on the back with inscription: 'J. & J.G. Low, Patent art Tile Works, Chelsea Mass. U.S.A., copyright 1881 by J. & J.G. Low'.

Processes of Wallpaper Production, Engraving on paper, The image shows five scenes, each with a subtitle. Beginning with the upper left scene: . A GLIMPSE . OF . THE . ART . ROOM . depicts three men at their easels as a fourth wearing a top hat

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Square, molded tile of white clay, the reverse is inscribed: 'J. & J.G. Low, Patent Art Tile, Works, Chelsea, Mass. U.S.A. Copyright 1881 by J. & JG Low', The impressed

Tile, J. & J. G. Low Art Tile Works, 1877 – 1883, Glazed stoneware, Molded, square tile made of white clay, reverse bears impressed inscription set in a double-line frame: J. & J.G. Low, Patent art Tile Works, Chelsea Mass. U.S.A.,

Grasses and Cranes, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), In Japan, the crane (tsuru) symbolizes happiness and longevity. It is considered a national treasure. This vertical

Studies for the Violet Sargent Bronze Plaque in the Art Institute of Chicago, Augustus Saint-Gaudens, American, 1848 – 1907, Graphite on cream laid paper, Two figures: at left a seated woman, head in profile facing right, leaning on right

Sidewall, Embossed paper, Art nouveau-styled design with repeating pattern of wheat shafts, printed in earth tones., possibly USA, ca. 1900, Wallcoverings, Sidewall

Sidewall, Machine-printed, On patterned off-white ground with pattern showing throughout, vertical green/brown thick and thin stripes. Primary motif of off-white and brown central flower and green leaves framed by stylized green stems. In the

Doily, Medium: linen, silk Technique: plain weave embroidered in stem, running, satin, knot, detached chain, looping and speckling stitches, Doily embroidered in a circular, floral Art Nouveau pattern with multi-colored silk thread., USA,

Doily, Medium: linen, silk Technique: plain weave embroidered in stem, running, satin, knot, detached chain, looping and speckling stitches, Doily embroidered in a circular, floral Art Nouveau pattern with multi-colored silk thread., USA,

Sidewall, Pittsburg W.P. Co., 1896 – 1915, Machine-printed on paper, Imitation stained glass design, with yellow tulip with green foliage and dark brown 'leading' in art nouveau style., New Brighton, Pennsylvania, USA, 1900,

Sidewall, Machine-printed, Stylized art nouveau foliate pattern in ochre on lighter shade of mustard- colored paper, ungrounded., USA, 1875–1900, Wallcoverings, Sidewall

Design for a Fan, Mary Morison Brownson, American, Graphite, gold, brush, and watercolor on paper, Design for a fan. Horizontal rectangle: A leaf and grape pattern, outlined in gold, against a neutral green background., Vertical crease, a

Sidewall, René Crevel, French, 1900–1935, Block-printed paper, Printed in art deco style of decoration for Nancy McClelland of New York City. Gold scrolls scattered in a haphazard way over the gray background. Printed in old Roman gold on

Ceiling paper, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, Art nouveau/mission style. Large lattice with square geometric and floral medallions and beading. Stylized fleurs de lys in center of square spaces. Cream

Sidewall, Gledhill Wall Paper Co., New York, New York, founded 1900, Machine-printed paper, textured, liquid mica, Art Nouveau/Mission Style (?). Alternating floral and geometric bands or stripes. Floral bands have rose bouquets on thorny

Doily, Medium: linen, silk Technique: plain weave embroidered in stem, running, satin, knot, detached chain, looping and speckling stitches, Doily embroidered in a circular, floral Art Nouveau pattern with multi-colored silk thread., USA,

All in the Gay and Golden Weather, Winslow Homer, American, 1836–1910, Appleton's Journal of Literature, Science and Art, D. Appleton and Company, New York, NY, D. Appleton and Company, New York, Wood engraving in black ink on paper,

Frieze, Liberty Paper & Bag Co., Machine-printed paper, Art Nouveau style. Bouquets of three flowers, alternating between large and small bouquets, with stylized acanthus leafs, which intertwine at the bottom to create an undulating line. The

Sampler, Faiber Edel, Medium: silk embroidery on linen foundation Technique: embroidered on plain weave, Long white linen towel embroidered in red and blue with prayers for Rosh Hoshonna and other holidays, and the order of Seder in squares. In

Cobban Brothers, Wall Paper and Room Mouldings, Machine-printed paper, All of the samples included in this album are combination sidewall and frieze papers. The samples include landscape papers, lace effects, moiré, and grape vine designs,

Garden Pavilion and Latticed Gallery with an Alternative Design plate 365 from the publication 'L'Art de Treillageur ou menuiserie des jardins', André-Jacob Roubo, French, 1739–1791, Engraving on off-white laid paper, Elevation of a domed

Otras Leyes por El Pueblo (Other Laws for the People), Francisco de Goya y Lucientes, Spanish, 1746 - 1828, Loys Delteil, French, 1869–1927, François Liénard, French, active late 19th century, Aquatint and etching on paper, A large

L'art d'aimer (copy), Jamet, Medium: cotton Techinque: printed by engraved roller on plain weave, Same scenes as 1995-50-146. in red on white., Bolbec, Normandy, France, 1844, printed, dyed & painted textiles, Fragments, Fragments

Various works of art. The court of Palazzo Mattei in Rome, Felice Giani, Italian, 1758–1823, Brush and brown wash, pen and brown ink, black chalk on paper., Recto: Right row: Three Sibyls; inscription in ink 'andrea/Pisano' and 'sibille su/

Frieze, Hobbs, Benton & Heath, Hoboken, New Jersey, Machine-printed paper, Mission/art nouveau style. Large floral pendants and swags of pink roses and green leaves, outlined by a tin cream-colored leafy vine, which hang from a brown knotted

Sidewall, Walter Crane, (English, 1845–1915), Machine-printed paper, Very stylized blue tulips, white tulips and acanthus leaves forming cartouche. Light blue design in background. Appears to be printed on ungrounded paper. Art nouveau in

Doily, Medium: linen, silk Technique: plain weave embroidered in stem, running, satin, knot, detached chain, looping and speckling stitches, Doily embroidered in a circular, floral Art Nouveau pattern with multi-colored silk thread., USA,

Plusieurs models des plus nouvelles manières qui sont en usage en l'art d'arquebuzerie avec ses ornaments les plus convenables (Several Designs of the Newest Invention that Apply to Firearms, with their Most Suitable Ornaments), Thuraine, French,

Frieze, Hobbs, Benton & Heath, Hoboken, New Jersey, Machine-printed paper, Art Nouveau. Alternating large and medium pink lilies connected by foliate/leafy swag. Secondary ribbon swag behind lilies. Outlined on the bottom by a simplified

Sidewall, Machine-printed on paper, Foliate design in art nouveau style. Large green leaves, on brownish yellow ground. At the center of the major motif are three stylized blossoms in brownish yellow. Drop match., USA, ca. 1900, Wallcoverings,

Summer in the Country, Winslow Homer, American, 1836–1910, John Karst, German, active in U.S., 1836 - 1922, Appleton's Journal of Literature, Science and Art, D. Appleton and Company, New York, NY, D. Appleton and Company, New York,

Frieze, The Art Wall Paper Mills, Machine-printed, Large red medallion with ornate framework, containing floral bouquet, on background shading from deep red at bottom to light pink at top., Chicago, Illinois, USA, 1907–08, Wallcoverings,

Ceiling paper, The Art Wall Paper Mills, Machine-printed paper, On pink ground, various motifs: light gray scrolls and large pink medallion anthemion containing yellow flowers on pink ground framed by green scrolls with honeycomb pattern; green

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, A repeating art nouveau design of geometric cartouches containing a linear flower abstraction. Connected by elongated frets to a smaller complementary cartouche

Ceiling paper, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Art Nouveau / Mission Style. Quatrefoil formed with stylized floral motifs. This alternates with a single floral motif. Printed in pinks,

Frieze, Machine printed on ungrounded paper, Stylized late art nouveau, cluster of three stylized tupils, upright, alternate with peony-like flowers arranged symmetrically on leafy stems with stylized buds near base, with fill pattern of brown

Frieze, York Card & Paper Co., 1891, Machine-printed paper, A repeating 'art nouveau' design of cartouches containing flower-like abstractions. Connected by horizontal bands with geometric compartments to complementary cartouches on a ground

Frieze, Cresswell & Washburn Ltd, Philadelphia, Pennsylvania, 1880 - 1900, Machine-printed paper, Art Nouveau/Mission Style. Alternating small and large wreaths, with vase-like motif insets. Connected by ribbons with torches, floral swags,

Recto: Minerva, or 'Arma' (Allegory of the Art of War), preliminary design for pl. 2 in the Schema, seu Speculum Principum (Skills of a Prince) series; Verso, above: Deer Hunt with Lassos; Below: Board Hunt with Shotguns, Jan van der Straet,

Alfred Peats Wallpaper, No. 1, Machine-printed paper, Selection of wallpaper samples, bound in embossed black paper cover. Contains combination sets of matched sidewall, frieze/border and ceiling papers. Most are very conservative, showing

Square, Material: cotton Technique: roller printed on plain weave, Handkerchief printed in black and red showing as design the memorial Hall Art Gallery at the time of the Centennial, 1876, at Philadelphia Fairmont Park., USA, 1876, printed,

Sketch of “An Art Reform”, Pen and black ink, graphite on paper, Various figures scrambling and fighting, some are climbing ladders, others are using framed pieces of work to hit one another, two lay defeated on the ground., USA, ca.

Plaque and pins [3], Patinated bronze, bronze, One patinated bronze triangular mounted plaque (-1a) in original case; three small triangular bronze pins (-1b/d). Each showing classical female figure in phrygian cap, holding sword above her head

Wellspring, Richard Redgrave, British, 1804 - 1888, Sir Henry Cole (also known as Felix Summerly), A. J. F. Christy, Stangate Glass Works, Felix Summerly's Art Manufacturers, British, Enameled and gilt glass, ca. 1847, glasswares,

Frieze, Machine-printed paper, Mixture of Mission and Art Nouveau style. Alternating rectangular shapes with a floral motif in the center and a curved line of flowers at the top, surmounted by a fleur-de-lis motif. The rectangles are connected by

Frieze, Machine-printed paper, Mix of Mission and Art Nouveau styles. Alternating large and small vertical rectangles topped with an abstracted bulbous shape surmounted by a small fleur-de-lis. Bottom portion contains swags which lead up into the

Frieze, Machine-printed paper, Art Nouveau style. Wide frieze, possibly meant to be cut into wide and narrow borders. Scrolling or scalloped vine with foliage centered between two rods at top. Scrolling flourishes and heart-shaped pendants suspend

Frieze, York Card & Paper Co., 1891, Machine-printed paper, Art nouveau design. Alternating large and small stylized floral motifs. The large motif is within a scrolling acanthus wreath, connected at the top by scrolling lines., York,

Ceiling paper, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Art nouveau / mission style. Bands of large and small stylized floral (tulip) medallions alternating with bands of s-scroll motif.

Sidewall, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, liquid mica, Art nouveau / mission style. Thick bands with floral medallions and foliate stripe alternating with bands of stripes of varying sizes. Printed in

Sidewall, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, liquid mica, Art nouveau / mission style. Bands with small floral motifs and large vase-like medallions containing stylized pink flowers alternating with stripes of

Sidewall, York Card & Paper Co., 1891, Machine-printed paper, liquid mica, Art nouveau / mission style. Large singular white stylized flowers with stem and leaves loosely outlined in a metallic gold line with large bunches of foliage. Background

Frieze, York Card & Paper Co., 1891, Machine-printed paper, Art nouveau or mission design with repeating motif of stylized tulips. Printed in tans, browns and greens on a backgound that shades from olive green to tan at top., York,

Frieze, York Card & Paper Co., 1891, Machine-printed paper, liquid mica, Alternating large and small stylized tulips enclosed by art-nouveau medalions. Alternating coils. Green stripe on top and bottom. Printed in green, white, tan, and

Frieze, Gledhill Wall Paper Co., New York, New York, founded 1900, Machine-printed paper, Art nouveau design. Alternating large and small stylized flowers with base. Foliate and stylized scrolls interconnect. Brown and metalic gold stripe and

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Design of poppy flowers on stems, alternating between high and low. Band of wave scroll or guilloche along bottom edge. Art nouveau style

Frieze, Machine-printed paper, Mission or Art Nouveau style. Series of short horizontal lines with one large flower in the center. From these lines hang upside-down bouquets of roses. Bouquets are connected by a swag of leaves. Printed in brown,

Frieze, Machine-printed paper, Art Nouveau style. Stylized tulips, alternating between large and small. Background fades from dusty green at the bottom to a light yellow-green at the top. Printed in silver and shades of green, brown, and beige.,

Frieze, Machine-printed paper, Alternating stylized art nouveau-like tulips with stem and smaller tulip topped with linear gilt, geometric motif. Each large tulip motif is surrounded by snake-like branches with small flowers and leaves in gilt.

Frieze, Gledhill Wall Paper Co., New York, New York, founded 1900, Machine-printed paper, Art nouveau style. Stylized stemmed flowers, alternating beween large and small. The large flowers are encircled by swirling leafs. The base of the

Frieze, Machine-printed paper, Art Nouveau style. Stylized tulips, alternating between large and small, encircled by delicate swirls. Row of tulips run along the bottom. Background consists of a series of silver dots which become more spread out

Frieze, Machine-printed paper, Art Nouveau style. Stylized acanthous guilloche, broken up every three loops byt a large flower and stem that extends down towards the bottom of the frieze. Along the bottom, between each flower, is a smaller

Frieze, Wm. Campbell Wall Paper Company, 1872, Machine-printed paper, Art nouveau style with white bouquets of abstract vines on a tan, cream, and silver ground. Two borders printed across the width., Hackensack, New Jersey, USA,

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Horizontally repeating pattern of short and tall groups of stylized lotus blossoms. Clouds of smaller flowers frame the lotus blossoms. Art

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Art nouveau design with large lotus-style flower encased in foliage, alternating with smallery floral motif. All-over mottled ground.,

Frieze, Gledhill Wall Paper Co., New York, New York, founded 1900, Machine-printed paper, Horizontal repeat of large and small Art Nouveau inspired blossoms. Each frilly blossom grows from a stem, is framed by undulating leaves and sprouts a

Frieze, Wm. Campbell Wall Paper Company, 1872, Machine-printed, liquid mica, Art nouveau style design. Printed two across. Repeating design of grape leaves and bunches of grapes on long stylized stems, USA, 1905–1915, Wallcoverings,

Frieze, Standard Wall-Paper Company, Standard Wall-Paper Company, Pittsburgh, Pennsylvania, Machine-printed paper, Art Nouveau/Mission Style. Alternating tall and squat vases with stylized flower insets. Vases are outlined with small leaf pairs

Sidewall, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, mica, liquid, Art nouveau / mission style. Alternating bands of large stylized floral bouquets between and small, monochromatic floral motifs. Background of small

Frieze, Standard Wall-Paper Company, Standard Wall-Paper Company, Sandy Hill, New York, Machine-printed paper, A repeating design of art nouveau vase-shaped cartouches interspersed by similar, but smaller gold fleur-de-lis cartouches centering

Sidewall, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Art nouveau design with bouquets containing three stylized tulips or poppies with whiplash curve foliage. A secondary pattern of stylized tan

Sketchbook Page: Classical Statue, Kenyon Cox, American, 1856–1919, Graphite on paper, Recto: Sketch of classical statue of nude female figure from rear, missing arms, head, and legs below knee., Verso: Beginning of the draft of a letter

Sidewall - sample, Machine-printed on ingrain paper, Oversized, flamboyant group of five poppies with swirling stems and leaves, surrounded by small clusters of flowers (Chinese lanterns, jonquils), and leaves. On a course, rough-textured

Handkerchief, L. & G. Cramer, German, Medium: cotton Technique: printed by engraved roller on plain weave, Commemorative handkerchief made for the Centennial Exhibition of 1876. In the center is the Memorial Hall Art Gallery surrounded by

Ceiling paper, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Art nouveau style. Alternating large and small floral medallions (of stylized tulips) and S-scrolls. Background of hexagonal dot grid.

Sidewall, W. Campbell & Co., Machine-printed paper, liquid mica, Art nouveau-style design, with stylized tulip and foliage forming a repeating motif. Floral motifs are separated by scrolling foliate framework. Printed in brown, deep red, and

Ferris Wheel, World's Fair, Chicago, Plated brass, Oblong, rounded top and bottom, featuring incised image of ferris wheel, inscribed above, on lid, 'World's Fair, Chicago, 1893' and below image, 'The Great Ferris Wheel'. Reverse features

Frieze, Machine-printed paper, Frieze with Art Nouveau and Arts and Crafts influences. Panel features tall bouquets of stylized, rounded orange blossoms with green spade-shaped leaves. The stems at the bottom of the bouquets twist round and grow

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, liquid mica, Art Nouveau / Mission Style. Alternating large bouquets of three flowers with small singular flower, all with large curling leaves. Connected by foliate

Design for a fan: Worship of Venus by Art, Pencil, pen and ink, brown wash, Before a classic portico, a female figure with the attributes of the Visual Arts kneels in adoration before a statue of Venus. Cupid flies above. Other figures,

ornament, John Edwards, Aquatint, An urn stands upon a tripod and is decorated with ivy boughs and flower garlands. Framing line laterally. Bottom margin: John Edwards Invt & Sculpt; Published as the Art Directs Septr. 1st 1783., England, 1783,

Sidewall, Charles Francis Annesley Voysey, (English, 1857–1941), Block-printed paper, Art nouveau design with large-scale tulips and scrolling acanthus leaves. Printed in shades of yellow and olive green., USA, 1893–1895, Wallcoverings,

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, Mission Style/Art Nouveau. Groups of three flower bouquets, each with three very stylized square flowers, whose stems contain bead and reel and key patterns. These

search results: Art clear search