Images at Librifly

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View of the temple of Neptune, Giovanni Battista Piranesi, No later than 1778, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 522 mm, Height (paper size) 550

View of The Arch of Trajan at Benevento, Giovanni Battista Piranesi, 1778, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 475 mm, Height (paper size) 530 mm,

View of the Temple of Concordia at Forum Romanum, Giovanni Battista Piranesi, 1774, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 470 mm, Height (paper size)

View of Nerva's Forum, Giovanni Battista Piranesi, 1757, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 402 mm, Height (paper size) 530 mm, Width (plate size)

The Column of Marcus Aurelius, Giovanni Battista Piranesi, 1758, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 550 mm, Height (paper size) 770 mm, Width

View of Ponte Molle, Giovanni Battista Piranesi, 1762, Graphic Art, Etching, Dramatic is the word to be applied to this view of the Ponte Molle, the bridge which, according to the text accompanying Giovanni Battista Piranesi’s etching,

View of Piazza Navona, Giovanni Battista Piranesi, 1751, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 410 mm, Height (paper size) 425 mm, Width (plate size) 550 mm, Width (paper size) 565 mm,

Antique Vase on a Tripod, Giovanni Battista Piranesi, No later than 1778, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size?) 733 mm, Width (plate size?) 532 mm,

Antique Vase. Relief with the Sacrifice of Ifigenia, Giovanni Battista Piranesi, No later than 1778, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size?) 733 mm,

Trofeo di Ottaviano Augusto, Giovanni Battista Piranesi, Ca. 1753, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size?) 733 mm, Width (plate size?) 532 mm, 3.,

Trofeo di ottaviano Augusto, back view, Giovanni Battista Piranesi, Ca. 1753, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size?) 733 mm, Width (plate size?) 532

Antique Vase on a Tripod, Giovanni Battista Piranesi, No later than 1778, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 386 mm, Height (paper size) 455 mm, Width (plate size) 255 mm, Width

Jacobus Collot, Francesco Polanzani, No later than 1783, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 115 mm, Height (paper size) 253 mm, Width (plate size) 90 mm, Width

Male portrait, Francesco Polanzani, No later than 1783, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 95 mm, Height (paper size) 253 mm, Width (plate size) 95 mm, Width (paper

Male portrait, Francesco Polanzani, No later than 1783, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 95 mm, Height (paper size) 253 mm, Width (plate size) 95 mm, Width (paper

Petrus Stevens, Francesco Polanzani, No later than 1783, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 95 mm, Height (paper size) 253 mm, Width (plate size) 95 mm, Width (paper

Petrus de Iode, Francesco Polanzani, No later than 1783, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 95 mm, Height (paper size) 253 mm, Width (plate size) 95 mm, Width (paper

Head of a Bearded Man, Francesco Polanzani, No later than 1783, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 905 mm, Height (paper size) 150 mm, Width (plate size) 805 mm,

Annunciation to the Shepheards, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 324 mm, Width (plate size?) 220 mm, Nolite timere: ecce enim evangelizo

The Circumcision, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 324 mm, Width (plate size?) 220 mm, Postquam consumati sunt dies octo, ut

Adoration of the Magi, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 325 mm, Width (plate size?) 223 mm, Omnes de Saba venient, aurum, et thus

The Presentation in the Temple, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 326 mm, Width (plate size?) 221 mm, Venerunt in Jerusalem, ut

Massacre of the Innocents, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 327 mm, Width (plate size?) 220 mm, Herodes iratus occidit omnes pueros,

Jesus as a Child in the Temple, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 327 mm, Width (plate size?) 224 mm, Fili quid fecisti nobis sic ? Ecce

The Holy Ghost, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 324 mm, Width (plate size?) 219 mm, Factus est repente de coelo sonus tamquam

Anna in the Temple, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 323 mm, Width (plate size?) 222 mm, Velut jam teneret expectatuam prolem,

The Assumption of Mary, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 322 mm, Width (plate size?) 221 mm, Que est ista quæ descendit de deserto

Anna and Mary in the Temple in Jerusalem, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 325 mm, Width (plate size?) 222 mm, Ducta Hierosolymis in

The Annunciation, Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 330 mm, Width (plate size?) 228 mm, Spiritus Sanctus superveniet in te, et Virtus

The Goddess of Hope, Samuel Amsler, 1826, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 300 mm, Width (plate size?) 210 mm, Graphic Design, European, Modernity (1800 - 1914

Caryatid, Bernardino Consorti, 1826, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 306 mm, Width (plate size?) 209 mm, Graphic Design, European, Modernity (1800 - 1914

Caryatid, Bernardino Consorti, 1826, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 315 mm, Width (plate size?) 206 mm, Graphic Design, European, Modernity (1800 - 1914

Ganymede with Jupiter's Eagle, Karl Barth, 1826, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 244 mm, Width (plate size?) 293 mm, Graphic Design, European, Modernity (1800 -

Christ Blessing the Children, Samuel Amsler, 1826, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 233 mm, Width (plate size?) 184 mm, Graphic Design, European, Modernity (1800

Caritas, Samuel Amsler, 1826, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 214 mm, Width (plate size?) 149 mm, Graphic Design, European, Modernity (1800 - 1914

Cupid Revives Psyche, Giovanni Balestra, 1774-1842, 1826, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 199 mm, Width (plate size?) 274 mm, Graphic Design, European,

Georg Friedrich Schmidt, 1772, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (paper size) 325 mm, Width (paper size) 235 mm, Georg Friedrich Schmidt, Maurice Quentin de la Tour, Peintre du

View of Bagnoli and Fuirogrotta as seen from above Posillipo, Vincenzo Alloja, 1804, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 225 mm, Height (paper size) 295 mm, Width

View of the interior of the Tomb of Mamia and the Entrance to the Antique Town Pompei, Vincenzo Alloja, 1806, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 225 mm, Height (paper

Tombs on the Road leading to the Entrance of Pompej, Vincenzo Alloja, 1808, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 225 mm, Height (paper size) 295 mm, Width (plate size)

View of an ancient sepulcher above the Collina dello Scodillo in Naples, Vincenzo Alloja, 1804, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 225 mm, Height (paper size) 295 mm,

View of Perano with the king's countyhouse, Vincenzo Alloja, 1804, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 225 mm, Height (paper size) 295 mm, Width (plate size) 305 mm,

View of Caserta drawn from the English Garden with the Royal Palace, Vincenzo Alloja, 1804, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 225 mm, Height (paper size) 295 mm,

Interior view of The Temple of Isis in Pompeii, Vincenzo Alloja, 1805, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 225 mm, Height (paper size) 295 mm, Width (plate size) 305

Pius VII, Samuel Amsler, No later than 1849, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 268 mm, Height (paper size) 337 mm, Width (plate size) 200 mm, Width (paper size) 268

General Consul Bernardino Drovetti, Samuel Amsler, No later than 1849, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 243 mm, Height (paper size) 279 mm, Width (plate size) 196

Alexander the Great's Entry into Babylon, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 251 mm, Width (plate size?) 479

Day. Night, Pietro Antonio Leone Bettelini, 1763-1829, 1815 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size A) 269 mm, Width (plate size A) 242 mm, Graphic Design,

Alexander the Great's Entry into Babylon, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 255 mm, Width (plate size?) 486

Monument to Auguste Böhmer, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size A) 225 mm, Width (plate size A) 151 mm,

The Deceased's Brother Bringing him the Emperor of Austria's Reward, Pietro Antonio Leone Bettelini, 1763-1829, 1814 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 235

A Genio Lumen (Art and the Genius of Light), Pietro Antonio Leone Bettelini, 1763-1829, 1808 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 230 mm, Width (plate size?)

Alexander the Great in his Triumphal Chariot, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 235 mm, Width (plate size?)

Alexander the Great's Armour Bearers and Bucephalus, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 233 mm, Width (plate

Hephaestion and the Commanders Parmenio and Amyntas, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 235 mm, Width (plate

Warrior Following Alexander the Great's Commanders, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 234 mm, Width (plate

The Cavalry, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 234 mm, Width (plate size?) 468 mm, Graphic Design,

Male Portrait, Samuel Amsler, 1816, Graphic Art, Etching, Copper Engraving, Paper, Color, Printer's ink, Etching, Copper engraving, Printet, Height (plate size) 115 mm, Height (paper size) 217 mm, Width (plate size) 106 mm, Width

Antique Bridges at the Tiber and the Aniene, Antonio Acquaroni, 1836, Graphic Art, Copper Engraving, Aquatint, Antonio Aquaroni worked for the papal printing press Calcografia Camerale in Rome. It was said of Aquaroni that he charted Rome as

Portrait of Thorvaldsen modelling the bust of Vernet, No earlier than 1833, Graphic Art, Woodcut, Paper, Color, Printer's ink, Woodcut, Printet, Height (paper size) 145 mm, Width (paper size) 122 mm, Bertel Thorvaldsen, [Født 19. Novbr.

Portrait of Thorvaldsen, Ernst Meyer, 1797-1861, March 10, 1844, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Printet, Height (paper size) 216 mm, Width (paper size) 333 mm, Ernst Meyer 10. Martz 1844, Graphic

Giovanni Battista Piranesi, No later than 1900, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 125 mm, Height (paper size) 256 mm, Width (plate size) 195 mm, Width (paper size)

Monument to Johann Joachim Winckelmann, A. Bernatti, No earlier than 1827, Graphic Art, Steel Engraving, Johann Joachim Winckelmann (1717-1768) arrived in Italy in 1755 and stayed there until his death in 1768. The monument to him was erected in

Suppliant Kneeling before the Virgin and Child, Albrecht Altdorfer, No later than 1538, Graphic Art, Woodcut, Paper, Color, Printer's ink, Woodcut, Printet, Height (plate size) 170 mm, Height (paper size) 195 mm, Width (plate size) 120

Dying Lion (The Lucerne Lion), Franz Hegi, 1774-1850, No earlier than 1821, Graphic Art, Photogravure, Paper, Color, Printer's ink, Photogravure, Printet, Height (sight size) 310 mm, Height (plate size) 345 mm, Height (passepartout) 500

Józef Poniatowski, No earlier than 1813, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 285 mm, Height (paper size) 305 mm, Width (plate size) 235 mm, Width (paper size) 245 mm, Jozef Hiaze

Anna and Joachim by the Golden Gate, Marcantonio Raimondi, No earlier than 1504, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 393 mm, Width (plate size?) 324 mm, AD, 3,

Christ on the Cross between the two Thieves, Hendrick Goltzius, 1596 - 1598, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 195 mm, Height (paper size) 227 mm, Width (plate size)

The Crucifixion, Jan Harmensz Muller, No later than 1628, Graphic Art, Copper Engraving, Cardboard, Paper, Color, Printer's ink, Copper engraving, Printet, Height (paper size) 116 mm, Width (paper size) 76 mm, 1521 L, Graphic Design,

Baptism of Constantin, Francesco Faraone Aquila, 1772, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 535 mm, Width (plate size?) 720 mm, Raph. Sanct. Urb. Inv. in Pal. Vat.

View of Ponte Lugano, Giovanni Battista Piranesi, 1763, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 455 mm, Height (paper size) 530 mm, Width (plate size)

Caryatids, Giovanni Battista Piranesi, 1778, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size?) 733 mm, Width (plate size?) 532 mm, 68, A Sua Eccelenza il

In capite eius corona stellarum duodecim (Crowning of the Virgin), Francesco Polanzani, 1798, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 321 mm, Width (plate size?) 220 mm,

Ponte Aquarius known as dell'Accoria, Antonio Acquaroni, 1836, Graphic Art, Copper Engraving, Aquatint, Paper, Color, Printer's ink, Copper engraving, Aquatint, Printet, Height (plate size?) 292 mm, Width (plate size?) 348 mm, Ant.o

Waterfall of The Aniene River at Tivoli, Antonio Acquaroni, 1836, Graphic Art, Copper Engraving, Aquatint, Paper, Color, Printer's ink, Copper engraving, Aquatint, Printet, Height (plate size?) 292 mm, Width (plate size?) 346 mm, Ant.o

Ponte Mammolo, Antonio Acquaroni, 1836, Graphic Art, Copper Engraving, Aquatint, Paper, Color, Printer's ink, Copper engraving, Aquatint, Printet, Height (plate size?) 295 mm, Width (plate size?) 350 mm, Ant.o Aquaroni dis. e inc.,

Ponte di Narsete known as Ponte Salaro, Antonio Acquaroni, 1836, Graphic Art, Copper Engraving, Aquatint, Paper, Color, Printer's ink, Copper engraving, Aquatint, Printet, Height (plate size?) 297 mm, Width (plate size?) 350 mm, Ant.o

View of the Arch of Titus Restored by Pius VII, Antonio Acquaroni, Ca. 1825, Graphic Art, Copper Engraving, Pope Pius 7 (1740-1823) completed the restoration of the Arch of Titus in the Forum Romanum in Rome in 1823. Antonio Aquaroni was tasked

Fontana coll'Obelisco nel circo Agonale (Fountain of the Four Rivers), Antonio Acquaroni, Ca. 1837, Graphic Art, Aquatint, Gian Lorenzo Bernini (1598-1680) was the artistic genius overshadowed all others in the Rome of his day. His fountain in

Young Greek Warrior Shows Thorvaldsen the Elephant Passing by with Persian Weapons and the most precious Casket, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper

Warriors on their Guard and a Shepherd Family by the Town Gate, Pietro Antonio Leone Bettelini, 1763-1829, 1812 - 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 234 mm,

Monument to Vibio Mariano called Monument to Nero, Antonio Acquaroni, No later than 1874, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (sight size) 270 mm, Height (plate size) 290 mm, Height (passepartout)

Madonna of Casa Colonna, Luigi Barocci, No later than 1850, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 406 mm, Height (paper size) 416 mm, Width (plate size) 295 mm, Width

Santa Maria, Luigi Barocci, No later than 1850, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 141 mm, Height (paper size) 187 mm, Width (plate size) 100 mm, Width (paper size)

Albrecht Waldstein, Duke of Friedland and Mecklenburg, Joseph the younger Bergler, No later than 1829, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 505 mm, Height (paper size) 675 mm, Width

Mars on a Biga, Pietro Antonio Leone Bettelini, 1763-1829, No later than 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 335 mm, Height (paper size) 422 mm, Width (plate

Alexander the Great's Entry into Babylon, Georg William Müller, 1835, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 279 mm, Width (plate size?) 469 mm, Wilh. Müller sculp

The Musicians, Samuel Amsler, 1835, Graphic Art, Copper Engraving, Interest in Thorvaldsen grew among members of the Royal Academy of Fine Art in Copenhagen and its leading figure, Prince Christian (VIII) Frederik (1786-1848) when they were

Bagophanes and his Altar, Samuel Amsler, 1835, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 226 mm, Width (plate size?) 305 mm, Tab. XI., Graphic Design, European,

The Cavalry Followed by the Infantry, Samuel Amsler, 1835, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 213 mm, Width (plate size?) 455 mm, Tab. XX., Graphic Design,

Young Greek Warrior Shows Thorvaldsen the Elephant Passing by with Persian Weapons and the most precious Casket, Samuel Amsler, 1835, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate

Warriors on their Guard and a Shepherd Family by the Town Gate, Samuel Amsler, 1835, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 221 mm, Width (plate size?) 317 mm, Tab. VI.,

Mary, John and the Sleeping Christ Child, Pietro Antonio Leone Bettelini, 1763-1829, No later than 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 445 mm, Height (paper

The Persian Sibyl, Pietro Antonio Leone Bettelini, 1763-1829, 1797, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 452 mm, Height (paper size) 540 mm, Width (plate size) 350 mm,

The Persian Sibyl, Pietro Antonio Leone Bettelini, 1763-1829, No later than 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 455 mm, Height (paper size) 536 mm, Width (plate

The Phrygian Sibyl, Pietro Antonio Leone Bettelini, 1763-1829, No later than 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 345 mm, Height (paper size) 430 mm, Width

Mater Divine Sapientiae (Virgin with an open book), Pietro Antonio Leone Bettelini, 1763-1829, No later than 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 462 mm, Height

Hercules and Omphale, Pietro Antonio Leone Bettelini, 1763-1829, No later than 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 346 mm, Height (paper size) 378 mm, Width

Jupiter and Juno, Pietro Antonio Leone Bettelini, 1763-1829, No later than 1829, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 383 mm, Height (paper size) 411 mm, Width (plate

Trading Post by the River, Samuel Amsler, 1835, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 535 mm, Width (plate size?) 366 mm, Graphic Design, European, Modernity (1800 -

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