Images at Librifly

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Beatrice Cenci, Giovanni Emili, No later than 1880, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 285 mm, Height (paper size) 350 mm, Width (plate size) 185 mm, Width (paper

Saint Agnes, François-Xavier Fabre, No later than 1837, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 275 mm, Height (paper size) 35 mm, Width (plate size) 200 mm, Width (paper size) 240 mm,

Gaius Marius and the Roman Soldier at Minturnae, François-Xavier Fabre, No later than 1837, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 185 mm, Height (paper size) 270 mm, Width (plate size)

Matthew, Pietro Folo, 1825 - 1830, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 557 mm, Width (plate size?) 373 mm, Cav.r Alb. Thorwaldsen inv e scolpi, Leonardo Camia

The Return of Ulysses, François-Xavier Fabre, No later than 1837, Graphic Art, Etching, Paper, Color, India ink, Color, Graphite, Color, Printer's ink, Drawn, Etching, Printet, Height (plate size) 188 mm, Height (paper size) 212 mm,

Landscape, François-Xavier Fabre, 1808, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 345 mm, Height (paper size) 407 mm, Width (plate size) 242 mm, Width (paper size) 305 mm,

Italian Landscape with a Ferry Boat, François-Xavier Fabre, No later than 1837, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 325 mm, Height (paper size) 400 mm, Width (plate

Descent from the Cross, Fedor Iwanowitsch, Ca. 1765-1832, No later than 1832, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 415 mm, Height (paper size) 445 mm, Width (plate

View of the Huge Building of the San Michele Hospice in Rome, Vincenzo Feoli, Ca. 1750-1831, No later than 1827, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 590 mm, Height

Noli Me Tangere, Christ and Mary Magdalene, Giovanni Folo, 1764-1836, No later than 1836, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 445 mm, Height (paper size) 495 mm,

Mary Praying (Mater amabilis), Giovanni Folo, 1764-1836, No later than 1836, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (passepartout) 650 mm, Height (paper size) 548 mm, Width

Venus and Adonis, Giovanni Folo, 1764-1836, No later than 1836, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 495 mm, Height (paper size) 515 mm, Width (plate size) 390 mm,

Jupiter as Satyr and Antiope, Giovanni Folo, 1764-1836, No later than 1836, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 470 mm, Height (paper size) 485 mm, Width (plate size)

Angelica and Medoro, Giovanni Folo, 1764-1836, No earlier than 1786, Graphic Art, Copper Engraving, Orlando sought to find the Asian princess Angelica, who was at the court of the Roman emperor Charles the Great (742-814). Orlando became mad

John, Pietro Antonio Leone Bettelini, 1763-1829, 1825 - 1830, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size?) 561 mm, Width (plate size?) 372 mm, Cav. Alb Thorwaldsen inv e

Diana, Pietro Fontana, 1762-1837, No later than 1837, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 338 mm, Height (paper size) 380 mm, Width (plate size) 410 mm, Width (paper

Ecce Homo, The Suffering Christ, Pietro Fontana, 1762-1837, No later than 1837, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 606 mm, Height (paper size) 633 mm, Width (plate

Giovanni Ceccarini, Pietro Fontana, 1762-1837, No later than 1837, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 280 mm, Height (paper size) 300 mm, Width (plate size) 200 mm,

John, Pietro Antonio Leone Bettelini, 1763-1829, 1825 - 1830, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 560 mm, Height (paper size) 630 mm, Width (plate size) 370 mm,

Rex Nemorensis, Pietro Fontana, 1762-1837, No later than 1837, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 302 mm, Height (paper size) 350 mm, Width (plate size) 425 mm,

Prometheus, Francesco Fontana, No later than 1870, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 315 mm, Height (paper size) 380 mm, Width (plate size) 410 mm, Width (paper

Battle between Lapith and Centaur, Alfred Robert Freebairn, 1824, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 305 mm, Height (paper size) 310 mm, Width (plate size) 255 mm,

Interior View of the Church San Miniato al Monte, Paolo Fumagalli, 1700s-1800s, No later than 1870, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 320 mm, Height (paper size) 382 mm, Width (plate

Interior View of the Church San Miniato al Monte, Paolo Fumagalli, 1700s-1800s, No later than 1870, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 320 mm, Height (paper size) 330 mm, Width

Pompeia Picturesque, historical and geometric treatise, Paolo Fumagalli, 1700s-1800s, 1827, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 380 mm, Height (paper size) 450 mm, Width (plate

Paintings found at Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width

Section, Ornaments and Stuccoes found at Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate

Tools found in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper

The Temple of Hercules in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm,

View of the Tragic Theater in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm,

View of the Basilica on the Foro side in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate

Tetrastyle Cavaedium in the house at the south of the Basilica, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm,

View of the Forum Nondinarum in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm,

Pseudo garden Triclinium House of Acteon, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320

Forum seen from the side of the Temple of Jupiter in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width

View of the House of Diomedes in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320

View of the Entrance to the House of Pansa in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate

View of the inner side of the Herculaneum Gate in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width

View of the School in the Grand Theater in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate

View of the Ramparts of the city of Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320

View of the House of Sallust in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm,

View of the Tomb of the Scaurus at Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320

Interior view of the Amphitheatre in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size)

Tools and paintings found in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 322 mm,

View of the inn called Albino in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320

View of the Covered Theater in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm,

Map showing the old and the modern Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320

Tools and paintings found in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 268 mm, Height (paper size) 310 mm, Width (plate size) 320 mm,

Paintings found in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width

Paintings found in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 445 mm, Width

Quando a pazo col Sol ma più lucente L'Angelo gli appari da l'Oriente, Vincenzo Gaiassi, 1801-1861, 1825, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 380 mm, Width (plate size?) 485 mm, Vin.

Suddenly a maiden appeared, Vincenzo Gaiassi, 1801-1861, 1825, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 380 mm, Width (plate size?) 485 mm, Vin. Gaiassi inv e inc., Roma 1825, Quindi a

The wounded opponent lay on the floor, Vincenzo Gaiassi, 1801-1861, 1825, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 380 mm, Width (plate size?) 485 mm, Vin. Gaiassi inv e inc, Roma 1825,

Gardo to that fierce clash is driven to the ground, Vincenzo Gaiassi, 1801-1861, 1825, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 380 mm, Width (plate size?) 485 mm, Vin. Gaiassi inv e inc,

One of the thinkers, inhuman man, Vincenzo Gaiassi, 1801-1861, 1824, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 380 mm, Width (plate size?) 485 mm, Vin. Gaiassi inv e inc., Roma 1824, Un

On the pitiful arms the faithful friends Carry him; varo weight and honoured, Vincenzo Gaiassi, 1801-1861, 1825, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 380 mm, Width (plate size?) 485 mm,

And cutting the rope, whereon it hung, Serves them against the enemies in war., Vincenzo Gaiassi, 1801-1861, Ca. 1826, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 425 mm, Width (plate size?)

Stop the gusts, that I give myself up for victory. Pull not accursed rogue, Vincenzo Gaiassi, 1801-1861, 1827, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 268 mm, Height (paper size) 425 mm,

O thou, who revel now in my bitter fate Know, that thou shalt die away more unhappy, Vincenzo Gaiassi, 1801-1861, 1827, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 270 mm, Height (paper size)

Iris does not answer and the winds cleaves, And down from Heaven in the battle descends, Vincenzo Gaiassi, 1801-1861, 1827, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 271 mm, Height (paper

....e rises his wings Where he fights, Vincenzo Gaiassi, 1801-1861, 1837, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 271 mm, Height (paper size) 425 mm, Width (plate size) 367 mm, Width

The lamps of Heaven all he lighted, And down on earth to mortals the di closed., Vincenzo Gaiassi, 1801-1861, 1827, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 269 mm, Height (paper size) 425

Answered them, that it was better regard To end all quarrels and contentions, Vincenzo Gaiassi, 1801-1861, 1827, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 268 mm, Height (paper size) 425 mm,

With motion of hand ceffi altering Incmincio so teno reigning, Vincenzo Gaiassi, 1801-1861, 1827, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 265 mm, Height (paper size) 425 mm, Width (plate

Immediately the Potta ran to embrace him. Telling him ben venga mia compare, Vincenzo Gaiassi, 1801-1861, 1825, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 425 mm, Width (plate size?) 575 mm,

That too hard to the People of Reggio, Vincenzo Gaiassi, 1801-1861, 1826, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 270 mm, Height (paper size) 425 mm, Width (plate size) 370 mm, Width

Arrived that madman at the execrable gates Beat three times with trembling wrists, Vincenzo Gaiassi, 1801-1861, 1828, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 213 mm, Height (paper size) 340

And fresh milk adduced to him, and often Nudged him still of his own milk, Vincenzo Gaiassi, 1801-1861, 1827, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 213 mm, Height (paper size) 340 mm,

That in secret of horror tresca lascivious draws the damsels to bloody Diva, Vincenzo Gaiassi, 1801-1861, 1827, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 211 mm, Height (paper size) 340 mm,

Let us return to the fields, and there we see lazy hunger sit on the marshy gravels, Vincenzo Gaiassi, 1801-1861, 1828, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 214 mm, Height (paper size)

And under the iron foot a thousand to a thousand flee Shrill and turbid sparks, Vincenzo Gaiassi, 1801-1861, 1828, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 212 mm, Height (paper size) 340

Title page, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435 mm, 1.,

The Shadow of Cajo Mario advances formidable though without word, and without arms, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size)

The Shadow of C. Sulla makes with his appearance flee The shadows of the Romans remembering his ferocity, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm,

Lucrezia, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435 mm, 12.,

Night three, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435 mm, 13.,

G. Brutus shows the delinquent sons, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper

The Shadow of Virginius shows the dagger still dripping with his daughter's blood, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295

The Shadows of Caesar and Pompey look fiercely at each other remembering their ancient emulation, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height

The Parricide, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435 mm, 17.,

Night four, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435 mm, 18.,

Numa, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435 mm, 21., Numa.,

Romulus threatens Numa, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435

Wails of the Shadows over the ruins of their monuments, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size)

Gastigo of Nero, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435 mm, 24.,

The Roman Shadows reproach Verri for the desolations of the splendid Colosseum, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295

Caesar's Shadow ascends the Capitol almost Dictator feared and victorious, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm,

Jugurth's Shadow reproaches the Romans for the vistas of their Senate by him with corrupted gold, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height

The Shadow of Marcus Brutus and Cicero recognize themselves, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 130 mm, Height (paper size) 295 mm, Width (plate

In vain do incorporeal efforts attempt to bury material bones, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate

A shade prays Verri to lay their bones the sport of time once more into a tomb, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295

Strong sentences of M. Brutus on the isorization of the Obelisk of the Via Flaminia, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size)

Horace Coclite's Shadow, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435

Cicero's Epilogue, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size) 435 mm,

G. Caesar rebukes M. Brutus, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 130 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width (paper size)

Verri looks in vain around for other shades, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm,

Gratidian's Shadow shows Caesar the stumps, Vincenzo Gaiassi, 1801-1861, 1832, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 140 mm, Height (paper size) 295 mm, Width (plate size) 170 mm, Width

The Madonna of Saint Jerome (Il Gorno), Mauro Gandolfi, 1826, Graphic Art, Copper Engraving, In AD 386, the Father of the Church Jerome (342-420) settled in Bethlehem. Over the next many years he translated, The Old Testament, and, The New

Saint Cecilia, Mauro Gandolfi, No later than 1834, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 805 mm, Height (paper size) 925 mm, Width (plate size) 495 mm, Width (paper

Cossacks and other Riders Fighting, Christian David Gebauer, 1777-1831, No later than September 15, 1831, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 48 mm, Height (paper size) 108 mm, Width

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