Images at Librifly

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MINIATURE 'HUNTING SCENE', ink, Gold On Paper, 6 x 4-3/8 in., Asian Art

bowl with arc and floral design, Tang dynasty, Tang dynasty, 800s, stoneware with underglaze pigment, iron glaze, Changsha ware, 1-7/8 x 5-1/2 in. (diam.), Asian Art

MINIATURE 'COURT SCENE', ink, Gold On Paper, 10-7/8 x 7-7/16 in., Asian Art

helmet mask (Molo), Bobo people, 20th century, wood, pigment, plant fiber, 58-1/2 x 11-1/2 x 12-1/2 in., African Art

Wrist rest with wood stand, White Jade, No measurement details., Asian Art

Figural Group, ivory, 10 in., Asian Art

slit drum, 1930-1950, wood, pigment, 114 x 15 x 18 in., South Pacific Art

ginger jar, cloissoné enamel, 4 x 4-1/2 x 3-1/4 in., Asian Art

Leisurely Copying the Ancients, Zou Zhilin (Chinese), Ming dynasty, period, Chongzhen, 1642, ink and color on paper, 9-3/4 x 6-5/8 in. (image, each page) 12 x 7-7/8 x 3/4 in. (album) 12 x 15-3/4 in. (installed), inscribed and signed: Mei'an

vessel with insert and stand, bronze, No measurement details., Asian Art

headpiece in the form of a crocodile, Ejagham people, 20th century, wood, pigment, 9-1/2 x 53-1/4 x 36 in., African Art

Female Musician, earthenware, 12-1/2 H, Asian Art

platter fragment with phoenix design, Yuan dynasty, Yuan dynasty, 1350-1368, porcelain with blue glaze, Jingdezhen ware, 3 x 16-1/8 (diam.) in., Asian Art

12 Views of Huangshan, Mei Qing (Chinese, 1623-1697), Qing dynasty, period, Kangxi, 1689, ink on silk, 9-11/16 x 10-3/4 x 1-1/4 in. (overall), artist's seals inscribed by Mei Qing colophons on facing page by Gu Yuguan (1693-?) with each

figure, 1900-1930, brass, 2-3/4 in., Asian Art

beaker with strap handles, Qijia culture, 2000 B.C.E., earthenware with paint, 4-3/4 x 4-1/2 x 2-7/8 in., Asian Art

vase, 1875-1925, porcelain, glaze, 9-1/2 in., Asian Art

Egungun hare head cap mask, Oniyide Adugbologe (Nigerian, about 1875-1949), 20th century, wood, pigment, 19-1/8 x 10 x 13 in., African Art

jar with combed design, Unknown, Eastern Han dynasty, about 50, Green Glaze, stoneware, 13-1/4 x 10-1/2 (diam.) in., Chinese, Asian Art

human figure, Lengola people, early 20th century, wood, pigment, incrustation, 80 x 14-1/4 x 5-1/2 in., African Art

cockscomb flask, Liao dynasty, Liao dynasty, 1000s, stoneware with glaze, 9-3/4 x 6-1/8 (diam.) in., Asian Art

Canosan White-Ground Amphora with Protomes: Medusa and Centaurs, Greco-Roman, Greco-Roman, 3rd-2nd centuries B.C.E., terra-cotta, 17-3/4 x 6-1/4 (diam.) in., Ancient Art of the Mediterranean

bowl, 1115-1234, Stoneware (cizhou Ware), 9-1/4 diam, Asian Art

face mask for Ngongo initiation, Dinga people, Lwalu people, 1900-1940, wood, pigment, 14 x 8 x 6-1/4 in., African Art

eggplant-purple bottle, Qing dynasty, Qing dynasty, 1700s, porcelain with purple overglaze enamel, H: 4-1/4 in., Diam: 1-1/4 in., Asian Art

helmet mask for Poro association (Landai), Loma people, 20th century, wood, pigment, feathers, fiber, cloth, fur, hair, skin, 65 x 32 x 24 in., African Art

headpiece in the form of a crocodile, Ejagham people, 20th century, wood, pigment, 9-1/2 x 53-1/4 x 36 in., African Art

melon shaped ewer, Northern Song dynasty, Northern Song dynasty, 1000-1099, black glazed stoneware, 10-1/8 x 6-3/4 x 6-1/8 in., Asian Art

Sines triumphal arch ...; The beautiful Chinese pagoda ...; Chinese art made pleasure mountains, ...; One of the wondrous chain bridges in Sina ..., Above left: Fig. Of a Chinese triumphal arch from the 18th century, Above right: Fig. Of a Chinese

Yui, Utagawa Hiroshige 歌川広重 (Japanese, 1797-1858), ink on paper, color woodblock print, No measurement details., Asian Art

female figure, Dogon people, 18th-19th century, wood, incrustation, other materials, 74 x 8-3/4 x 13 in., African Art

staff depicting a woman and baboon (udlwedlwe), Baboon Master (African), 20th century, wood, 52-1/2 x 2-1/2 x 4 in., African Art

The Thatched Xixi Studio, Wan Shouqi (Chinese, 1603-1652), Qing dynasty, period, Shunzhi, 1651, ink on paper, 11-1/2 x 389 in. (overall), 1st col. by Shen Qinhan dated 1817, 2nd col, by He Shaoji, (1799-1873) dated 1852 title by Xu Jian,

Pavilion by Willows and Bridge, Attributed to Zhou Lian (Chinese, 1790-1851), Qing dynasty, 1800-1851, ink and color on paper, 12 in. x 10 in., Asian Art

Calligraphy and Painting Party, Kawanabe Kyōsai (Japanese, 1831-1889), 1881, ink and color on paper, 58-1/2 x 32-1/4 in. (image) 90-1/4 x 38-3/16 in. (mounting w/o knobs) 93-1/2 x 40-3/4 x 1-1/2 in. (as installed) 90-1/4 x 40-7/16 in. (mounting

Crane and Traveler in Winter Landscape, School of Zhe (Chinese), Ming dynasty, about 1600, ink on silk, 54 x 21-5/8 in. (image) 107-3/4 x 27-7/8 in. (mount), Asian Art

The Thatched Xixi Studio, Wan Shouqi (Chinese, 1603-1652), Qing dynasty, period, Shunzhi, 1651, ink on paper, 11-1/2 x 389 in. (overall), 1st col. by Shen Qinhan dated 1817, 2nd col, by He Shaoji, (1799-1873) dated 1852 title by Xu Jian,

Lantern Slide - Portrait of William Kent, National Portrait Gallery, London, 1909-1930, One of a set of ninety photographic magic lantern slides containing images of artefacts, art works, decorative arts, interiors and furniture which appear

Plan de Mannheim, Map Mannheim and surroundings Baden-Wurttemberg Germany, N. 5, after S. 388, S. 404, Tome 2, Maréchal [Laurent de] Gouvion-Saint-Cyr: Mémoires sur les campagnes des armées du Rhin et de Rhin-et-Moselle, de 1792 jusqu'à la

male figure (one of a pair), wax, pigment, cotton fiber, 12-1/4 in., African Art

twelve egrets in marsh grasses, Zhu Da (Chinese, 1624-1705), Qing dynasty, ink on paper, 46 x 20 in. (image) 101-11/16 x 25-13/16 in. (overall), signed: Bada shanren xie 2 seals, Asian Art

ends for umbrella struts, Western Han dynasty, Western Han dynasty, about 150 B.C.E., bronze with gold, agate, and turquoise inlay, 2-3/4 x 1-1/8 x 1/16 in., Asian Art

vase, Qing dynasty, Qing dynasty, 1700-1799, porcelain, 7-1/2 H, Asian Art

album of letters, Yi Bingshou, Calligrapher (Chinese, 1754-1815), Qing dynasty, ink on various papers, 12-7/8 x 7-7/8 in., Asian Art

figure for Bukota association, Metoko, late 19th century - early 20th century, wood, pigment, H: 25-7/8 in., African Art

jar, 1368-1644, Tz'u-chou Type Ware, pigment, H: 14 in., Asian Art

Chinese Beauty, from Chinese Beauty, Phoenix and Peacock, Tosa Mitsuoki (Japanese, 1617-1691), Edo, 1691, ink and color on silk, 55-1/2 x 28-1/8 in. (image) 96-3/4 x 37 in. (overall), Signed: Tosa Hogen Josho Seal: Fujiwara, Asian Art

human figure (Nkisi), Yombe people, late 19th century - early 20th century, wood, glass, cloth, resin, feathers, 12-1/2 x 9 x 2-3/4 in. (including feathers), African Art

headrest with female figure, Kanyok, late 19th century, wood, 6-3/4 x 4-1/2 x 4-1/2 in., African Art

bowl, Olive Glaze, 2-1/4 x 6-1/2 in., Asian Art

100 Old Men, Yosa Buson (Japanese, 1716-1783), Edo, 1783, ink and color on silk, 78 x 24-1/2 in. (overall) 48-1/4 x 17 in. (image), Signed: Shain Square intaglio seal beneath signature: [Sha Choko in] Square intaglio seal beneath above seal:

incense burner, Ming dynasty, Ming dynasty, 1400-1499, porcelain with celadon glaze, 2-3/4 x 5-3/4 (diam.) in., Asian Art

The Goddess Neith, Late Period, Late Period, 664-332 B.C.E., bronze, H: 5-1/2 in., Ancient Art of the Mediterranean

Mahaparinirvana Sutra (Daboniepan Jing) Ch. 22, Tang dynasty, Tang dynasty, 700s, ink on paper, 10-7/8 x 282 in. (image) 10-7/8 x 287 in. (mount), Asian Art

vase, 1875-1925, porcelain, glaze, 9-1/2 in., Asian Art

circular box with cover, 1500-1699, blue glaze porcelian, A) 1-3/8 x 4-1/4 (diam.) in. B) 1-1/4 x 4-1/4 in.(diam.) in., Asian Art

face mask, We people, 20th century, wood, pigment, metal, fiber, shells, cloth, 16-1/2 x 9 x 6--1/2 in., African Art

WEIGHT, Tang dynasty, Stoneware (changsha Ware), 1 x 4, Asian Art

gourd-shaped ewer, Tang dynasty, Tang dynasty, 800s, Stoneware (changsha Ware), H: 4-1/2 in., Asian Art

deep bowl with peony design, Jin dynasty (1115-1234), Cizhou Type Ware, H: 2-1/2 in., 6.4 cm., Diam: 8-3/8 in., 21.3 cm., Asian Art

Attendant, Earthenware Wuth Yellow Glaze, 10-7/8 H, Asian Art

seal-paste box and cover, Kangxi, Qing dynasty, period, Kangxi, 1662-1722, porcelain with glaze, 2-5/8 (diam.) in., Asian Art

Couortisane prepares for the night Evening glow for the first time the bed is spread Shikizome no sekishô (title on object) Eight faces of the courtesan quarter (series title) Kuruwa hakkei (series title on object A courtesan takes off her purple

Two vases Vase, conically shaped with multi-colored decor, Vase, conically shaped, with Art Nouveau decor in black, yellow, green and light brown. Marked with factory stamp from Ram, Arnhem in a circular form, 29 / D, painter's mark from

Art cabinet glued with rosewood and ebony and ivory on a pine wood core, Art cabinet glued with rosewood and ebony and ivory on a pine wood core. The doors, side walls and the top are glued with rosewood. On the inside of the doors equestrian

Living room with furniture, art objects and photos, living room, parlor, sitting room, photograph, anonymous, c. 1890 - c. 1910, photographic paper, cardboard, h 88 mm × w 177 mm

Pair of armchairs Armchair, gilt and upholstered. The conical legs consist of arrows bundled by rings, lintel with flame construction with flame, openwork bow, wreath and ribbon, Armchair, gilt and upholstered. The conical legs consist of

Black ornament in the shape of a turtle Black ornaments (series title), Black ornament in the shape of a turtle. Below that two fighting men. A third man with a dog tries to calm them down. Numbered bottom left 6. The print is part of an album,

Flask in the form of a bottle gourd with bats Double gourd vase with bats, gourds, leaves and tendrils, gourd-shaped porcelain bottle with a slightly spreading edge, painted in underglaze red with a continuous decoration of small gourds, leaves

Saucer-dish with powder blue and fish, Dish with round wall of porcelain, painted with underglaze blue and red. The front is covered with bleu poudré (powder blue) with five fish in it, the back of the wall is also covered with powder blue.

Edge decoration with fruit cluster and pod, Edge decoration with fruit cluster. There is also a pod on the cluster. Flanked by two half cartouches with a mascaron. The print is part of an album, ornaments, art, ornament, cartouche, fruits and

Portrait of Gerrit van der Pot, Lord of Groeneveld, Art Collector in Rotterdam, Portrait of Gerrit van der Pot (1732-1807), art collector in Rotterdam. Half-length, sitting at a table with the news in his hands in which he noted down his

United States Gunboat Monocacy on the Pei-ho River, Tientsin, China, C.H. Graves & Universal Photo Art Co., 1902

Johannes Hermanus Molkenboer (1773-1834). Art Collector, Portrait of Johannes Hermanus Molkenboer, art collector. Sitting at a table with a drawing in his hand., Mattheus Ignatius van Bree, 1815, canvas, oil paint (paint), h 89 cm × w 72.5 cm

Self Portrait with his Wife Sanneke van Bommel and their two Children, Self-portrait of the painter Hendrik Spilman (1721-1784) with his wife Sanneke van Bommel (born 1741) and their two children. The man has a drawing pen in his right hand and

High lock with Palace of Popular Art, Amsterdam (title on object), city view in general, 'veduta', Volksvlijt Palace, anonymous, Amsterdam, 1900, cardboard, collotype, h 89 mm × w 141 mm

The Preparation of Tea in Japan. Inspecting and tasting tea, Japan, C.H. Graves & Universal Photo Art Co., 1902

Ornament with a naked woman, Design for a dagger sheath. The lower part is decorated with leaf vines, above it is a naked woman., Ornaments, art, scabbard, sheath, Heinrich Aldegrever (mentioned on object), Germany, 1512 - 1560, paper,

On a great tea plantation. Java, C.H. Graves & Universal Photo Art Co., 1902

Drawing Academy in Middelburg, Silver Medal to Eye and Ring. Obverse: genius, standing in front of objects and tools of construction, painting, drawing and measuring art gathered around a broken column, looking at the rising sun within a circle,

Portrait of Ottavio Strada, Portrait of Ottavio Strada (1549 / 50-1612) at the age of 18. Designer for goldsmithing art, miniaturist and archaeologist, son of Jacopo Strada, whose portrait was painted by Titian in the same year. Knee, standing

Chair Chair with a women's bust in the back, Chair made of walnut. The furniture has a upholstered seat and rests on baluster-shaped legs with ribbed ball feet, which are connected by a slung X-shaped cross. The front legs are decorated with

Two sabers (kastanes) and a knife (piha-kaetta) Kastane with Kandy sheath, Saber with solid golden hilt inlaid with 136 diamonds and 13 rubies. Wooden sheath entirely covered with gold. Vest (looks European) decorated with four small lion heads.

Fragment sits with symmetrical lace pattern and floral vines on ocher yellow ground, Fragment sits. Design: symmetrical bandwork, filled with grid pattern, so-called lace pattern, and floral scrolls, in the ashes large flower arrangements in

Mantel clock (pendulum) Pendulum of gilt bronze, decorated with plaques of Sèvres, Clock of gilt bronze, decorated with Sèvres plaques. The pedestal comes forward twice and this is followed by the central field above it, flanked by plaques with

Evening dress of red, black and white silk with cord embroidery, black and white silk with cord embroidery. Geometric art nouveau. Three-quarters long, straight model without dummy seams. Long round neck. Short sleeves. On the front a loose

Portrait of Johannes Cornelis van Pappelendam (1810-1884). Artist and Art Dealer. Superintendent of the Van der Hoop Museum, Portrait of Johannes Cornelis van Pappelendam (1810-1884). Artist and art dealer. Amanuensis from the Van der Hoop Museum.

Allegory of eloquence Title page for: N. de La Touche, L'art de bien parler françois, 1720, Allegorical representation with poetry in the middle in a dress embroidered with letters, a cornucopia in the hand, as a reference to the fruitful ideas

Strip of green silk with large flowers and leaves of silver lace and gold lace, Strip of red lined green silk on which a decoration is sewn from clotted silver lace and gold lace. The continuous pattern consists of large flowers and leaves. Within

Cloches (dish covers), coolers, soup tureens, sauceboats, salt cellars, pepper and mustard pots Tureen, Empire terrine of gilt silver. Oval flat dish with lid, carried by two kneeling angels on an oval base. It stands on legs in the form of

Sketchbook with 63 sheets, Sketchbook consisting of 63 sheets with mythological figures, ornaments and a genre, god, classical mythology, ornaments, art, Jacob Toorenvliet, c. 1701, paper, watercolor (paint), ink, pencil, chalk,

Candlestick, Faience candlestick. Painted blue, ornaments, art, anonymous, Delft, 1740 - 1770, h 18.2 cm × w 11 cm

Minerva with the portrait of an unknown man, Minerva is sitting on a throne. In her left hand a portrait of an unknown man in an oval frame. The man is wearing an 18th-century wig and is pictured with a bust to the left. In the background classical

Vase with red borders, Porcelain vase with a low, pressed egg-shaped body and a long, narrow neck. Painted in underglaze red. Just below the spreading edge of the neck a thinner with narrow red bands, the same decoration on the belly. The foot

The prodigal son says goodbye to his father Filius Prodigus abiit in region longinquam (title on object), The prodigal son leaves the parental House. On the left is the lost son, who says goodbye to his father, who is standing in the middle in a

Painted Cabinet Illustrating the Story of the Prodigal Son, Art cabinet glued with ebony on an oak core. The doors carry cornis frames, as well as the sides. There is storage space in the deck. Iron handles on the sides. When opened, the cupboard

Dish, Flat, oval dish of rock crystal in a frame of gold with superimposed motifs of enamel. Acanthus drinks and four house snails in matt grinding work are depicted in the shelf, ornaments, art, anonymous, Praag (possibly), c. 1625, montuur,

Painted Cabinet decorated with Scenes from the Life of the Virgin, Art cabinet glued with ebony on an oak and pine core. The two doors carry flat cushions and are lined with rubber frames. Iron handles on the sides. There is a foldable lid in the

Portrait of Jan van Lennep the Elder (1634-1711). Amsterdam Merchant in Silk, Gold and Silver Cloth and Art Collector, Portrait of Jan van Lennep the Elder (1634-1711). Amsterdam merchant in silk, gold and silver cloth and art collector. Almost

Garniture of five vases Vase from a series of five pieces, design Colenbrander Kaststel, Vase from a series of five pieces, design Colenbrander. Signature: WG with an F with extra cross line in between, HAAG and the letter B (= 1886), ornaments,

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