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THE WEDDING OF VALENI; Art film Vienna, Ludwig Hohlwein, Wiesbaden 1874 - 1949 Berchtesgaden, 1913, print, color lithograph, sheet: 1250 mm x 910 mm, l.l. 'Art Film Vienna / PROTECTED BY LAW', in print, Austria

THE PRIEST OF KIRCHFELD; Art film Vienna, Ludwig Hohlwein, Wiesbaden 1874 - 1949 Berchtesgaden, around 1910, print, color lithograph, sheet: 1250 mm x 910 mm, right. 'Art Film Vienna / PROTECTED BY LAW', in print, Austria

STAGE AND WORLD; Art film Vienna, Ludwig Hohlwein, Wiesbaden 1874 - 1949 Berchtesgaden, around 1913, print, color lithograph, sheet: 910 mm x 1250 mm, l.l. 'Art Film Vienna / PROTECTED BY LAW', in print, Austria

GERMAN ART AND DECORATION; DARMSTADT, Ludwig Hohlwein, Wiesbaden 1874 - 1949 Berchtesgaden, 1911, print, color lithograph, sheet: 520 mm x 250 mm, M.u. 'United Printing & Art Institutions G.m.b.H., G. Schuh & Cie., Munich, Herrnstr. 35',

CLUB OF AMATEUR PHOTOGRAPHERS MUNICH; CERTIFICATE, Ludwig Hohlwein, Wiesbaden 1874 - 1949 Berchtesgaden, around 1910, print, color lithograph, sheet: 350 mm x 440 mm, M.u. 'United Printing & Art Institutions G.m.b.H., G. Schuh & Cie.,

MUNICH WEEK 1911 ON LAKE STARNBERGER; SAILING, MOTORBOAT AND ROWING COMPETITIONS, Ludwig Hohlwein, Wiesbaden 1874 - 1949 Berchtesgaden, 1909, print, color lithograph, sheet: 1250 mm x 920 mm, right. 'United Printing & Art Institutions

UPPER OESTERR. ART CLUB; EXHIBITION IN THE CITY VOLKSGARTENSALON IN LINZ, Leopold Forstner, Austria, 1878 - 1936, 1903, print, color lithograph, sheet: 1000 mm x 700 mm, M.u. 'UPPER OESTERR. ART ASSOCIATION / EXHIBITION IN THE STAEDTIC VOLKS

Carnival number of the Berliner Blauesten Nachrichten, Paul Haase, Germany, 1890 - 1925, around 1910, print, color lithograph, sheet: 360 mm x 475 mm, right. 'ART ANST. ARNOLD WEYLANDT, BERLIN, S.O.', in print

YOUTH; Editor Georg Hirth; Munich illustrated weekly for art and life, Angelo Jank, Munich 1868 - 1940 Munich, 1898, print, color lithograph, sheet: 740 mm x 400 mm

ARTISTS FESTIVAL: CARNEVAL 1898; MUNICH, Friedrich August von Kaulbach, Germany, 1850 - 1920, 1898, print, color lithograph, sheet: 540 mm x 415 mm, right. 'Commission publisher of the art dealer Ulr. Plastering in Munich.', in print

GREAT BERLIN ART EXHIBITION 1910, Friedrich Kallmorgen, Germany, 1856 - 1924, 1910, print, color lithograph, sheet: 710 mm x 950 mm, right. 'Print by H. BIRKHOLZ BERLIN W. 95.', in print

EXHIBITION for ELECTRICAL ENGINEERING AND ARTS. STUTTGART; 1896, Ferdinand Keller, Germany, 1842 - 1922, 1896, print, color lithograph, sheet: 1130 mm x 800 mm, l.l. 'St. Hagmann lith. / Printed on Gust. paper. Schaeuffelen'schen paper

HERMANN GLASSL; ART VIOLIN MAKER & REPAIRER; MUNICH, Carl Kunst, Germany, 1884 - 1912, around 1913, print, color lithograph, sheet: 615 mm x 435 mm

GREAT BERLIN ART EXHIBITION 1897, Melchior Lechter, Germany, 1865 - 1936, 1897, print, color lithograph, sheet: 700 mm x 480 mm, right. Rubber stamp

GREAT BERLIN ART EXHIBITION 1898, Eduard Liesen, Berlin 1866 - 1945 Berlin, 1898, print, color lithograph, sheet: 705 mm x 480 mm

GREAT BERLIN ART EXHIBITION; 1903, Hans Looschen, Germany, 1859 - 1923, 1903, print, color lithograph, sheet: 720 mm x 960 mm

GREAT BERLIN ART EXHIBITION 1912, Hans Looschen, Germany, 1859 - 1923, 1912, print, color lithograph, sheet: 720 mm x 955 mm

GREAT BERLIN ART EXHIBITION 1914, Hans Looschen, Germany, 1859 - 1923, 1914, print, color lithograph, sheet: 720 mm x 950 mm

FRZ. X. THALLMAIER G.M.B.H.; ART STORE; MUNICH, Ludwig Lutz Ehrenberger, Graz 1878 - 1950 Saalfelden, Steinernes Meer, around 1905, print, color lithograph, sheet: 700 mm x 900 mm, right. 'Munich Graphic Art Institute Ig. Velisch, Munich.',

GERMAN ART AND DECORATION; Cover of the December issue 1899, Max Joseph Gradl, Dillingen an der Donau 1873 - 1934 Landsberg, Lech, 1899, print, color lithograph, sheet: 310 mm x 220 mm

Art in the service of the merchant; posters, packages, printed matter; Munich Association for Applied Arts, Paul Neu, Neuburg 1881 - 1940 Munich?, 1910, print, color lithograph, sheet: 625 mm x 910 mm

Exhibition; The animal in art; Kunstverein München, Paul Neuenborn, Stolberg near Aachen 1866 - 1913 Munich, around 1905, print, color lithograph, sheet: 960 mm x 695 mm

Wroclaw Festival Week; sports game art; 1909, Gertrud Pfeiffer-Kohrt, Wrocław, Breslau, 1875 - 1939 Berlin, 1909, print, color lithograph, sheet: 900 mm x 610 mm

ANNIVERSARY ART EXHIBITION OF THE Albrecht Dürer Association, Paul Grabwinkler, Austria, 1880 - 1946, 1911, print, color lithograph, sheet: 890 mm x 655 mm

MUNICH ILLUSTR. WEEKLY FOR ART & LIFE; Youth, Ludwig Raders, Germany, 1868 - 1899, 1897/1898, print, color lithograph, sheet: 550 mm x 300 mm

EXHIBITION OF APPLIED ARTS; UNITED WORKSHOPS FOR ART IN CRAFT ACT. TOTAL; DEUTSCHE WERKSTÄTTEN FOR HANDWERKSKUNST G.M.B.H., Fritz Rehm, Germany, 1871 - 1928, around 1908, print, color lithograph, sheet: 770 mm x 1000 mm

ART CLOTHING EXHIBITION; LEIPZIG 1901, Ernst Sigmund von Sallwürk, Bade-Baden 1874 - 1944 Halle, 1901, print, color lithograph, sheet: 1090 mm x 775 mm

Sketch of pliers; Notes, sketchbook Swoboda Emerich Alexius; 54 paginated pages, page 51 is missing, and 4 pasted drawings, on pages 53a-53d, Emerich Alexius Swoboda, Enzenreith-Wörth 1849 - 1920 Vienna, 1892, drawing, pencil, sheet: 11.1

Rittmeister Koschull, leader of the art group, Carl Leopold Hollitzer, Bad Deutsch-Altenburg 1874 - 1942 Rekawinkel, drawing, pencil on old paper, 327 x 195 mm, in an unknown hand on the passepartout on the left. 'Captain Koschull / leader of

The glass painter, art writer and politician Friedrich Baudri, 1808–1874, Leopold Kupelwieser, Markt Piesting 1796 - 1862 Vienna, drawing, chalk, red chalk, mount cutout: 34.4 x 24.cm, 13 9/16 x 9 7/16in ., M.u. 'True art, Christian art,

Printed page about the statutes for the awarding of art prizes of the City of Vienna, sketchbook Wacik Franz; 64 paginated pages, so-called Prinz Eugen sketchbook, Franz Wacik, Vienna 1883 - 1938 Vienna, 1915, drawing, letterpress, sheet:

Artist, Egon Schiele, Tulln 1890 - 1918 Vienna, 1910, drawing, pencil Pencil, 30, x 19.cm, 11 13/16 x 7 1/2in., M. 'Schiele 1910' ; M.o. 'ARTIST: THE HIGHEST SENSATION IS RELIGION AND ART. NATURE IS PURPOSE, - BUT THERE IS GOD, AND I FEEL

Various sketches; 'ART HISTORY', sketchbook Rothaug Alexander; 39 paginated pages, Alexander Rothaug, Vienna 1870 - 1946 Vienna, 1918-1920, drawing, pencil; Ink pen, sheet: 24.2 cm x 19.5 cm, Austria

Sketch for the Marchfeld art exhibition, Josef Wawra, Vienna 1893 - 1935 Vienna, drawing, pencil, heightened with white, 20.1 x 26.9 cm, 7 15/16 x 10 9/16 in, Austria

Allegory of Art, Erwin Puchinger, Vienna 1875 - 1944 Vienna, drawing, watercolor, colored pencil, pencil, 77.3 x 36.3 cm, right. 'EXP. PUCHINGER, Austria

Ladies' company at the table at the court ball, Artúr Lajos Halmi, Hungary, 1866 - 1939, drawing, pencil, sheet: 282 mm x 370 mm

ARTIST'S HOUSE; GERMAN WOMEN'S ART, Johanna Kampmann-Freund, Vienna 1888 - 1940 Vienna, around 1920, drawing, gouache, sheet: 915 mm x 695 mm, Austria

TADDEO ZUCCARI, Triumph of Bacchus and Ariadne, sheet, 192 x 341 mm, brown pen and gray brush over black chalk, brown wash, on vergé paper, old mounted, Triumph of Bacchus and Ariadne, TADDEO ZUCCARI, 16th CENTURY 17 .CENTURY, ITALIAN

FRENCH, 17TH CENTURY, after SÉBASTIEN LECLERC, The Academy of Arts and Sciences, sheet, 255 x 381 mm, pen in black, ink, stained brown in places, on white-primed parchment, oxidized in places, The Academy of Arts and Sciences, French,

ANTHONIS VAN DYCK ?, portrait of Hendrik Dubois, 1589-1646, artist and art dealer, approx. 1630 - 1708, dimensions, width: 81.2 cm, oil on canvas, portrait of Hendrik Dubois, 1589-1646, artist and Art dealer, painter, ANTHONIS VAN DYCK ?,

JAN VAN SCOREL, Portrait of a man, fragment, ca. 1530, dimensions, 31.9 x 26.4 x 0.4 cm, oil on oak wood, Portrait of a man, fragment, painter, JAN VAN SCOREL, 16TH CENTURY, RENAISSANCE, PAINTING, oil on oak wood, OAK WOOD, OIL,

JACQUES CALLOT, seaport with ships, on the right a large rock, sheet, 82 x 160 mm, brown pen on vergé paper, seaport with ships, on the right a large rock, JACQUES CALLOT, 17TH CENTURY, BAROQUE NORTH EUROPEAN MANIERISM, DRAWING, pen in

FRANÇOIS BOUCHER, Chinoise family scene, sheet, oval, 232 x 336 mm, brown pen, brown wash, on handmade paper, Chinoise family scene, FRANÇOIS BOUCHER, 18TH CENTURY, ROCOCO, DRAWING, brown pen, brown wash, on handmade paper, Ink?,

EDME BOUCHARDON, orEDME BOUCHARDON Succession?, Christ Carrying the Cross, sheet, 170 x 130 mm, black chalk on handmade paper, old mounted, Christ Carrying the Cross, EDME BOUCHARDON, EDME BOUCHARDON Succession? Alternatively, 18th century,

DAVID BAILLY, young man with embroidered shirt collar in three-quarter profile to the left, 1626, sheet, 149 x 120 mm, pen in black, border line on all sides, on paper, young man with embroidered shirt collar in three-quarter profile to the

LAURENT DE LA HIRE, Justitia, ca. 1641 - 1656, sheet, 220 x 219 mm, black chalk, gray wash, on handmade paper, Justitia, LAURENT DE LA HIRE, 17TH CENTURY, BAROQUE FRENCH CLASSICISM, DRAWING, black chalk, gray washed, on handmade paper,

LAURENT DE LA HIRE, Saint Francis in the Cave, Sheet, 214 x 215 mm, Black chalk and gray brush on cardboard, Saint Francis in the Cave, LAURENT DE LA HIRE, 17TH CENTURY, BAROQUE, DRAWING, Black chalk and brush in gray on cardboard, CHALK,

JEAN-BAPTISTE HUET, shepherd scene, 1780, sheet, 204 x 258 mm, watercolor over gray pencil on handmade paper, old mounted with gold edge, shepherd scene, JEAN-BAPTISTE HUET, 18TH CENTURY, ROCOCO, DRAWING, watercolor over gray pencil on

RAYMOND LA FAGE, Marriage of Bacchus and the Sleeping Ariadne, sheet, 432 x 577 mm, brown pen, gray wash, on paper, old mounted, Marriage of Bacchus and the Sleeping Ariadne, RAYMOND LA FAGE, 17TH CENTURY, BAROQUE FRENCH CLASSICISM,

Art desDAVID TENIERS D. J., A doctor looks at a urine glass in his study, ca. 1640 - 1650, dimensions, 48.7 x 65.8 x max. 0.5 cm, depth min, 0.7 cm, oil on oak wood, A Doctor looks at a urine glass in his study, painter, style of DAVID

RAYMOND LA FAGE, The Toulousans chase the Huguenots out of their city, ca. 1682 - 1683, sheet, 426 x 592 mm, pen in gray, gray wash, on vergé paper, The Toulousans chase the Huguenots out of their city, RAYMOND LA FAGE, 17 .CENTURY,

LOUIS DE BOULLOGNE D. J., Presentation in the Temple, 1715, sheet, 370 x 395 mm, black chalk, heightened with white, squared, traces, on paper, old mounted, with gold frame, Presentation in the Temple, LOUIS DE BOULLOGNE D. J., 18th

ANTOINE FRANÇOIS PEYRE, St. Peter with St. Peter's Square in Rome, sheet, 343 x 584 mm, pen and brush in black on paper, St. Peter with St. Peter's Square in Rome, ANTOINE FRANÇOIS PEYRE, 18TH CENTURY, CLASSICISM, DRAWING, pen and brush

CLAUDE MELLAN, half-length portrait of a man with a mustache and a toggle and a folded collar to the right, sheet, 162 x 123 mm, brown pen, all-round border line in orange-red, on vergé paper, a half-length portrait of a man with a mustache

NICOLAS POUSSIN ?, Narcissus looks at himself in the source, sheet, 155 x 134 mm, brown pen over gray pen, brown wash, on paper, Narcissus looks at himself in the source, NICOLAS POUSSIN ?, 17TH CENTURY, BAROQUE FRENCH CLASSICISM, Drawing,

NICOLAS POUSSIN ?, Adoration of the Golden Calf, sheet, 193 x 280 mm, brush in brown over gray pen, traces, on vergé paper, mounted, Adoration of the Golden Calf, NICOLAS POUSSIN ?, 17TH CENTURY, BAROQUE FRENCH CLASSICISM, DRAWING,

CHARLES PARROCEL, cavalry attack, sheet, 184 x 294 mm, black chalk, gray wash, border line in black on all sides, on cream-colored paper, mounted, cavalry attack, CHARLES PARROCEL, 18TH CENTURY, BAROQUE, DRAWING, black chalk, gray

CARL CHRISTIAN VOGEL VON VOGELSTEIN, An artist is introduced to religion through art, 1819, sheet, 406 x 324 mm, pen in gray, squared, on cream-colored paper, An artist is introduced to religion through art, CARL CHRISTIAN VOGEL VON

FRITZ BAMBERGER, Coast near Saint Leonards-on-Sea, August 4, 1849, sheet, 104 x 196 mm, pencil and watercolor on wove paper, Coast near Saint Leonards-on-Sea, FRITZ BAMBERGER, 19TH CENTURY, DRAWING, pencil and Watercolor on vellum paper,

ISRAEL SILVESTRE, View of a castle with gardens, fountains and many figures, sheet, 165 x 272 mm, brown pen, gray wash, on paper, old mounted, with gold frame, View of a castle with gardens, fountains and many figures, ISRAEL SILVESTRE,

DOMENICO CAMPAGNOLA, Landscape with Saint Jerome, ca. 1520, sheet, 175 x 245 mm, brown pen on parchment, Landscape with Saint Jerome, DOMENICO CAMPAGNOLA, 16TH CENTURY, HIGH RENAISSANCE, DRAWING, brown pen on parchment, INK?, INK?,

HENDRICK GOLTZIUS ?, head of an old man in three-quarter profile to the left, sheet, 98 x 81 mm, brown pen on ribbed handmade paper, head of an old man in three-quarter profile to the left, HENDRICK GOLTZIUS ?, 16TH CENTURY, RENAISSANCE,

HENDRICK GOLTZIUS ?, head of a bearded man, bent forward, sheet, 91 x 61 mm, brown pen on ribbed handmade paper, head of a bearded man, bent forward, HENDRICK GOLTZIUS ?, 16TH CENTURY, RENAISSANCE, DRAWING, pen in Brown on ribbed handmade

PHILIPP UFFENBACH, The Skill of the Art Lover or The Philotechnos, 1631, sheet, 123 x 175 mm, brown pen over black chalk, brown wash, heightened with white, on vergé paper, The Skill of the Art Lover or The Philotechnos, PHILIPP UFFENBACH,

FRIEDRICH MOOSBRUGGER, Two art students, 1827, sheet, 204 x 265 mm, pencil on vellum paper, Two art students, FRIEDRICH MOOSBRUGGER, page, adhesive album of Marie Auguste Emilie Freiin von Günderrode, page 42, part number / total, 1 / 1,

PHILIPP VEIT, The Awakening Art, ca. 1832, sheet, 200 x 145 mm, pencil on cardboard, The Awakening Art, PHILIPP VEIT, 19TH CENTURY, DRAWING, pencil on cardboard, GRAPHITE-CLAY MIXTURE, CARDBOARD, PENCIL DRAWING, GERMAN, FIGURE STUDY,

Eight drafts for the title page of 'The Animal in Decorative Art', Vienna 1896/1909, Rising sea dragon, Anton Johann Nepomuk Seder, Munich 1850 - 1916 Strasbourg, around 1896-1909, drawing, pencil, watercolor, body color, Gold paint, on

Solemn unveiling of the Archduke Carl Monument on May 22, 1860.', 1860, print, lithograph with two clay plates and gold print on paper, sheet: 26.4 × 33.8 cm, [M.u.] 'For the benefit of the poor at the beginning of the year, 1861.', below

The Adoration of the Magi, Johann Matthias Kager, Munich 1575-1634 Augsburg, after 1620, drawing, black pen, gray wash; Verso top left faint chalk ornament, trimmed, max. 22.5 x 31.4 cm, 12 3/8 in., verso stamp Artaria, according to

Allegory of fine art, design for a mural?, drawing, pencil, pen in brown, brown and blue-gray wash, 25.7 x 35.1 cm

The art connoisseur for 'In the Painter's Studio'/'The Jealous', Josef Danhauser, Vienna 1805 - 1845 Vienna, 1841, drawing, chalk, pencil, heightened with white on blue natural paper, according to Cahier: 28.6 x 43.5 cm, l.u. '28503',

Trauergerüst für Elisabeth Theresia Königin von Sardinien in der Kirche Notre Dame in Paris am 22. September 1741, 1743, Druckgraphik, Radierung auf Papier, Blatt: 69.6 × 49.3 cm, [u.] This Pump ordered by M. Le Duc de Rochechoüart, Peer

Entwurf für ein Trauergerüst für Papst Gregor XV. in der Kathedrale San Pietro in Bologna, 1624, Druckgraphik, Kupferstich und Radierung auf Papier, Sheet: 56.1 × 37.5 cm, [M.u.] 'ALLI BENIGNI LETTORI PER IL FUNERAL DI N.S. POPE GREG.°

Vienna, Schönbrunn Palace, 'Water Art Machine', plan with cost accounting, indefinite, 1754, archival, paper, fine; pen drawing; Graphite design, grey, black and brown pen, multicolored wash, 47.7 x 36.3 cm

Vienna I, Hofburg, Augustinertrakt, physical cabinet, ground floor and mezzanine, floor plan, 1750-1850, plan, chalk (preliminary drawing); pen in black and brown; black ink; pink, yellow and green wash, sheet: 63.2 x 48.6 cm, recto:

Vienna I, Hofburg, Augustinertrakt, physical cabinet, 1st and 2nd floor, floor plan, 1750-1850, plan, chalk (preliminary drawing); pen in black and brown; black ink; yellow and green wash, sheet: 64.4 x 49 cm, recto: 'Grundrisse von dem

Vienna I, Hofburg, Paradeisgartl, garden house, ground plan and facade detail, 1864, plan, graphite, sheet: 43.5 x 58.8 cm, 'Art Association building in the Volksgarten'; calculations

Vienna I, Kunsthistorisches Hofmuseum, profiles, Carl von Hasenauer (Vienna 1833 - 1894 Vienna), from 1866, plan, pencil, pen in black and red, watercoloured, 994 x 1570 mm, '36', 'Execution plan for the construction of the k.k.

Vienna I, Schottenring 7, ring theater, cellar and basement, floor plans, (Ritter) Emil von Förster (Vienna 1838 - 1909 Vienna), 1874, plan, break, 326 x 495 mm, 'DIE KOMISCHE OPER IN VIENNA/ Architect: Emil Ritter v. Förster/ Ground plan

Vienna I, Schottenring 7, Ringtheater, cross section, (Ritter) Emil von Förster (Vienna 1838 - 1909 Vienna), 1874, plan, break, 496 x 327 mm, 'DIE KOMISCHE OPER IN VIENNA./ Architect: Emil Ritter v. Förster./ Cut after CD.', 'R. v.

Vienna I, Schottenring 7, Ringtheater, longitudinal section, Carl von Hasenauer (Vienna 1833 - 1894 Vienna), 1874, plan, break, 327 x 496 mm, 'DIE KOMISCHE OPER IN VIENNA./ Architect: Emil Ritter v. Förster.', 'Cut to AB.', 'R. v.

Vienna I, Kunsthistorisches Hofmuseum, Hall XI, cross-sections and longitudinal section, Carl von Hasenauer (Vienna 1833 - 1894 Vienna), from 1866, plan, rest, watercoloured, pencil, 589 x 853 mm, 'Halls (sic) in the KK art historical

Natural and Affected Actions of Life, 2nd Series: Art Knowledge, Natural and Affected Actions of Life, 2nd Series, Daniel Nikolaus Chodowiecki (Danzig 1726 - 1801 Berlin), 1779, printmaking, copper engraving, etching, sheet: 8.5 cm x 5cm

Natural and Affected Actions of Life, 2nd Series: Art Knowledge, Natural and Affected Actions of Life, 2nd Series, Daniel Nikolaus Chodowiecki (Danzig 1726 - 1801 Berlin), 1779, printmaking, copper engraving, etching, sheet: 8.5 cm x 5cm

Art Scholars with Antique Sculptures, William Pether (Carlisle 1731- c. 1795 (Great Britain)), 1769, printmaking, mezzotint, sheet: 55.5 cm x 48.5 cm

Aus der Serie Nova Reperta: Sculptura in aes, Jan van der Straet (Brügge 1523 - 1605 Florenz), um 1590, Druckgraphik, Kupferstich, Blatt: 20, 2 x 27, 2 cm, SCVLPTVRA IN ÆS., Sculptor, with a new art, carves the figures on plate, and

Vehicle from the front, Carl Pischinger (Niederhollabrunn-Streitdorf 1823 - 1886 Liezen), 1847, drawing, pen, watercolour, sheet: 22 x 32.4 cm, r.r. '18.Inch, bought from Art, 50.f.CW. 1847

'Ha ha he solus vultur avarus ego?' (window tear?), undetermined, Dutch, around 1550, drawing, pen in brown, gray wash, 26.1 cm (diameter), M.u. Albert von Sachsen-Teschen, o. 'Ha ha he solus (crossed out and replaced with 'non solus'),

Mountain Landscape with Flight into Egypt, Cornelis Claesz. van Wieringen (Haarlem 1575/77 - 1633 Haarlem), drawing, pen and brown ink, black chalk; water damage on the side edges; re. Blurred below., 16.4 x 26.7 cm, r. and Duke Albert of

An Art Lover and an Artist in Conversation, c. 1630, Drawing, Black chalk, heightened with white; foxing; small defect on the right. Edge; Traces of a vertical fold., 32.3 x 45.0 cm, l. and Duke Albert of Saxe-Teschen, numbered left. above:

Sketches, typescript 'Art Education', 1922, architectural drawing, paper; Pencil, 341 x 212mm

Vienna, Heuberg near Dornbach, draft of an art academy (study at the Wagner school), bird's-eye view, ground plan sketch and section, Alfred Castelliz (Celje 1870 - 1940 Vienna), 1896-1897, architectural drawing, paper, medium strong; Pencil

Vienna, Heuberg near Dornbach, design for an art academy (study at the Wagner school), site plan, Alfred Castelliz (Celje 1870 - 1940 Vienna), 1896, architectural drawing, transparent paper; Pen drawing (black), washed, 44.7 x 31.8 cm,

Vienna, Heuberg near Dornbach, design for an art academy (study at the Wagner School), longitudinal section, Alfred Castelliz (Celje 1870 - 1940 Vienna), 1897, architectural drawing, transparent paper; Pen drawing (black), washed, 31.3 x

Architectural survey, Trento, cathedral, ground plan and details in ground plan, elevation and section, 1898, architectural drawing, paper, medium thickness; Pencil drawing, 32.8 x 25 cm, top left: 'I.', bottom right: 'Trento, Il duomo/

Architectural survey, Trento, cathedral, portal and columns, ground plan, elevation, section, perspective, 1898, architectural drawing, paper, medium thickness; Pencil drawing, 32.8 x 24.9 cm, top left: 'III./ Trento - Dom', quotations,

Architectural survey, Trento, S. Maria Maggiore, organ gallery, consoles, elevation, section, perspective, 1898, architectural drawing, paper, medium thickness; Pencil drawing, 33 x 25 cm, above: 'V/ Trento: Sta Maria Maggiore',

Vienna, St. Stephen's Cathedral, ground plan, 1905, architectural drawing, paper, medium thickness; Pen drawing (black), 29 x 22.9 cm, top left: 'Student 1: 500/ St. Stefan in Vienna/ cca 1: 400', listings, room designations, top right:

Copy after Raphael: The Madonna of St. Sixtus, Apollonia Seydelmann (Venice 1767/68 - 1840 Dresden), 1809, drawing, brush in brown, 64.9 x 49.7 cm, l.l. Duke Albert of Saxe-Teschen, verso: according to Grünling 1823, no. 1113: company

The Art Friend, Gaetano Previati (Ferrara 1852–1920 Lavagna), Drawing, Watercolor, 31.8 x 21.5 cm (12 1/2 x 8 7/16 in.), r.o. 'CPreviati

search results: Art clear search