Images at Librifly

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Gable on the north side of St. Stephen's Cathedral., k. k. Hof- und Staatsdruckerei Wien (1804-1918), Photographer, 1856, supporting cardboard, salted paper print, supporting cardboard 63, 1×46, 5 cm, image size 50, 4×35, 3 cm,

Gable on the north side of St. Stephen's Cathedral, k. k. Hof- und Staatsdruckerei Wien (1804-1918), Photographer, 1856, supporting cardboard, salted paper print, supporting cardboard 63, 2×46, 5 cm, image size 54, 6×41, 8 cm,

Gable on the north side of St. Stephen's Cathedral., k. k. Hof- und Staatsdruckerei Wien (1804-1918), Photographer, 1856, supporting cardboard, salted paper print, supporting cardboard 63, 2×46, 5 cm, image size 55, 6×40, 2 cm,

Gable on the north side of St. Stephen's Cathedral., k. k. Hof- und Staatsdruckerei Wien (1804-1918), Photographer, 1856, supporting cardboard, salted paper print, supporting cardboard 63, 2×46, 2 cm, image size 56, 2×42, 5 cm,

City fortification - Old Carinthian Gate and Water Art Bastion, picture postcard, Carl (Karl) Ledermann Jr., Producer, Charles Scolik (1854-1928), Photographer, Date around 1900, paperboard, Collotype, Height×Width 9×14 cm, Vanished Sites

Racket-back Sheraton side chair, one of a pair, c. 1800, 36 3/4 x 20 1/2 x 17 1/2 in. (93.35 x 52.07 x 44.45 cm), Mahogany, United States, 18th-19th century

Mirror, 19th century, 24 1/4 x 14 x 2 1/2 in. (61.6 x 35.56 x 6.35 cm), Wood, gilt, United States, 19th century

Box with cover, 18th century, 3 9/16 x 12 1/2 x 12 1/2 in. (9.05 x 31.75 x 31.75 cm), Lacquer, China, 18th century

Skirt, from a three-piece Jaipur royal outfit, c. 1900, 32 1/2 x 14 in. (82.55 x 35.56 cm) (at waist), Cotton, metallic threads, India, 19th-20th century

Bath towel, late 19th-early 20th century, 73 x 42 1/2 in. (185.42 x 107.95 cm), Cotton, silk; embroidery, Morocco, 19th-20th century

Man's turban (Divali pagri), c. 1900, 837 5/16 x 7 5/16 in. (2126.78 x 18.57 cm) (approximate), Cotton, metallic pigment and threads; wrapped resist dye, block print, India, 19th-20th century

Man's turban (Pagri), c. 1900, 483 3/16 x 4 5/8 in. (1227.3 x 11.75 cm) (approximate), Cotton, metallic threads; stitched resist, tied resist, wrapped resist; dyed, India, 19th-20th century

Sculptures from the Outer Wall, Dendera, Egypt, 1857, Francis Frith, British, 1822-1898, 6 5/16 x 8 7/8 in. (16.03 x 22.54 cm), Albumen print, England, 19th century

Pharo's Bed, Island of Philae, Egypt, 1857, Francis Frith, British, 1822-1898, 6 5/8 x 9 3/16 in. (16.83 x 23.34 cm), Albumen print, England, 19th century

Woman's blouse (Huipil), c. 2000, 28 x 33 3/16 in. (71.12 x 84.3 cm), Cotton, acrylic; supplementary weft patterning, embroidery, Guatemala, 20th-21st century

Woman's blouse (Huipil), c. 1975, 24 x 27 1/2 in. (60.96 x 69.85 cm), Cotton; supplementary weft patterning, Guatemala, 20th century

Woman's ceremonial blouse (Huipil), c. 1985, 31 3/4 x 31 1/8 in. (80.65 x 79.06 cm), Cotton, silk; embroidery, Guatemala, 20th century

Woman's ceremonial blouse (Huipil), c. 1950s, 33 3/4 x 45 1/2 in. (85.73 x 115.57 cm), Cotton, silk; supplementary weft patterning, embroidery, Guatemala, 20th century

Woman's blouse (Huipil), c. 2000-2006, 26 3/8 x 32 1/2 in. (66.99 x 82.55 cm), Cotton; supplementary weft patterning, Guatemala, 20th-21st century

Woman's ceremonial blouse (Huipil), c. 1960s, 27 x 36 1/2 in. (68.58 x 92.71 cm), Cotton; supplementary weft patterning, Guatemala, 20th century

Woman's hair band, c. 1970s, 93 x 1 1/4 in. (236.22 x 3.18 cm) (without fringes or pompons), Cotton, plastic; tapestry weave, Guatemala, 20th century

Woman's ceremonial tzute, c. 1980s, 42 9/16 x 31 5/16 in. (108.11 x 79.53 cm), Cotton; supplementary weft patterning, embroidery, Guatemala, 20th century, The highly skilled weavers of San Antonio Aguas Calientes, Guatemala, produce some of

Man's sash, c. 1960s, 149 x 8 11/16 in. (378.46 x 22.07 cm) (without fringe), Cotton; plain weave, Guatemala, 20th century

Man's bag (morral), c. 1990s, 14 1/2 x 13 1/4 in. (36.83 x 33.66 cm) (pouch only, without strap), Wool; knitted, Guatemala, 20th-21st century

Woman's blouse (Huipil), 20th century, 15 1/4 x 26 1/4 in. (38.74 x 66.68 cm) (width at hem), Cotton; embroidery, Guatemala, 20th century

Woman's wedding blouse (Huipil), c. 1956, 29 3/4 x 39 1/16 in. (75.57 x 99.22 cm) (width at hem), Cotton, silk(?); embroidery, Guatemala, 20th century

Man's ceremonial tzute, c. 1940, 29 3/8 x 30 3/8 in. (74.61 x 77.15 cm) (without tassels), Cotton, silk; supplementary weft patterning, embroidery, Guatemala, 20th century

Woman's ceremonial blouse (Huipil), c. 1950s, 24 1/8 x 33 1/2 in. (61.28 x 85.09 cm), Cotton, silk; embroidery, appliqué, Guatemala, 20th century, Many ancient cultures of the Americas used feathers to embellish clothing, headdresses and

Woman's blouse (Huipil), c. 1990, 10 7/16 x 40 5/16 in. (26.51 x 102.39 cm), Cotton; supplementary weft patterning, Guatemala, 20th century

Man's ceremonial tzute, c. 1970, 33 1/8 x 30 11/16 in. (84.14 x 77.95 cm) (without tassels), Cotton, silk; supplementary weft patterning; embroidery, Guatemala, 20th century

Girl's huipil, 20th century, 14 7/8 x 14 5/8 in. (37.78 x 37.15 cm), Cotton, synthetic; supplementary weft patterning, Guatemala, 20th century

Shawl, c. 1920s, 98 x 56 in. (248.92 x 142.24 cm), Silk and metal threads; woven, India, 20th century

Turban, Second quarter of the 20th century, 517 x 7 3/4 in. (1313.18 x 19.69 cm) (L. approximate; W. at selvedge), Cotton, metallic thread, India, 20th century

Turban, late 20th century, 930 x 6 in. (2362.2 x 15.24 cm) (approx.), Cotton; resist dyed with mica 'dust', India, 20th century

Turban, late 20th century, 641 x 8 1/2 in. (1628.14 x 21.59 cm) (approx.), Cotton; resist dyed, India, 20th century

Sari, 2005, 200 x 45 1/2 in. (508 x 115.57 cm), Silk and metal threads; woven, India, 21st century

Baby's hat, 6 1/4 x 9 3/4 x 7 3/8 in. (15.88 x 24.77 x 18.73 cm), Cotton, metallic tape, China

Baby's hat, 5 1/4 x 10 1/2 x 7 1/4 in. (13.34 x 26.67 x 18.42 cm) (without pompon or tassels), Cotton, sequins, metal, beads, cardboard, China

Woman's hat, 6 7/16 x 7 9/16 x 11 3/4 in. (16.35 x 19.21 x 29.85 cm) (without tassels), Cotton, silk (?), metallic tape, metallic cord, cardboard, beads, China

Tunic, 53 1/4 x 70 3/4 in. (135.26 x 179.71 cm), Synthetic fibers, cotton, silk, metallic threads; embroidery

Tunic, 51 x 70 3/4 in. (129.54 x 179.71 cm), Synthetic fibers, cotton, metallic threads, mirrors; embroidery

Kanchli (or bra), c. 1925, 10 1/2 x 28 3/4 in. (26.67 x 73.03 cm), Cotton, silk, metallic threads; embroidery and appliqué bands, India, 20th century

Veil, early 20th century, 82 x 63 in. (208.28 x 160.02 cm) (approximate), Cotton, metallic threads, sequins; resist dyed (bandani), India, 20th century

Skirt panels, late 19th century, 45 9/16 x 78 5/8 in. (115.73 x 199.71 cm), Cotton, silk; embroidery, India, 19th century

Skirt, 1960s-1970s, 34 1/4 x 55 3/4 in. (87 x 141.61 cm) (at hem), Cotton, silk, mirrors, synthetic fibers; embroidery, India, 20th century

Woman's head covering, early 20th century, 87 x 48 1/2 in. (220.98 x 123.19 cm), Cotton, silk, mirrors; embroidery, India, 20th century

Cloth for woman's veil (Telia dupatta) or man's waist wrap (Telia lungi), late 19th-early 20th century, 109 1/2 x 47 5/16 in. (278.13 x 120.17 cm), Cotton; double ikat (Telia cloth), India, 19th-20th century, This cotton ikat fabric is from an

Woman's head covering, early 20th century, 72 1/2 x 41 7/16 in. (184.15 x 105.25 cm), Silk; tie dye, India, 20th century

Neck piece for a chyrpy, 1890-1900, 65 5/16 x 4 7/8 in. (165.89 x 12.38 cm), Cotton, silk; embroidery, 19th century

Chapan, 19th century, 49 7/8 x 64 3/4 in. (126.68 x 164.47 cm), Cotton, silk; resist dyed (ikat), Uzbekistan, 19th century

Chapan, 52 3/4 x 56 1/4 in. (133.99 x 142.88 cm), Cotton, silk; resist dyed (ikat), Uzbekistan

Serving plate from the Williams-Wynn service, one of a pair, 1773, Robert Adam; Silversmith: John Carter, Scottish / British, Scottish, 1728-1792, 15/16 x 13 1/16 x 13 1/16 in. (2.38 x 33.18 x 33.18 cm), Silver, 18th century, In his

Standing bodhisattva, late 7th-early 8th century, 32 x 12 1/2 x 11 1/2 in. (81.28 x 31.75 x 29.21 cm), Marble, China, 7th-8th century, Although missing its head and arms, this work illustrates the graceful figural movement found in Tang

Cranes left of a pair of Cranes and Tortoises, c. 1780, Komai Genki, Japanese, 1747 - 1797, 65 1/2 x 141 7/8 in. (166.37 x 360.36 cm) (image)72 3/8 x 148 3/4 in. (183.83 x 377.83 cm), Ink and color on paper, Japan, 18th century, Komai Genki

The Crucifixion, c. 1575, Follower of Lucas Cranach the Elder, German, (Saxony), 1472 - 1553, 16 3/4 x 11 1/4 x 1 1/16 in. (42.55 x 28.58 x 2.7 cm)20 7/16 x 14 9/16 x 1 3/4 in. (51.91 x 36.99 x 4.45 cm) (outer frame), Oil on panel, Germany,

Sari, c. 1930s, 206 x 47 in. (523.24 x 119.38 cm), Silk and metal threads; woven, India, 20th century

Neck piece for a chyrpy, c. 1875, 55 3/4 x 6 1/16 in. (141.61 x 15.4 cm), Cotton, silk; embroidery, 19th century

Moccasin Cuff, 1 3/4 x 11 in. (4.45 x 27.94 cm), Velvet, beads, cotton, United States, The manufactured materials that are used in this moccasin cuff are the materials that are used in a lot of later art. The cuff is an example of the

Winged dragon, one of a pair, 5th-4th century BCE, 7 x 8 3/16 in. (17.78 x 20.8 cm), Bronze, China, 5th-4th century BCE, The sculptural quality of these dashing beasts is conveyed by their stances, the proud carriage of their heads, and the

Ewer stand, 1562, Pierre Reymond, French (Limoges), French (Limoges), 1513-1584, 2 x 16 in. (5.08 x 40.64 cm), Enamel on copper, France, 16th century, On this enameled ewer stand, religious scenes of sin and redemption are combined with

A River Landscape, 1783, Gerard Van Nijmegen, Dutch, 1735 - 1808, 13 5/8 x 15 7/16 in. (34.61 x 39.21 cm), Pen and brown ink with watercolor washes on white laid paper, Netherlands, 18th century, The shepherds dwarfed by the tree at right

Temple Woods, 1882, Max Weyl, American, 1837 - 1914, 45 x 32 in. (114.3 x 81.28 cm) (outer frame), Oil on canvas, United States, 19th century, Born in Muhlen-am-Neckar, Germany, Weyl began his working life as a watchmaker's apprentice.

Sketchbook, 1876, Koba, Ka'igwu (Kiowa), Ka'igwu (Kiowa), 1848 - 1880, 6 3/4 x 8 3/8 x 1/8 in. (17.15 x 21.27 x 0.32 cm) (closed), Graphite and colored pencil on paper, United States, 19th century, A millennia old art form, Plains Indian

Sketchbook, 1876, William Cohoe, Tsistsistas (Cheyenne), 1853 - 1924, 8 5/16 x 11 1/2 x 3/8 in. (21.11 x 29.21 x 0.95 cm) (closed), Ink, graphite and colored pencil on paper, United States, 19th century, A millennia old art form, Plains

Hanukkah lamp, c. 1760, Rotger (Rudiger) Herfurth, German, 1722–1776, 7 x 8 3/4 x 3 1/8 in. (17.78 x 22.23 x 7.94 cm), Silver, Germany, 18th century, In 1711 the Jewish ghetto of Frankfurt was destroyed by fire, prompting a resurgence of

Majnun in the Wilderness, c. 1600, Mughal school, India, 9 3/4 x 5 1/2 in. (24.77 x 13.97 cm) (sheet), Opaque watercolor on paper, India, 16th-17th century, This exquisite painting was produced during the reign of Akbar (1542–1605), the

Portrait of Richard John Cock, c. 1817, Joshua Johnson, American, 1765 - 1830, 26 1/4 × 19 3/8 in. (66.68 × 49.21 cm) (sight)29 5/16 × 22 3/8 in. (74.45 × 56.83 cm), Oil on canvas, United States, 19th century, Joshua Johnson was the

Family register, February 6, 1813, William Murray, American, 1756 - 1828, 15 11/16 x 12 13/16 in. (39.85 x 32.54 cm) (sight)17 5/16 x 14 3/8 x 1 in. (43.97 x 36.51 x 2.54 cm) (outer frame), Ink, pencil and pigments on paper, United States,

Cape, c. 1850, 33 x 79 in. (83.82 x 200.66 cm) (flat, approx.), Feathers, cotton, United States, 19th century, This cape is an example of the frequent and enduring exchange with other cultures, both Native and non-Native, that in part

Spring Blossoms, 19th-20th century, Henry Muhrman, American (active in Germany and England), American (active in Germany and England), 1854-1916, 17 9/16 x 14 5/16 in. (44.61 x 36.35 cm) (sight)22 15/16 x 19 3/4 in. (58.26 x 50.17 cm) (outer

Mucius Scaevola Before Porsena, 1740s, Gaspare Diziani, Italian, 1689-1767, 10 1/2 x 16 7/16 in. (26.67 x 41.75 cm) (sheet), Pen and brown ink, black and red chalk, Italy, 18th century, The ancient story of Mucius Scaevola was a popular

Processional cross, late 15th century, 14 1/2 x 8 7/16 x 1 5/16 in. (36.83 x 21.43 x 3.33 cm), Brass, Ethiopia, 15th century, Ethiopia was the first African nation to adopt Christianity, more than 1600 years ago. By the 1400s, Christian art

Album leaf, late 17th century, Unknown, 53 1/2 x 87 5/16 in. (135.89 x 221.77 cm) (outer frame), Pigments on vellum, Ethiopia, 17th century, Christian art has a long history in Ethiopia, where it developed its own characteristics after the

Stone weight (or child's tether?), 19th century, 5 1/2 x 10 3/16 x 10 3/16 in. (13.97 x 25.88 x 25.88 cm), Stone, China, 19th century, This unusual stone sculpture features a lion atop a square base with foliate corners. The base is carved in

Hat, 12 7/8 x 13 3/4 x 2 1/2 in. (32.7 x 34.93 x 6.35 cm), Cotton, shells, beads, plant fibers, Democratic Republic of Congo, The Kuba Kingdom, a pre-colonial kingdom that still exists in the modern state of the Democratic Republic of Congo,

Pen Box with ink well, c. 1200, 2 1/8 x 4 x 7 in. (5.4 x 10.16 x 17.78 cm), Stonepaste with turquoise-blue glaze over molded decor, Iran, Seljuk period (1038- c. 1194), Produced in the famed Kashan workshops of western Iran, the interior rim

Aquamanile (Ram-shaped Ewer), 13th-14th century, 7 in. (17.78 cm), Stonepaste with clear turquoise glaze, black underglaze-painted decor, Kashan ware, Iran, Seljuk period (1038- c. 1194), Although round ceramic sculpture is relatively rare in

Cradleboard, c.1850-1880, 32 1/4 x 13 1/4 x 14 1/4 in. (81.92 x 33.66 x 36.2 cm), Wood, pigment, string, United States, 19th century, The Kahnawake (Mohawk) of the Haudenosaunee (Iroquois Confederacy) create cradleboards from large planks of

Landscape with Pond, c. 1896, Émile Schuffenecker, French, Fresne-Saint-Mamès, Franche-Comté 1851–Paris 1934, 11 1/8 x 18 in. (28.26 x 45.72 cm) (sight)18 5/8 x 25 1/4 in. (47.31 x 64.14 cm) (outer frame), Pastel on paper, France, 19th

Early Autumn, c. 1900, Émile Schuffenecker, French, Fresne-Saint-Mamès, Franche-Comté 1851–Paris 1934, 7 1/2 x 10 3/8 in. (19.05 x 26.35 cm) (sight)13 3/4 x 16 3/4 in. (34.93 x 42.55 cm) (outer frame), Pastel on paper, France, 19th

Qur'anic board, 1950s, Unknown, 26 3/8 x 11 3/4 x 1 in. (66.99 x 29.85 x 2.54 cm), Wood, pigments, animal hide, Mali, 20th century, In Islamic Africa, the Qur’anic board is a powerful artifact connected with education and ritual. Its

Nautilus shell cup, c. 1660-1680, Unknown, 15 9/16 x 7 3/4 x 4 5/16 in. (39.55 x 19.69 x 10.95 cm), Nautilus shell, silver, parcel-gilt, Germany, 17th century, Nautilus shells, which came to Europe from the Indo-Pacific Ocean, were often

Dress, c. 1880-1900, 51 1/4 x 50 1/4 in. (130.18 x 127.64 cm), Wool, dentalium shells, silk ribbons, sequins, metallic threads, animal hide, glass beads, cotton, United States, 19th century, Native women of the Plains, including those

Madonna and Child, c. 1600-1601, Guido Reni, Italian, (Bologna), 1575–1642, 6 15/16 x 8 7/16 in. (17.62 x 21.43 cm)9 1/4 x 11 1/2 in. (23.5 x 29.21 cm) (mount)15 3/4 × 19 3/4 in. (40.01 × 50.17 cm) (outer frame), Brush and brown and black

Portrait of a Woman, 19th-20th century, Christian Emil Rosenstand, German (born Denmark), German (born Denmark), 1859 - 1932, 10 3/16 x 8 5/16 in. (25.88 x 21.11 cm) (sight)17 1/2 x 13 3/8 in. (44.45 x 33.97 cm) (outer frame), Watercolor on

Male figure, 17th-18th century, 19 3/4 x 5 1/4 x 4 3/4 in. (50.17 x 13.34 x 12.07 cm), Wood, Mali, 17th-18th century, This musician has been playing his xylophone for more than 250 years. Among the oldest woodcarvings in these galleries, it

Saint John, Plate 4 from the series Christ, the Twelve Apostles, and Saint Paul, 1589, Hendrick Goltzius, Dutch, 1558–1617, 5 7/8 x 4 1/8 in. (14.92 x 10.48 cm) (sheet)12 1/2 x 9 1/8 in. (31.75 x 23.18 cm) (mount), Engraving, Netherlands,

Saint Bartholomew, Plate 6 from the series Christ, the Twelve Apostles, and Saint Paul, 1589, Hendrick Goltzius, Dutch, 1558–1617, 5 15/16 x 4 1/16 in. (15.08 x 10.32 cm) (sheet)12 1/2 x 9 1/16 in. (31.75 x 23.02 cm) (mount), Engraving,

Saint Simon, Plate 11 from the series Christ, the Twelve Apostles, and Saint Paul, 1589, Hendrick Goltzius, Dutch, 1558–1617, 5 7/8 x 4 1/16 in. (14.92 x 10.32 cm) (sheet)12 1/2 x 9 1/8 in. (31.75 x 23.18 cm) (mount), Engraving,

Rouen Cathedral, Sunrise, 1825, Richard Parkes Bonington, British, 1802–1828, 11 5/16 x 8 15/16 in. (28.73 x 22.7 cm)15 11/16 x 18 7/16 x 2 1/4 in. (39.81 x 46.83 x 5.72 cm) (outer frame), Oil on millboard, France, 19th century, Although

Blanket pin, late 19th century, 3 15/16 x 3/4 x 3/8 in. (10 x 1.91 x 0.95 cm), Ivory, abalone, 19th century, Tribes that live in the northern section of the Northwest Coast are known for their highly refined sculpture. Characterized by

Kannon, the Bodhisattva of Compassion, 13th century, Unknown Japanese, 30 11/16 x 10 5/8 x 10 5/8 in. (77.95 x 26.99 x 26.99 cm), Japanese cypress wood with lacquer, gold, and inlaid glass, Japan, 13th century, This handsome, youthful male

Court Ladies at Play, 1683, Xu Zhuang, Chinese, active late 17th century, 40 1/2 × 19 1/16 in. (102.9 × 48.4 cm) (image)78 1/8 × 27 3/4 in. (198.4 × 70.5 cm) (overall, including roller), Ink and color on silk, China, 17th century, Four

Hu wine vessel, 5th century BCE, 13 7/8 × 9 3/8 in., 6.4 lb. (35.24 × 23.81 cm, 2.9 kg), Bronze, China, 5th century BCE, This storage vessel is one of an important group of hunting-scene hu. They show the influence of the nomadic art of

Goblet and cover, 1685, Willem van Heemskerck, Dutch, 1613–1692, 10 1/2 × 4 1/16 × 4 1/16 in. (26.67 × 10.32 × 10.32 cm), Glass, Netherlands, 17th century, Glass goblets engraved with short quotations or mottos were a quintessential

Forellenwieher (Trout Stream), 1890, Franz von Stuck, German, 1863–1928, 11 × 9 in. (27.94 × 22.86 cm) (plate)16 × 12 1/2 in. (40.64 × 31.75 cm) (sheet), Etching, Germany, 19th century, Munich artist Franz Stuck was one of Germany’s

Monkeys Watching a Praying Mantis Catching a Wasp, second half 18th century, Iwai Kōun, Japanese, 24 × 38 7/16 in. (60.96 × 97.63 cm) (image)61 3/16 × 42 3/4 in. (155.42 × 108.59 cm) (mount, without roller), Ink and color on paper, Japan,

World of Art (Vol. 13), 1891, Watanabe Seitei, Japanese, 1852 - 1918, 9 13/16 × 6 3/8 × 3/8 in. (24.92 × 16.19 × 0.95 cm), Woodblock print, Japan, 19th century

Sliding Doors with Ducks and Reeds left of a pair, second half 19th century, Shibata Zeshin, Japanese, 1807 - 1891, 25 1/4 × 15 1/2 × 3/4 in. (64.14 × 39.37 × 1.91 cm), Lacquer and gold on wood; ivory, Japan, 19th century, Shibata Zeshin

Egrets in Snow, mid 19th century, Tsubaki Chinzan, Japanese, 1801 - 1854, 47 7/8 × 19 5/8 in. (121.6 × 49.85 cm) (image)72 1/4 × 25 1/16 in. (183.52 × 63.66 cm) (without roller), Ink and color on silk, Japan, 19th century, In Japanese

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