Images at Librifly

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The Immortals Gama Sennin and Tekkai Sennin, early 19th century, Kuroda Ryōzan, Japanese, 1755 - 1814, 52 3/4 × 22 5/16 in. (133.99 × 56.67 cm) (image, L screen)52 13/16 × 22 5/16 in. (134.14 × 56.67 cm) (image, R screen)66 3/4 × 69 5/8

Song of Fishing Among Willows, second half 19th century, Taniguchi Aizan, Japanese, 1816 - 1899, 28 × 17 × 1/2 in. (71.12 × 43.18 × 1.27 cm) (open), Ink and color on paper, bamboo, Japan, 19th century, Literati-style painting reached

Landscape, second half 18th century, Kimura Kenkadō, Japanese, 1736 - 1802, 10 1/16 × 19 1/2 in. (25.56 × 49.53 cm) (sheet, fan)13 × 23 1/16 in. (33.02 × 58.58 cm) (mount), ink on paper sized with mica, Japan, 18th century, Kimura

Draft panel in standard script, second half 18th century, Attributed to Kimura Kenkadō, Japanese, 1736 - 1802, 10 7/8 × 20 1/2 in. (27.62 × 52.07 cm) (image)46 13/16 × 24 7/8 in. (118.9 × 63.18 cm) (mount, without roller), Ink on paper,

Old Man Chikutō’s Sketchbook, mid 19th century, Nakabayashi Chikutō, Japanese, 1776 - 1853, 1/2 × 3 1/8 × 7 1/16 in. (1.27 × 7.94 × 17.94 cm), Album; ink on paper, Japan, 19th century, The title of this work appears to be a later

Kakebotoke, 14th century, Unknown Japanese, 12 7/8 × 14 1/8 × 2 3/4 in. (32.7 × 35.88 × 6.99 cm), Bronze with traces of gilding; wood, Japan, 14th century, A kakebotoke is a round votive plaque with three-dimensional figural applications

Trailing Rings, second half 19th century, Wada Waichisai, Japanese, 1851 - 1901, 9 × 20 1/4 × 8 5/8 in. (22.86 × 51.44 × 21.91 cm), Bamboo (hōbichiku or susudake), rattan, lacquer, Japan, 19th century, Wada Waichisai I (1851–1901)

Matsushima, 1826, 5th month, Tani Bunchō, Japanese, 1763 - 1841, 32 1/2 × 56 in. (82.55 × 142.24 cm) (image)79 1/2 × 61 1/2 in. (201.93 × 156.21 cm) (mount), Ink and color on silk, Japan, 19th century, Over the centuries, wind and

Monkey Hanging from a Branch, Spring 1770, Maruyama Ōkyo, Japanese, Shijō, 1733 - 1795, 34 1/2 × 12 1/8 in. (87.63 × 30.8 cm) (image)71 1/2 × 18 3/8 in. (181.61 × 46.67 cm) (mount), ink and light color on silk, Japan, 18th century,

Landscape with Farmers and Woodsmen, 1723-30 (published 1730), Marco Ricci, Italian, 1676–1730, 9 15/16 × 14 1/8 in. (25.24 × 35.88 cm) (plate)12 1/2 × 16 1/4 in. (31.75 × 41.28 cm) (sheet), Etching, Italy, 18th century, Marco

Crucifix, 16th-17th century, 11 1/16 × 4 × 3/4 in. (28.1 × 10.16 × 1.91 cm), Brass, Democratic Republic of Congo, 16th-17th century, The Kingdom of Kongo, in central Africa, officially became Christian in the late 1400s, after the

Vessel, 15th-16th century, 8 in. (20.3 cm), Ceramic, Peru, 15th-16th century, Chimu ceramics were made in molds, with unique decorative details added when the halves were joined. The placement of a hand-modeled bird where the spout meets the

Fabric Printed with Art Nouveau Pattern, c. 1900, 200 x 32 1/2 in. (508 x 82.55 cm), Cotton; printed, United States, 19th-20th century

A Storm at Sea, c. 1819-1831, Joseph Mallord William Turner R.A., British, 1775–1851, 7 3/16 × 11 3/8 in. (18.26 × 28.89 cm) (sheet)18 3/8 × 23 5/8 × 1 1/2 in. (46.67 × 60.01 × 3.81 cm) (outer frame), Watercolor, England, 19th

The Immortal Zhang Guolao Releasing His Mule from a Gourd, late 19th century, Hashimoto Gahō, Japanese, 1835 - 1908, 62 15/16 × 30 13/16 in. (159.86 × 78.26 cm) (image)89 3/4 × 38 3/16 in. (227.97 × 97 cm) (without roller), Hanging scroll;

Twilight Snow of the Hakone Mountains: Actor Bandō Hikosaburō V as Jintō Tokujirō, 1865, 7th lunar month, Toyohara Kunichika; Publisher: Hiranoya Shinzō, Japanese, 1835 - 1900, 15 1/2 × 10 1/2 in. (39.37 × 26.67 cm) (sheet, vertical

Ceremonial Bull Roarer, c. 1900, 29 15/16 x 3 7/16 x 7/16 in. (76.04 x 8.73 x 1.11 cm), Wood, Australia, 19th-20th century, Bull roarers were used in Aboriginal ceremonies to represent the voices of the spirits. They were swung rapidly around

Cranes under Pine Trees, 16th century, Unknown Japanese, 62 5/16 × 136 1/4 in. (158.27 × 346.08 cm) (image)68 7/8 × 139 5/8 in. (174.94 × 354.65 cm), Ink and color on paper, Japan, 16th century, A pair of red-crested cranes settle on the

Cranes with Bamboo left of a pair of Cranes with Pine and Bamboo, 18th-19th century, Kano School, Japanese, 60 1/4 × 139 5/8 in. (153.04 × 354.65 cm) (image)66 1/8 × 146 1/2 × 5/8 in. (167.96 × 372.11 × 1.59 cm), Ink, color, and gold on

The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766, Jean-Baptiste-Siméon Chardin, French, 1699 - 1779, 44 1/2 x 57 1/4 in. (113.03 x 145.42 cm) (canvas)57 3/4 x 71 x 5 1/8 in. (146.69 x 180.34 x 13.02 cm) (outer frame),

Tapper, 18th century, 9 1/4 × 1 1/8 in. (23.5 × 2.86 cm), Ivory, Nigeria, 18th century, Tappers are commonly used in Yoruba divination practices to greet and summon Orunmila, the god of fate who is associated with knowledge and wisdom. This

Crucifix, 18th century, 12 5/16 × 5 11/16 × 1 in. (31.27 × 14.45 × 2.54 cm), Wood, brass, iron, Democratic Republic of Congo, 18th century, The Kingdom of Kongo, in central Africa, officially became Christian in the late 1400s, after

The Grazing Cow, c. 1650, Paulus Potter, Dutch, 1625–1654, 3 15/16 × 5 1/2 in. (10 × 13.97 cm) (image)4 1/4 × 5 13/16 in. (10.8 × 14.76 cm) (sheet), Etching, Netherlands, 17th century, Paulus Potter was among the most prominent of the

Virgin and Child, 1518–1525, Sebald Beham, German, 1500–1550, 18 × 13 in. (45.72 × 33.02 cm), Woodcut printed from two blocks on two sheets of paper, Germany, 16th century, Virgin and Child was clearly meant to be seen from a distance.

Dance blanket, c. 1900, 56 15/16 × 70 15/16 in. (144.62 × 180.18 cm) (without ribbon tabs), Wool, beads, ribbon, United States, 20th century, This blanket started out as a standard-issue Hudson Bay blanket, factory-made from British wool.

Weng Sen's poem in running script, 16th century, Wen Zhengming, Chinese, 1470 - 1559, 10 1/4 × 12 1/2 in. (26.04 × 31.75 cm) (image)12 3/4 × 14 1/4 in. (32.39 × 36.2 cm) (mount, bottom half of mount, from fold downward), Ink on paper,

Weng Sen's poem in running script, 16th century, Wen Zhengming, Chinese, 1470 - 1559, 10 1/4 × 12 5/8 in. (26.04 × 32.07 cm) (image)12 3/4 × 14 1/4 in. (32.39 × 36.2 cm) (mount, bottom half of mount, from fold downward), Ink on paper,

Weng Sen's poem in running script, 16th century, Wen Zhengming, Chinese, 1470 - 1559, 10 1/4 × 12 1/4 in. (26.04 × 31.12 cm) (image)12 3/4 × 14 1/4 in. (32.39 × 36.2 cm) (mount, bottom half of mount, from fold downward), Ink on paper,

Weng Sen's poem in running script, 16th century, Wen Zhengming, Chinese, 1470 - 1559, 10 7/16 × 12 1/4 in. (26.51 × 31.12 cm) (image)12 3/4 × 14 1/4 in. (32.39 × 36.2 cm) (mount, bottom half of mount, from fold downward), Ink on paper,

Shield, late 19th century, 44 3/16 × 28 × 6 5/8 in. (112.24 × 71.12 × 16.83 cm), Antelope hide, wood, cloth, metal, pigments, Algeria, 19th century, African shields, while primarily functional objects used in warfare, also played a

Cross pendant, late 19th-early 20th century, 2 11/16 × 1 3/4 × 1/4 in. (6.83 × 4.45 × 0.64 cm), Silver, Ethiopia, 19th-20th century, Ethiopia was the first African nation to adopt Christianity, more than 1600 years ago. By the 1400s,

Platter with peonies, 1866-1867, Félix Bracquemond; Manufacturer: Creil & Montereau Pottery; Retailer: Francois-Eugene Rousseau, French, 1833–1914, 1 1/2 × 16 3/4 × 14 in. (3.81 × 42.55 × 35.56 cm), Lead-glazed earthenware, transfer

Cake plate with poppy, 1866-1867, Félix Bracquemond; Manufacturer: Lebeuf, Milliet & Co., Creil; Retailer: Francois-Eugene Rousseau, French, 1833–1914, 3 × 8 3/4 in. (7.62 × 22.23 cm), Lead-glazed earthenware, transfer printing,

Knight on Horseback and the Lansquenet, c. 1496-1497, Albrecht Dürer, German, 1471–1528, 15 1/4 × 11 1/16 in. (38.74 × 28.1 cm) (sheet), Woodcut, Germany, 15th century, Albrecht Dürer was the leading artist of the German renaissance.

Hand cross, 17th century, 23 × 8 11/16 × 1 3/16 in. (58.42 × 22.07 × 3.02 cm), Wood, metal, Ethiopia, 17th century, Ethiopia was the first African nation to adopt Christianity, more than 1600 years ago. By the 1400s, Christian art in

Cake plate with fish, butterfly, and shell, 1866-1867, Félix Bracquemond; Manufacturer: Lebeuf, Milliet & Co., Creil; Retailer: Francois-Eugene Rousseau, French, 1833–1914, 3 × 8 3/4 in. (7.62 × 22.23 cm), Lead-glazed earthenware,

Cake plate with fish, butterfly, and bug, 1866-1867, Félix Bracquemond; Manufacturer: Lebeuf, Milliet & Co., Creil; Retailer: Francois-Eugene Rousseau, French, 1833–1914, 3 × 8 3/4 in. (7.62 × 22.23 cm), Lead-glazed earthenware,

Head of a Bodhisattva, late 6th century, 16 1/4 × 9 7/16 × 11 5/8 in. (41.28 × 23.97 × 29.53 cm) (without attached base), Sandstone, pigments, China, 6th century, This sculpture was originally the head of a standing figure of a

Tête de Vieillard de face, c. 1860, Edgar Degas, French, 1834 - 1917, 11 1/8 × 8 3/8 in. (28.26 × 21.27 cm) (sight)20 1/8 × 17 × 1 1/8 in. (51.12 × 43.18 × 2.86 cm) (outer frame), Graphite pencil heightened with white gouache, France,

A Stag Caught by a Pack of Hounds, c. 1755, Johann Elias Ridinger, German, 1698–1767, 11 3/8 × 16 15/16 in. (28.89 × 43.02 cm) (sheet), Pen and black and brown ink over black chalk, on ledger book sheet of laid paper, Germany, 18th

A Supplicant, c. 1630-1640s, Pieter Rodermondt; Artist: Formerly attributed to Pieter Cornelisz Verbeeck, Dutch, 1600 - 1654, 5 11/16 × 4 7/8 in. (14.45 × 12.38 cm) (sheet)13 13/16 × 10 5/16 in. (35.08 × 26.19 cm) (mount), Etching,

Dead Christ, 1671, Jan de Bisschop; Artist: after Annibale Carracci, Italian (Bologna), Italian (Bologna), 1560-1609, 14 5/16 × 9 1/16 in. (36.35 × 23.02 cm) (sheet)8 13/16 × 5 5/16 in. (22.38 × 13.49 cm) (plate), Etching, Netherlands,

Du Fu's poem in cursive script, 1484, Zhu Yunming, Chinese, 1460 - 1526, 16 1/4 × 10 1/16 in. (41.28 × 25.56 cm) (image)65 5/8 × 17 9/16 in. (166.69 × 44.61 cm) (overall, without roller), Ink on paper, China, 15th century, During the

Still Life with Dahlias, Zinnias, Hollyhocks and Plums, c. 1835, Eugène Delacroix, French, 1798–1863, 21 11/16 × 25 13/16 in. (55.09 × 65.56 cm) (sight)31 7/8 × 36 1/8 × 3 1/4 in. (80.96 × 91.76 × 8.26 cm) (outer frame), Oil on

Pelete bite' lower wrapper, late 19th century, 60 1/4 × 39 in. (153.04 × 99.06 cm), Cotton, Nigeria, 19th century, Kalabari men and women of Nigeria occasionally wear a unique cloth called 'pelete bite' ('cut-thread cloth'), which is created

Vase, 19th century, August Delaherche, French, 6 3/8 × 4 9/16 × 4 9/16 in. (16.19 × 11.59 × 11.59 cm), Glazed stoneware, 19th century, The artistic movement known as Art Nouveau was deeply influenced by Japanese aesthetics and, insofar as

The Tiber Muse, 2nd-1st century BCE, 47 x 13 x 24 in. (119.38 x 33.02 x 60.96 cm), Marble, Italy, 2nd-1st century BCE, Although discovered in the vicinity of the Tiber river in Rome in 1885, the style of this statue's drapery suggests that it

Turban snail shell cup, c. 1560, 6 1/4 × 6 11/16 × 4 3/16 in. (15.88 × 17 × 10.64 cm), Turban snail shell, turquoise, rubies or garnets, glass stones, gold lacquer, silver gilt mounts, Germany, 16th century, Travel, trade and

Standing Shakyamuni Buddha, late 6th century, 45 x 12 3/4 x 9 1/4 in. (114.3 x 32.4 x 23.5 cm) (without mount), Limestone, China, 6th century, The short-lived Northern Qi dynasty (550–70) came between two dynasties—the Northern Wei

Presentation pitcher, c. 1854, E. Jaccard & Co., St. Louis, Missouri, 1829-1864, 12 11/16 x 10 15/16 x 7 1/2in. (32.2 x 27.8 x 19cm), Coin silver, United States, 19th century, The first official railroad journey connecting the Mississippi

Girl's Dress, c. 1860-1870, 35 3/4 x 26 in. (90.8 x 66 cm) (including bottom fringe), Animal hide, beads, bone, United States, 19th century, This style of dress was introduced to the Plains in the 19th century, replacing an earlier draped

Landscape in the Taunus (Landschaft im Taunus) (recto) and Signs of the Times V: Into Dust with All Enemies (Symbole der Zeit V: In Staub mit allen Feinden) (verso), page from 'Der Bildermann', folio 13, vol. 1, no. 6, June 1916, Ernst Ludwig

View up the Grand Canal toward the Rialto, c. 1785, Francesco Guardi, Italian (Venice), Italian (Venice), 1712–1793, 25 3/4 x 35 7/16 in. (65.41 x 90.01 cm) (canvas)33 1/8 x 42 5/8 x 2 3/4 in. (84.14 x 108.27 x 6.99 cm) (outer frame), Oil on

Mother and Child, 1894, Mary Cassatt, American, 1844–1926, 11 13/16 × 9 1/2 in. (30 × 24.13 cm) (image)11 3/4 × 9 9/16 in. (29.85 × 24.29 cm) (plate)17 1/8 × 12 1/16 in. (43.5 × 30.64 cm) (sheet), Drypoint and aquatint printed in color,

Man's Pouch, c. 1800, 13 5/8 x 7 5/16 in. (34.6 x 18.6 cm), Hide, beads, quills, wool, cotton, United States, 19th century, This bag is all that remains of the extensive collection of Indian objects gathered by Major Lawrence Taliaferro,

Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century), Circle of Gianlorenzo Bernini, Italian (Rome), Italian, 1598–1680, 36 x 28 1/4 x 14 1/4 in. (91.44 x 71.76 x 36.2 cm), Bronze, Italy, 17th century, Elected pope in

Recumbent Nude Woman (Femme nue allongée), 19th century, François Rupert Carabin, French, Saverne, Bas-Rhin 1862–Strasbourg 1932, 8 7/8 × 14 1/4 in. (22.5 × 36.2 cm) (sheet), Charcoal, France, 19th century, Rupert Carabin was a master

Funerary Offering Jar, 1000-500 BCE, 12 5/8 x 15 1/4 in. (32.1 x 38.74 cm), Slip coated earthenware with burnished surface, Thailand, 10th-5th century BCE, In the late 1960s, a hoard of pots was unearthed at the village of Ban Chiang, on the

Woman at the Tub, 1896, Henri de Toulouse-Lautrec, French, 1864–1901, 15 3/8 x 20 in. (39.05 x 50.8 cm) (image)23 5/8 × 29 5/8 in. (60.01 × 75.25 cm) (outer frame), Red chalk, France, 19th Century, Henri de Toulouse-Lautrec spent a great

Snuff Bottle, 1890-1930, 3 5/8 x 2 3/8in. (9.2 x 6cm), Ivory, coral, China, A woman gazes through a window surrounded by the branches of a willow tree. We seem to catch her in a private moment of contemplation. Such poetic depictions of women

Swan and Cygnets, 14th-15th century, After Wu Yuanyu, Chinese, active 1080-1104, 62 x 35 1/2 in. (157.48 x 90.17 cm), Ink and color on silk, China, 14th-15th century, By the Song dynasty (960-1280), the Chinese had perfected a pictorial art

Swan and Cygnets, 15th century, After Wu Yuanyu, Chinese, active 1080-1104, 62 x 35 1/2 in. (157.48 x 90.17 cm), Ink and color on silk, China, 15th century, This painting is typical of professional flower-and-bird paintings of the early Ming

Beaker, c. 800 BCE, 6 1/4 x 3 3/4 in. (15.88 x 9.53 cm), Silver, Persia (Iran), 9th-8th century BCE, The people of Marlik were a nomadic Indo-European tribe that once inhabited northwestern Iran. They left little evidence of their culture

Allegorical Self-Portrait, 1873, Simeon Solomon, British, 1840 - 1905, 14 x 8 15/16 in. (35.56 x 22.7 cm) (sheet), Watercolor, gouache and gum arabic over red chalk, England, 19th century, Solomon studied with the Pre-Raphaelite painters

Altar Frontal, 19th century, 37 ⅞ x 36 ⅝ in. (93.98 x 91.44 cm), silk, gold thread, cotton, embroidery, China, 19th century, In the center of the main rectangle, a large elephant bears a cauldron containing the Eight Treasures within a

Elephant Attacking a Feline, late 4th-mid 5th century, 41 1/4 x 81 1/2 in. (104.78 x 207.01 cm), Mosaic, Turkey, Byzantine, Animal combat is a Near Eastern theme which entered early into Greek and later Roman art. The introduction of

Bird, one of a pair, 7th-6th century BCE, 4 5/8 × 5 3/4 × 3 in., 0.9 lb. (11.75 × 14.61 × 7.62 cm, 0.4 kg), Bronze, China, 7th-6th century BCE, It is probable that these birds served as components of another object, such as a vase or a

Turtle, 19th century, 2 1/4 x 6 15/16 x 9 11/16 in. (5.72 x 17.62 x 24.61 cm), Coral, Society Islands, 19th century, Tahitian society was divided into clans, and each had its own deity, often a prominent ancestor or venerated animal. The

Prince Anatole Demidoff, 1839, Jean-Pierre Dantan II, French, 1800 - 1869, 19 x 11 x 13 in. (48.26 x 27.94 x 33.02 cm), Marble, France, 19th century, Anatole Demidoff, Prince of San Donato (1812-70), was one of the foremost art collectors

The Return of the Young Hunter, c. 1775, Jean-Baptiste Greuze, French, 1725–1805, 20 1/2 x 26 5/16 in. (52.1 x 66.9 cm) (image)32 7/8 x 38 x 1 3/4 in. (83.5 x 96.52 x 4.45 cm) (outer frame), Pen and black ink, brush and black and gray wash,

Portrait of a Cardinal, possibly Gabriele de' Gabrielli (1445–1511), c. 1505–11, attributed to Lorenzo Costa, Italian (Emilia), Italian (Emilia), 1460–1535, 32 1/4 x 30 in. (81.92 x 76.2 cm) (panel), Oil and tempera on poplar panel,

The Arrival of King Mahmud's Envoy at Gananj, 1425-30, Ḥāfiẓ-i Abrū, died 1430, 16 7/8 × 13 1/8 in. (42.8 × 33.4 cm) (sheet)14 5/8 × 10 in. (37.1 × 25.4 cm) (image), Ink, opaque watercolor, and gold on paper, Afghanistan, 15th

Wooded Landscape with Horseman and Pack Horse, early 1770s, Thomas Gainsborough R.A., British, 1727–1788, 8 1/4 × 11 15/16 in. (21 × 30.32 cm) (image, sheet)16 1/2 x 20 3/8 x 1 7/16 in. (41.91 x 51.75 x 3.59 cm) (outer frame), India ink,

Wooded Landscape with Herdsman and Cattle, early 1770s, Thomas Gainsborough R.A., British, 1727–1788, 8 3/8 × 11 7/8 in. (21.27 × 30.16 cm) (image)16 1/2 x 20 3/8 x 1 7/16 in. (41.91 x 51.75 x 3.65 cm) (outer frame), India ink, white lead,

Portrait of Antoine Coysevox, 1701, François Jouvenet, French, 1664 - 1749, 18 5/8 x 15 1/2 in. (47.3 x 39.4 cm), Oil on canvas, France, 18th century, With one hand resting on a marble bust and the other clutching a chisel, Antoine

Figure, 11th-6th century BCE, 8 7/8 x 7 in. (22.54 x 17.78 cm), Ceramic, Mexico, 11th-6th century BCE, The Olmec people developed the first cities of Mesoamerica. Situated in the tropical lowlands of Mexico, these early urban societies

Tulip, Lily, Rose, etc. in Vase, with Insects, 17th century, School of Maria Sibylla Merian, German, 1647-1717, 12 3/4 x 8 3/4 in. (32.39 x 22.23 cm) (image)13 1/16 x 9 1/8 in. (33.18 x 23.18 cm) (sheet), Watercolor on paper, Netherlands

Lady with a Fan, c. 1869-1870, Eva Gonzales, French, 1847 - 1883, 16 3/4 x 10 5/8 in. (42.5 x 27 cm) (image)23 3/8 x 17 7/16 x 2 9/16 in. (59.37 x 44.29 x 6.51 cm) (outer frame), Pastel on paper affixed to board, France, 19th century, Like

Italian Sketchbook of Antique and Revolutionary Subjects, after 1797, Unknown Italian, late 18th - early 19th century, 11 5/16 x 7 7/8 in. (28.73 x 20 cm) (page), Pen and brown ink, brush wash, graphite, and watercolor on laid paper; bound

Dance Mask with Bird Totem, 20th century, Ngavimeli, 31 x 43 x 49 in. (78.74 x 109.22 x 124.46 cm), Rattan, feathers, pigment, Papua New Guinea, 20th century, This dance mask, made by Ngavimeli, an Iatmul artist from New Guinea, was worn

Hu (Ritual Wine Jar), 1st-2nd century, 12 1/2 x 9 1/2 in. (31.75 x 24.13 cm), Stoneware with molded decor under a brown glaze, China, 1st-2nd century, Late Zhou potters borrowed freely from ritual bronze vessel shapes. This is understandable

Lap-Over-Edge' Flatware, 1880, Charles T. Grosjean; Maker: Tiffany & Co.; Caster: Joseph Rodgers and Sons (knife blades), American, 1/2 x 11 1/2 x 7/8 in. (1.27 x 29.21 x 2.22 cm), Silver, gold, copper, and bronze, United States, 19th

Dress, c. 1880-1890, 51 in. (129.5 cm), Leather, cotton, copper disks, bells, glass beads, United States, 19th-20th century, As the Lakȟóta world became more and more restricted because of Euro-American expansion, Lakȟóta women focused

Mirror, 20th century, 3/4 x 14 1/4 x 5 1/4in. (1.9 x 36.2 x 13.3cm), Glass; alloy, Art Nouveau

Kappa and toad hand-wrestling on a leaf, second half 19th century, Suzuki Masanao, Japanese, 1815 - 1890, 1 1/2 in. (3.81 cm), Boxwood, Japan, 19th century, A netsuke is a toggle or end piece that anchors a braided silk cord to the cloth

Kast or Zeeuws cupboard, 17th century, 59 3/4 x 56 x 27in. (151.8 x 142.2 x 68.6cm), Oak inlaid with various woods, Netherlands, 17th century, A wealthy family would have used this large cupboard as the central storage unit of the household.

Pentecost, c. 1440, Bartolomeo di Tommaso, Italian (Umbria), Italian (Umbria), active 1425 - 1453/54, 19 x 7 in. (48.26 x 17.78 cm) (panel), Tempera on panel, Italy, 15th century, In this scene from the New Testament, the twelve apostles

Monkeys Playing on a Stone Lantern, early 19th century, Mori Sosen, Japanese, 1747 - 1821, 38 1/4 x 14 1/2 in. (97.16 x 36.83 cm) (image), Ink and color on silk, Japan, 19th century, Like artists of the Maruyama and Shijō schools, Sosen

Madonna and Child, 1855, Franz Ittenbach, German, 1813 - 1879, 43 3/4 x 33 3/4 in. (111.13 x 85.73 cm) (canvas), Oil on canvas, Germany, 19th century, Ittenbach is considered one of the leading religious painters in 19th century Germany. A

Antoine-Laurent de Lavoisier (1743-1794), 1891, Aimé-Jules Dalou, French, 1838 - 1902, 19 3/4 x 13 3/4 x 12 1/4in. (50.2 x 34.9 x 31.1cm), Bronze, France, 19th century, A contemporary of George Washington, Lavoisier was one of the greatest

Art Deco Brocade fabric, c. 1925-1930, 76 3/4 x 68 1/2 in. (194.95 x 174 cm) (including 7' fringe), Silk, metallic threads, France, 20th century

Woman's blouse (Huipil), c. 2000, 23 1/2 x 33 15/16 in. (59.69 x 86.2 cm), Cotton; supplementary weft patterning, Guatemala, 20th-21st century

Wall clock with bracket, c. 1725, attributed to Charles Cressent; Maker: Abraham Gudin; Maker: Jacques Gudin; Designer: André Charles Boulle, French, 1685–1768, 33 1/2 x 14 1/4 in. (85.09 x 36.2 cm) (a, clock)15 1/2 x 18 1/4 in. (39.37 x

Art Deco Lamp, 1925-1930, 7 3/8 x 7 1/4 in. (18.73 x 18.42 cm) (base), Glass, Czechoslovakia, 20th century

Grand Canal, Venice, 19th century, Hercules Brabazon Brabazon, English, 1821 - 1906, 9 1/16 x 10 in. (23.02 x 25.4 cm) (sheet), Watercolor, England, 19th century, Despite pressure from his father, Hercules Brabazon Sharpe followed his

Art Nouveau Tablecloth, c. 1900, 47 x 68 in. (119.38 x 172.7 cm), cotton, 19th-20th century

Art Brush, 20th century, 10 x 1/2 in. (25.4 x 1.27 cm), Bamboo, horse hair, China, 20th century

Egrets, Lotus and Hibiscus Mutabilis, 18th century, Zhang Yu, Chinese, 1734 - 1803, 73 x 22 1/8 in. (185.42 x 56.2 cm) (image), Ink and color on paper, China, 18th century, After the spread of Buddhist belief in China, the lotus was imbued

Cup from a christening set, 1864-1865, George Adams; Manufacturer: Chawner & Co.; Retailer: J. Turner, English (London), English, active 1840-1883, 4 in. (10.16 cm), Silver, gilt, England, 19th century, During the 1860s, Queen Victoria

Landscape, 17th century, Xiang Shengmo, Chinese, 1597-1658, 9 1/8 x 20 1/2 in. (23.18 x 52.07 cm) (image, sheet), Ink on gold-flecked paper, China, 17th century, This landscape painting is an example of Individualism, a branch of painting

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