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Panel, 1825, 29 1/2 x 28 1/4 in. (74.93 x 71.76 cm), Cotton; copperplate or roller-printed fabric, France, 19th century, By the beginning of the 19th century both England and France had made significant advances in the art of printing on cotton

Replica of the Saan Teahouse at Daitokuji Gyokurin-in, Kyoto, 2001 (constructed), Yasuimoku Komuten Company Ltd., Japan, 21st century, Japan's ruling warrior elite first held lavish tea gatherings in their formal reception halls. As tea masters

Formal Audience Hall, constructed 2001, Yasuimoku Komuten Company Ltd., Japan, 21st century, The opulent spirit of Momoyama Japan is exhibited in this formal audience hall, a replica of a 17th century room at the Konchi-in, a temple within the

Stool, 19th-20th century, 5-11/16 x 8-1/8 x 7-13/16 in. (14.4 x 20.6 x 19.8 cm), Wood, brass tacks, beads, Democratic Republic of the Congo, 19th-20th century, Many African cultures, including the Chokwe, believe death is not an end, but

Anne, Countess of Strafford, 1758–59, Sir Joshua Reynolds, British, 1723–1792, 30 x 24 3/4 x 3/4 in. (76.2 x 62.87 x 1.91 cm) (canvas), Oil on canvas, England, 18th century, Lady Strafford (c. 1715–85) was born into a wealthy noble

Tile with botanical design, 1879, J. & J.G. Low Patent Art Tile Works, Chelsea, Massachussets, 1877-1907, 6 x 6 x 7/16 in. (15.24 x 15.24 x 1.11 cm), Glazed earthenware, metal, United States, 19th century

Tile with geometric design, 1881-1883, J. & J.G. Low Patent Art Tile Works, Chelsea, Massachussets, 1877-1907, 6 x 6 x 7/16 in. (15.24 x 15.24 x 1.11 cm), Glazed earthenware, United States, 19th century

Phoenix Bird Form Plaque, one of a pair, 1st century BCE -1st century CE, 4 1/2 x 5 3/8 x 7/8 in. (11.43 x 13.65 x 2.22 cm), Gilt bronze, China, 1st century BCE -1st century CE, Mythical creatures proliferated in Han dynasty literature and

Celestial Horse, 25-220, 44 7/8 x 34 1/2 x 14 1/2 in. (113.98 x 87.63 x 36.83 cm) (without mount), Bronze with traces of polychrome, China, 1st-2nd century, Chinese government envoys sent to central Asia returned to court marveling over a breed

Comb, 20th century, 6 7/8 x 2 3/4 x 2 in. (17.46 x 6.99 x 5.08 cm), Wood, Democratic Republic of the Congo, 20th century, The figure in this comb is a representation of the Chokwe founder, Chibinda Ilunga. He was a Luba hunter of royal

Mantel clock, c. 1899, Josef Maria Olbrich, Austrian, 1867–1908, 20 x 15 x 7 1/2 in. (50.8 x 38.1 x 19.05 cm), Pearwood, metallic numerals, Austria, Art Nouveau

Chicorée' style buffet, c. 1902, Louis Majorelle, French, 1859-1926, 100 1/2 x 88 1/2 x 22 in. (255.27 x 224.79 x 55.88 cm), Black walnut, France, Art Nouveau

Pitcher, c. 1900, Léon Kann, French, 1859 - 1925, 13 1/8 x 9 x 8 in. (33.34 x 22.86 x 20.32 cm), Bronzed metal, gilt, France, Art Nouveau

Champagne glass, c. 1900, Rheinische Glashütten, German, Köln-Ehrenfeld, y, est. c. 1850, 7 x 4 x 4 3/16 in. (17.78 x 10.16 x 10.64 cm), Glass, Germany, Art Nouveau

Vase, c. 1900, Louis Comfort Tiffany; Manufacturer: Tiffany Furnaces, American, 1848–1933, 21 x 9 x 9 in. (53.34 x 22.86 x 22.86 cm)13 3/4 x 5 in. (34.93 x 12.7 cm) (?), Glass, United States, Art Nouveau, This vase 'grows' from the bottom

Coat stand, c. 1867, Christopher Dresser; Manufacturer: Coalbrookdale Co., Scottish, 1834-1904, 74 x 25 3/4 x 9 1/4 in. (187.96 x 65.41 x 23.5 cm), Cast iron, England, 19th century, Few late-19th century artists were as successful or as

Un Corps de Garde, 1762, Per Gustav Floding; Artist: after François Boucher, French, 1703–1770, 12 13/16 x 9 3/8 in. (32.54 x 23.81 cm) (plate)15 1/2 x 10 3/16 in. (39.37 x 25.88 cm) (sheet), Engraving, etching and aquatint (lavis) in black

Un Corps de Garde, 1762, Per Gustav Floding; Artist: after François Boucher, French, 1703–1770, 12 7/8 x 9 5/16 in. (32.7 x 23.65 cm) (plate)15 3/4 x 10 5/16 in. (40.01 x 26.19 cm) (sheet), Engraving, etching and aquatint (lavis) in bistre

Basin, c. 1902, Josef Maria Olbrich; Manufacturer: Villeroy & Boch, Audun-le-Tiche, Germany, est. 1748, 16 in. (40.64 cm), Glazed earthenware with transfer printed decoration, Germany, Art Nouveau

Landscape, from a triptych of White-robed Kannon with Landscape and Tiger, 17th century, Kano Tan'yū, Japanese, 1602 - 1674, 48 1/16 x 19 3/4 in. (122.08 x 50.17 cm) (image)85 15/16 x 25 15/16 in. (218.28 x 65.88 cm) (overall, without

Frontlet, c. 1820, 3 3/8 x 7 1/4 x 7 13/16 in. (8.57 x 18.42 x 19.84 cm), Wood, abalone, pigment, hessian, resin, 19th century, Frontlets are masterpieces of Northwest Coast art, and many of the finest were produced by the Tsimshian. The

Tenmoku teabowl stand, 15th century, Unknown Japanese, 3 7/8 x 6 7/8 x 6 7/8 in. (9.84 x 17.46 x 17.46 cm), Negoro ware; lacquer over wooden core, Japan, Negoro, Lacquered stands were often imported from China together with temmoku tea bowls.

Quilt, c. 1890, 74 x 87 1/2 in. (187.96 x 222.25 cm), Wool; appliquéd, pieced, and embroidered, United States, 19th century, The stylized birds and berries here have more in common with New England folk art than with traditional fine quilts.

Album Leaf, from 'Landscapes from Nature, Poetry, and Art', 1774, Wang Chen, 1720 - 1797, 16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2

Album Leaf, from 'Landscapes from Nature, Poetry, and Art', 1774, Wang Chen, 1720 - 1797, 16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2

Album Leaf, from 'Landscapes from Nature, Poetry, and Art', 1774, Wang Chen, 1720 - 1797, 16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2

Album Leaf, from 'Landscapes from Nature, Poetry, and Art', 1774, Wang Chen, 1720 - 1797, 16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2

Kina Perrier Aperitif, 1895, Unknown, 47 x 35 3/4 in. (119.38 x 90.81 cm) (sheet), Color lithograph, mounted on linen, France, 19th century, Beginning with Napoleon's attempt to conquer Egypt in 1798 and continuing with colonialism, France

Album Leaf, from 'Landscapes from Nature, Poetry, and Art', 1774, Wang Chen, 1720 - 1797, 16 7/16 x 13 3/16 in. (41.75 x 33.5 cm) (image)19 3/4 x 15 5/16 in. (50.17 x 38.89 cm) (leaf, overall)19 15/16 x 15 15/16 x 1 1/4 in. (50.6 x 40.5 x 3.2

Vessel in the form of a man, 3rd century BCE - 6th century CE, 7 in. (17.8 cm), Clay, pigments, Peru, 3rd century BCE - 6th century CE, This man wears face paint and a turban that are typical of Nazca adornments. Although his body is

Tile with Basketweave Design, 1881-1883, J. & J.G. Low Patent Art Tile Works, Chelsea, Massachussets, 1877-1907, 4 7/16 x 4 7/16 x 7/16 in. (11.27 x 11.27 x 1.11 cm), Glazed ceramic, United States, 19th century

Tile with Sunflower Design, 1881-1883, J. & J.G. Low Patent Art Tile Works, Chelsea, Massachussets, 1877-1907, 4 7/16 x 4 1/2 x 1/2 in. (11.27 x 11.43 x 1.27 cm), Glazed ceramic, United States, 19th century

Tile with Floral Design, 1881-1883, J. & J.G. Low Patent Art Tile Works, Chelsea, Massachussets, 1877-1907, 4 3/8 x 4 3/8 x 3/8 in. (11.11 x 11.11 x 0.95 cm), Glazed ceramic, United States, 19th century

Tile with Floral Medallion, 1881-1883, J. & J.G. Low Patent Art Tile Works, Chelsea, Massachussets, 1877-1907, 4 3/16 x 4 1/4 x 3/8 in. (10.64 x 10.8 x 0.95 cm), Glazed ceramic, United States, 19th century

Tile with leaf and berry design, 1881-1883, J. & J.G. Low Patent Art Tile Works, Chelsea, Massachussets, 1877-1907, 4 5/16 x 4 5/16 x 7/16 in. (10.95 x 10.95 x 1.11 cm), Glazed ceramic, United States, 19th century

Teapot, from a three-piece tea set, c. 1885, 6 1/2 x 9 1/2 x 4 15/16 in. (16.51 x 24.13 x 12.54 cm), Silver, tortoise shell, India, 19th century, The 1888 International Exhibition in Glasgow, Scotland provided an opportunity to boast about

Frogs, 1894, Charles-Louis Houdard, French, 1874-1965, 10 5/16 x 15 9/16 in. (26.19 x 39.53 cm) (plate), Color aquatint, France, 19th century, Themes from nature, including frogs, reptiles, insects, and irises, appear frequently in

Rocking chaise, model no. 7500, c. 1880, Attributed to August Thonet; Manufacturer: Gebrüder Thonet, Austro-Hungarian, 1829–1910, 32 x 68 3/4 x 26 1/2 in. (81.28 x 174.63 x 67.31 cm), Bent and turned beechwood, caning, Austria, Art

Portrait of Robert Erwin Gray, 1811, Thomas Sully, American, 1783 - 1872, 32 1/2 x 26 1/2 in. (82.55 x 67.31 cm) (canvas), Oil on canvas, United States, 19th century, Conservation of this picture was made possible by Al and Dena Naylor,

The Art of Pleasing, 1771, Jean-Baptiste Le Prince, French, 1734 - 1781, 3 5/16 x 2 1/4 in. (8.41 x 5.72 cm) (image)4 x 2 7/8 in. (10.16 x 7.3 cm) (plate)5 5/16 x 3 7/8 in. (13.49 x 9.84 cm) (sheet), Etching and aquatint in sepia ink, France,

Unfinished Portrait of Henry J. Brent, 1811-1850, c. 1850, Charles Loring Elliott, American, 1812 - 1868, 30 x 25 in. (76.2 x 63.5 cm) (canvas)37 3/4 x 32 3/4 x 3 3/8 in. (95.89 x 83.19 x 8.5 cm) (outer frame), Oil on canvas, United States,

Vessel in the Form of a Fish, c. 100 BCE - 600 CE, 5 3/8 x 8 1/4 x 4 in. (13.7 x 21.0 x 10.2 cm), Clay, pigments, Peru, 1st century BCE - 7th century CE, Nazca artists are known for their bold, colorful designs. Although they were acute

Vessel, 6th-8th century, 17 1/2 in. (44.5 cm), Clay, pigments, Peru, 6th-8th century, Moche leaders subjected their prisoners of war to public humiliation, torture, and often sacrifice. Typically in Moche art, captured enemies are shown in

Pitcher, c. 1900, Attributed to M. Lucien Hirtz, French, 1864-1928, 10 1/2 x 5 1/2 x 3 1/2 in. (26.67 x 13.97 x 8.89 cm) (with handle), Silver-gilt, France, Art Nouveau, A prolific artist, Hirtz's career extended over a 40-year period. His

Chocolatière (chocolate pot), c. 1900, Lucien Bonvallet, French, 1861-1919, 6 x 5 7/8 in. (15.24 x 14.92 cm) (at handle), Silver and gold vermeil, wood and ivory (stirrer), France, Art Nouveau, Chocolate pots were frequently used in the

Tripod Incense Burner, 14th century, 9 15/16 x 12 1/8 x 10 1/16 in. (25.24 x 30.8 x 25.56 cm), Bronze, Vietnam, 14th century, Contact with China during the Han dynasty (206 b.c.-220 a.d.) greatly influenced Vietnamese art and culture for

Sarcophagus of Prince Yuan Mi, 524, Black limestone, China, 6th century, This sarcophagus, as well as the epitaph cover and the accompanying tablet, were reportedly recovered from a tomb located in Lijia’ao village, northwest of Luoyang in

Epitaph cover of Prince Yuan Mi, 524, 39 x 40 x 9 1/4 in. (99.06 x 101.6 x 23.5 cm), Black limestone, China, 6th century, This epitaph tablet, a testament to the art of Chinese calligraphy, consists of three basic parts: (1) the official

Epitaph cover of Prince Yuan Mi, 524, 39 x 40 x 6 3/4 in. (99.06 x 101.6 x 17.15 cm), Black limestone, China, 6th century, During the early sixth century in northern China, it was common to place stone memorial tablets in the tombs of the

Vessel, c. 1100 - 1200 CE, 14 1/2 x 10 1/4 in. (36.83 x 26.04 cm), Clay, pigments, Costa Rica, 12th-13th century, Jaguar effigy jars are a classic form of ancient Costa Rican art. Shaped into the representation of a sun-devouring feline god,

Figure, c. 100-200, 28 x 5 1/2 in. (71.1 x 14.0 cm), Clay, pigments, Mexico, 1st-2nd century, Although Nayarit sculptors are better known for their small-scale ceramics, they also created large hollow figures. This impressive example

Vessel, c. 800, 19 3/4 x 14 1/4 x 15 in. (50.17 x 36.2 x 38.1 cm), Ceramic, Mexico, 8th-9th century, This unusually large vessel portrays a man with a hunched back, a common theme in ancient Mesoamerican art. Individuals with this

Sacrifice to Pan, c. 1760-1763, Jean-Jacques Lagrenée, French, 1739 - 1821, 8 7/8 x 12 3/4 in. (22.54 x 32.39 cm) (plate)9 5/16 x 13 1/8 in. (23.65 x 33.34 cm) (sheet), Etching, France, 18th century, The faithful have come to pay homage to

Heralds on Horseback, designed 1610–1612 (woven 1611–1627), attributed to Laurent Guyot; Weaver: Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche; Designer: Border design by Guillaume Dumée; Designer: Border

View of Tangier from the Seashore, 1856–1858, Eugène Delacroix, French, 1798–1863, 31 5/16 x 39 5/16 in. (79.53 x 99.85 cm) (canvas)40 1/4 x 47 1/4 x 4 in. (102.24 x 120.02 x 10.16 cm) (outer frame), Oil on canvas, France, 19th century,

Mirror surround, c. 1870-1880, May Morris; Workshop: William Morris, British, 1834 - 1896, 49 1/4 x 48 1/4 in. (125.1 x 122.56 cm), Silk, linen; embroidery, England, 19th century, The English Arts and Crafts movement reasserted the worth of

Figure, late 19th century, 2 3/4 x 1 3/16 x 1/2 in. (6.99 x 3.02 x 1.27 cm), Ivory, pigment, string, Canada, 19th century, The Inuit who live in Labrador, off the eastern coast of Canada, created this group of ivories shown here in the late

Battledore, 1868-1870, Albert Joseph Moore, British, 1841 - 1893, 42 1/4 x 17 13/16 in. (107.32 x 45.24 cm) (sight)43 x 27 7/16 in. (109.22 x 69.69 cm) (outer frame), Oil on canvas, England, 19th century, Albert Moore (1841-1893) was a

View in the Art Gallery, 1864, Jeremiah Gurney; Publisher: Hurd and Houghton, New York, American, 1812 - 1895, 3 5/8 x 2 3/4 in. (9.21 x 6.99 cm) (image)9 1/2 x 11 in. (24.13 x 27.94 cm) (mount), Albumen print, United States, 19th century

Naga-enthroned Buddha, 12th-13th century, 16 3/8 x 6 5/8 x 3 13/16 in. (41.59 x 16.83 x 9.68 cm), Bronze, Cambodia, 12th-13th century, Siddhartha Gautama, who would become the Buddha, attained enlightenment after meditating for seven weeks

Mountain Wandering, 19th century, Fūgai Honkō, Japanese, 1779 - 1847, 0.65 x 29.53 cm) (image), Ink on paper; hanging scroll, Japan, 19th century, During the 18th and 19th centuries some Japanese artists cultivated the lifestyle and art

He wine vessel, 11th-10th century BCE, 11 1/2 × 9 7/16 × 6 5/8 in., 7.1 lb. (29.21 × 23.97 × 16.83 cm, 3.2 kg), Bronze, China, 11th-10th century BCE, The he wine container is an old vessel type that emerged as early as the Erlitou period,

Fangjia wine vessel, 13th-12th century BCE, 13 3/4 × 9 1/8 × 8 7/16 in., 13 lb. (34.93 × 23.18 × 21.43 cm, 5.9 kg), Bronze, China, 13th-12th century BCE, Jia were among the earliest Chinese bronze vessels cast during the Erlitou period

Pair of Woman's Leggings, c. 1880, Hide, beads, pigment, United States, 19th century, Among the Tsistsistas, women traditionally worked hides for clothing and other necessities. Designs were then added by members of exclusive women's

Rembrandt and His Wife Saskia, 1636, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 4 1/4 x 3 3/4 in. (10.8 x 9.6 cm) (sheet), Etching and drypoint, The Netherlands, 17th century, Saskia Uylenburgh was the daughter of a wealthy

Lei wine vessel, late 4th century BCE, 9 11/16 × 12 5/16 × 11 5/8 (di., belly) in., 13.2 lb. (24.61 × 31.27 × 29.53 (di., belly) cm, 6 kg), Bronze with gold, silver and copper inlay, China, 4th century BCE, This wine vessel is one of

Clement De Jonghe, Printseller, 1651, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 8 1/8 x 6 5/16 in. (20.6 x 16.1 cm) (plate), Etching (first state), The Netherlands, 17th century, By 1635, art collectors were seriously interested in

Dance Club (gugu), 19th century, 33 3/16 x 8 5/8 x 1 1/8 in. (84.3 x 21.91 x 2.86 cm), Wood, Fiji Islands, 19th century, Clubs were one of the most important art forms on Fiji and are found in many shapes and styles. Treasured possessions,

Tomb Figure of a Kneeling Camel with Driver, 618-906, 9 3/4 x 13 in. (24.77 x 33.02 cm), Red earthenware with traces of slip and polychromy, China, 7th-10th century, This well-modeled Bactrian camel and his central Asian driver reflect the

An Arrangement with Flowers, 19th century, Georgius Jacobus Van Os, Dutch, 1782 - 1861, 20 3/4 x 15 7/8 in. (52.71 x 40.32 cm) (canvas)26 1/4 x 22 1/4 in. (66.68 x 56.52 cm) (outer frame), Oil on canvas, Netherlands, 19th century, One could

Clement De Jonghe, Printseller, 1651, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 8 3/8 x 6 5/8 in. (21.27 x 16.83 cm) (plate), Etching with drypoint, The Netherlands, 17th century, By 1635, art collectors were seriously interested

Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880, Edgar Degas, French, 1834 - 1917, 12 x 4 15/16 in. (30.48 x 12.54 cm) (plate)16 1/4 x 8 5/16 in. (41.28 x 21.11 cm) (sheet), Etching, soft-ground, aquatint, and drypoint, France,

Pipe Bag, late 19th century, 18 1/2 x 7 5/8 x 2 1/4 in. (46.99 x 19.37 x 5.72 cm) (without fringe), Animal hide, quills, glass beads, metal beads, United States, 19th century, Among the Lakota, quillwork was a sacred art form because of its

Tile with Plant, from a set of moulded tiles, c. 1885, American Encaustic Tiling Co., Ltd.; Designer: Attributed to Herman Mueller, American, Zanesville, Ohio, 6 1/16 x 6 x 7/16 in. (15.4 x 15.24 x 1.11 cm) (tile only), Glazed ceramic, 19th

Bowl, c. 900-1200, 6 3/8 x 18 3/4 x 18 3/4 in. (16.19 x 47.63 x 47.63 cm), Clay, pigments, United States, 13th century, The Hohokam were a sophisticated people with some of the best developed sociopolitical organizations in all of the ancient

Ceremonial Paddle, 1820-1840, 8 x 35 in. (20.32 x 88.9 cm), Wood, Austral Islands, 19th century, Ceremonial paddles are among the best known examples of Austral Islands art. Although their original purpose is not clear, they were likely used

Pipe, c. 1200, 7 5/8 x 5 1/8 x 9 in. (19.37 x 13.02 x 22.86 cm), Stone, United States, 12th-13th century, Chiefly warfare spread among the societies across the middle of North America beginning around 1000 CE. The rulers struggled for power and

Willow Bridge and Water Wheel (Uji Bridge) left of a pair, second half 16th century, Unknown Japanese, 52 3/4 x 126 7/8 in. (133.99 x 322.26 cm) (image)56 1/4 x 132 3/16 in. (142.88 x 335.76 cm) (overall, unfolded), Ink, color, gold, and

Willow Bridge and Water Wheel (Uji Bridge) right of a pair, second half 16th century, Unknown Japanese, 52 3/4 x 126 7/8 in. (133.99 x 322.26 cm) (image)56 1/4 x 132 3/16 in. (142.88 x 335.76 cm) (overall, unfolded), Ink, color, gold, and

Pomegranates, 1927, Wu Changshuo; Calligrapher: Zhang Bingling, Chinese, 1844 - 1927, 13 7/16 x 20 7/8 x 7/8 in. (34.13 x 53.02 x 2.22 cm) (open), Ink and color on paper, wood, China, 19th century, The pomegranates represent vigorous

The Wu Family Reception Hall, early 17th century, 216 x 483 x 288 in. (548.64 x 1226.82 x 731.52 cm) (outer exterior wall dimension), Wood, ceramic, tile, plaster, lacquer, stone, China, 17th century, This three-bay reception hall was

Panel, 20th century, 35 1/2 x 61 in. (90.17 x 154.94 cm) (irregular), Silk, metallic thread; woven fabric, France, 20th century, A daring new concept of design emerged in Paris in 1925 at the Exposition Internationale des Arts Décoratifs et

Fashion veil, c. 1930, 96 1/2 x 51 5/16 in. (245.11 x 130.33 cm), Silk, metallic threads; brocade; needlework, India, 20th century, Textile traditions changed slowly in the villages, but in the cities a wealthy elite kept up with Western

Brussels' armchair, c. 1901, George Walton, Scottish, 1867-1933, 48 x 24 x 20 in. (121.92 x 60.96 x 50.8 cm), Walnut, upholstery, England, 19th-20th century, Architect and interior designer George Walton studied at the Glasgow School of Art

Bandolier Bag, 1860s, 33 3/4 x 11 1/2 in. (85.73 x 29.21 cm) (including tassels and strap), Beads, wool, cotton, United States, 19th century, Women made bandolier bags for men as prestige items and developed this Woodlands art form. This bag

Two-fold screen, c. 1898, Carlo Bugatti, Italian, 1856-1940, 50 7/8 x 33 7/8 x 1 1/8 in. (129.22 x 86.04 x 2.86 cm), Wood, bone, vellum, pigment, brass, pewter, and other metals, Italy, 19th-20th century, Carlo Bugatti's curvilinear

A Sea-Nymph, 1881, Edward Coley Burne-Jones, British, 1833 - 1898, 47 3/4 x 47 3/4 in. (121.29 x 121.29 cm) (sight)55 x 55 x 3 5/8 in. (139.7 x 139.7 x 9.21 cm) (outer frame), Oil on canvas, England, 19th century, Edward Burne-Jones became a

Art on shop window window Haarlem, Shop window photos, Haarlem, Zijlstraat 56-58, The Netherlands, 15-02-1983, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a

Art exhibition in church, 26-07-1982, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's

Opening of the Art Line, 03-11-1994, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's

Art line in the Vleeshal, Haarlem, Grote Markt, The Netherlands, 03-11-1995, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap

Teachers at the IJmuiden city hall art exhibition, IJmuiden, The Netherlands, 05-11-1995, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective,

Works of art on G-pier, Schiphol, Schiphol, 21-04-1993, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's

Works of art in the Felisenum gymnasium rooms, 18-03-1991, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's

Art 'Chinese Tower', Hoofddorp town hall, Hoofddorp, The Netherlands, 12-03-1992, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the

Portrait of a man, approx. 35 years old, on the couch under the work of art, 31-10-1979, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging

Open day art library, B'wijk, Beverwijk, The Netherlands, 09-11-1990, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between

Art treasures Joh. Enschede, 08-05-1995, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's

Art treasures Joh. Enschede, 08-05-1995, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's

Art and culinary restaurant Groenendaal, Heemstede, The Netherlands, 07-06-1987, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap

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