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Various support balusters, Various supports for balustrades, Pl. 95, p. 319, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux

Large fireplaces for rooms and galleries, Large open fireplaces, Pl. 57, p. 167, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux

Piedestal and Doric base, Pedestal and base of a Doric column, Pl. 10, p. 29, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux

Door of the vineyard of Patriarch Grimani, Gate to the house of Patriarch Antonio Grimani at the Strada Pia in Rome, Pl. 76, p. 273, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des

Coronation, Cornice, Pl. 43, p. 113, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux bâtimens, & de ceux de Michel-Ange,

Medium fireplaces for rooms, Open fireplaces of medium size, Pl. 58, p. 169, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux

Plan of the Sorbonne Church; Plan of the Val de Grace Church, Plan Sainte-Ursule de la Sorbonne chapel and Notre-Dame du Val-de-Grâce church, date estimated 15, after p. 82, p. 121, Landon (direxit), J. G. Legrand; C. P. Landon: Description de

Plan of the Palace of the Chamber of Deputies, Plan of Palais Bourbon in Paris, 42, after p. 320, p. 410, J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations sur le caractère de

General plan of the Tuileries Palace on the main floor, Floor plan of the bel étage in the Tuileries Palace, 33, after p. 238, p. 113, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis

Cup of the Dome of Invalides, Cross section Invalidendom in Paris, 19, after p. 92, p. 139, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations sur le

Cup and details of a part of the Church of the ci-devant Annonciades in Antwerp, Construction drawing of an elevation of a roof truss of a 19th century church in Antwerp, signed: Dessiné par J.C., Krafft Architecte, Gravé par Vanmael, PL.,

Eyes of beef or small skylights, Ox eye or round window, Pl. 49, p. 135, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux bâtimens,

Plan and elevation of Batave House, Rue St. Denis, Facade and floor plan maison Batave Rue Saint-Denis Paris, Pl. 41, after p. 228, p. 347, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un

Elevation of the house Le Doux, Rue Poissonniere and St. Germain House, St. Lazare Street, Facade Maison Rue du faubourg Poissonnière and Maison de Mile Saint-Germain rue Saint-Lazare, Pl. 52, after p. 216, p. 323, Landon (direxit), J. G.

Elevation of the Sorbonne Church, Facade Chapel Sainte-Ursule de la Sorbonne, date estimated 17, after p. 87, p. 113, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des

Map of Notre Dame, Floor plan of the Cathedral Notre-Dame de Paris, 1, after p. 38, p. 49, Normand, C (gravé); Montalan, M. (terminé); Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis

St. Roch Portal, Facade of Saint-Roch Church in Paris, 26, p. 116, p. 177, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations sur le caractère de leur

Plan and elevation of Lutheran Church, above Bills, Facade and floor plan Church of Les Billettes in Paris, 32, after p. 138, p. 211, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis

Portal of St. Sulpice, Facade of the Saint-Sulpice church in Paris, date estimated 28, after p. 120, p. 185, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations

Profile of St. Andrew's Church, Cross section of the church of Sant Andrea in Via Flaminia in Rome, Pl. 68, p. 249, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures &

Composite portico with pedestal, Composite columns with pedestal, Pl. 32, p. 79, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux

Palace of the Legion of Honor, Facade of the Palais de la Légion d 'honneur in Paris, 48, after p. 338, p. 440, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des

Indian works of art, Fig. 1: Golden sacrificial vessel, Fig. 2: Bas-relief from the Temple of Dienuhha, Fig. 3-6: Column details, pl. 13, after p. 124, fol. 13r, Carl August Menzel: Die Kunstwerke von dem Alterthum bis in die Gegenwart [...]

Honey and wax Divine Creator, Parallel Title: Honey and Wax a Divine Art, copperplate engraving, plate DXLI, Füssli, Johann Melchior; Lichtensteger, G. (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt

Corinthian portico with pedestal, Corinthian columns with pedestal, Pl. 26, p. 63, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux

Grossmünster in the XIII. Century. From Rahn's art history, View and floor plan of the Grossmünster in the 13th century, p. 47, Schweizerischer Ingenieur und Architekten-Verein: Zürich's Gebäude und Sehenswürdigkeiten. Beschreibung der Stadt

Plan and elevations of the house La Thuile Rue Poissonnière, Facade and ground plan Maison La Thuile Rue du Faubourg-Poissonnière, Pl. 53, after p. 218, p. 327, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses

Doric capital and entablature, Doric capital, architrave and cornice, Pl. 12, p. 33, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus

Elevation of the barrier of Fontainebleau, Facade of the Barrière d'Italie in Paris, Pl. 34, after p. 124, p. 195, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des

Profile de la porte Sermonette and Sforce, Side view of a garden gate and vineyard gate, Pl. 80, p. 281, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures &

Elevation of the Palace of the Chamber of Deputies side of the courtyard, Facade of the Palais Bourbon in Paris, 43, after p. 320, p. 412, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis

Plan and elevation of St. Martin's Market, Plan and Facade Saint-Martin in Paris, date estimated 10, after p. 50, p. 73, J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations sur le

Royal Square, Plan Place des Vosges and Facade Pavillon de la Reine in Paris, 1, after p. 6, p. 12, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations sur le

Piedestal and composite base, Piedestal and base of a composite column, pl. 33, p. 81, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus

Davignon, American, after Tompkins H. Matteson, American, 1813-1884, Distribution of the American Art-Union Prizes, 1847, lithograph printed in color on wove paper, Image: 16 × 20 3/4 inches (40.6 × 52.7 cm

Double vortex and screw art with a double impression, Fountain powered by a water wheel, Fig. 106, after p. 18, p. 130, 1629, Iacobum de Strada à Rosberg: Kunstliche Abriss, allerhand Wasser-, Wind-, Ross- und Hand Mühlen, beneben

General plan and elevation of a house Rue du Montparnasse, Facade and ground plan of a house on the Rue du Montparnasse, Pl. 54, after p. 220, p. 331, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec

Plan and elevation of the Hall of Wheat, Floor plan and facade Bourse de commerce in Paris, Pl. 7, after p. 36, p. 54, J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations sur le

Small fireplaces for cabinets, Open Fireplace small size, Pl. 59, p. 171, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux bâtimens,

Plan and elevation of the Beaumarchais house on the Garden side, Floor plan and facade maison de Beaumarchais in Paris, Pl. 51, after p. 212, p. 317, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec

Plan of the School of Surgery and elevation on the side of the Court, Floor plan and facade of the École de Surgery in Paris, Pl. 24, after p. 94, p. 145, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices:

Plan and elevation of the Place Louis XV., Floor plan and facade Hôtel de la Marine Place de la Concorde Paris, Pl. 4, after p. 20, p. 32, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis

Plan and elevation of Hospice Cochin, Floor plan and facade Hôpital Cochin in Paris, date estimated 16, after p. 76, p. 111, J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations

Instrument for tracing the first conchoid, Instrument for construction of a conchoid, pl. 40, p. 105, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions

Bernina-Scharte et Piz Bernina, Illustration of the Piz Bernina and the Bernina-Scharte from the 19th century, signed: Mme. E. Main, fig. 29, after p. 110, Main, E., 1889, August Lorria, Edouard-Alfred Martel, William August Brevoort

Tuscan portico with pedestal, Tuscan columns with pedestal, Pl. 4, p. 13, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descriptions de ses plus beaux bâtimens,

Map of the Palace of Peers and part of the Garden, Plan Palais du Luxembourg with garden in Paris, 39, after p. 306, p. 390, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et

Arcadian Landscape with Shepherds, Joshua Cristall, 1768–1847, British, 1814, Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 x 7 11/16 inches (12.7 x 19.5 cm), arcadian art,

Tomb in the Wazir Masjid, Lahore, 15 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel

Study of Three Lampstands, John Flaxman, 1755–1826, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm), armors, candles, candlestands (lighting devices), hats, jousts,

The Welch Bridge at Shrewsbury, Print made by Benjamin Green, ca. 1736–ca. 1800, British, after Paul Sandby RA, 1731–1809, British, Published by George Kearsley, 1758–1813, British, 1776, Etching and line engraving on medium,

Foxhunting: Hunt Servants Leading Out Hounds, Samuel Henry Gordon Alken, 1810–1894, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 8 7/16 × 9 5/16 inches (21.4

Landscape, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, cream, laid paper; mounted on, moderately thick, slightly textured, cream, wove

A Hare at the Edge of the Wood, Samuel Howitt, 1756–1822, British, undated, Pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 6 7/8 inches (12.1 × 17.5 cm), animal art, hare,

Study of a Plunging Eagle, James Ward, 1769–1859, British, undated, Varnish over graphite and watercolor on medium, slightly textured, beige wove paper, Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm), animal, bird, nature study,

View of Portsmouth Harbor with Shipping, Showing Buildings on Shore, George Bulteel Fisher, 1764–1834, British, undated, Pen, ink, blue wash, and watercolor on medium, slightly textured, cream laid paper, Sheet: 8 5/8 × 13 7/8 inches

Study of Cows with Calf, Robert Hills, 1769–1844, British, undated, Graphite on thick, slightly textured, cream wove paper, Sheet: 6 1/2 x 8 7/8 inches (16.5 x 22.5 cm), animal art, calfs (animals), cows, studies (visual works

The Bear and the Bee-Hives, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm), animal

Bouvignes and Dinant, Print made by George Arnald, 1763–1841, British, after George Arnald, 1763–1841, British, 1822, Mezzotint and etching, printed in brown ink on moderately thick, moderately textured, cream laid paper, Sheet: 8

Foxhunting: Drawing a Cover, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, graphite, and gouache on medium, slightly textured, cream, wove paper, Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm),

The Portraiture of Lamprey, Print made by Richard Houston, ca. 1721–1775, British, after James Seymour, 1702–1752, British, 1755, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm),

Figures with Horses, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 3 1/2 × 5 inches (8.9 × 12.7 cm), animal art, figure (representation), horses (animals), hunting

The Narta or Sledge for Burdens in Kamtschatka, John Webber, 1752–1793, British, 1789, Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper, Sheet: 11 1/8 × 17 1/8 inches (28.3 × 43.5 cm), animal art

Shoreline Landscape, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, cream laid paper; mounted on, moderately thick, slightly textured, cream,

An Indiaman and a Two Decker Hove to, Said to be Thomas Dumar, Esq. in H.M. Ship 'Portland' Delivering the Leeward Island Convoy, in 1776, Thomas Luny, 1759–1837, British, 1796, Oil on canvas, Support (PTG): 42 x 66 inches (106.7 x 167.6

One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca.

Ship on Fire at Night, Charles Brooking, 1723–1759, British, ca. 1756, Oil on canvas, Support (PTG): 12 1/2 x 17 inches (31.8 x 43.2 cm), beach, boats, castle, costume, cutter (sailing vessel), disaster, fire, flames, fort, harbor,

St. Mary Redcliff, Bristol, Thomas Girtin, 1775–1802, British, ca. 1797, Graphite on medium, slightly textured, blued white laid paper, Sheet: 3 1/2 × 6 1/8 inches (8.9 × 15.6 cm), boats, building, harbor, marine art, sails, water,

A Snarling Dog Chained to Kennel, unknown artist, nineteenth century, early 19th century, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm), animal art

A Blackbird, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 × 8 1/8 inches (33 × 20.6 cm), animal art, bird, Common Blackbird

The Flying Pack, Print made by Robert Polhill Bevan, 1865–1925, British, 1898-1899, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm), Plate: 11 1/8 x 14 inches (28.3 x 35.5 cm), and

Cattle with a Farmer in their midst, Sawrey Gilpin, 1733–1807, British, undated, Graphite on moderately thick, rough, laid paper, Sheet: 7 × 14 inches (17.8 × 35.6 cm), animal art, bull, cattle, cows, farmer, resting

Woman with Cattle, Charles Towne, 1763–1840, British, 1803, Watercolor on moderately thick, moderately textured, cream, laid paper, Sheet: 11 1/2 × 14 7/8 inches (29.2 × 37.8 cm), animal, animal art, cattle, cow, farm, genre

A Samporea or Snake Catcher, Sir Charles D'Oyly, 1781–1845, British, active in India, Printed by The Behar Amateur Lithographic Press, 1781–1845, British, active in India, undated, Chromolithograph on medium, slightly textured, cream

Hounds: 'Fleur' and 'Frogmore', Archibald Thorburn, 1860–1935, British, 1878, Black chalk, red chalk, white gouache, and pastels on medium, moderately textured, gray, wove paper, Sheet: 6 7/16 × 9 5/8 inches (16.4 × 24.4 cm), animal

A Weasel, James Sowerby, 1756–1822, British, undated, Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper, Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm), animal art, weasel

The Morning of Life, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1860-1861, Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 10 7/8 inches

Duck Shooting in Winter, Henry Thomas Alken, 1785–1851, British, ca. 1825, Oil on canvas, Support (PTG): 8 3/4 x 11 inches (22.2 x 27.9 cm), clouds, dogs (animals), estuary, hunters, recreation, rifle, snow, sporting art, sportsman,

The Icebergs of Kotzebue Sound, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Favourites, the Property of H.R.H. Prince George of Cambridge, Sir Edwin Henry Landseer, 1802–1873, British, 1834 to 1835, Oil on canvas, Support (PTG): 40 x 49 1/2 inches (101.6 x 125.7 cm), animals, birds, dog (animal), door, feather,

Landscape with Cattle and Figures in Foreground, Sawrey Gilpin, 1733–1807, British, undated, Gray wash and graphite on medium, slightly textured, cream laid paper, Sheet: 5 × 8 inches (12.7 × 20.3 cm), animal art, cattle, forest,

Steeplechasing: The Field taking a Stone Wall and Gate, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 10 9/16 × 14 5/8 inches (26.8 × 37.1 cm),

The Duke of Cumberland Riding With Mr. de Burgh's Hunt, John Ferneley, 1782–1860, British, undated, Watercolor, pen and brown ink, graphite, gouache and gum arabic on thick, rough, cream, wove paper, Sheet: 8 11/16 × 12 9/16 inches

Cattle on a Boat, John Robert Cozens, 1752–1797, British, undated, Pen and black ink on thin, slightly textured, cream laid paper, Sheet: 5 1/4 x 6 1/2 inches (13.3 x 16.5 cm), boats, cattle, docks, dogs (animals), genre subject,

The Breaking Up of the Agamemnon, no. 2, Francis Seymour Haden, 1818–1910, British, after 1880, Etching and mezzotint on thick, slightly textured, cream wove paper, Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm), Plate: 10 1/4 x 18 7/8

'Doing the Thing: and the Thing Done:' The Down Leap Done, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 6 1/16 × 9 1/4 inches

Tortoise, Print made by James Heath, 1757–1834, British, after James Bruce, 1730–1794, British, 1789, Engraving, hand colored, animal art, tortoise

Rosia Bay, Gibraltar and Algeciras, Spain, George Lothian Hall, 1825–1888, British, 1844, Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm), bay,

Toulon (?), Edward William Cooke, 1811–1880, British, 1845 or after 1863, Oil on millboard, Support (PTG): 12 × 18 3/8 inches (30.5 × 46.7 cm), bay (body of water), boats, dock, landscape, lateen rigs, marine art, men, ocean, port,

Study for 'Gulliver's Travels', Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper mounted to medium, slightly textured, white wove paper, Sheet: 8 1/2 × 9 1/4 inches (21.6 × 23.5 cm),

A Wood Lark, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, smooth, cream wove paper, Sheet: 13 × 8 inches (33 × 20.3 cm), animal art, bird, Woodlark

Pheasant Shooting, Henry Thomas Alken, 1785–1851, British, or possibly Samuel Henry Gordon Alken, 1810–1894, British, undated, Graphite and watercolor on thick, slightly textured, cream, wove paper, Sheet: 9 9/16 × 13 15/16 inches

Plough Horses, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on moderately thick, rough, beige, wove paper, mounted on medium, moderately textured, beige, laid paper, Sheet: 3 3/4 × 9 inches (9.5 × 22.9 cm) and

An Egyptian Vulture, unknown artist, Undated, Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream wove paper mounted on, very thick, moderately textured, cream, cardboard, Mount: 20 9/16

Greenland Falcon, George Stubbs, 1724–1806, British, 1780, beeswax on panel, Support (PTG): 32 x 39 inches (81.3 x 99.1 cm), animal art, bells (idiophones), exoticism, falcon (bird), field, hunting, landscape, leash, perch, talons,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Study of a cow lying down, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 9 1/4 inches (16.5 × 23.5 cm), animal art, cow

Parent of the Modern Coach Dog - Turnspit Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 11/16 × 7 7/16 inches (11.9 × 18.9

Remarkable Iceberg, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British,

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