Images at Librifly

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'The Poacher's Progress:' 'Poachers Stalking for Partridges', C. Blake, active 1825–1826, undated, Graphite, watercolor, and varnish on thick, moderately textured, brown, wood pulp paper, Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm),

Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, with pen in gray ink, and graphite on medium, slightly textured, cream, Sheet: 7 3/8 × 23

The Passing of 1880, Thomas Danby, 1818–1886, British, ca. 1880, Watercolor with gouache and scraping out on thick, rough, cream wove paper, Sheet: 12 3/8 x 19in. (31.4 x 48.3cm), bird, boat, evening, journey, landscape, light, lyre,

Coulman Island, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

Two Birds on a Branch, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 9 1/8 inches (20.6 × 23.2 cm), animal art, birds, branch

A Parrot, James de Carle Sowerby, 1787–1871, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 9 1/4 × 5 3/4 inches (23.5 × 14.6 cm), animal art, branch, parrot

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country, Possibly Henry Thomas Alken, 1785–1851, British, undated, Watercolor, graphite, gouache, with pen, in brown ink, and black ink on moderately thick, slightly textured,

A Dromedary and a Camel, C. Randle, active 1813, 1813, Graphite and gray wash on medium, slightly textured, cream laid paper, Sheet: 12 5/8 × 7 1/2 inches (32.1 × 19.1 cm), animal art, camels

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs, Paul Sandby RA, 1731–1809, British, or Thomas Sandby RA, 1721–1798, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium,

Two Weasels, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm), animal art, weasels

Study of an Elephant, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, cream laid paper, Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm), animal art, elephant (animal), study (visual work

The Breaking Up of the Agamemnon, no. 2, Francis Seymour Haden, 1818–1910, British, after 1880, Etching and drypoint on thick, slightly textured, cream wove paper, Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm), Plate: 10 3/16 x 18 7/8

Horses in a Meadow, Sawrey Gilpin, 1733–1807, British, 1760, Graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Sheet: 5 3/8 × 9 7/16 inches (13.7 × 24 cm)

Ten Needle-Box Prints, Print made by Vincent Robert Alfred Brooks, 1814–1885, British, Imitator of George Baxter, 1804–1867, British, undated, Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth,

Black-backed Jackal, Samuel Howitt, 1756–1822, British, ca. 1817, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 inches (22.9 × 17.8 cm), animal art, fox (animal

Three Donkeys, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 3 5/8 x 4 7/8 inches (9.2 x 12.4 cm), animal art, donkeys, fence, house, trees

Cave of the Golden Calf: Study of Dancers, Spencer Frederick Gore, 1878–1914, British, 1912, Graphite and pastel on moderately thick, slightly textured, cream wove paper, Sheet: 14 x 10 1/8 inches (35.6 x 25.7 cm), animal art, animals,

Ferreting, Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 10 1/4 × 16 1/4 inches (26 × 41.3 cm), cane, dogs (animals), hares, hat, hill, hunter, hunting,

Egyptian Vulture, Attributed to Charles Collins, 1660–1744, British, ca. 1736, Watercolor, pen and brown ink, pen and gray ink, and graphite with scratching out on moderately thick, moderately textured, cream wove paper, Sheet: 19 × 23

Landscape with Cows in Foreground, Sawrey Gilpin, 1733–1807, British, undated, Gray wash and graphite on medium, slightly textured, cream laid paper, Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm), animal art, coast, cows, landscape,

Four Ponies on a Welsh Moor, Thomas Creswick, 1811–1869, British, undated, Watercolor and graphite on medium, rough, cream, wove paper, Sheet: 8 1/8 × 11 13/16 inches (20.6 × 30 cm), animal art

The Shah Nujeef, William Simpson, 1823–1899, British, 1861, Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream

A European Goldfinch, James Sowerby, 1756–1822, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 11 × 8 1/4 inches (27.9 × 21 cm), animal art, bird, European Goldfinch

A Sepoy Punishment, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 3/16 × 5 5/16 inches (10.6 × 13.5 cm), drums, military art,

Figures on a Beach, Samuel Prout, 1783–1852, British, after 1827, Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 5 7/16 x 11 inches (13.8 x 27.9 cm), barrel (container),

Hunters approaching a lion being held at bay by hounds, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink over graphite on moderately thick, rough laid paper mounted to card, Sheet: 9 5/8 × 16 3/8 inches (24.4 × 41.6 cm),

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel

Sheet of Studies of Deer, Figures and Landscape, Aaron Edwin Penley, 1807–1870, British, undated, Watercolor with pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 7 3/16 × 10 3/8 inches (18.3 × 26.4 cm), animal

The Two Asses, Francis Seymour Haden, 1818–1910, British, 1863, Etching and drypoint on moderately thick, smooth, cream wove paper, Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm), Plate: 6 x 3 5/16 inches (15.2 x 8.4 cm), and Image: 6 x 3

Study of a Bear, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, wove paper, Sheet: 9 1/8 x 13 5/8 inches (23.2 x 34.6 cm), animal art, bear

Harbor Scene, John Wilson Ewbank, 1779–1847, British, 1832, Graphite, heightened with white gouache on thick, smooth, card, Sheet: 2 5/8 × 4 1/8 inches (6.7 × 10.5 cm), harbor, marine art, sailboats, ships

American Deer, Anthony Devis, 1729–1817, British, undated, Graphite and watercolor; verso: Graphite on medium, slightly textured, cream, laid paper, Sheet: 6 1/8 × 9 5/16 inches (15.6 × 23.7 cm), animal art

Looking Across the Maas from Rotterdam, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/4 × 9 3/4 inches (15.9 × 24.8 cm), marine art, masts, river,

Edward Pierce, Isaac Fuller, 1606/20–1672, British, ca. 1670, Oil on canvas, Support (PTG): 49 x 40 inches (124.5 x 101.6 cm), art, artist, bust, gesture, man, portrait, ruffles, sculptor, sculpture

The Custom House, London, Henry Edridge, 1769–1821, British, 1806, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 3/4 inches (12.7 × 19.7 cm), dock, marine art, ocean, port, sea, ships, England, Europe,

Spitzbergen, Main Peaks Bearing West, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

Bird of Paradise and Verso: Sketch of a Flower, James Sowerby, 1756–1822, British, undated, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 9 × 10 1/4 inches (22.9 × 26 cm), animal art,

Steeplechasing: Three Riders Taking a Brook, Spectators on Right, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, moderately textured, blued white, wove paper, Sheet: 10 7/16 × 14 11/16

Pale-headed Parakeet, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor, pen and black ink and graphite on beige board, Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

A Lady and a Gentleman Riding Out, James Seymour, 1702–1752, British, undated, Gouache, with pen, in black ink, and brown ink on medium, moderately textured, beige, laid paper, Sheet: 5 5/8 × 7 1/8 inches (14.3 × 18.1 cm) and Image: 5

This Celebrated Ewe was Bred and Fed, by Mr. Wilcox., Print made by unknown artist, undated, Etching and line engraving with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 20 x 24 3/8 inches (50.8 x 61.9 cm) and

Dr. Huilbert at Newsbury, Berks., Sawrey Gilpin, 1733–1807, British, ca. 1749, Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue wove paper, Sheet: 8 1/2 × 11 1/8

Sketches for a Man with a Horse, George Romney, 1734–1802, British, undated, Pen and brown ink on medium, slightly textured, blued white laid paper, Sheet: 6 1/8 x 7 3/4 inches (15.6 x 19.7 cm), figure study, horse (animal), man,

Study of Turkeys, David Cox, 1783–1859, British, 1840s, Watercolor and graphite on medium, slightly textured, beige wove paper, Sheet: 4 x 9 1/2 inches (10.2 x 24.1 cm), animal art, turkeys (birds

Troop Ships, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on medium, slightly textured, greened white laid paper, Sheet: 5 1/8 x 6 7/8 inches (13 x 17.4 cm) and Image: 4 15/16 x 6

The Countess of Effingham with Gun and Shooting Dogs, George Haugh, 1756–1827, British, 1787, Oil on canvas, Support (PTG): 17 1/4 x 15 inches (43.8 x 38.1 cm), animals, chemise, dogs (animals), gesture, hills, hunting, portrait,

The Wreck of the Apollo Frigate, 1803, William H. Overend, 1851–1898, undated, Gray wash and white gouache with pen and black ink on very thick, smooth, cream wove card, Sheet: 14 × 10 3/8 inches (35.6 × 26.4 cm), anchor (watercraft

An Anchor, Cornelius Varley, 1781–1873, British, 1807, Graphite on medium, cream, slightly textured wove paper, Sheet: 10 3/8 x 14 5/8 inches (26.4 x 37.1 cm), anchor, genre subject, marine art, rope

Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by Thomas McLean, 1788–1875, British, Published by Thomas McLean, 1788–1875, British, 1848,

Two Woodcocks, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 13 3/8 × 8 1/8 inches (34 × 20.6 cm), animal art, woodcocks (birds

The Monk Seal-Monachus monachus, unknown artist, ( Italian School ), undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 5/8 × 16 3/4 inches (21.9 × 42.5 cm), animal art

Three Horses in a Stormy Landscape, Charles Towne, 1763–1840, British, 1836, Oil on canvas, Support (PTG): 18 1/4 x 25 inches (46.4 x 63.5 cm), animals, horses (animals), landscape, sporting art

Evening, unknown artist, after Thomas Rowlandson, 1756–1827, British, 1799, Watercolor, with pen in gray ink over graphite on medium, slightly textured, beige, wove paper, Sheet: 4 × 5 13/16 inches (10.2 × 14.8 cm), evening, figure

Common Fiscal, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm), animal art

A Stiff Breeze, Samuel Prout, 1783–1852, British, ca. 1805, Watercolor, pen and brown ink, and gouache, with scratching out on medium, slightly textured, beige wove paper, Sheet: 7 1/4 × 12 inches (18.4 × 30.5 cm), boat, dock,

Cow Grazing, Sawrey Gilpin, 1733–1807, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm), animal art, cow

Lion and Lioness, George Stubbs, 1724–1806, British, 1770, Enamel on copper, Support (PTG): 9 1/2 x 11 inches (24.1 x 27.9 cm) and Overall: 17 1/2 × 15 3/4 × 2 1/4 inches (44.5 × 40 × 5.7 cm), animal art, forest, lion, lioness,

Dosing a Racehorse, Louis Philippe Boitard, active 1734–1760, undated, Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream, laid paper, mounted on, medium, slightly

A Horse pulling a Drag, Cornelius Varley, 1781–1873, British, undated, Brown wash, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream wove paper, Sheet: 5 7/8 x 9

Horse Led by a Man, Being Attached by Another Man, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 3/8 × 7 1/4 inches (11.1 × 18.4 cm), animal art, attack, horse (animal),

A Rider in Armor, and Two Horses Lying Down, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 × 4 5/8 inches (15.2 × 11.7 cm), Mount: 12 × 14 1/4 inches (30.5 × 36.2 cm),

Sketch of a Woman, Amritsar, 26 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Harbour Scene with Town, Print made by Charles Golding Constable, 1821–1879, British, undated, Etching on medium, slightly textured, cream wove paper, Sheet: 5 7/16 x 7 3/8 inches (13.8 x 18.7 cm), Plate: 3 1/4 x 5 inches (8.3 x 12.7 cm),

Two Figure Studies, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm), abstract art, figure, figure study, study (visual work),

A Saddled Cavalry Horse, Thomas Rowlandson, 1756–1827, British, undated, Pen, in gray ink, black ink, graphite, and brown wash on medium, slightly textured, cream, wove paper, Sheet: 7 1/8 x 8 7/8 inches (18.1 x 22.5 cm), animal art,

Ships on a Stormy Sea, Samuel Owen, 1768–1857, British, 1836, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 11 1/4 inches (14 × 28.6 cm), boats, clouds, longboat, marine

A Dappled Horse in a Stable, style of Sir Edwin Henry Landseer, 1802–1873, British, undated, Black and white chalk on moderately thick, slightly textured, gray, wove paper, mounted on, very thick, smooth, beige, wove, card paper,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

'Scraps', No. 39: Mounted Hussars, Henry Thomas Alken, 1785–1851, British, 1823, Graphite on medium, slightly textured, blued white, wove paper, Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm), cavalry, genre subject, helmets, horseback

A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right, George Jones, 1786–1869, British, ca. 1850, Pen, in brown ink, graphite, and white gouache on medium, slightly textured, brown, wove paper, Sheet: 3 9/16 × 4 15/16

`Ar Never Gets Off' - Hunting Scene, Cecil Charles Windsor Aldin, 1870–1935, British, undated, Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream, wove paper, Image: 11 5/8 × 18 15/16

Boats on a Calm Sea, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor over graphite on moderately thick, rough, cream wove paper, Sheet: 4 x 6 3/8 inches (10.2 x 16.2 cm), boats, figures, marine

A Sleeping Leopard, Print made by George Stubbs, 1724–1806, British, 1791, Soft-ground etching with roulette on medium, slightly textured, cream wove paper, Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm), Plate: 7 x 9 1/4 inches (17.8 x 23.5

Head and Neck of a Horse, Profile Left, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, moderately textured, beige, wove paper, Sheet: 5 1/16 × 4 11/16 inches (12.9 × 11.9 cm), animal art

Four East Indiamen at Archor, John Constable, 1776–1837, British, 1803, Graphite on medium, slightly textured, cream laid paper, Sheet: 7 5/8 x 12 3/4 inches (19.4 x 32.4 cm), anchor, marine art, sea, ships

Pink Fairy Armadillo, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 7/8 × 7 11/16 inches (12.4 × 19.5 cm), animal

Mr. Smith Dorian, 1841, Richard Dighton, 1795–1880, British, 1841, Graphite and watercolor on medium, smooth, cream wove paper, Frame: 10 11/16 × 26 3/16 × 13/16 inches (27.2 × 66.5 × 2 cm) and Image: 9 1/4 × 7 11/16 inches (23.5 ×

A Harrow in the Orchard, Robert Polhill Bevan, 1865–1925, British, ca. 1896, Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper, Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm) and Image: 6 × 10

The Flood, Print made by Edward Calvert, 1799–1883, British, 1829, Lithographic etching on moderately thick, smooth, cream wove paper, Sheet: 2 7/8 x 3 3/4 inches (7.3 x 9.5 cm) and Image: 1 5/8 x 3 inches (4.2 x 7.6 cm), animal art,

Gentlemen's Carriages: A Cabriolet, Charles Hancock, 1802–1877, British, between 1820 and 1830, Oil on canvas, Support (PTG): 25 x 30 inches (63.5 x 76.2 cm), animal art, breeches, bridle, buildings, cabriolet, carriage, columns

Boat with Cityscape and Cathedral in Background, unknown artist, (T. Leonard?), undated, Watercolor and graphite on thin, slightly textured, cream wove paper, Frame: 13 1/2 × 16 1/2 inches (34.3 × 41.9 cm) and Sheet: 6 3/4 × 9 5/8 inches

'By - he'll get to the Earth...', Henry Thomas Alken, 1785–1851, British, 1827, Graphite and watercolor on medium, slightly textured, beige laid paper mounted to card, Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm) and Mount: 11 3/4 × 13 3/4

Three Sheep at Rest, Sir Edwin Henry Landseer, 1802–1873, British, undated, Oil with varnish on medium, smooth, beige wove paper, Sheet: 2 3/4 x 6 3/4 inches (7 x 17.1 cm), sheep, sporting art

View of a Portico by the Side of a River, with Herdsmen and Cattle, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and

A Sea Engagement between the English and Algerines, Print made by Paul Fourdrinier, French, after Peter Monamy, 1681–1749, British, Published by Bowles & Carver, 1763–1830, British, Published by Robert Wilkinson, 1758–1825, British,

Unidentified Ungulate, James Bruce, 1730–1794, British, undated, Graphite; verso: gouache on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/2 × 21 1/2 inches (36.8 × 54.6 cm), animal art

Return to Tilbury, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on thin, slightly textured, cream antique laid paper, Sheet: 5 3/16 x 3 3/4 inches (13.1 x 9.6 cm) and Image: 5 3/16

Shepherd with Dog and Sheep, Print made by John Boyne, ca. 1750–1810, British, 1806, Lithograph on medium, moderately textured, gray laid paper, Sheet: 8 7/8 x 12 7/16 inches (22.5 x 31.6 cm) and Image: 8 1/16 x 11 7/8 inches (20.5 x 30.2

Head of a Lioness, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black chalk on thin, smooth, beige wove paper, Sheet: 9 3/4 x 8 3/4 inches (24.8 x 22.2 cm), animal, animal art, head, lioness, Vorticism

Gone Away, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 9 3/16 × 13 3/16 inches (23.3 × 33.5 cm), dogs (animals), fence, field, gate, hill,

Nine Dancing Figures, in Three Registers, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art,

Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat, James Seymour, 1702–1752, British, undated, Gouache, with pen, in black ink, and graphite on medium, moderately textured, beige, laid paper, Sheet: 5 5/8 × 7 1/8

Asian Palm Civet, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor and graphite on moderately thick, smooth, white, wove paper, Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm), animal art

Part of the Crew of H.M.S. Guardian, Robert Dodd, 1748–1816, British, c. 1795, Aquatint, Sheet: 18 1/2 x 24 3/4in. (47 x 62.9cm), iceberg, marine art, paddles, sailors, ship, waves

Huntsman and Hounds, Print made by Robert Polhill Bevan, 1865–1925, British, 1898-1899, Lithograph on thick, smooth, gray wove card, Sheet: 7 7/8 x 6 5/8 inches (20.1 x 16.8 cm), Plate: 7 11/16 x 5 7/8 inches (19.6 x 15 cm), and Image: 7

Thamnolaea semirufa (White-winged Cliff-chat), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches

Study of hind quarters of a horse, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, cream laid paper, Sheet: 7 3/8 × 4 5/8 inches (18.7 × 11.7 cm), animal art, horse (animal

Scenes of Various Sporting Pursuits: Painted on a Set of Eighteen Victorian Lacquer Buttons, in Two Sized, in Tartan Covered Case, unknown artist, ca. 1850, Painted lacquer buttons, Overall: 7 1/2 inches, sporting art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), cattle, channel (water

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