Images at Librifly

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Study of Eleven Heads, late 16th–early 17th century, Pen and three shades of brown ink with black chalk on laid paper; framing lines in brown ink and graphite, sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm), Drawings, Jacques de Gheyn II

Architectural Drawing, 1450–1500, French, Pen and brown ink over black chalk on vellum, Overall: 17 9/16 x 11 3/4 in. (44.6 x 29.8 cm), Drawings, Perfectly proportioned, finely detailed, and executed with ease, everything about this

A Gaming Table at Devonshire House, 1791, Pen and ink and watercolor, sheet: 12 1/8 x 17 1/8 in. (30.8 x 43.5 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London), Rowlandson underscored gambling’s grip on British

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Two Alternate Designs for a Doorway, ca. 1730–60, Pen and brown ink, brush and brown, gray, yellow, and red wash, over lead point or graphite, Sheet: 7-11/16 x 5-11/16 in. (19.55 x 14.4 cm), Drawings, Anonymous, Italian, Piedmontese,

Cupid Seated on a Cloud and Holding a Palm (?), 16th century, Pen and brown ink, 4-7/8 x 3-11/16 in. (12.4 x 9.4 cm) maximum, drawing partly silhouetted, Drawings, Anonymous, Italian, Emilian, mid-16th century

Design for Drawing Room Chairs, Louis Quinze Style, 1835–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Drawing for a Capital, 18th century, Ink and gray wash, 10-1/4 x 8-3/4 in, Drawings, Anonymous, Italian, 18th century

Artist Drawing in an Italianate Landscape, 17th century, Graphite, pen and brown ink, brown washes, 6 1/2 x 4 13/16 in. (16.5 x 12.3 cm), Drawings, Jan van Ossenbeeck (Dutch, ca. 1624–1674

Outline Drawing: Stage Set Design for a Performance of 'Iphigenia'. Verso: Two Designs for Palace Interiors., 1709–90, Pen and black ink, over black chalk or graphite. Verso: pen and dark brown ink over black chalk; separate design in black

An Officer of the Corps of Bowmen, 1797–1805, Watercolor over graphite, 7-11/16 x 5-3/8 in. (19.5 x 13.6 cm), Drawings, William Alexander (British, Maidstone, Kent 1767–1816 Maidstone, Kent), In 1792 Alexander was appointed as draftsman

Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux, 16th century, Pen and brown ink, brush with gray wash, over traces of metalpoint; design has been selectively pricked., 6 x 3 11/16 in. (15.3 x 9.3 cm),

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Virgin and Child with Saint Elizabeth, the Infant Baptist, Saint Anthony of Padua, and a Female Martyr, 1514–22, Red chalk, brush and red wash, 10 13/16 x 11in. (27.5 x 27.9cm), Drawings, Jacopo da Pontormo (Jacopo Carucci) (Italian,

Drawing for a Mantelpiece, 1780–90, Ink and watercolor, 9-1/2 x 11-3/16 in; sheet: 10 x 11-3/4 in, Anonymous, Italian, 18th century

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Drawings, Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm, ca. 1770–94, Pen and gray ink, brush and brown, gray, and colored wash, heightened with white, with framing lines in pen and brown ink on paper

The Marriage of the Virgin (Lunette), 1580–1600, Pen and brown ink, brush and brown wash over black chalk on light brown paper, 9 3/4 x 14 13/16in. (24.8 x 37.7cm), Drawings, Giorgio Picchi, the Younger (Italian, Casteldurante [Urbania] ca.

The Last Communion of Saint Jerome, ca. 1491–1503(?), Pen and brown ink, brown wash, traces of black chalk., 6 1/4 x 7 3/4 in. (15.9 x 19.7 cm), Drawings, Workshop of Botticelli (Alessandro di Mariano Filipepi) (Italian, Florence

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 40 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Studies for Two Large Fountains, 18th–19th century, Pen and brown ink, over graphite underdrawing and ruled construction; each drawing has framing outline in pen and brown ink, sheet: 15 15/16 x 9 5/8 in. (40.5 x 24.5 cm), Drawings,

Drawing for 'La Colonne Trajane', 18th century, Red chalk, 8 3/4 x 6 7/8in. (22.2 x 17.5cm), Drawings, After François Boucher (French, Paris 1703–1770 Paris

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 41 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 9 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Manet's Studio in the Batignolles, 1870, Lithographic crayon, oil paint, and black ink, 11 1/2 x 15 1/2 in. (29.2 x 39.4cm), Drawings, Henri Fantin-Latour (French, Grenoble 1836–1904 Buré), This drawing depicts Fantin-Latour’s circle of

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 2 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawing for a Cartouche, early 17th century, Pen with brown ink, brush and brown wash, 2 3/8 x 8 5/16 in. (6 x 21.1cm.), Drawings, Jacques Callot (French, Nancy 1592–1635 Nancy

Russian female dancer costume for 'La Fée des Poupées', 1903, Graphite on tracing paper, squared, sheet: 14 3/16 x 10 11/16 in. (36.1 x 27.1 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris), Drawing of a Russian female dancer costume for

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 46 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawing of the 'Koh-I-Noor Diamond', 1851, Watercolor and gold paint over graphite, sheet: 9 3/4 x 12 13/16 in. (24.8 x 32.6 cm), R. S. Garrard & Co. (British, founded 1730

Saint Rosalia Interceding for Victims of the Plague in Palestrina, 1625–1713, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on beige paper, 12-1/16 x 8-11/16 in. (30.7 x 22.0 cm), Drawings, Carlo

Woman on a Sofa, 1875, Oil colors freely mixed with turpentine, with touches of pastel, over graphite underdrawing, on pink paper, 19 1/8 x 16 3/4 in. (48.6 x 42.5 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), This seems to

Drawing for Ceiling Decoration, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing and ruled construction, sheet: 11 15/16 x 7 5/8 in. (30.4 x 19.4 cm), Drawings, Anonymous, Italian, 17th century

The Tempter, 1886, Graphite, Sheet: 11 1/4 x 7 5/8 in. (28.6 x 19.4 cm), Drawings, Sir John Tenniel (British, London 1820–1914 London), Tenniel's drawing for a satirical print published in the periodical 'Punch' on November 27, 1886 shows a

Drawing for Title Page with Amorini Riding a Dolphin, 18th century, Red chalk, 10-1/2 x 8-1/4 in, Drawings, Anonymous, Italian, 18th century

Study of a Draped Torso, 19th century, Black chalk highlighted with white chalk, Sheet: 12 3/16 x 8 1/2 in. (31 x 21.6 cm), Drawings, Anonymous, British, 19th century, This drawing of the upper part of a gown worn by a lightly sketched form

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 17 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Study of Two Soldiers Swordfighting, 17th century, Black and white chalk, heightened with cream-colored gouache, on blue paper, sheet: 6 9/16 x 9 7/16 in. (16.7 x 23.9 cm), Drawings, Adam Frans van der Meulen (Flemish, Brussels 1632–1690

Perspectival Drawing of an Armchair, 1500–1546, Pen and black ink, brush and grey wash, sheet: 2 7/16 x 1 11/16 in. (6.2 x 4.3 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg

Seven Trees, ca. 1900–1902, Charcoal on paper, 8 5/8 x 11 3/4 in. (21.9 x 29.8 cm), Drawings, Paula Modersohn-Becker (German, Dresden 1876–1907 Worpswede), This spontaneous drawing is not typical of the stolid peasant life depicted by

Design drawing of of lotus blossom of floral capital from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

Vue prise á Lacock Abbey, 1840, Photogenic drawing from paper negative, Image: 16 x 21.1 cm (6 5/16 x 8 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Working drawing for 'Fruit' shade, 1900–1915, Made in New York, United States, American, Watercolor and graphite on linen cloth mounted on off-white wove paper, 15 5/8 x 12 5/8 in. (39.7 x 32.1 cm), Drawings, Possibly Tiffany Glass and

Two studies of a saddled horse and of a horse with a boy astride; verso: Study of a bean plant, ca. 1602, Pen and brown ink; verso: pen and brown ink, green and brown watercolour, grey wash, Sheet: 6 15/16 x 11 5/16 in. (17.7 x 28.7 cm),

Camera Obscura, 1839–40, Photogenic drawing from paper negative, Image: 17.2 x 19.5 cm (6 3/4 x 7 11/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Design for room interior, late 19th–early 20th century, Made in New York, United States, American, Watercolor, ink and graphite on paper, mounted on board, Drawing: 22 × 30 in. (55.9 × 76.2 cm), Drawings, Possibly Tiffany Glass and

Snowdon from Llyn Nantlle, North Wales, 1832, Graphite and watercolor with gum, sheet: 7 7/8 x 11 3/4 in. (20 x 29.8 cm), Drawings, George Fennel Robson (British, Durham 1788–1833 London), Every summer, Robson explored the wilder corners

Primo tentativo fatto in Italia del Sig. Tassinari farmacista e chimico in Castel Bolognese, 1839–40, Photogenic drawing, 10.2 x 10.5 cm (4 x 4 1/8 in.), irregularly trimmed, Photographs, Likely Sebastiano Tassinari (Italian, 1814–1888

Sketch with Kali and a Young Boy, ca. 1800, India (Punjab Hills, Kangra?), Ink heightened with color on paper, Overall: 8 1/8 x 5 1/2 in. (20.6 x 14 cm), Paintings, This finely rendered drawing sheet has two discreet images, oriented in

Jasper ring stone, Imperial, ca. 2nd century B.C.–3rd century A.D., Roman, Jasper, Length: 3/8 in. (1 cm), Gems, Cock drawing a chariot with mouse as charioteer

Design Drawing for Perfume Container Exhibited at 1893 Columbian Exposition in Chicago, ca. 1893, Made in New York, New York, United States, American, Watercolor over graphite on grey cardboard, Drawing: 4 3/8 x 2 1/16 in. (11.1 x 5.2 cm),

Design Drawing, ca. 1893, Made in New York, New York, United States, American, Watercolor and graphite on off-white board, 24 3/8 x 19 in. (61.9 x 48.3 cm), Drawings, Tiffany & Co. (1837–present

Liu Chen and Ruan Zhao Entering the Tiantai Mountains, 元 趙蒼雲 劉晨阮肇入天台山圖 卷, Yuan dynasty (1271–1368), China, Handscroll; ink on paper, Image: 8 7/8 in. x 18 ft. 5 in. (22.5 cm x 564 cm), Paintings, Zhao Cangyun

[Photogenic Drawing of a Plant], 1839–40, Photogenic drawing, 21.4 x 18.2 cm (8 7/16 x 7 3/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Camera Obscura, 1840, Photogenic drawing from paper negative, 16.9 x 11.1 cm (6 5/8 x 4 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Figure Studies, from Drawing Book, 1650–56, Engraving, sheet: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm), Prints, Frederick Bloemaert (Dutch, ca. 1610–ca9), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

Study for the Figure of Saint Peter, ca. 1545, Black chalk, sheet: 16 1/2 x 9 3/8 in. (41.9 x 23.8 cm), Drawings, Daniele da Volterra (Daniele Ricciarelli) (Italian, Volterra 1509–1566 Rome), This sculptural, carefully rendered study of the

Design Drawing, ca. 1898–99, Made in New York, New York, United States, American, Watercolor and graphite on paper, 11 3/8 x 16 in. (28.9 x 40.6 cm), Drawings, Tiffany Glass and Decorating Company (American, 1892–1902), This drawing is

Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière], mid-18th century, Drawing in graphite; etching; engraving; mezzotint, Overall: 16 7/16 x 11 1/16 x 7/8 in. (41.7 x 28.1 x 2.2 cm), Books, Portrait of Moliere

The Cabinet-Maker and Upholsterer's Guide: being a Complete Drawing Book; in which will be comprised Treatises on Geometry and Perspective, as applicable to the above branches of mechanics, 1828, Illustrations: engraving, etching, aquatint,

Design for a mosaic or a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and graphite on textured white wove paper mounted to warm grey matt board, Overall: 15 3/4 x 6 15/16 in. (40 x

Villaggio, 1839, Photogenic drawing from hand-drawn glass negative (cliché verre), 15.2 x 10.1 cm (6 x 4 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

1. Aglio. 2. Cestro. 3. Poa., 1839, Photogenic drawing, 20.9 x 16.8 cm (8 1/4 x 6 5/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

[Leaf], ca. 1839, Photogenic drawing negative, Sheet: 3 3/16 × 4 1/16 in. (8.1 × 10.3 cm), Negatives, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Design for a Chair Seat Cover, ca. 1850–70, Pen and ink and watercolor, 5 9/16 x 5 11/16 in. (14.2 x 14.5 cm), Anonymous, French, 19th century, This small drawing shows a design for a seat cover in the Louis XVI style of artist such as

Ajax in the Grave, ca. 1790–99, Pen and brown ink, brush and brown ink, over graphite sketch, 22 1/4 x 31 1/2 in. (56.5 x 80 cm), Drawings, Jacob Wilhelm Mechau (German, Leipzig 1745–1808 Dresden), This drawing is a most impressive

1. Foglia di Fico. 2. Foglia di Spino bianco, ossia Crataegus, 1839–40, Photogenic drawing, 21.8 x 18.5 cm (8 9/16 x 7 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Leaf of the Foxglove, 1839, Photogenic drawing negative, Image: 6 3/4 × 3 9/16 in. (17.2 × 9.1 cm), Negatives, Unknown (British

Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso), 1548–1612, Charcoal with traces of white chalk highlights, sheet: 15 1/2 x 9 3/8 in. (39.4 x 23.8 cm), Drawings, Bernardino Poccetti

Bromus Maximus, Genoa, 1839, Photogenic drawing, 22.5 x 18.8 cm (8 7/8 x 7 3/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Drawing Room of a Foreign Business Establishment in Yokohama, 『横浜異 人商館座敷之図』, Edo period (1615–1868), 9th month, 1861, Japan, Center and right sheets of a triptych of polychrome woodblock prints; ink and color on paper,

Drawing of a figure of Christ, late 19th–early 20th century, Made in New York, United States, American, Gouache and graphite on artist board in original window matt with gold metallic finish., Overall: 20 7/8 x 12 13/16 in. (53 x 32.6 cm),

Allegory of Louis XV as Patron of the Arts with Paintings and Sculpture from the Salon of 1769, ca. 1769, Oil paint over black chalk underdrawing, areas of paper reserve, on off-white laid paper, mounted on pasteboard, varnished, Sheet: 8 3/8

Design for church interior with Noli Me Tangere window, ca. 1890–1900, Made in New York, United States, American, Watercolor, gouache, photograph, collage, pen and colored inks, graphite, Overall: 20 7/8 x 20 3/4in. (53 x 52.7cm),

Perspectival Drawing with Three Cubes, 1528, Pen and black ink, brush and grey wash, sheet: 2 9/16 x 4 in. (6.5 x 10.2 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg), For Renaissance artists, the representation of

[Attock on the Indus River- From a Drawing], 1858–61, Albumen silver print, Image: 7.3 x 12.5 cm (2 7/8 x 4 15/16 in.), Photographs, Unknown

The Sibyl, ca. 1654, Oil on canvas, 38 1/2 x 30 3/4 in. (97.8 x 78.1 cm), Paintings, Willem Drost (Dutch, Amsterdam 1633–1659 Venice), Although once a well-known Rembrandt, there is now a strong consensus that this canvas was painted about

Diana and Actaeon, ca. 1580–1585, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink, 16 1/4 x 12 5/8in. (41.3 x 32.1cm), Drawings, Bartholomeus Spranger

Approach to a Mountain Village with Horsemen on the Road, ca. 1501, Pen and brown ink, traces of black chalk; mounted on an album page, 11 3/4 x 8 1/8 in. (29.8 x 20.6 cm), Drawings, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian,

Cento Favole Morali (100 moral fables), 1570, Printed book with woodcut illustrations, 8 7/16 x 6 5/16 x 11/16 in. (21.4 x 16 x 1.7 cm), Books, Illustrations designed by Giovanni Maria Verdizotti (Italian, Venice 1525–1600 Venice), The

Heliophila, 1839, Photogenic drawing, 17.3 x 17.5 cm (6 13/16 x 6 7/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Pezzo di merletto, 1839, Photogenic drawing, 19 x 13.9 cm (7 1/2 x 5 1/2 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Drawing of Christ from Leonardo da Vinci's 'The Last Supper', 1857–61, Albumen silver print from paper negative, Image: 36.3 x 26.6 cm (14 5/16 x 10 1/2 in.), Photographs, Léon Gérard (French, 1817–1896), This ethereal photograph records

Side table (one of a pair), ca. 1740, British, Carved gilt pine with modern scagliola top, H. 33 1/2 x W. 73 1/2 x D. 35 1/4 in. (85.1 x 186.7 x 89.5 cm), Woodwork-Furniture, This monumental pair of side tables displays many similarities to an

View of the Massif of Mont Blanc near the 'Petit Jorasse, Grand Jorasse, le Géant' with the 'Glaciers des Périades et Jorasse' and the 'Glacier de la Venval' as seen from the 'Col de Fenêtre près du Gd. St. Bernard', late 18th–19th century,

Self-Portrait Drawing at a Window, 1648, Etching, drypoint, and burin; fourth state of five, Plate: 6 1/8 x 5 1/16 in. (15.5 x 12.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Youth and Dervish, second quarter 17th century, Made in Iran, Isfahan, Ink, opaque watercolor, and gold on paper (tinted drawing), 9 1/2 x 7in. (24.1 x 17.8cm), Codices, While the inscription in the drawing assigns it to the celebrated

[Chicken Feathers], ca. 1840, Photogenic drawing negative, Image: 7 5/16 × 7 5/8 in. (18.6 × 19.3 cm), irregularly trimmed, Negatives, Nevil Story Maskelyne (British, 1823–1911), Talbot's first successes were made by placing a pressed

Tomb of Simon de Langham, Tomb of Aymer de Valence, 1839, Photogenic drawing negatives, Top Image: 4 1/2 × 7 3/16 in. (11.5 × 18.3 cm), Negatives, Unknown (British

葛飾北斎筆 鶏と木材鶏図, Album of Sketches by Katsushika Hokusai and His Disciples, Edo period (1615–1868), 19th century, Japan, Album of ninety-seven leaves; ink and color on paper, Each leaf: 15 1/2 x 10 1/2 in. (39.4 x 26.7 cm),

Tavola parecchiata per colazione a Thè, 1839–40, Photogenic drawing from paper negative, Image: 13.4 x 20.2 cm (5 1/4 x 7 15/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Female Nude, ca. 1931–35, Graphite on paper, 24 x 19 in. (61 x 48.3 cm), Drawings, Gaston Lachaise (American (born France) 1882–1935), Undated, this drawing was undoubtedly made during Lachaise’s maturity, when he often exaggerated

Iconographic Drawing of Saturn (Doyō), 土曜図像, Heian period (794–1185), 12th century, Japan, Hanging scroll; ink and color on paper, Image: 21 5/8 x 11 1/8 in. (54.9 x 28.2 cm), Paintings, Rituals dedicated to the stars and planets

Muro a secco divoccato ad utensili campestri, 1840, Photogenic drawing from paper negative, Image: 17.2 x 21.2 cm (6 3/4 x 8 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)., 1530–40, Red chalk, drawn over a faint study of a hand in black chalk (recto); pen and brown ink (verso)., sheet: 11 5/8 x 5 1/4 in. (29.5 x 13.3 cm), Drawings,

Terracotta skyphos (deep drinking cup), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, H. 4 in. (10.2 cm); diameter 5 7/16 in. (13.8 cm); width with handles 7 15/16 in. (20.1 cm), Vases, Dogs among fruit trees. Scenes of rural

Working Drawing for T-Cart Phaeton No. 3295, 1877, Graphite with red and blue crayon, sheet: 11 15/16 x 19 1/8 in. (30.3 x 48.6 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven,

Kneeling Youth, late 16th century, Attributed to Iran, Qazvin, Ink, watercolor, and gold on paper, 6.37 in. high 3.50 in. wide (16.5 cm high 8.9 cm wide), Codices, This drawing of a kneeling youth wearing a fur-lined gold cap is based on a

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