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Peter of Poitier's Historical Genealogy of Christ, Genealogy of Christ from Ioiada to Sargon, This English manuscript was created in the early thirteenth century, soon after the death of its author, Peter of Poitiers, theologian and Chancellor

Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Decorated initial Q, This illustrated copy of The lamentations of Jeremiah with the gloss (or interpretation) of Gilbert of Auxerre was written in Austria in the second half of the

Psalter, Marginalia, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent

Psalter, Initial 'C' with clerics standing at altar, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically

Henry of Huntingdon's Historia Anglorum, Initial I, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum, the History of the English People, by Henry, archdeacon of Huntingdon. The

Homilary, Harrowing of Hell, This richly illuminated fourteenth-century German homilary is particularly interesting for its rare bifolium of drawings bound in at the front of the book. The headgear worn by the nuns in the drawings is characteristic

Peter of Poitier's Historical Genealogy of Christ, Genealogy of Christ from Jesse to Salomon, This English manuscript was created in the early thirteenth century, soon after the death of its author, Peter of Poitiers, theologian and Chancellor

Boccaccio's De Casibus Virorum Illustrium (French translation), Initial 'C' with drawing of a man, This manuscript contains Jean (also known as Johannes) Lamelin's abridged, French translation of Giovanni Boccaccio's De Casibus Virorum Illustrium

Psalter, Initial 'A' with God holding T-sphere, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to

Henry of Huntingdon's Historia Anglorum, Initial D, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum, the History of the English People, by Henry, archdeacon of Huntingdon. The

Macrobius' Commentarii in somnium Scipionis, Lambda diagram of the world-soul from Plato's Timaeus, This copy of Macrobius' Commentarii in somnium Scipionis was produced most likely in northeastern France in the late twelfth century. The manuscript

English Brasses, Illustration of the pictorial compartment below the feet of Adam de Waisokne, 1349, King's Lynn, Norfolk, John Woodcock, a twentieth-century calligrapher, hand wrote, illustrated, and bound this book on English Brasses. The

Henry of Huntingdon's Historia Anglorum, Decorated initial B, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum, the History of the English People, by Henry, archdeacon of

Liber amicorum of Joannes Carolus Erlenwein, Sent by Juno, Iris tells Achilles to appear on the battlefield to frighten the Trojans away from Patroclus, p. 223, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of

Liber amicorum of Joannes Carolus Erlenwein, Neptune secretly helps the Greek army, p. 181, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber Amicorum, or friendship book,

Liber amicorum of Joannes Carolus Erlenwein, The Greeks compete in funeral games in Patroclus' honor, p. 265, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber Amicorum, or

Henry of Huntingdon's Historia Anglorum, Decorated initial H, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum, the History of the English People, by Henry, archdeacon of

Macrobius' Commentarii in somnium Scipionis, Diagram of climatic zones, This copy of Macrobius' Commentarii in somnium Scipionis was produced most likely in northeastern France in the late twelfth century. The manuscript includes seven major

Psalter, Marginalia, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent

Liber amicorum of Joannes Carolus Erlenwein, Minerva and Apollo inspire Hector to challenge Ajax in single combat, p. 125, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber

English Brasses, Illustration of Thomas Hawkins, Broughton-under-Blean, Kent, 1587, John Woodcock, a twentieth-century calligrapher, hand wrote, illustrated, and bound this book on English Brasses. The manuscript contains drawings of brass

Liber amicorum of Joannes Carolus Erlenwein, Hector kills Patroclus, p. 201, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber Amicorum, or friendship book, for his Latin

Henry of Huntingdon's Historia Anglorum, Decorated initial H, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum, the History of the English People, by Henry, archdeacon of

Macrobius' Commentarii in somnium Scipionis, Diagram of the earth and atmosphere, This copy of Macrobius' Commentarii in somnium Scipionis was produced most likely in northeastern France in the late twelfth century. The manuscript includes seven

Macrobius' Commentarii in somnium Scipionis, Marginal diagram gloss, This copy of Macrobius' Commentarii in somnium Scipionis was produced most likely in northeastern France in the late twelfth century. The manuscript includes seven major diagrams,

Peter of Poitier's Historical Genealogy of Christ, Genealogy of Christ from Herodes to Tiberius Cesar, This English manuscript was created in the early thirteenth century, soon after the death of its author, Peter of Poitiers, theologian and

Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Initial R with a dragon, This illustrated copy of The lamentations of Jeremiah with the gloss (or interpretation) of Gilbert of Auxerre was written in Austria in the second half of the

Macrobius' Commentarii in somnium Scipionis, Map of the world, This copy of Macrobius' Commentarii in somnium Scipionis was produced most likely in northeastern France in the late twelfth century. The manuscript includes seven major diagrams, of

English Brasses, Illustration of Jon Mulsho and his wife Joan, John Woodcock, a twentieth-century calligrapher, hand wrote, illustrated, and bound this book on English Brasses. The manuscript contains drawings of brass rubbings of many knights

Henry of Huntingdon's Historia Anglorum, King Stephen directs Baldwin FitzGilbert to address the army before the Battle of Lincoln, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum,

Psalter, Marginalia, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent

Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Arcade with facing dragons, This illustrated copy of The lamentations of Jeremiah with the gloss (or interpretation) of Gilbert of Auxerre was written in Austria in the second half of

Henry of Huntingdon's Historia Anglorum, Decorated initial T, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum, the History of the English People, by Henry, archdeacon of

Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Arcade with orant figure, This illustrated copy of The lamentations of Jeremiah with the gloss (or interpretation) of Gilbert of Auxerre was written in Austria in the second half of

Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Initial Q with Jeremiah lamenting, This illustrated copy of The lamentations of Jeremiah with the gloss (or interpretation) of Gilbert of Auxerre was written in Austria in the second

Book of Hours, Crucifixion, with inhabited initial 'D' containing pelican drawing blood from its chest to feed young, This Book of Hours was completed for Use of Reims ca. 1450-1475 in northeastern France

Psalter, Marginalia, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent

English Brasses, Illustration of Reginald de Malyns and his two wives, at Chinnor, Oxfordshire, 1385, John Woodcock, a twentieth-century calligrapher, hand wrote, illustrated, and bound this book on English Brasses. The manuscript contains

Psalter, Marginalia, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent

Illuminated Manuscript, Gloss on The lamentations of Jeremiah, This illustrated copy of The lamentations of Jeremiah with the gloss (or interpretation) of Gilbert of Auxerre was written in Austria in the second half of the twelfth century and comes

Peter of Poitier's Historical Genealogy of Christ, Genealogy of Christ from Tare to Zaram, This English manuscript was created in the early thirteenth century, soon after the death of its author, Peter of Poitiers, theologian and Chancellor of

Macrobius' Commentarii in somnium Scipionis, Marginal diagram gloss, This copy of Macrobius' Commentarii in somnium Scipionis was produced most likely in northeastern France in the late twelfth century. The manuscript includes seven major diagrams,

Liber amicorum of Joannes Carolus Erlenwein, Coon wounds Agamemnon, p. 161, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber Amicorum, or friendship book, for his Latin

Liber amicorum of Joannes Carolus Erlenwein, Headpiece, p. 11, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber Amicorum, or friendship book, for his Latin alter ego

English Brasses, Illustration of Robert Langton DCL 1518, Queen's College Oxford, John Woodcock, a twentieth-century calligrapher, hand wrote, illustrated, and bound this book on English Brasses. The manuscript contains drawings of brass

Liber amicorum of Joannes Carolus Erlenwein, Title page with bust of Homer, p. 7, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber Amicorum, or friendship book, for his

Homilary, Bishop Blessing, This richly illuminated fourteenth-century German homilary is particularly interesting for its rare bifolium of drawings bound in at the front of the book. The headgear worn by the nuns in the drawings is characteristic

Homilary, Bishop Blessing, This richly illuminated fourteenth-century German homilary is particularly interesting for its rare bifolium of drawings bound in at the front of the book. The headgear worn by the nuns in the drawings is characteristic

Boccaccio's De Casibus Virorum Illustrium (French translation), Initial 'F' with woman in conical hat, This manuscript contains Jean (also known as Johannes) Lamelin's abridged, French translation of Giovanni Boccaccio's De Casibus Virorum

Henry of Huntingdon's Historia Anglorum, Decorated initial M, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum, the History of the English People, by Henry, archdeacon of

Liber amicorum of Joannes Carolus Erlenwein, Hector presents Paris' proposal for single combat against Menelaus to Helen, p. 89, This friendship book was bound in 1615 for Joannes Carolus Erlenwein (Hans Carl Erlenwein), a student in the seminary

English Brasses, Illustration of Thomas de Hope, John Woodcock, a twentieth-century calligrapher, hand wrote, illustrated, and bound this book on English Brasses. The manuscript contains drawings of brass rubbings of many knights and nobles,

Peter of Poitier's Historical Genealogy of Christ, Genealogy of Christ from Achmas to Ioram, This English manuscript was created in the early thirteenth century, soon after the death of its author, Peter of Poitiers, theologian and Chancellor of

English Brasses, Illustration of Sir Nicholas Wadham and his wife Dorothie, 1618, John Woodcock, a twentieth-century calligrapher, hand wrote, illustrated, and bound this book on English Brasses. The manuscript contains drawings of brass

Psalter, Marginalia, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent

Liber amicorum of Joannes Carolus Erlenwein, Hector asks Hecuba to pray to Minerva with her noblewomen, p. 119, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber Amicorum, or

Psalter, Initial 'Q' with King David pointing at devil, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically

Psalter, Marginalia, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent

Psalter, Initial 'D' with God blessing King David, who kneels in prayer before Him, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the

Psalter, Marginalia, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent

Henry of Huntingdon's Historia Anglorum, Decorated initial P, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum, the History of the English People, by Henry, archdeacon of

Book of Hours, Woman leads horse drawing harrow, This small Book of Hours is especially interesting for its profusion of humorous drolleries. Humans, animals, and hybrids are featured in the margins of each page of the book. The artists rendered

Psalter, Marginalia, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent

Henry of Huntingdon's Historia Anglorum, Decorated initial C, Produced in the early thirteenth-century, this manuscript is an important textual witness to the Historia Anglorum, the History of the English People, by Henry, archdeacon of

Liber amicorum of Joannes Carolus Erlenwein, Mercury reveals himself to Priam, p. 273, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber Amicorum, or friendship book, for his

Psalter, Initial 'D' with King David praying at altar; female donor pictured in prayer in right margin, This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The

Liber amicorum of Joannes Carolus Erlenwein, Jupiter awakes from enchanted sleep, angered by Juno, and orders Neptune to withdraw from battle; Apollo is sent to renew the strength of the Trojans, p. 195, Hans Carl Erlenwein and his classmates in

Liber amicorum of Joannes Carolus Erlenwein, Mercury, Minerva, Neptune, Juno, Diana, Apollo, Mars, and Thetis watch the battlefield from above, p. 237, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German

Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Arcade with vultures, masks, and beasts, This illustrated copy of The lamentations of Jeremiah with the gloss (or interpretation) of Gilbert of Auxerre was written in Austria in the

Peter of Poitier's Historical Genealogy of Christ, Genealogy of Christ from Iosedec to Xerses, This English manuscript was created in the early thirteenth century, soon after the death of its author, Peter of Poitiers, theologian and Chancellor

Liber amicorum of Joannes Carolus Erlenwein, Diomedes kills the Trojan messenger Dolon, p. 155, Hans Carl Erlenwein and his classmates in seminary school, all teenage sons of German aristocrats, composed this Liber Amicorum, or friendship book,

Madhava plays his vina before five women drawing water from a well, from a Madhavanala Kamakandala series, c. 1700. India, Bilaspur. Color on paper; page: 21.9 x 31.2 cm (8 5/8 x 12 5/16 in

Drawing of a mans head with an unusual turban, c. 1780. Northwestern India, Rajasthan, Kishangarh. Color on paper; miniature: 22.6 x 16.5 cm (8 7/8 x 6 1/2 in

Umed Singh of Kota Hunting Lions, c. 1785-1790. India, Rajasthan, Kota, 18th century. Brush drawing with slight color on paper; overall: 39 x 52 cm (15 3/8 x 20 1/2 in

Head of a Young Man, early 1800s. India, Company School, Sangram Singh seal on reverse, early 19th century. Drawing ; overall: 7 x 7 cm (2 3/4 x 2 3/4 in

Portrait of Emperor Jahangir Riding an Elephant, first half of the 18th century. India, Mughal Dynasty (1526-1756). Drawing; image: 23.3 x 16 cm (9 3/16 x 6 5/16 in.); overall: 34.9 x 27.9 cm (13 3/4 x 11 in

Akbar Mounting his Horse; page from the Chester Beatty Akbar Nama (History of Akbar), 1605-07. Attributed to Sur Das Gujarati (Indian, active 16th century). Ink and color on paper; Nim qalam drawing; image: 23 x 12.4 cm (9 1/16 x 4 7/8 in.);

Kabir and Two Followers on a Terrace, c. 1610-1620. India, Mughal, 17th century. Ink drawing with use of colors on paper, borders of gold-flecked cream paper (recto); page: 28 x 21 cm (11 x 8 1/4 in

Kabir and Two Followers on a Terrace (recto); Calligraphy (verso), c. 1610-1620. India, Mughal, 17th century. Ink drawing with use of colors on paper, borders of gold-flecked cream paper (recto); ink, gold and opaque watercolor on paper, four

Iconographic Drawing:Vaishravana, Yama, Vsnisavijaya, Tara and Buddha (recto), c. 1500. Tibet, early 15th Century. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in

Cupid Secretly Drawing an Arrow, 1807. Gilles-Lambert Godecharle (Belgian, 1750-1835). Terracotta; overall: 22.8 cm (9 in

Course in Drawing:No. 4 - Still Life. Charles-Émile Jacque (French, 1813-1894). Lithograph

Riflemen , 1887. Édouard Detaille (French, 1848-1912). Color photogravure of drawing enhanced with roulette; sheet: 46 x 33.1 cm (18 1/8 x 13 1/16 in.); image: 29.7 x 21.3 cm (11 11/16 x 8 3/8 in

Bhima's Consultation with the Astrologer: Scene from the Nala-Damayanti Drawings, c. 1790-1800. India, Pahari, Kangra school, late 18th Century. Drawing with slight color; overall: 22.2 x 33.5 cm (8 3/4 x 13 3/16 in

Portrait of an Unidentified Noble from Shah Jahan's Court, c. 1640-1650. India, Mughal Dynasty (1526-1756). Partially colored drawing; image: 14.4 x 10.2 cm (5 11/16 x 4 in.); overall: 39 x 27 cm (15 3/8 x 10 5/8 in

Four Girls Studying a Drawing, 1876 . Théodule Ribot (French, 1823-1891). Watercolor and possibly ink; sheet: 28.8 x 41.1 cm (11 5/16 x 16 3/16 in

Woman (Possibly Madame Alice Hellu) Looking at a Drawing, c. 1895. Paul César Helleu (French, 1859-1927). Black, red, and white chalk; sheet: 63.2 x 44.6 cm (24 7/8 x 17 9/16 in

Portrait of Maharaja Pratap Singh (1764–1803), c. 1793. Attributed to Sahib Ram (Indian, active 1745–1803). Colored ink drawing; overall: 61.4 x 40.5 cm (24 3/16 x 15 15/16 in

Book of Lithograph Trials using different means of Drawing such as Crayon, Pen, Brush, and Wash:A Landscape, c. 1816. Godefroy Engelmann (French, 1788-1839). Lithograph printed in black and ochre; overall: 31 x 24.2 cm (12 3/16 x 9 1/2 in.);

Iconographic Drawing of Tantric Enlightened Beings (verso), c. 1500. Tibet, early 15th Century. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in

Couple Playing Chaupar on a Terrace, c. 1790-1800. India, Pahari, Kangra school, late 18th Century. Drawing with red ochre underdrawing; overall: 19.4 x 13.2 cm (7 5/8 x 5 3/16 in

Hindu God Krishna Being Dressed in Women's Clothes for Spring Festival Holi, c. 1790. Northern India, Himachal Pradesh, Kangra, 18th century. Drawing with patches of opaque watercolor; overall: 19 x 27.4 cm (7 1/2 x 10 13/16 in

Iconographic Drawing:Vaishravana, Yama, Vsnisavijaya, Tara and Buddha (recto); Iconographic Drawing of Tantric Enlightened Beings (verso), c. 1500. Tibet, early 15th Century. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in

A European Couple, c. 1610-1627. Attributed to Ali Riza, the "Bodleian Painter" (Indian). Drawing with opaque watercolor and gold on paper, gold-flecked blue borders

The Good Bourgeois, Plate 23: "But yes, my dear, I assure you that this gentleman is drawing a landscape...is it not so, sir, that you are drawing a landscape?" (Les bons bourgeios, planche 23: Mais si, ma femme...monsieur dessine un

A drawing of Caparisoned Elephant and Horses, c. 1760. India, Jammu. miniature: 41 x 36.2 cm (16 1/8 x 14 1/4 in

Architectural Drawing of Columns (verso), c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink; sheet: 49.2 x 34.3 cm (19 3/8 x 13 1/2 in

Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto); Architectural Drawing of Columns (verso), c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x

Drawing of an Elephant, c. 1700. India, Mughal School, early 18th Century. Ink on paper; image: 12.8 x 18.1 cm (5 1/16 x 7 1/8 in.); overall: 20 x 25.3 cm (7 7/8 x 9 15/16 in

Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto), c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x 34.3 cm (19 3/8 x 13 1/2 in

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