Images at Librifly

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Reproduction of a drawing by Raphaël; Charles Marville (French, 1813 - 1879); Lille, France; 1855 - 1865; Albumen silver print

Millet's Drawing of the Mona Lisa; Gustave Le Gray (French, 1820 - 1884); Paris, France; 1849; Albumen silver print

Vuë de la Ville de Gerace, près de l'ancienne Ville de Locres, Vuë de la Tour de Pagliapoli, et des Ruines de Locres, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard,

From a Drawing in the British Museum; Roger Fenton (English, 1819 - 1869); London, England; 1858; Salted paper print; 19 x 29.2 cm (7 1, 2 x 11 1, 2 in

Head of an Unknown Saint; William Henry Fox Talbot (English, 1800 - 1877); May 1839; Salted paper print from a photogenic drawing negative; 21 × 22.2 cm (8 1, 4 × 8 3, 4 in

Compositional drawing for Entrance to the Jardin Turc; Louis-Léopold Boilly (French, 1761 - 1845); France; about 1810 - 1812; Brown ink and graphite; 27.9 x 38.1 cm (11 x 15 in

Luzula Pilosa; Attributed to William Henry Fox Talbot (English, 1800 - 1877); 1840; Photogenic drawing negative; 11 × 6.7 cm (4 5, 16 × 2 5, 8 in

Drawing of The Stigmatization of St Francis in a Landscape by Federico Barocci; Roger Fenton (English, 1819 - 1869); London, England; 1858; Salted paper print; 35.9 × 24.9 cm (14 1, 8 × 9 13, 16 in

Portrait of Émile Augier; Nadar, Gaspard Félix Tournachon (French, 1820 - 1910); about 1852; Drawing; 32.4 × 24.3 cm (12 3, 4 × 9 9, 16 in

esposta al saccheggio segvito il dì XIV febr' MDCCXXXII in testimonianza di givbilo della medessima per il felice arivo e svccessiva ricvperata salvte di S. A. R. del seren: don Carlo infante di Spagna, dvca di Parma, e, gran prencipe di Toscana,

Drawing for a Wine Cooler; Attributed to Jean-Guillaume Miotte (French, 1746 - 1810); Paris, France; about 1785 - 1790; Pen and black ink and gray wash; 36.7 x 31.8 cm (14 7, 16 x 12 1, 2 in

Photographs related to the execution of Maximilian, Mexique, 1865, Aubert, François, 1829-1906, Falconnet, Louis, Albumen, 1867, Four photographs on a page. Top: photo of drawing of Maximilian's execution; bottom left: the execution squad,

Fern Leaves; British; about 1850?; Photogenic drawing; 26.4 × 32.4 cm (10 3, 8 × 12 3, 4 in

Surtouts et plan géométral de table, Le cannameliste français, ou, Nouvelle instruction pour ceux qui desirent d'apprendre l'office: rédige en forme de dictionnaire: enrichi de planches en taille-douce, Dupuis, Nicolas Gabriel, 1698-1771,

Two drawings: Proche Fiezolè and Landscape with buildings, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil and wash on paper, 1797-1799, The top drawing is captioned. The drawings in the album pasted in and numbered

The arch with a shell ornament, Carceri d'invenzione, Piranesi, Giovanni Battista, 1720-1778, Etching, engraving, scratching, sulphur tint or open bite, drypoint, black-and-white, 1761, A group of arches is shown with a lamp suspended in

Sta. Agnese extra muro, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil, ink and wash on paper, 1797-1799, View of Sant'Agnese Fuori le Mura. Title from caption on drawing. The drawings in this album are pasted in and numbered

Vuë prise dans les Environs de Reggio, Vuë du Port de Reggio, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean

Detail of frontispiece, A new universal history of the religious rites, ceremonies, and customs of the whole world, or, A complete and impartial view of all the religions in the various nations of the universe, both antient and modern, from

Statue of Apollo Didymaeus, or androgynous Apollo, stringing his bow, back view, Society of Dilettanti drawings, prints, and letters, Ink and wash drawing, between 1806 and 1880, Annotations: Ancient Sculpture Plate 44 Apollo Didymaeus.

Optical illusion of a drawing of a sculpture; 1850s; Lithograph

Taddeo Drawing by Moonlight in Calabrese's House; Federico Zuccaro (Italian, about 1541 - 1609); about 1595; Pen and brown ink, brush with brown wash, over black chalk; 42.1 x 17.7 cm (16 9, 16 x 6 15, 16 in

Proche fiezolè, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil and wash on paper, 1797-1799, The drawings in this album are pasted in and numbered. Title from caption in ink below drawing

Rome, Architectural drawing for the cupola of S. Ivo alla Sapienza, Rome, Borromini, Francesco, 1599-1667, ca. 1650

Optical illusion of a drawing of a snake; 1850s; Lithograph

Taddeo Drawing after the Antique; In the Background Copying a Façade by Polidoro; Federico Zuccaro (Italian, about 1541 - 1609); about 1595; Pen and brown ink, brush with brown wash over black chalk and touches of red chalk; 42.3 × 17.5 cm (16 5,

The Church of the Holy Sepulchre and Saint Andrew, Cambridge; British; after 1841; Salted paper print probably from a photogenic drawing negative; 15.6 x 18.1 cm (6 1, 8 x 7 1, 8 in

A Single Leaf; British, active India about 1843; England; 1843 - 1845; Photogenic drawing; 10.5 x 7.3 cm (4 1, 8 x 2 7, 8 in

Leguminoae Papilionaceae (Pea Bean); William Henry Fox Talbot (English, 1800 - 1877); about February 6, 1836; Photogenic drawing negative; 19.1 × 11.4 cm (7 1, 2 × 4 1, 2 in

Drawing of a Standing Man by Raphael; Roger Fenton (English, 1819 - 1869); London, England; 1858; Salted paper print; 34.9 × 24.5 cm (13 3, 4 × 9 5, 8 in

Plate VI, Campi Phlegræi.: Observations on the volcanos of the two Sicilies as they have been communicated to the Royal Society of London, Fabris, Peter, 18th cent., Hamilton, William, Sir, 1730-1803, Engraving, 1776, Plate VI:

Table Set for Tea; William Henry Fox Talbot (English, 1800 - 1877), Lady Elisabeth Theresa Feilding (British, 1778 - 1846); September 3, 1841; Salted paper print probably from a photogenic drawing negative; 9.5 × 16.2 cm (3 3, 4 × 6 3, 8 in

Valley of Fassa from Opposite Gries; Sir John Frederick William Herschel (British, 1792 - 1871); 1834; Graphite drawing made with the aid of a camera lucida; 20 x 30.8 cm (7 7, 8 x 12 1, 8 in

Plant Branch with Leaves and Flowers; British, active India about 1843; India; 1843 - 1845; Photogenic drawing; 17.3 x 12.2 cm (6 13, 16 x 4 13, 16 in

View of an eruption of Mount Vesuvius which began the 23 of December 1760, and ended the 5th of January 1761, after a drawing taken on the spot by Mr. Fabris, when that eruption was in full force, Campi Phlegræi., Fabris, Peter, 18th cent.,

Initial H: Moses Striking Water from the Rock and an Israelite Drawing Water; Bologna, Emilia-Romagna, Italy; about 1280 - 1290; Tempera colors, gold leaf, and ink on parchment; Leaf: 37.5 x 24.8 cm (14 3, 4 x 9 3, 4 in

Hornbeam Leaf; William Henry Fox Talbot (English, 1800 - 1877); 1840; Photogenic drawing negative; 11.6 x 14.9 cm (4 9, 16 x 5 7, 8 in

From a Drawing in the British Museum; Roger Fenton (English, 1819 - 1869); London, England; 1858; Salted paper print; 17.8 x 27.5 cm (7 x 10 13, 16 in

The North Drawing Room, Catalogue of pictures, Hursley Park, 1846-1886

Peinture antique trouvée à Pompéïa, Recueil d'antiquités dessinées d'après des peintures trouvées à Herculanum, Stabia et Pompeïa qui sont maintenant au musée de Portici à quatre milles de Naples, Montagny, Élie-Honoré, d. 1864,

Leaves of Orchidea; William Henry Fox Talbot (English, 1800 - 1877); England; April 1839; Photogenic drawing negative; 17.1 × 20.8 cm (6 3, 4 × 8 3, 16 in

Photographic Copy of a Drawing of Japanese Warriors by Charles Wirgman; Felice Beato (English, born Italy, 1832 - 1909); Japan; 1864; Albumen silver print

Head of a Horse; Samuel H. Owen; England; 1843 - 1845; Drawing in black ink; 7.5 x 7.1 cm (2 15, 16 x 2 13, 16 in

Fronded Leaf; William Henry Fox Talbot (English, 1800 - 1877); 1840; Photogenic drawing negative; 18.4 × 11.3 cm (7 1, 4 × 4 7, 16 in

Bowood; William Henry Fox Talbot (English, 1800 - 1877); April 25, 1840; Salted paper print from a photogenic drawing negative; 16.5 × 20.8 cm (6 1, 2 × 8 3, 16 in

Orpheus and Eurydice, Works, Girodet-Trioson, Anne-Louis, 1767-1824, Gérard, François-Pascal-Simon, 1770-1837, Virgil, Engraving, 1798, Plate facing p., 121. After drawing by Anne-Louis Girodet or François-Pascal-Simon Gérard

Kangxi dengtu, China, Ink and watercolor drawing, late 17th century or early 18th century

Head of the Didymaean or androgynous Apollo, Society of Dilettanti drawings, prints, and letters, 1806-1880, Pencil on paper, between 1809 and 1935, Drawing for the publication Specimens of antient sculpture, issued by the Society of

St. John's Church, Froome Selwood, Somerset, Eng., plan and view of exterior, The Quarry: autobiography, ca. 1873-1881, Giles, Charles Edmund, 1822-1881, Ink and paper, between 1873 and 1881, According to text on drawing, the probable

Figure of Apollo with lyre, Society of Dilettanti drawings, prints, and letters, 1806-1880, Howard, Wash on paper, between 1809 and 1935, Drawing for the publication Specimens of antient sculpture, issued by the Society of Dilettanti between

Saw pit near Dubwick. From a drawing by David Cox; about 1865; Albumen silver print

Bateau de l'Arno a Florence, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil on paper, 1797-1799, Title from caption in ink under drawing. The drawings in this album are pasted in and numbered

Bolton Abbey. From a drawing by David Cox; about 1865; Albumen silver print

Initial H: Moses Striking Water from the Rock and Israelites Drawing Water; Bologna, Italy; about 1250 - 1262; Tempera and gold leaf on parchment; Leaf: 26.8 x 19.7 cm (10 9, 16 x 7 3, 4 in

Head, Constant Moyaux letters and papers, 1852-1886, Lettres de Constant Moyaux, Moyaux, Constant, 1835?-1900?, Watercolor on blue paper, ca. 1861, Drawing bound with correspondence related to Moyaux's Prix de Rome, 1861

Vuë latérale du Temple de Métaponte, dans la Grande Grêce, Vuë de la petite Ville de Bernaldo, près des Ruines de Métaponte, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794,

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf: ou, Catalogue raisonne et figure de ses tableaux ... La Galerie Électorale de Düsseldorf: ou, Catalogue raisonne et figure de ses tableaux, Pigage, Nicolas

Leaves of Jasmine; William Henry Fox Talbot (English, 1800 - 1877); probably 1840–1842; Photogenic drawing negative; 18.9 × 11.4 cm (7 7, 16 × 4 1, 2 in

Two drawings: Lac d'Albano and Landscape with buildings, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil, ink and wash on paper, 1797-1799, The top drawing is captioned. The drawings in this album are pasted in and numbered

Diogenes without Sun, 17' Exposure; William Henry Fox Talbot (English, 1800 - 1877); October 6, 1840; Salted paper print from a photogenic drawing negative; 11.9 × 11 cm (4 11, 16 × 4 5, 16 in

St. John's Church (Froome Selwood, Somerset, Eng.): plan, The Quarry: autobiography, ca. 1873-1881, Giles, Charles Edmund, 1822-1881, Ink and wash on paper, 1843, Plan of church showing some of the ground plan. Drawing dated 1843. Drawing

Feather; about 1850; Photogenic drawing; 14.4 x 9.8 cm (5 11, 16 x 3 7, 8 in

Drawing of Male Nude Figure Studies by Raphael; Roger Fenton (English, 1819 - 1869); London, England; 1858; Salted paper print; 21.4 × 16.5 cm (8 7, 16 × 6 1, 2 in

Warwick Castle The Red Drawing Room; Francis Bedford (English, 1815, 1816 - 1894); about 1865; Albumen silver print

Photographic Copy of a Drawing of an Execution by Charles Wirgman; Felice Beato (English, born Italy, 1832 - 1909); Yokohama, Japan; December 1864; Albumen silver print

Warwick Castle, the Cedar Drawing Room, No. 1; Francis Bedford (English, 1815, 1816 - 1894); Chester, England; about 1860 - 1870; Albumen silver print

Wall in Melon Ground, Lacock Abbey; William Henry Fox Talbot (English, 1800 - 1877); May 2, 1840; Salted paper print from a photogenic drawing negative; 17 × 21.4 cm (6 11, 16 × 8 7, 16 in

Compositional drawing for Entrance to the Jardin Turc; Louis-Léopold Boilly (French, 1761 - 1845); France; about 1810 - 1812; Brown ink and graphite; 27.9 x 38.1 cm (11 x 15 in

Lac d'Albano, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil, ink and wash on paper, 1797-1799, Title from caption in ink under the drawing. The drawings in this album are pasted in and numbered

Lacock Abbey; William Henry Fox Talbot (English, 1800 - 1877); 1835–1839; Photogenic drawing negative; 7.5 × 9.4 cm (2 15, 16 × 3 11, 16 in

Drawing for an Inkstand; Attributed to Robert-Joseph Auguste (French, 1723 - 1805, master by royal order 1757); Paris, France; about 1780; Black ink with watercolor washes in blue, yellow, and crimson; 44 x 38.9 cm (17 5, 16 x 15 5, 16 in

Arrangement of Botanical Specimens; William Henry Fox Talbot (English, 1800 - 1877); 1839; Photogenic drawing negative; 22.4 × 18.4 cm (8 13, 16 × 7 1, 4 in

Breakfast Table; William Henry Fox Talbot (English, 1800 - 1877); 1839; Photogenic drawing negative, iodide fixed; 13.3 × 20.2 cm (5 1, 4 × 7 15, 16 in

Six seals or coins, Society of Dilettanti drawings, prints, and letters, 1806-1880, Wash on paper, between 1809 and 1835, Drawing for the publication Specimens of antient sculpture, issued by the Society of Dilettanti between 1809 and 1835.

Valley of the Saltina near Brieg at Entrance of the Simplon; Sir John Frederick William Herschel (British, 1792 - 1871); 1821; Graphite drawing made with the aid of a camera lucida; 19.7 x 29.7 cm (7 3, 4 x 11 11, 16 in

Bust of Venus; William Henry Fox Talbot (English, 1800 - 1877); November 26, 1840; Salted paper print from a Calotype negative or photogenic drawing negative; 10 x 7.5 cm (3 15, 16 x 2 15, 16 in

Branch with Leaves; British, active India about 1843; India; 1843 - 1845; Photogenic drawing; 19.1 x 11.3 cm (7 1, 2 x 4 7, 16 in

Botanical Specimen; William Henry Fox Talbot (English, 1800 - 1877); 1840; Direct positive photogenic drawing; 17.8 × 11.1 cm (7 × 4 3, 8 in

Drawing of an Angel Playing a Viol by Pietro Vannucci, Called Perugino; Roger Fenton (English, 1819 - 1869); London, England; 1857; Salted paper print; 27.2 × 17.5 cm (10 11, 16 × 6 7, 8 in

Bust of Venus; Sir David Brewster (Scottish, 1781 - 1868); 1840–1845; Salted paper print from a paper negative or photogenic drawing negative; 9.4 × 6.4 cm (3 11, 16 × 2 1, 2 in

Wall in Melon Ground, Lacock Abbey; William Henry Fox Talbot (English, 1800 - 1877); May 2, 1840; Photogenic drawing negative; 17.3 × 21.3 cm (6 13, 16 × 8 3, 8 in

Two headless lions from the gateway of Mycenae and three gems depicting animals, Society of Dilettanti drawings, prints, and letters, 1806-1880, Wash on paper, between 1809 and 1835, Drawing for the publication Specimens of antient sculpture,

Optical illusion of a drawing of a couple on a see-saw; 1850s; Color lithograph

No. 89: Vue d'un Caveau decouvert a Pompeia pres du Vesuve, Chamfort, Sebastien-Roch-Nicholas, 1740?-1794, Fragonard, Jean-Honore, 1723-1806, Imprimerie de Clousier, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786,

Head of Mercury, side view, Society of Dilettanti drawings, prints, and letters, 1806-1880, Pencil on paper, between 1809 and 1835, Drawing for the publication Specimens of antient sculpture, issued by the Society of Dilettanti between 1809

Vale. Crucis Abbey. From a drawing by David Cox; about 1865; Albumen silver print

TheAccademia Clementina, Bologna, with a Nude Being Positioned by the Drawing Master, theFarnese Herculesbeyond; Giampietro Zanotti (Italian, 1674 - 1765); Italy; 1739; Pen and brown ink over black chalk; the outlines indented for transfer; 10.3

Villa d'Este a Tivoli, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil, ink and wash on paper, 1797-1799, Title from caption in ink under drawing. The drawings in this album are pasted in and numbered

Copy of an engraving; William Henry Fox Talbot (English, 1800 - 1877); 1839; Photogenic drawing negative; 16 × 11.7 cm (6 5, 16 × 4 5, 8 in

Marquis of Lansdown Herakles, Society of Dilettanti drawings, prints, and letters, Agar, John Samuel, ca. 1770-ca. 1835, Ink and wash drawing, between 1806 and 1835, Annotations: Ancient Sculpture marble statue of Hercules plate 40.

Etruscan head, side view, Society of Dilettanti drawings, prints, and letters, 1806-1880, Pencil on paper, between 1809 and 1835, Drawing for the publication Specimens of antient sculpture, issued by the Society of Dilettanti between 1809

The Invention of Drawing (recto); Sketch of Lower Leg Bones of Human Skeleton (verso); Joseph-Benoît Suvée (Belgian, 1743 - 1807); Belgium; about 1791; Black and white chalk on brown paper (recto); graphite (verso); 54.6 x 35.6 cm (21 1, 2 x 14

Table Top with Tableware; William Henry Fox Talbot (English, 1800 - 1877); possibly June 1840; Salted paper print from a photogenic drawing negative; 9.4 x 8.6 cm (3 11, 16 x 3 3, 8 in

Porte du peuple Villa Medici, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil, ink and wash on paper, 1797-1799, Title from caption on drawing. The drawings inthis album are pasted in and numbered

Warwick Castle - Green and Gold Drawing Room; Francis Bedford (English, 1815, 1816 - 1894); 1860s; Albumen silver print

The South Drawing Room, Catalogue of pictures, Hursley Park, 1846-1886

Drawing of a Baby and Two Adult Hands by Philippe de Campaigne; Roger Fenton (English, 1819 - 1869); London, England; 1858; Salted paper print; 18.8 × 29.1 cm (7 3, 8 × 11 7, 16 in

Drawing Room, Bransepeth Castle. Lord Boyne; Thomas Heaviside (British, active Durham, England 1860s); October 5, 1865; Albumen silver print

Maltese Vase; William Henry Fox Talbot (English, 1800 - 1877); 1840; Salted paper print from a photogenic drawing negative; 13.9 × 9.2 cm (5 1, 2 × 3 5, 8 in

Photographic Copy of a Drawing of an Execution by Charles Wirgman; Felice Beato (English, born Italy, 1832 - 1909); Japan; after November 1864; Albumen silver print

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