Images at Librifly

search results: Drawing clear search

Botanical Specimen (Erica mutabolis); William Henry Fox Talbot (English, 1800 - 1877); England; March 1839; Photogenic drawing negative, salt fixed; 14 × 6.8 cm (5 1, 2 × 2 11, 16 in

Restoration of the Platform of Venus with Chachmool, Chichén Itzá, Augustus and Alice Dixon Le Plongeon papers, circa 1841-1937, bulk 1860-1910, Le Plongeon, Augustus, 1826-1908, Matte collodion, after 1876, Composite photograph after a

A Fragment of Lace with Three Sprigs of Moss; William Henry Fox Talbot (English, 1800 - 1877); 1839; Photogenic drawing negative; 15.9 × 16.5 cm (6 1, 4 × 6 1, 2 in

Drawing of a Man's Head in Profile by Agnolo Gaddi; Roger Fenton (English, 1819 - 1869); London, England; 1857; Salted paper print; 7.8 × 13.9 cm (3 1, 16 × 5 1, 2 in

Roma, Views of the city of Rome, 1620-1860: a print collection., Silvestre, Israel, 1642, Large panorama after a drawing by L. de Lincler

Drawing Men In Felix, print maker: Nicolaas van der Waay, (mentioned on object), 1865 - 1936, paper, etching, drypoint, h 228 mm × w 173 mm

and reverse of medal of the academy of drawing in Amsterdam, Harmanus Vinkeles, after Jacobus Buys, 1765 - 1800, Drawing, depicted as woman with flame on head, sitting with pen and drawing board in hands on stone facing a statue, which she

Stadstekenacademie te Amsterdam, 1764-1767, Reinier Vinkeles (I), 1768, The Stadstekenacademie (City Drawing Academy) above the Corps de Garde in the Leidsepoort in Amsterdam in the year 1764. The drawing academy moved to the town hall on Dam

Portrait of a man, unknown, 1809 - 1912, draughtsman: unknown, 1809 - 1912, paper, drawing, h 460 mm - w 370 mm

Boy with a drawing board, Wallerant Vaillant, 1658 - 1677, A boy holding a drawing board in front of him, on which is a piece of paper. In his left hand he holds an object and with the other hand he points to something on the sheet., print

Romulus draws a line with plow around the Palatine, Bartolomeo Pinelli, 1818, Romulus is standing on a plow pulled by two oxen. They are drawing a line around the Palatine with the plow. On this line the city wall of Rome will be built. Soldiers

The painting with the glorification of Cornelis de Witt, with in the background the Trip to Chatham (June 1667). On the left a horn of plenty with symbols of the prosperity and wealth of the country. In the sky Fame with trumpets and putti with a

View of a landscape with a ruin located on a stream In the water is a tree-lined island, where a man sits drawing, Ruin in a landscape, print maker: Hermanus Jan Hendrik van Rijkelijkhuysen, Utrecht, 1823 - 1883, paper, etching, h 120 mm × w

View of the Sint-Lievensmonstertoren and church in Zierikzee. In the sky, between the clouds, an allegorical female figure with a flame on her hand and a crucifix, flanked by two angels, with a drawing of a tower and a book. Marked on the top

Allegory of the History of the French Monarchy, Bernard Picart, 1724, History writes in her book about the true history of the French monarchy. She tramples on the allegorical figures of Mooiprattery and Satire, which lie at her feet. Next to her

A peasant woman, the right arm raised in a pointing gesture, seen on the right side, pictured twice: on the right as a line figure, on the left more elaborate with shadows. In the background two figures and three cows. This print is part of a

Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Ground plan for a fortress, fortress or fortification (hexagon). Below, five soldiers around a sixth who is writing something down or drawing something

A Muse or the personification of painting sits in front of an empty tablet. The tablet is surrounded by three putti, Title print with the personification of painting Ciprianis principles of drawing (series title) Ciprianis rudiments of drawing

Design drawing for a fortified fortification wall, Hendrick baron van Ruse van Rysensteen, 1654, print maker: Hendrick baron van Ruse van Rysensteen, publisher: Johannes Willemszoon Blaeu, Amsterdam, 1654, paper, etching, engraving, h 244

Portrait of a shrimp seller. Drawing of a face on verso, Shrimp seller Shrimps!, print maker: Francesco Bartolozzi, (mentioned on object), after: William Hogarth, (mentioned on object), publisher: Jane Hogarth & R. Livesay, (mentioned on

Portrait to the left of the painter Cornelis Troost. The painting with his portrait stands on a painter's easel on a platform and is surrounded by the attributes of painting and engraving. Under the easel are palette and brushes, a sculpted head,

Map of the Schermer polder after completion of the embankment and drawing of lots on 25 October 1635. Top left a coat of arms with a guardian angel: Scher-meers Protector (possibly the then coat of arms of the polder). Top right the title cartouche.

Lottery at The Hague, ca. 1750, anonymous, 1740 - 1760, Drawing the lots during a lottery, ca. 1750. On a stage, two children draw the lottery tickets from wheels in the lottery hall at the Court in The Hague., print maker: anonymous,

Stadstekenacademie te Amsterdam, 1764-1767, Reinier Vinkeles (I), 1768, The Stadstekenacademie (City Drawing Academy) above the Corps de Garde in the Leidsepoort in Amsterdam in the year 1764. The drawing academy moved to the town hall on Dam

Portrait of Geertruida van Veen, Lucas Vorsterman (I), after Gertruida van Veen, 1624, Portrait of theAntwerp painter Geertruida van Veen (daughter of Otto van Veen) at age 22. Bust to right, in oval, dressed in elegant gown with large flat

The boulders lie in a pit surrounded by trees. A draughtsman, seen from behind, is drawing with a sketchbook in front of him. The other is standing with a sketchbook under his arm next to the mountain of stones, Draughtsmen at archaeological

Bust of the artist François Joseph Pfeiffer (II) leaning on the back of a chair and next to him an image of a sitting, drawing boy, Portrait of François Joseph Pfeiffer and a drawing boy, print maker: Jacob Ernst Marcus, intermediary

Self-portrait of the artist Pieter Christoffel Wonder. Wearing a top hat and drawing at a table, Self-portrait of Pieter Christopher Wonder., print maker: Pieter Christoffel Wonder, (mentioned on object), Utrecht, 1802 - 1816, paper, etching,

Jan van der Straet (also known by his Latinized name Johannes Stradanus), in oval with figural frame.The frame incorporates the personifications of Painting, Drawing and Architecture with their various attributes. Below the frame a catouche with

Leaf with two half faces on top of each other. Above the face of a classic sculpture by Isis. Beneath the face of a classic sculpture by Antinous. Print from a book for drawing education. Top right a reference to cahier V, no. III., Two faces of

Portrait of Jacob van der Does, Wallerant Vaillant, 1658 - 1706, The painter, draughtsman and printmaker Jacob van der Does with a drawing pen in hand., print maker: Wallerant Vaillant, (mentioned on object), publisher: Frederik de Wit,

Portrait of a girl with a headscarf. Copy after a performance from Abraham Bloemaert's drawing book, in the edition of Nicolaas Visscher. Numbered 67., Girl's head with headscarf, Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert,

Design drawing of a new stone construction for the sea dike east of Muiden. With cross-section of the dike and the land behind the dike, provided with captions. At the bottom in the middle a scale stick: Cutlery of 4 rods Rhynlanse size. The

Standing woman, bent slightly forward. Behind her two more sitting figures, begging woman The drawing book of Abraham Bloemaert (series title), print maker: Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, , c. 1650 - c. 1656,

View of a landscape with a ruin located on a stream In the water is a wooded island, where a man sits drawing, Ruin in a Landscape, print maker: Hermanus Jan Hendrik van Rijkelijkhuysen, Utrecht, 1823 - 1883, paper, etching, drypoint, h 120

Portrait of artist and bookseller Isaac Vincentsz. van der Vinne in his study while he is drawing, Portrait of Isaac Vincentsz. van der Vinne, print maker: Cornelis van Noorde, (mentioned on object), intermediary draughtsman: Tako Hajo Jelgersma,

Jan Swammerdam in his study, Johann Peter Berghaus, after Jan Stolker, after Rembrandt van Rijn, 1820 - 1870, The person portrayed is seated at a table with a book, papers and writing utensils on it. On the wall hangs an anatomical drawing of

The Old Town Hall of Amsterdam, 1641, Anthonie van den Bos, after Pieter Jansz Saenredam, 1778 - 1838, The Old Town Hall of Amsterdam, after the drawing of 20 June 1641. On the stones of the threshold an inscription about the burning down of

Woman drawing in a window, Johannes de Mare, after Adriaen van der Werff, 1825 - 1827, A woman in a window with drawing tools in front of her, drawing towards the Capitoline Venus in front of her in the windowsill. Behind her a man with a

Self-Portrait of Johannes Lutma, drawing, print maker: Johannes Lutma (1624-1689), Amsterdam, 1643 - 1689, paper, etching, h 159 mm × w 133 mm

Horse's head and drawing in diagram according to proportion doctrine, Hans Sebald Beham, 1510 - 1550, Horse's head modelled on a line drawing of a horse's head in diagram, probably according to the proportion doctrine of Albrecht Dürer. Beham

Sheet with 2 shows. On the left children playing the game blind, on the right children looking at folders with drawings. Beneath each picture a six-line verse. Numbered below: No. 97., Blind Man and School of Drawing, print maker: Hendrik Numan,

Drawing men, print maker: Nicolaas van der Waay, (mentioned on object), 1865 - 1936, paper, etching, drypoint, h 228 mm × w 173 mm

Portrait to the left of the sculptor Albert Jansz. Vinckenbrinck at the age of 43, at a table, with his left hand on a sculpted head. In front of him a drawing showing a compass and two chisels. Below the portrait two lines in Dutch, Portrait of

Self-portrait of the printmaker Joannis Jacobus Bijlaert (1734-1809), depicted as a drawing attached with a nail to a painter's easel, in the foreground a painter's palette, Portrait of J.J. Bylaert, print maker: Joannis Jacobus Bijlaert,

Drawing children at dusk, Albert Besnard, 1859 - 1934, print maker: Albert Besnard, (signed by artist), France, 1859 - 1934, paper, etching, drypoint, h 265 mm × w 208 mm

His portrait is set in an oval frame, surrounded by the female personifications of Painting (left), Drawing (above) and Architecture (right). In the corners emblems a motto in Latin, amidst decorations. On either side of the portrait five words in

A group of scientists, representing the five faculties of Leiden University, stand and sit together around a table. They are busy with their ideas and writings. In front of the table is a device to generate electricity. One scientist is looking

Portrait of Anna Maria van Schurman, standing in front of the drapery next to the Dom tower in Utrecht in an oval frame. Around the oval attributes such as a globe, lute and drawing and painting materials. An empty leaf underneath the frame, meant

Interior of a print studio, Jan Chalon, 1748 - 1795, A working studio, possibly of the printmaker himself. In the foreground left, a man is making a print. Someone is looking over his shoulder. In the background in the middle of the print a

Portrait of the printmaker and draughtsman Cornelis Ploos van Amstel, sitting at a table with a carved bust on top. His hand points to a drawing, Portrait of Cornelis Ploos van Amstel., print maker: Reinier Vinkeles (I), (mentioned on object),

In a landscape there is a stone building with a tower. Behind it a lower building and trees. On the roof of the tower is a small flag, A farmhouse town First stone drawing by F. Börger Jr., print maker: Frederik Böger (1852-1874), (mentioned on

Drawing men, print maker: Nicolaas van der Waay, (mentioned on object), 1865 - 1936, paper, etching, drypoint, h 228 mm × w 173 mm

The Old Town Hall of Amsterdam, 1641, Anthonie van den Bos, after Pieter Jansz Saenredam, 1778 - 1838, The Old Town Hall of Amsterdam, after the drawing of 20 June 1641. On the stones of the threshold an inscription about the burning down of

Portrait to the left of the painter Cornelis Troost. The painting with his portrait stands on a painter's easel on a platform and is surrounded by the attributes of painting and engraving. Under the easel are palette and brushes, a sculpted head,

Capital letter H and vignette with two figures in a garden, Antoon Derkinderen, 1896, The capital letter is surrounded by a square frame. The remaining shapes are filled in with plant motifs. Above the capital letter a seated and standing figure

Portrait of Hadriaan Beverland Drawing a Statue of Venus, print maker: Isaac Beckett, (mentioned on object), intermediary draughtsman: Simon Dubois, (mentioned on object), publisher: John Smith (prentmaker/ uitgever), (mentioned on object),

On the left under a tree sits a poet with a book in one hand and a pen in the other. He is looking at a drawing, which is shown to him by the muse on stage. At his feet lie on the ground a palette, brushes and a painting stick. In the background on

Twice the same soldier with large plumed hat and raised arm, seen from behind, Jacques Callot, 1621 - 1624, A soldier wearing a long coat and a plumed hat on the head, right arm raised, left hand in side, seen from behind, depicted twice: on

Title print with above a drawing by Guercino from the collection of conservator and merchant Bartolomeo Cavaceppi. In the centre a painter's palette with brushes and a painting stick, books and a sheet with studies of eyes. Numbered top right: 2.,

Self-portrait with pen and drawing, print maker: Cornelis van den Berg, , Haarlem, 1764, paper, etching, h 145 mm × w 105 mm

Allegory of architecture, Joseph Mulder, after Dirck Bosboom, 1729, On an elevation are gathered personifications of architecture. On the left a standing woman holding a column, in the center a seated woman with compass, showing the drawing of

Title print for the print series of the inauguration of Stadholder William V and Princess Wilhelmina of Prussia in Amsterdam, 30 May - 4 June 1768. Allegorical depiction with in front of a monument the Art of Drawing inspired by Honour with on the

Drawing Room in Felix Meritis, 1789, Reinier Vinkeles (I), after Pieter Barbiers (I), after Jacques Kuyper, 1801, Drawing class in the Drawing Room in the building of the society Felix Meritis in Amsterdam, inaugurated in 1789. Artists drawing

The city drawing academy (Teeken-Academie) above the Corps de Garde in the Leidsepoort in Amsterdam in the year 1764. The drawing academy moved to the town hall on Dam Square on December 4, 1767. A group of male drawing students in a rather dark

Portrait of Willem Opperdoes, at the age of 100. Opperdoes survived the explosion of his ship in 1704. This event is depicted on a drawing on the left-hand side of the wall. To the right on the wall hangs a painting of the Weighhouse in Haarlem,

Membership card of the Society of Drawing 'Art Be Our Purpose' by J. D'Ancona. On a rectangular stone sits an allegorical female figure with a drawing board, flanked by two putti with various drawing, painting and engraving attributes, Pictura

Ecce Homo, The martyred Christ, with crown of thorns on his head and 'scepter' in hand, stands on a platform in front of a triumphal arch and is shown to the people. A soldier holds up his cloak. Pilate stands beside him and makes an inquiring

Coat of arms of King Louis XIV of France and the letter J with Pan in the background, Two representations on a leaf. Above: The coat of arms of Louis XIV, King of France, with the order sign of the Order of the Holy Spirit in the middle below, is

David returns to Jerusalem in triumph, Raphael Bible (series title), Paintings in Raphael's Loggia (series title), Imagines Veteris ac Novi Testamenti (series title), King David and his soldiers return to Jerusalem in triumph. David stands on a

Death of Magdalene, print maker: François Tortebat, (mentioned on object), after painting by: Simon Vouet, (mentioned on object), after drawing by: François Tortebat, (mentioned on object), print maker: Paris, after painting by: France,

Monk with Letters of Indulgence, Abuses of the Catholic Clergy (series title), L'Abregé du Faux Clerge Romain (series title), Monk holding a stand from which letters of indulgence are hanging. Letters of indulgence also in his right hand. The

Obelisk at Rome, Obelisco detto la Guglia di S. Mauto (title on object), Modern and ancient monuments and structures in Rome (series title), Ornamenti di fabriche antichi et moderni dell' alma citta di Roma (series title), Egyptian obelisk in a

Newspaper Readers at Bath, Genre Scenes from Different Parts of England and Wales (series title), Eccentric Excursions or Literary & Pictorial Sketches of Countenance, Character and Country (series title), Group of five men discussing news from

Scholars in the interpretation of Paul's letter to Titus, Explanation of the letter to Titus (title on object), Title page for: G. Oudhof, De brief van den apostel Paulus geschreeven aan Titus verklaard, 1704, In the foreground two men are

Band design for: Thérèse Hoven, In sarong and kabaai, 1892-1894, In a circle rendered view of four houses in a landscape in the Dutch East Indies. Around the circle palm trees and an unfolded draped sarong., maker: anonymous, after drawing by:

Academic study of a male nude balancing on one leg, Six academic studies (series title), Six figures academiques (series title), print maker: Carle van Loo, after drawing by: Carle van Loo, publisher: Nicolas de Beauvais, print maker: France,

Portrait of Philip H. Andre, the first stone printer in England, Mr. Philip H. Andre the first polyautographic printer, in England a.d. 1801. (title on object), print maker: James Basire (II), (mentioned on object), after drawing by: John

Lamentation of Christ (Pieta), The body of Christ lies on a shroud. On the left is the mourning Mary with folded hands. In the distance the three crosses. This print is part of an album., print maker: Nikolaas van Hoy, (mentioned on object),

Portrait of Justus Sustermans, Icones Principum Vivorum Doctorum Pictorum Chalcographorum Statuariorum nec non Amatorum Pictoriae Artis Numero Centum ab Antonio van Dyck Pictore ad Vivum Expressae Eiusq: Sumptibus aeri incisae (series title),

View of Bridge Street Row in Chester, Bridge Street Row, Chester (title on object), View of a covered gallery with a book stall in front opposite the store of John Thompson's printing house., print maker: George Hawkins (II), (mentioned on

Young woman looking at a print or drawing, Indiscrétion (title on object), On the ground next to her is a portfolio, behind her an easel., print maker: Alfred François Lemoine, (mentioned on object), after painting by: Charles Chaplin,

Fat Monk in Hellfire, Abuses of the Catholic Clergy (series title), L'Abregé du Faux Clerge Romain (series title), A fat monk, seen from the front, standing in a wreath of fire. Around his neck hang a glass, bottle, pipe and other attributes

Portrait of Carle van Loo, Carlo Vanloo. (title on object), print maker: Jean Daullé, (mentioned on object), after drawing by: Charles Nicolas Cochin (II), (mentioned on object), France, 1754, paper, engraving, height 188 mm × width 130

Monk with money chest on his lap, Abuses of the Catholic Clergy (series title), L'Abregé du Faux Clerge Romain (series title), A monk, sitting on a bench. He has a money box on his lap and is removing a necklace from it. The print is part of a

Veuve en petit Deuil (title on object), Widow in light mourning, Lady to right, dressed in black over garment with black veil over head. Fan in right hand., print maker: Nicolas Bonnart, (mentioned on object), after drawing by: Nicolas Bonnart,

Death of Louis XVI, 1793, Journée du 21 Janvier 1793. la mort de Louis Capet sur la Place de la Révolution (title on object), King Louis XVI beheaded with the guillotine in the Place de la Revolution, 21 January 1793. Numbered top right: No.

Man to the right, dressed according to the fashion of ca. 1630, Man with hat on and sword along side, standing to the right, in front of a landscape with horsemen in the background. Next to him a seated dog., print maker: Salomon Savery, after

Different views of an altar, Raccolta di dissegni originali di Mauro Tesi (series title), Print is part of an album., print maker: anonymous, after drawing by: Mauro Antonio Tesi, (mentioned on object), publisher: Lodovico Inig, Bologna,

Three wells, one is semicircular, Water wells (series title), A semicircular well, a well with two basins in front of it and a triangular well. On the edges of the wells are Corinthian columns supporting a canopy with putti. No. 20 from series of

View of the Cathedral of Frankfurt am Main, Ecclesia metropolitana Sancti Bartholomaei et turris (...) / Prospect der St. Bartholomaei Stiffts-Kirchen und Thürns (...) (title on object), View of the Cathedral of Frankfurt am Main. Numbered top

Smell, Odorare (title on object), Sense of Smell. Print numbered 3 in an out booklet of drawing examples around personifications about the five senses., print maker: Giuseppe Maria Mitelli, (mentioned on object), after design by: Agostino

Two men in a library, One man pushes the other toward an open door. Illustration of the story 'l'Homme aux 40 écus' by Voltaire., print maker: Jean Baptiste Blaise Simonet, (mentioned on object), after drawing by: Jean Michel Moreau, (mentioned

Water well with bucket on rope, Puits de jardinier (title on object), Small drawing examples, first script (series title), Irish. cahier petites etudes (series title), This print is part of an album., print maker: Jacques Marchand, (mentioned

Gallerie des Modes et Costumes Français 1787, TTT.388: La belle Sophie attendant..., Woman, seated on a chair, to the right, dressed in a blue 'robe à l'anglaise'. Blue hat decorated with large feathers. Folded fan in hand. Print from series

Itinerant print seller, Przedaiacy obrazy / Marchand d'images (title on object), Polish costumes (series title), Collection de costumes polonais / Zbior rozmaitych stroiow polskich (series title), In a square in a village, a man stands holding

Masked ball at Jewish Purim feast, Masked ball, on occasion of Jewish Purim feast (title on object), View into a rich interior where Purim feast is celebrated. Several dancing couples in costumes and adorned with masks. In the foreground, two

Portrait of Marguerite LeComte, Portrait en profil of Watelet's pupil and mistress, the printmaker Marguerite LeComte., print maker: Claude Henri Watelet, (mentioned on object), after drawing by: Charles Nicolas Cochin (II), (mentioned on

Self-portrait, Francesco Hayez drawing in a chair and adorned with painter's beret., print maker: Francesco Hayez, (mentioned on object), after painting by: Francesco Hayez, printer: Vassalli, (mentioned on object), Milaan, c. 1831, paper,

Landscape with a clay pit, Glaisiere (title on object), Small drawing examples, first script, Irish. cahier petites etudes (series title), This print is part of an album., print maker: Jacques Marchand, (mentioned on object), publisher:

search results: Drawing clear search