Images at Librifly

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Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso), ca. 1540, Red chalk on beige paper (recto); pen and brown ink (verso), 9 5/8 x 10 7/16in. (24.5 x 26.5cm), Drawings, Pirro Ligorio (Italian, Naples ca.

Drawing of an Interior: Salle à manger, 1857, Graphite, pen and blue and red ink, watercolor, sheet: 8 x 10 11/16 in. (20.3 x 27.2 cm), Drawings, Anonymous, French, 19th century

Kneeling Bearded Old Man (recto); Section of a Draped Limb and Sketches (verso), 1500–1571, Red chalk, pen and brown ink with brush and brown and red wash, highlighted with a little white (recto); pen sketch of a seated, bearded man, and a

Angel Holding a Banderole, 1706, Brush and pink and white tempera, over red chalk, on brownish paper (recto). Red chalk tracing of the angel done from the recto (verso)., 6 7/8 x 7 13/16in. (17.4 x 19.9cm), Drawings, Antonio Franchi (Il

Architectural Study (recto); Separate Sheet with Architectural Drawing (verso), 1676–1736, Pen and brown ink, brush and brown wash, over graphite, sheet: 8 1/4 x 7 in. (21 x 17.8 cm), Drawings, Filippo Juvarra (Italian, Messina 1678–1736

Study of Drapery, 1818, Black chalk, heightened with white, squared in black chalk, on beige paper, 8 1/2 x 6 9/16 in. (21.6 x 16.7 cm), Drawings, Jean-Baptiste Joseph Wicar (French, Lille 1762–1834 Rome), Through careful shading, subtle

Bust of a Woman with an Elaborate Coiffure, ca. 1530, Black chalk; some contours reinforced in pen and brown ink, and background tinted in brown wash (by another hand), 9 5/16 x 6 15/16 in. (23.6 x 17.7 cm), Drawings, Rosso Fiorentino (Italian,

The Adoration of the Magi, 1500–1571, Pen and brown ink, brush and brown wash, over traces of black chalk, with some traces of white gouache highlights (oxidized); the kneeling male figure at center reworked by the artist with pen and darker

Drawing of Cartouche with Bearded Man Left, Young man crowned with Laurels Right, and Four Putti, 1498–1561, Pen and brown ink, 8 1/8 x 6 1/8in. (20.6 x 15.6cm), Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Male Actor in Ballet Costume, n.d., Pen and black ink over chalk, 16 7/8 x 12 1/16 in. (42.8 x 30.7 cm), Drawings, After (?) Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Drawing with a design for a male ballet costume, consisting of

Study for the Allegory of San Gimignano and Colle Val d'Elsa, 1563, Pen and brown ink, highlighted with white gouache, traces of squaring in black chalk (on top of drawing surface), over traces of black chalk on blue paper, 8 7/16 x 8 7/16 in.

Anatomical drawing, 18th century, Pen and ink, brush and gray wash on blue paper, sheet: 8 3/8 x 13 5/16 in. (21.2 x 33.8 cm), Drawings, Anonymous, French, 18th century

Group of Nude Male Figures Kneeling and Standing in Supplication, ca. 1598, Pen and brown ink, brush and brown wash. Squared in red chalk, 6-15/16 x 7-13/16 in. (17.6 x 19.8 cm), Drawings, Giovanni Baglione (Italian, Rome 1566–1643 Rome),

Italian Theater, 1821, Lithograph on wove paper; only state, Sheet: 10 1/16 x 7 5/16 in. (25.6 x 18.6 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Like many young painters at work in Paris in the 1820s

Drawing of an Interior: Salle à manger, 1857, Graphite, pen and blue ink, watercolor, sheet: 8 1/8 x 11 in. (20.7 x 28 cm), Drawings, Anonymous, French, 19th century

Apollo Driving the Chariot of the Rising Sun., 1527–85, Pen and brown ink, brush and brown wash, over black chalk; squared in red chalk, 9 9/16 x 14in. (24.3 x 35.5cm), Drawings, Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid), This

Design for a Freestanding Tomb Seen in Elevation and Plan, 1530–35, Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements, on off-white paper now partly darkened,

Drawing for title page 'Le Petit Journal', 19th century, Brush and gray wash over graphite underdrawing, 15 5/16 x 12 3/4 in. (38.9 x 32.4 cm), Drawings, Made by (?) Hubert Clerget (French, Dijon 1818–1899 Saint-Denis

Two Women in Day Dresses: Preparatory drawing for a fashion plate from Le Moniteur de la Mode, October 19, 1886, Watercolor, Sheet: 14 x 10 5/8 in. (35.5 x 27 cm), Drawings, Jules David (French, 1808–1892

Artist Drawing a Portrait of a Man, n.d., Woodcut, sheet: 5 1/4 x 5 7/8 in. (13.3 x 14.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough, January 23, 1806, Hand-colored etching, sheet: 10 1/4 x 15 1/16 in. (26 x 38.3 cm), Prints, James Gillray

Perspective Drawing of an Interior, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm), Anonymous, British, 19th century

Papal Cartouche, ca. 1740–41, Pen and brown ink, brush and brown wash over traces of black chalk, Overall: 10 3/16 x 6 15/16in. (25.9 x 17.6cm), Carl Frederick Adelcrantz (Swedish, 1716–1796), After Francesco Borromini (Italian, Bissone

Anatomical drawing, 18th century, Pen and ink, brush and gray wash on blue paper, sheet: 8 5/16 x 13 3/16 in. (21.1 x 33.5 cm), Drawings, Anonymous, French, 18th century

Studies for a Rest on the Flight into Egypt, 1571–1639, Pen and brown ink, brush and brown wash, over red chalk (the faint sketch of Saint Joseph and the donkey at left background is entirely in red chalk), 9 7/16 x 7 1/4in. (23.9 x 18.4cm),

Galatea on her Chariot drawn by Dolphins, 1652–1725, Pen and brown ink, over preliminary drawing made in black chalk, sheet: 7 3/16 x 5 7/8 in. (18.2 x 15 cm), Attributed to Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence

Saint John the Evangelist (recto; Cartoon for a Fresco); Saint Mark (verso; Cartoon for a Fresco)., 1548–49, (Recto and verso) Charcoal, highlighted with white chalk, on blue paper; outlines heavily stylus-incised on recto, and partly so on

Archangel Drawing a Sword, 1825–86, Watercolor over black chalk, gold paint; framing line in black chalk with reddish-orange watercolor along the top and right edges; two arched lines impressed in paper, lower left, 17 15/16 x 14 5/8 in. (45.5

Drawing of Interior, Façade, and Rear of Church, 18th century, Pen and ink, 14 1/8 x 9 1/8 in. (35.9 x 23.2 cm), Jacques Germain Soufflot (French, Irancy 1713–1780 Paris

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left., 1517, Engraving, Sheet (trimmed to plate): 8 3/4 × 8 15/16 in. (22.2 × 22.7 cm), Prints, Domenico Campagnola (Italian, Venice (?)

The Virgin Immaculate Appearing to Four Saints, 1634–89, Black chalk. Squared in black chalk, 10 3/4 x 8 9/16in. (27.3 x 21.8cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome), The monastic saints kneeling at the right of this

Drawing of an Interior: Bedroom, 1857, Graphite, pen and blue ink, watercolor, sheet: 7 3/8 x 11 5/8 in. (18.7 x 29.5 cm), Drawings, Anonymous, French, 19th century

Two Satyrs in a Landscape, ca. 1505–10, Pen and brown ink, highlighted with white gouache on fine, off-white laid paper, 8-1/2 x 5-15/16 in. (21.6 x 15.1 cm), Drawings, Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576

Drawing of a Sword Hilt, 16th–17th century, Western European, Pen and ink on paper, 10 x 4 1/2 in. (25.4 x 11.4 cm), Works on Paper-Drawings

Drawing after a Lithograph of a Recumbent Lion., n.d., Brush and black and gray wash, graphite and black chalk, Sheet: 7 3/8 x 12 3/8 in. (18.7 x 31.4 cm), Drawings, After Antonio Canova (Italian, Possagno 1757–1822 Venice

Drawing of Two 'Americans' for Ballet de la Douairière de Billebahaut, 1626, Pen and brown ink, watercolor with silver and gold ink, 8 15/16 x 6 7/8 in. (22.7 x 17.5 cm), Drawings, Daniel Rabel (French, Paris 1578–1637 Paris), Drawing

Crowd in Front of the Tuileries Palace During the Wedding of Napoleon to Marie-Louise of Austria, ca. 1810, Pen and gray ink, brush and gray wash, over black chalk, 16 3/8 x 12 1/8 in. (41.6 x 30.8 cm), Drawings, Charles Percier (French,

Ecstatic Christ, ca. 1510–11, Pen and two shades of carbon black ink, traces of black chalk underdrawing, 6 11/16 x 9 7/16 in. (16.9 x 24.0 cm), Drawings, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?)

Saint John the Baptist Baptizing the Multitude, 1554–56, Pen and brown ink, brush and brown wash. , 9 5/16 x 12 11/16in. (23.7 x 32.3cm), Drawings, Pellegrino Tibaldi (Italian, Puria di Valsolda 1527–1596 Milan), The drawing is a study

Design for a Sword Hilt, ca.1550, probably Nuremberg, German, probably Nuremberg, Pen, ink, wash, paper, 8 1/2 x 11 3/8 in. (21.5 x 28.8 cm), Works on Paper-Drawings, Original designs for Renaissance swords are exceptionally rare,

The Medici vase, a large vase to right decorated with a representation of the sacrifice of Iphigenia, on a garden terrace, a teenage boy seated to left with a pen and paper with a drawing of the vase, cyprus trees and an obelisk to left in the

The Golden Age, ca. 1878, Black chalk heightened with white on faded blue paper, 18 7/16 x 12 in. (46.8 x 30.4 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon), Redolent of the eighteenth century in both subject and technique,

Plate 1: two children sitting on the ground, the child on the right drawing while the child on the left holding the album, the title page from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Plate: 3 5/16

The Adoration of the Magi, 1625–30, Pen and brown ink, brush and brown wash, sheet: 9 3/16 x 14 13/16 in. (23.3 x 37.7 cm), Drawings, Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna), While the drawing cannot be

Drawing of an Interior: Chambre à coucher, 1857, Graphite, pen and blue ink, watercolor, sheet: 7 7/8 x 11 3/8 in. (20 x 28.9 cm), Drawings, Anonymous, French, 19th century

Frontispiece to Les Gardes Françaises, 1632, Etching; undescribed first state before letter, Sheet (trimmed): 7 7/16 × 4 1/2 in. (18.9 × 11.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), Drawing in graphite on verso of

Hooded Male Head (from Sketches on The Coast Survey Plate), 1854–55, Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of 'Sketches on the Coast Survey Plate' (Kennedy no. 1) by Whistler and

View of a Coast Line (from Sketches on the Coast Survey Plate), 1854–55, Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of 'Sketches on the Coast Survey Plate' (Kennedy no. 1) by Whistler

Design for a Clock, ca. 1781–85, Pen and black and brown ink, brush and yellow, green, gray, and rose wash, 14 3/8 x 9 5/8 in. (36.5 x 24.5 cm), Anonymous, French, 18th century, This drawing of a small porcelain mantel clock was made for

Drawing for a Chimney-piece, ca. 1850, Pen and brown ink with brush and brown wash over graphite, 8 1/4 x 13 15/16 in. (20.9 x 35.4 cm), Delorme

Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome, 1735–1817, Pen and brown ink, brush and brown, gray, yellow, and rose wash, with a vertical line in leadpoint (in half part of the drawing) through the

Drawing After an Antique Tabouret, 19th century, Pen and ink on laid paper, sheet: 5 3/16 x 5 3/8 in. (13.1 x 13.6 cm), Drawings, Anonymous, French, 19th century

Drawing of an Interior: Atelier, 1857, Graphite, pen and blue ink, watercolor, sheet: 8 x 11 9/16 in. (20.3 x 29.3 cm), Drawings, Anonymous, French, 19th century

Drawing of a Roman Emperor Receiving a Petition, n.d., Pen and brown ink, Drawings, After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42–1609 Ancona

Design for a Room with a Balcony, ca. 1920, Brush and black ink, blue and green crayon and grey and brown gouache over graphite., 13 x 13 13/16 in. (33.0 x 35.1 cm), Attributed to Guido Heigl (German, 1890–1926), Little is known about the

Drawing of an Urn, 18th century, Pen and brown ink, brush and gray wash on wove paper, sheet: 9 3/8 x 6 1/4 in. (23.8 x 15.9 cm), Drawings, Attributed to Anonymous, French, 18th century

Rinaldo and Armida, 1566–1643, Pen and brown ink, brush and brown wash, highlighted with white, on brownish paper, 12-5/16 x 9-1/4 in. (31.2 x 23.5 cm), Drawings, Giovanni Baglione (Italian, Rome 1566–1643 Rome), An old, much damaged,

recto: Drawing after Antique Armor; verso: Drawing of an Architectural Fragment, 19th century, Pen and brown ink on wove paper, sheet: 4 1/8 x 3 1/4 in. (10.4 x 8.2 cm), Drawings, Anonymous, French, 19th century

Study for The Allegory of Spring, 1579, Pen and brown ink, over red chalk and black chalk, brush and brown wash, highlighted with white gouache, sheet: 8 11/16 x 13 3/4 in. (22 x 35 cm), Drawings, Federico Zuccaro (Zuccari) (Italian,

Costume Design, 1836–37, Pen and brown ink, pen and black ink, brush and brown wash, graphite, 9 1/2 x 5 7/8 in. (24.2 x 15 cm), Pierre-Numa Bassaget, called Numa (French, active 1830–54), Drawing with a woman dressed with a

Drawing for a Book Illustration--Cleopatra, 18th century, Pen and black ink, brush and gray wash, red chalk, Sheet: 6 5/16 x 4 1/2 in. (16 x 11.5 cm), Drawings, Anonymous, French, 18th century

Portrait of Simon von Liebenstein (?), ca. 1516, Charcoal (cut out along the contours, laid down twice), 9 x 6 7/8 (22.9 x 17.6 cm), Drawings, Hans Schwarz (German, Augsburg 1492–after 1521 Nuremberg), This sensitive portrait is one of a

The Head of a Grotesque Man in Profile Facing Right, after 1500, Pen and brown ink, on off-white paper (now darkened), (irregular): 3 5/8 × 2 1/8 in. (9.2 × 5.4 cm), Drawings, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise),

Seated Figure of Mercury, 1503–40, Black chalk, 12 x 8 1/8in. (30.5 x 20.6cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), The attribution of this drawing to Parmigianino was first

Study for the Pietà, 1604, Charcoal, highlighted with white gouache, squared in charcoal, on blue paper, 9 5/16 x 5 7/8in. (23.6 x 15cm), Drawings, Giulio Cesare Procaccini (Italian, Bologna 1574–1625 Milan), Nancy Ward Neilson

Preparatory Drawing of a Ceiling for Etching after Boucher Drawing, mid-18th century, Red chalk, 9 3/8 x 11 3/16 in. (23.8 x 28.4 cm), Drawings, Jean Charles François (French, Nancy 1717–1769 Paris), Made after François Boucher (French,

Saint Philip Benizi Converting Two Wicked Women at the City of Todi, 1608–9, Brush and gray wash, highlighted with white gouache, on brownish paper, 9-15/16 x 13-9/16 in. (25.3 x 34.5 cm), Drawings, Bernardino Poccetti (Italian, San Marino

Female Actor in Ballet Costume, n.d., Pen and black ink over chalk, 17 1/4 x 11 7/8 in. (43.8 x 30.2 cm), Drawings, After (?) Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Drawing with a design for a female ballet costume, consisting

Studies for a Costume, 1494–1540, Pen and brown ink, brush and brown wash, 12 7/8 x 8 1/4in. (32.7 x 21cm), Drawings, circle of Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau), Drawing with studies for a costume of classical

Drawing for a Memorial Tablet: Two Winged Children Holding an Empty Oval in a Frame with Gryphons, n.d., Pen and brown ink and wash, Drawings, Follower of Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42–1609 Ancona

The Entombment, ca. 1656–57, Pen and brown ink, 3 7/16 x 6 1/8 in. (8.8 x 15.6 cm.), Drawings, Nicolas Poussin (French, Les Andelys 1594–1665 Rome), The drawing is late and is very probably from a study for The Lamentation in the National

The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, 3 1/16 x 4 3/16in. (7.8 x 10.6cm), Drawings, Giovanni Battista Cipriani (Italian, Siena 1766–1839 Rome

Christ at the Column, ca. 1440–70, Pen with brown and black carbon ink, brush with gray wash, watercolor, and gouache on parchment; inscriptions in brown ink of a different type, sheet: 15 7/8 x 11 15/16 in. (40.3 x 30.4 cm), Drawings,

Bust of a Bearded Figure., 1515–24, Black, red, and ochre chalk on light brown paper (with later, substantive reintegration of the support and drawing surface along the right edges and upper portions of the sheet; detached from canvas support

Drawing of Antique Tripod, 18th century, Graphite, pen and black ink, brush and gray wash, 9 5/8 x 7 5/8 in. (24.5 x 19.4 cm), Drawings, Anonymous, French, 18th century

Drawing of an Interior: Salon, 1857, Pen and blue ink, watercolor, sheet: 8 9/16 x 11 9/16 in. (21.7 x 29.3 cm), Drawings, Anonymous, French, 19th century

Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso), ca. 1522, Red chalk, 5 3/4 x 3 7/16in. (14.6 x 8.7cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Standing Youth Seen from Behind Holding a Bowl (Ganymede?), ca. 1635–45, Red chalk, Sheet: 10 1/2 x 7 1/2 in. (26.7 x 19.1 cm)., Drawings, Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna), Traditionally identified

The Adoration of the Magi, 1709–87, Graphite, drawing in upright rectangle with scalloped top. Framing lines in graphite, 6-1/8 x 3-1/8 in. (15.5 x 8 cm), Drawings, Francesco Zugno (Italian, Venice 1709–1787 Venice

St. John the Baptist Drawing Water from a Spring, ca. 1649, Etching with engraving; third state of four, Plate: 4 3/8 × 3 1/4 in. (11.1 × 8.3 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Nude Male Figure with a Sword, 1878, Black chalk, 19 7/16 x 12 11/16 in. (49.3 x 32.3cm), Drawings, Alexandre Cabanel (French, Montpellier 1823–1889 Paris), The drawing is a study for one of the Muslims in the Captivity of St. Louis in

Design for a Ceiling with Decoration Related to Virgil's Sixth Canto, 1758–1823, Pen and brown ink, brush and yellow, pink, blue and green wash over traces of leadpoint; vertical line in leadpoint through thr center to create the symmetry of

Standing Pregnant Woman (Study for the Pregnant Virgin Mary), 1556–1629, Red chalk, highlighted with white, on blue paper. Squared in black chalk, 11 x 5 9/16in. (28 x 14.1cm), Drawings, Bartolomeo Cesi (Italian, Bologna 1556–1629

Drawing for a Standard with Christ in Glory Flanked by Putti, 16th century, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down., sheet: 10 3/8 x 7 1/4 in. (26.4 x 18.4 cm), Drawings, Anonymous,

Architectural Drawing, n.d., Pen and ink, graphite, and watercolor on laid paper, sheet: 20 13/16 x 12 15/16 in. (52.8 x 32.8 cm), Drawings, Attributed to Nicolas François Barbier (French, 1768–1826

The Holy Family with Two Angels, 1598–1654, Black chalk on off-white laid paper; framing outline in pen and dark brown ink; glued onto a secondary paper support, 10-3/16 x 7-13/16 in. (25.9 x 19.8 cm), Drawings, Alessandro Algardi (Italian,

Studies of Walking Figures, 1712–93, Pen and brown ink, brush and brown wash, on blue paper faded to blue-brown. Another figure in black chalk at lower left of drawing, 6 7/16 x 8 5/8in. (16.3 x 21.9cm), Drawings, Francesco Guardi (Italian,

Head of a Young Woman Looking to Lower Right, 1565, Black, red, and yellow chalk, 9 7/16 x 7 3/8in. (24 x 18.7cm), Drawings, Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino), This exquisite, though fragile and abraded drawing in

Youth with Right Arm Raised in a Shoulder-Length Portrayal (preparatory study for St. Sebastian), ca. 1515, Soft black chalk, or charcoal, on paper now very darkened (to beige color)., 7 3/4 x 5 3/8 in. (19.7 x 13.7 cm), Drawings, Timoteo Viti

The Young David Playing the Harp, ca. 1548–50, Black chalk, brush and gray wash, on blue paper, squared in pen and brown ink, 15-3/16 x 5-9/16 in. (38.6 x 14.1 cm), Drawings, Michelangelo Anselmi (Italian, Siena or Lucca (?) 1492–1556

Life Drawing, mid-18th century, Red chalk, 16 11/16 x 11 5/16 in. (42.4 x 28.8 cm), Drawings, Attributed to Carle (Charles André) Vanloo (French, Nice 1705–1765 Paris

Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises, late 17th–early 18th century, Pen and dark brown ink, over black chalk or graphite, grey-brown wash; verso: counterproof

Drawing of the Head of Michelangelo's Dawn (from the Tomb of Lorenzo de' Medici, Church of San Lorenzo, Florence)., n.d., Red chalk, sheet: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm), Drawings, Anonymous, After Michelangelo Buonarroti (Italian,

Saint Joseph Presented by the Virgin to the Holy Trinity, ca. 1735, Red chalk, pen and brown ink, brush and brown wash, highlighted with white, 10 5/16 x 15 13/16in. (26.2 x 40.2cm), Drawings, Corrado Giaquinto (Italian, Molfetta 1703–1766

Drawing for Book Illustration, 'Cour des femmes à la Conciergerie', late 19th–mid-20th century, 12 5/8 x 9 1/8 in. (32.1 x 23.2 cm), Drawings, Georges-Bertin Scott (French, Paris, 1873–1942

Ornamental drawing, 16th century, Pen and brown ink, Sheet: 23 3/8 × 17 5/16 in. (59.3 × 44 cm), Drawings, Anonymous, French, 16th century

Design for a Chair, 'For Lord Grosvenor's Drawing Room', early 19th century, Ink and gouache, sheet: 7 5/16 x 4 7/16 in. (18.6 x 11.2 cm), Attributed to Gillows (British, 19th century

Padua from the East, with San Francesco and the Salone, 1721–80, Pen and brown ink, over constructed outline drawing in graphite or lead, 7 1/2 x 10 11/16in. (19.1 x 27.1cm), Drawings, Bernardo Bellotto (Italian, Venice 1722–1780 Warsaw

Male Figure Seen from Rear, After a Drawing by Michelangelo, 1508–1600, Pen and brown ink on brown paper, 10 7/8 x 4 3/8 in. (27.6 x 11.1 cm), Drawings, After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), After

Saint Joseph Seen with his Flowering Staff, which is Held by the Christ Child, 1591–1666, Red chalk, sheet: 10 3/16 x 9 1/8 in. (25.9 x 23.2 cm), Drawings, Attributed to Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666

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