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Saint Jerome (recto); Soldier with a Spear (verso), 1460–1525, Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with

Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso), 1557–1602, Red chalk, over possible traces of black chalk (recto); red chalk (verso), Sheet: 13 11/16 x 9 13/16 in. (34.8 x 25 cm), Drawings, Agostino Carracci

Plate 1: the genius of drawing, a child with wings, seated on a rock in center turned towards the right, holding a drawing pad and pen, ruins including a triumphal arch to right in the background, the title page from 'The Principles of Design'

A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome), 1634–35, Black chalk, partly reworked by the artist in pen and brown ink, maximum sheet: 11 1/2 x 10 5/16 in. (29.2 x 26.2

Design of a Perspective for a Stage Set with Courtyard and Triumphal Arch., 1657–1743, Pen and brown ink, brush and green and gray wash, over traces of leadpoint with some traces of white gouache to cancel parts of the drawing, 8-3/4 x

Studies for 'The Conversion of the Jailer before Saint Paul and Silas', 1666, Red, black, and white chalks on buff paper, 11 1/8 x 16 5/8 in. (28.4 x 42.3 cm), Drawings, Nicolas de Plattemontagne (French, Paris 1631–1706 Paris), Nicolas de

Drawing for a Door Frame, 18th century, Pen and gray-green wash, sheet: 6 3/4 x 8 3/16 in. (17.1 x 20.8 cm), Lorenzo Sarti (Italian, Bologna, 18th century

Reclining River God, a Goat's Head, and Studies of Heraldic Emblems (recto); Cavalier Standing on a Globe Supported by a Kneeling Giant (verso), 1612–75, Pen and brown ink (recto). Pen study of knight standing on a globe, supported by a

Draughtsman Making a Perspective Drawing of a Reclining Woman, ca. 1600, Woodcut, sheet: 3 1/16 x 8 7/16 in. (7.7 x 21.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Fireplace, 1633 or after, Pen and brown ink, brush and gray wash, with framing lines in gold paint, 13 7/8 x 9 3/8 in. (35.2 x 23.8 cm), Anonymous, French, 17th century, After Jean Barbet (French, 1605–1654), This drawing

Allegory with a Flying Victory and a Seated Bearded Man with a Book, 1510–61, Pen and brown ink, brush and brown wash, 7 1/2 x 8 1/16in. (19 x 20.5cm), Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice), This drawing seems

The Adoration of the Magi, ca. 1517, Red chalk, highlighted with white gouache, 11-7/16 x 7-3/4 in. (29.1 x 19.7 cm), Drawings, Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio), It is possible Correggio

Putto and Angel Holding a Banderole., 1706, Brush and pink and white tempera, over red chalk, on brownish paper, Sheet: 6 9/16 x 7 3/8 in. (16.7 x 18.7 cm), Drawings, Antonio Franchi (Il Lucchese) (Italian, Villa Basilica near Lucca

Satirical drawing: Artist Painting an Old Lady's Portrait, 1729–1804, Pen and gray ink, brush and gray wash, and gray, brown, red, blue, yellow and green watercolor. Framing lines in pen and brown ink, 10 7/8 x 15 7/16in. (27.7 x 39.2cm),

Time Holding a Nude Woman, a Putto at Right, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk (recto); contours of drawing traced in black chalk by a later hand (verso), 8 3/4 x 7 13/16in. (22.2

Half-figure of a Young Woman, 1918, Graphite., 22 3/8 x 14 11/16 in. (56.9 x 37.3 cm), Drawings, Gustav Klimt (Austrian, Baumgarten 1862–1918 Vienna), Rapidly executed during Klimt's late period, this sensuous drawing belongs to a large

Drawing of a Fountain, 16th century, Pen and brown ink, brush and brown wash, over faint black chalk., 9 1/2 x 10 1/2 in. (24.1 x 26.7 cm), Drawings, Anonymous, French, 16th century

Landscape (recto); Landscape (verso), 1489–90, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso), 8 1/16 × 11 in. (20.4 × 28 cm), Drawings,

Drawing After and Architectural Fragment of a Coffered Ceiling, 19th century, Graphite on laid paper, sheet: 12 x 8 in. (30.5 x 20.3 cm), Drawings, Anonymous, French, 19th century

The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura'), ca. 1633, Pen and brown ink, brush and brown wash, over black chalk, 7 13/16 x 5 11/16in. (19.9 x 14.5cm), Drawings, Pietro da Cortona (Pietro Berrettini)

Drawing of an Interior: Salon, 1857, Pen and blue ink, watercolor, heightened with white, sheet: 6 1/8 x 9 1/2 in. (15.5 x 24.1 cm), Drawings, Anonymous, French, 19th century

Copy after a reproduction of a Rodin drawing, n.d., Pen and black ink, 14 5/16 x 9 1/4 in. (36.4 x 23.4 cm), Drawings, Anonymous

Drawing After an Architectural Fragment with a Corinthian pilaster, 19th century, Pen and ink over graphite on laid paper, sheet: 9 1/2 x 6 5/8 in. (24.2 x 16.8 cm), Drawings, Anonymous, French, 19th century

An Eagle with Wings Spread, 1696–1770, Charcoal, highlighted with white chalk, on blue paper, 13-11/16 x 9-3/4 in. (34.7 x 24.8 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), George Knox, who attributed

Half-Length Study of a Monk Holding a Book and a Long Implement, ca. 1637–40, Black chalk, highlighted with white chalk on blue-gray paper, 11 7/16 x 8 5/8in. (29.1 x 21.9cm), Drawings, Bernardo Strozzi (Italian, Genoa 1581–1644 Venice),

Caryatid, after Perino del Vaga drawing in Albertina, ca. 1520, Pen and brown ink, wash., Drawings, Anonymous, Netherlandish, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Architectural Drawing for a Chapel and Hospital, ca. 1767, Etching counterproof and wash, 14 3/16 x 9 15/16 in. (36.1 x 25.3 cm), Drawings, de la Maire (French, 18th century), Destouches (Paris

The First Fruits of the Earth Offered to Saturn, 1555–56, Pen and brown ink, brush and brown wash, over traces of red chalk, 6 3/4 x 15 7/16in. (17.2 x 39.2cm), Drawings, Giorgio Vasari (Italian, Arezzo 1511–1574 Florence), The drawing,

The Virgin and Child with Saint John the Baptist, Pope Saint Dionysius, Filippo Neri and a Male Saint, ca. 1620, Black chalk, highlighted with blue wash, 9 13/16 x 5 1/4in. (24.9 x 13.4cm), Drawings, Baccio (Lorenzo Bartolo) Ciarpi (Italian,

Standing and Seated Figures in a Landscape with an Obelisk, 1520–83, Pen and brown ink, 8 3/8 x 7 1/4in. (21.3 x 18.4cm), Drawings, Battista Pittoni (Italian, Vicenza ca. 1520–ca. 1583 Venice (?)), A work of an anonymous Venetian draftsman

Plate 10: head of a soldier, from 'Drawing Basics' (I principii del disegno), after 1641, Etching, Sheet: 3 7/8 × 3 3/4 in. (9.9 × 9.5 cm), Prints, After Stefano della Bella (Italian, Florence 1610–1664 Florence

Plate IV, from Rules for Drawing Caricaturas, February 26, 1788, Etching, sheet: 5 1/8 x 8 7/16 in. (13 x 21.4 cm), Prints

Triton Sounding a Conch Shell, ca. 1597–1602, Charcoal or soft black chalk on blue-gray paper; traces of framing outlines in pen and black ink and black chalk, Sheet: 15 1/4 x 9 9/16 in. (38.8 x 24.3 cm), Drawings, Annibale Carracci (Italian,

Male Nude Torso with Raised Arms, ca. 1522–24, Red chalk, 4 1/8 x 2 3/16in. (10.4 x 5.5cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), Popham considered this small, delicately

Female Mask Surrounded by Tendrils, 1652–1725, Pen and brown ink, over preliminary drawing in black chalk, sheet: 6 1/4 x 10 in. (15.9 x 25.4 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence

Coast View with Perseus and the Origin of Coral, 1674, Pen, brown ink, brown, blue, grey wash, heightened with white gouache, 9 3/4 x 15 1/16 in. (24.7 x 38.2 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682

Christ and the Virgin Appearing to Saint Francis, 1562–1602, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of charcoal or soft black chalk, on blue-green paper; scattered paint stains throughout, 16 x

Old Woman and Child in Oval (from Sketches on the Coast Survey Plate), 1854–55, Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of 'Sketches on the Coast Survey Plate' (Kennedy no. 1) by

Moses Drawing Water from the Rock, ca. 1552–61, Etching and engraving, second state, sheet: 14 9/16 x 23 5/8 in. (37 x 60 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Romsey Church, Hampshire, west end, interior, Romsey Abbey Church in Romsey, Hampshire, signed: Drawn by R. Cattermole; Etch'd by J. Le Keux; Published by Longman & Co, Fig. 38, p. 260, Cattermole, Richard (drawing); Keux, John Le

Parts of the Door-Way of Ockendon Church, Essex, Details on the gate of the Church of St. Nicholas of Myra at Ockendon in Essex, signed: Engraved by Richard Roffe from a drawing by F. Mackenzie, Fig. 61, Pl. II, according to p. 2, Mackenzie,

S. W. view of Kenilworth Castle, Warwickshire, Kenilworth Castle in Warwickshire, signed: Engraved by S. Rawle - Drawn by C.V. Fielding, from a Sketch by Jeayes; Published by Longman & Co, Fig. 63, Pl. III, after p. 178, Jeayes (sketch);

Watercolour and pencil drawing of a Bearded Rock Cod, Pseudophycis barbata from Port Phillip, by Arthur Bartholmew, Un-numbered watercolour and pencil drawing by Arthur Bartholomw published as plate 20 in The Prodromus of the Zoology of Victoria

Interior of the Ruins of St. Botolph's Priory Church, at Colchester, Essex, Interior view and floor plan Ruins of St. Botolph's Priory Church, signed: Etch'd by John Smith from a Drawing by S. Prout, Fig. 5, Pl. III., Prout, S. (Drawing);

Walsingham Priory Church, Norfolk Ruins of the East end, Walsingham Priory Ruin in Norfolk, signed: Engraved by S. Rawle; Drawn by Jos., Gandy, from a sketch by F. Mackenzie; Published by Longman & Co, Fig. 30, p. 106, Mackenzie, F.

Malmesbury Abbey Church, Wiltshire, Doorway of the Southern Porch, Church Door at Malmsbury Abbey in Malmesbury, Wilthshire, signed: Drawn by A. Pugin, from Sketches by I. Britton & S. Prout; Etched by H. Moses; Published by Longman & Co, Fig.

Surfaces and body, with Circul and ruler after the Perspectiv attributed, Basic rules for perspective drawing with compass and ruler, Tab. LIII, p. 60, Tobias Mayer: Mathematischer Atlas, in welchem auf 60 Tabellen alle Theile der Mathematic

Doorway to the Temple Church, London, Temple Church Temple in London, signed: Engraved by S. Sparrow, from a Drawing by J.C. Smith, Fig. 25, Pl. III, to p. 16, Smith, J. C. (Drawing); Sparrow, S. (engr.), 1807, John Britton: The

Grand entrance gateway to Caernarvon Castle, Caernarvonshire, Caernarfon Castle Gwynedd in Wales, signed: Engraved by S. Noble, drawn by C.V. Fielding, from a Sketch by W. Alexander; Published by Longman & Co, Fig. 60, Pl. III, after p. 166,

Lincoln Cathedral, south end of south transept, Lincoln Cathedral, Lincolnshire, signed: Drawn by A. Pugin; Etch'd by J. Le Keux; Published by Longman & Co, Fig. 59, p. 260, Pugin, Augustus Charles (drawing); Keux, John Le (etching); Longman

The Queen's Cross, near Northampton, Eleanor Cross in Hardingstone near Northampton, signed: Engraved by Joseph C. Smith, from a drawing made by G. Shepherd, Fig. 43, p. 24, Shepherd, G. (Drawing); Smith, Joseph C. (engr.), 1806, John

H.M.S. Agamemnon laying the Atlantic telegraph cable in 1858. A whale crosses the line., Warship HMS Agamemnon laying the transatlantic cable 1858, Signed: R. M. Bryson, lith., from a drawing by R. Dudley; Day & Son, Limited, Lith, Fig. 5,

Plan, Ornaments and Figures of the Queen's Cross, Floor plan and details of the Eleanor Cross in Hardingstone near Northampton, signed: Engraved by John Roffe, from a drawing by I. L. Bond, Fig. 44, p. 24, Bond, John Linnell (Drawing); Roffe,

Henry VII Chapel, View, Window in the Henry VII Chapel at Westminster Abbey, signed: Engraved by J. Roffe, from a Drawing by Thompson, Fig. 15, Pl. VII, after p. 14, Thompson (drawing); Roffe, John (engraved), 1812, John Britton: The

Part of the screen in Edward the Confessors Chapel, Westminster Abbey Church, Chapel of Eduard the Confessor in Westminster Abbey, signed: Engraved by John Smith from a Drawing by P. Gyfford, Fig. 2, title page of vol. 1, Gyfford, P.

Buildwas Abbey, Shropshire View looking into the Chapter House, Chapter House in Buildwas Abbey in Shropshire, signed: Engraved by Jos., Skelton, from a Drawing by Edmund Aikin; Published by Longman & Co, Fig. 20, Pl. III, after p. 74,

Interior of Malmesbury Abbey-Church, Wiltshire, Malmsbury Abbey Church, signed: Engraved by John Smith, from a drawing by I.C. Smith, Fig. 56, Pl. X, after p. 14, Smith, Joseph C. (Drawing); Smith, John (engr.), 1807, John Britton: The

St. Peter's Church, Northampton, view from the north aile looking s. west, St Peter's Church in Maremouth in Northampton, signed: Drawn by F. Mackenzie; Engraved by S. Rawle; Published by Longman & Co, Fig. 20, after p. 260, Mackenzie, F.

Beverley Minster, Yorkshire, compartment of nave exterior, Beverley Minster at Beverley, East Riding of Yorkshire, signed: Drawn by A. Pugin; Etch'd by I. Le Keux; Published by Longman & Co, Fig. 44, p. 260, Pugin, Augustus Charles

Boston Tower Lincolnshire, n. w. view, St Botolph Church in Boston, Lincolnshire, signed: Drawn by A. Pugin; Etch'd by J. Le Keux; Published by Longman & Co, Fig. 64, p. 260, Pugin, Augustus Charles (drawing); Keux, John Le (etching);

Getting out one of the large buoys for launching, August 2nd, Float on the Great Eastern Sailboat on August 22, 1865, used to lay the transatlantic cable, Signed: E. Walker lith., from a drawing by R. Dudley; Day & Son, Limited, Lith, Fig.

A parish St. Faith, in the soil. Ark same Ichnographia, Plan of the Crypt St Faith under St Paul's, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XXXI, after p. 74, Hollar, Wenzel (drawing);

Ground Plan and Top of Malmsbury Cross, Wiltshire, Malmesbury Market Cross floor plan and apex in Malmesbury, signed: Engraved by J. Roff from a drrawing by J. C. Smith, Fig. 35, Pl. III, p. 18, Smith, J. C. (Drawing); Roffe, J. (engr.),

Lincoln Cathedral, chapter house, compartment, Lincoln Cathedral, Lincolnshire, signed: Drawn by A. Pugin; Etch'd by J. Le Keux; Published by Longman & Co, Fig. 54, p. 260, Pugin, Augustus Charles (drawing); Keux, John Le (etching); Longman

Steyning Church, Sussex, elevation of one compartment, interior, St Andrew's Church in Steyning, Sussex, signed: Drawn by John Carter; Etch'd by H. Le Keux, Published by Longman & Co, Fig. 22, after p. 260, Carter, John (drawing); Keux,

Barfreston Church, Kent Door-way on the South Side, St. Nicholas' Church in Barfrestone Kent, signed: Drawn by Jos., Gandy, Engraved by John Le Keux; Published by Longman & Co, Fig. 13, Pl. IV, after p. 52, Gandy, Joseph (drawing); Keux,

Closure of the concerns of St. Eorcenwald under the same barrow, Grave of Erkenwald, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XXX, p. 74, Hollar, Wenzel (drawing); Finden, W. (engraving);

Drawing - Pencil & Watercolour on Paper, Un-numbered drawing finally published as Plate 38 in The Prodromus of the Zoology of Victoria by Frederick McCoy

The reels of gutta percha covered conduction wire conveyed into tanks at the works at Greenwich, Submarine cable insulated with gutta-percha in Greenwich, Signed: F. Jones lith., from a Drawing by R. Dudley; Day & Son, Limited Lith, Fig. 1,

St. John's Church, Chester, St John the Baptist Church in Chester, signed: Engraved by H. Le Keux, after a drawing by C. Wild; Published by Longman & Co, Fig. 15, p. 52, Wild, C. (drawing); Keux, John Henry Le (engraving); Longman & Co.

Iffley Church, Oxfordshire, views form the s. w., St Mary's Church at Iffley in Oxfordshire, signed: Drawn by F. C. Porden; Etched by J. Le Keux; Published by Longman & Co, Fig. 13, p. 260, Porden, F. C. (drawing); Keux, John Le (etching);

General Hoghton and Sir William Myers, Monuments to General Daniel Hoghton and Sir William Myers, signed: Drawn by H. Corbould; Engraved by C. Heath; Published by Lackington & Co. and Longman & Co., Pl. LXV, after p. 470, Corbould, H.

Monuments for Capt. R. R. Burgess and Capt. G. N. Hardinge, Monuments to Captain Richard Rundle Burges and George Nicholas Hardinge, signed: Drawn by H. Corbould; Engraved by C. Heath; Published by Lackington & Co. and Longman & Co., Pl. LII,

Valentia in 1857-1858 at the time of the laying of the former cable, Valentia Island between 1857 and 1858, starting point for the laying of the transatlantic cable, Signed: R. M. Bryson, lith., from a drawing by R. Dudley; Day & Son, Limited,

Tumulus Johannis Wolly Eq. Aur. In Capella St. Georgy, Grave of Sir John Wolley, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co, Pl. XXVII, after p. 70, Hollar, Wenzel (drawing); Finden, W.

Waltham Cross, Hertfordshire, Eleanor Cross in Waltham Cross, signed: Engraved by S. Sparrow, from a Drawing by W. Alexander, Fig. 45, p. 26, Alexander, William (Drawing); Sparrow, S. (engr.), 1806, John Britton: The architectural

Font in Walsingham Church, Norfolk, Baptismal font of the church at Walsingham in Norfolk, signed: Engraved by John Le Keux from a Drawing by F. Mackenzie; Published by Longman & Co, Fig. 31, according to p. 106, Mackenzie, F. (drawing); Keux,

Remains of the West front etc. of St. Botolph's Priory Church, st Colchester Essex, Ruin of St. Botolph's Priory Church, signed: Etch'd by John Smith from a Drawing by S. Prout, Fig. 4, Pl. II., Prout, S. (Drawing); Smith, John (Etching),

Cross at Stourhead, Wiltshire, Bristol High Cross at Stourhead Country House near Stourton in Wiltshire, signed Engraved by Ja., Storer, Cross drawn by John Carter and the Landscape by Sir Rich., C Hoare Bar, Fig. 38, p. 20, Carter, John

How to perspectively imagine a figure through a netting and how to draw the shadow, Instructions for perspective drawing of bodies with shadows and instruments for perspective drawing, tab. LIV, p. 61, Tobias Mayer: Mathematischer Atlas, in

Lindisfarne Church, Durham View of parts of the Nave, central Tower, Church of the Lindisfarne Monastery in Northumberland, signed Engraved by S. Rawle, from a Drawing by W. Westall; Published by Longmans & Co, Fig. 22, Pl. I, after p. 80,

Stokesay Castle, Shropshire, Stokesay Castle mansion in Stokesy, Shropshire, signed: Engraved by S. Rawle, Drawn by E. Gyfford, from a Sketch by Edm., Aikin, Published by Longman & Co, Fig. 45, p. 141, Aikin, Edmund (sketch); Gyfford, E.

Malmsbury Cross, Wiltshire, Malmesbury Market Cross in Malmesbury, signed: Engraved by S. Rawle, from a Drawing by J. Britton, Fig. 33, p. 18, Britton, J. (Drawing); Rawle, S. (engr.), 1806, John Britton: The architectural antiquities of

Drawing - Pencil, Watercolour & Varnish on Paper, Arthur Bartholomew, Drawing 90 for Plate 40 in The Prodromus of the Zoology of Victoria by Frederick McCoy

Sir Ralph Abercromby and Sir John Moore, Monuments to Sir Ralph Abercromby and Lieutenant General Sir John Moore, signed: Drawn by H. Corbould; Engraved by C. Heath; Published by Lackington & Co. and Longman & Co., Pl. LV, at p. 204, Corbould,

Henry VII. Chapel Flying Buttress, Longbow of Henry VII Chapel in Westminster Abbey, signed: Engraved by John Smith, from a Drawing by F. Mackenzie, Fig. 17, Pl. VIII, after p. 15, Mackenzie, F. (drawing); Smith, John (engraved), 1812,

Chronological series of towers, Various church towers, signed: Drawn by W.H. Bartlett, Directed by J. B, Engraved by B. Bosley; Published by Longman & Co, Fig. 81, p. 260, Britton, John (direction); Bartlett, William Henry (drawing); Bosley,

Malmesbury Abbey-Church I.N. Wiltshire, Malmsbury Abbey Church, signed: Engraved by J. Smith from a Drawing by F. Nash, Fig. 51, Pl. V, according to p. 12, Nash, F. (Drawing); Smith, J. (engr.), 1806, John Britton: The architectural

Tower of Earls Barton Church: Northamptonshire, All Saints' Church Tower at Earls Barton, Northamptonshire, signed: Drawn by F. Mackenzie; Etch'd by I. Le Keux; Published by Longman & Co, Fig. 3, Pl. II, after p. 260, Mackenzie, F. (drawing);

Negative - Benambra, Victoria, circa 1900, Inside a classroom at the Benambra State School. The pupils in the foreground are reading while the older pupils behind them appear to be drawing or writing on large slates

Pencil drawing and notes of Bryozoa by J.Ripper, Pencil drawing and notes of Bryozoa by J.Ripper, finally published as Plate 45 in The Prodromus of the Zoology of Victoria by Frederick McCoy

Maj. Gen. Dundas, and Generals Mackenzie and Langwerth, Monuments to Major General Thomas Dundas and Generals John Randoll Mackenzie and Ernest Eberhard Kuno of Langwerth, signed: Drawn by H. Corbould; Engraved by C. Heath; Published by Lackington

Sir Thomas Picton and Sir William Ponsonby, Monuments to Sir Thomas Picton and Sir William Ponsonby at St. Paul's Cathedral, signed: Drawn by H. Corbould; Engraved by C. Heath; Published by Lackington & Co. and Longman & Co., Pl. LXIII, after p.

Drawing - Sketch of Donati's Comet, 9 October 1858, Sketch of Donati's Comet by C.W.M., dated 9 October 1858. It is not apparent who C.W.M. was, as does not match staff or volunteers at Williamstown Observatory or Flagstaff Observatory

Trinity Bay, Newfoundland exterior view of telegraph house in 1857-58., Transatlantic Cable House in Trinity Bay, Newfoundland and Labrador (Canada), Signed: R. M. Bryson, lith., from a drawing by R. Dudley; Day & Son, Limited, Lith, Fig. 3,

Rubia, Wastro, our drawing Bettstro or Wegstro, Fol. 398r, 1590, Pietro Andrea Mattioli, Joachim Camerarius: Kreuterbuch desz hochgelehrten unnd weitberühmten Herrn D. Petri Andreae Matthioli. Franckfort am Mayn: [Feyrabendt], 1590

Elevation of bay window; west side Crosby Hall, London, Window of the historic Crosby Hall building in London, signed: Engraved by H. Le Keux, from a Drawing by J. Palmer; Published by Longman & Co, Fig. 71, Pl. V, after p. 188, Palmer, J.

Drawing of a Young Woman Standing by a Stone Lantern, Yoshitoshi (Japanese, 1839-1892), Meiji, about 1870, ink on paper, 7 x 5-1/4 in. (image) 9-7/8 x 6-1/4 in. (sheet), Asian Art

Drawing of the elevation of the whole place of valleri with the Jardrin ..., Château de Vallery in France, Signed: FD; Imp. Lemercier; A. Levy, Fig. 45, T. 1. 43, Cerceau, Jacques Androuet du (del.); Faure-Dujarric, Pierre-Lucien (sc.);

Brixworth Church, Northamptonshire, plan, elevation, Floor plan and elevation of the All Saints' Church in Brixworth, Northamptonshire, signed: Drawn by W.H. Bartlett, directed by J.B, Engraved by J. Le Keux; Published by Longman & Co, Fig.

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