Images at Librifly

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Head of Athena (from a cast), S. D. Pratt, Charcoal on paper, Vertical rectangle. Head of Athena (from cast) seen frontally. She wears a helment., USA, ca. 1895, classicism, Drawing, Drawing

Design for Silk Brocade, Pastel, pen and brown ink squaring on bluish grey laid paper, Horizontal composition illustrating flowers executed in colored pastel at left, and a small Chinese landscape with bridges and pavilion has been sketched out

Door case and frame of a door, Filippo Marchionni, Italian, 1732–1805, Black crayon, pen and ink on paper, In the center is the elevation. In front of the door frame stand two Doric columns which support a balcony in the second floor. The

Project for a Fountain, Pen and brown ink, brush and watercolor, gouache on off-white laid paper, A fountain whose central basin stands upon a high shaft expels water through a pinecone finial. Lions sit upon a lobed lower basin, with water

Study of Begonia, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, brush and gouache, graphite on tracing paper, Vertical sheet depicting a begonia plant, including details of a leaf, with graphite used for shading and light

Wall Elevation for an Antechamber or Salon, Pen and black ink, brush and watercolor, black chalk on laid paper, Sheet depicts a wall with three shallow niches. The middle niche is larger than the side niches. In each niche, a pink sofa is placed

At the gate of a villa, Carlo Marchionni, Italian, 1702–1786, Black crayon on laid paper, Closed gateway in the wall of a park. A big chain fastened upon stone pillars obstructs the approach. Between it and the gate two gentlemen or soldiers

Autumn Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paper, View into a valley which is bordered by hills at left and in the middle plane. A mountain range is in the right background. Cloudy sky. Woods are shown

Woman with Flowers, Francis Augustus Lathrop, American, 1849 - 1909, Charcoal on paper, laid down on board, Half-length figure, turned away from viewer. A woman looks over her left shoulder, holding a flower in her right hand. Her left arm

Study of landscape, Baveno, Lago Maggiore, Italy, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a mountain trail., Baveno, Lago Maggiore, Italy, September 1857, nature studies,

Design for Several Bays of a Public Building, Graphite, brush and gray wash on Bristol illustration board, Front elevation; side elevation and plan of several bays of a public building. Four stories high on a podium or base; large openings

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a valley with mountains in the background., USA, ca. 1855, landscapes, Drawing, Drawing

Textile, Medium: cotton Technique: printed by engraved copper plate, Three pieces have been stiched together to complete design which shows; left, classic figure of man bearing a lute, under draped canopy; right, symmetrical foliage decoration

Study of Mrs. Winthrop for 'Lady Washington's Reception Day', Daniel Huntington, American, 1816–1906, Graphite, white chalk on buff wove paper, At left, full-length standing figure, turned away from the viewer, with left arm extended,

Cavalry Soldier Loading a Rifle, Winslow Homer, American, 1836–1910, Black chalk and white crayon on gray-green laid paper, Recto: A soldier in Civil War uniform, stands in the foreground, feet spread, holding a rifle placed diagonally

Mount Katahdin, shown from south, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on paper, Tree tops are shown in the foreground and middle plan. Patches of snow. Figures are inscribed. Written in bottom left:

Nude, Domenico Corvi, Italian, 1721 - 1803, Red crayon on paper, Young man, sitting, seen from behind., Italy, ca. 1740, figures, Drawing, Drawing

Caius Mucius Scaevola and Porsena, Felice Giani, Italian, 1758–1823, Black chalk, pen and brown ink, brush and grey wash on cream laid paper, In an enormous courtyard, Mucius, in left foreground, thrusts his right hand into the flame of a

Crucifixion, Felice Giani, Italian, 1758–1823, Pen and ink, brush and wash on paper, Vertical rectangle showing a figure tied to a tree in a cruciform posture. At elft, a group of figures. At right, a skull and sign reading: SPQR., Italy,

Design for Portion of Stairway in Château-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor, graphite on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Design for Embroidery of Overskirt, for Fabrique de St. Ruf, Brush and gouache, graphite on paper, Vertical rectangle. A bunch composed of poppies and other blossoms and ears of grain is shown in the wedge. Plants of poppies and cornflowers

Study for 'Prudence, ' Lunette in Hudson County Courthouse, Jersey City, NJ, Kenyon Cox, American, 1856–1919, Charcoal and graphite on off-white wove paper, laid down, Seated allegorical female figure representing Prudence. She faces

Church in Barranquilla, Colombia, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, A study of a two story structure, identified as the Church in the town of Barranquilla, Columbia. The building is

Rendering of Interior, St. John's Church, Utica, NY, Leon Dabo, American, 1868–1960, Brush and watercolor, gouache, graphite on paper, View looking toward altar, set in a vaulted apse with seven stained glass windows., USA, ca. 1902,

Three Studies of Arms, Edwin Howland Blashfield, American, 1848–1936, Charcoal, blue and white colored pencil on green wove paper, Three studies of arms and hands. The right hand near the top is pointing to the upper left corner. The left

Design for a Centerpiece, Joseph Anton Seethaler II, German, 1799–1868, Pen and black, brown ink, brush and gray wash, graphite on cream wove paper, Three large and three small shell-shaped bowls and a branch with a socket are fastened to a

Design for an Embroidered Woven Fabric, Brush and gouache on oily tracing paper, Rising rinceau with lave leaves and lace blossoms on top of the spirals alternating in vertical rows. They are of different designs and in opposite order in

Design for a small library: front elevation, section, plan, Pen and ink, brush and watercolor, gray wash on paper, Front elevation, above, of a small building in the classical style, standing on a podium. Center, a section through a side

Near the Pass of Faido, Italy, Thomas Moran, American, b. Britain, 1837–1926, Graphite, white chalk, brush and gray wash on brown wove paper creased., None given., 1867, landscapes, Drawing, Drawing

A Russian Winter Garden, Brush and watercolor and gouache, graphite on white wove paper, This is possibly a view of the winter garden of the Pavlino Palace of the Wittgenstein family. The conservatory, here transformed for a ball, shows a floor

Study for a group of figures, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper mounted to board, Group of female figures dancing with a male figure. The

Figure studies for a design of a clavichord cover, Pen and ink, black and white chalk on grey paper, Harlequin and another figure of the Commedia dell'Arte, stand in animated gestures., France, late 19th century, Drawing, Drawing

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash on paper, The vessel is banded with a grapevine meader. The finial is in the form of a crouching lion, and coiled snakes form the handles. The

Study for 'Learning, ' Lunette in Hudson County Courthouse, Jersey City, NJ, Kenyon Cox, American, 1856–1919, Charcoal and graphite on off-white wove paper, laid down, Seated allegorical male figure, facing towards the left, representing

Stage Design, Sepulchral Hall, Pen and brown ink, brush and wash on paper, Horizontal rectangle. Portico with tombs and sculptured monuments and ornaments, opening at right toward similar place., Italy, late 18th century, theater, Drawing,

Cartoon for Printed Cotton: The Four Elements [Les Quatre Elements], Hartmann et Fils, (Munster, France), Pen and black ink, brush and gray wash on cream laid paper, mounted, Within vertically-arranged ornamental arabesques are: upper left,

Ascension of the Virgin, Giuseppe Galeotti, Italian, 1708 - 1778, Pen and brown ink, brush and gray wash on cream laid paper, Vertical rectangle, design for a circular ceiling painting. At the bottom is a group of angels lifting the Virgin

Design for Woven Fabric, Fabrique de Saint Ruf, Lyon, France, White, blue gouache Support: glazed laid paper, France, France, 1805–15, textile designs, Drawing, Drawing

Design for a Frame, Pen and brown ink, brush and brown wash on paper, Several moldings with and without ornamentation. An ovolo, a leaf, and arrow leaf friezes occur. Bands, in one of which overlapping in another, a rising waved bough with

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash on paper, Chimarae and a central rod at base support the shaft which is shaped as a round gaine and ends with a vase, topped by Cupid and a

Design for a Wrought Iron Light Fixture, Mary Morison Brownson, American, Pen and ink, watercolor on Bristol board. Red seal., Vertical rectangle. A lantern fixture, suspended from a wall bracket., USA, January 30, 1894, appliances & tools,

Design for a Sacristy Gate of a Chapel of the Torlonia Family, Brush and watercolor, graphite on paper, Design for a gate of a chapel of the Torlonia family, intended to be executed in metal, probably for the chapel in St. Giovanni in Laterno,

Design for the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Bunches of flowers are connected by a cord, a fringed bead chain, a garland with a

Design for a monumental gateway honoring the arrival of Marie Antoinette at Versailles, Pen and Chinese ink with ink wash, A single arched opening surmounted by the escutcheon of Marie Antoinette witha crown above. At either side of the arch,

Design for an Embroidered or Woven Fabric, Brush and gouache on oily tracing paper, The top of a flower bough crosses the upper part of a rising and undulated lace border., France, 1825–1850, Drawing, Drawing

Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier, Claude-Louis Desrais, (French, 1746–1816), Lafosse, Lionnet et Médard, Pen and black ink with gray washes on paper, The composition of this design for a textile,

Stage Design, Temples on Riverside, Giovanni Battista Piranesi, Italian, 1720–1778, Pen and ink, brush and sepia wash, graphite on paper, Horizontal rectangle. Group of temple buildings with porticoes on river side. Unfinished., Italy,

Study of seascape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a village by the water with palm trees., USA, ca. 1855, nature studies, Drawing, Drawing

Landscape with Trees and a Stream [?], Grand Manan Island, Canada, Frederic Edwin Church, American, 1826–1900, Graphite on gary paper, Horizontal view showing trees and a broken tree trunk in the foreground, a stream or lake in the

Stream Leading to the Rim of the Falls Near Hacienda Chillo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream-colored paper, Horizontal view stream running in down to the rim of the hidden falls

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Charcoal, brush and wash, graphite on paper, Sketch of figures in loose garments within a wheel., USA, ca. 1894, figures, Drawing, Drawing

Puck, Study for Manufactures and Liberal Arts Building, World's Columbian Exposition, Chicago, IL, J. Carroll Beckwith, American, 1852–1917, Charcoal and graphite on cream wove paper, Figure of a boy with butterfly wings, a star on his

Design for Wallpaper and Textiles: Flowers, Brush and gouache on grey paper, Four stems with flowers and foliage at center of page. From left: stalk with pink and white flowers running most of its length, stalk with red and purple flowers running

Design for a Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and light blue and white gouache on glazed tracing paper, A moulding and a crest border formed by leaves are at the bottom. Plant

Design for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A kind of embroidered cloth is shown along the hem. Its fringed upper

The Death of Viginia, Daughter of Marcus Claudius, Brush and gray wash, pen and ink, black chalk on paper, Figural scene. At right, the group of Appius and Marcus Claudius. In the center, Virginia dying at the feet of her father. In the

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes on paper, The vessel is banded with an alternating leaf motif placed diagonally. The lid is banded with fan-shaped scallops and with the finial

The Son of Marcus Cato Bring a Dagger to his Father, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and wash on paper., Horizontal rectangle showing interior scene with Cato sitting upright in his bed looking sternly at his

Design for a Window Wall with Tapestry Panel, Chateau de Craon, Jean-Baptiste Marechal, Pen and black ink, brush and gray wash, rose, yellow watercolor, black chalk on cream laid paper, A design for a wall. The central panel (tapestry)

Whale Cove, Grand Manan Island, Canada, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Recto: Horizontal view with shore line making an angle in the middle distance, as houses stand upon

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a landscape with mountains on the horizon., USA, ca. 1855, landscapes, Drawing, Drawing

Design for the Embroidery of the Lowe Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Boughs with leaves and clusters of flowers. Arched edge. Frills sketched along

Design for an Embroidered Woven Fabric, Fragment, Brush and gouche on oily tracing paper, Top right: a flower plant and a big blossom connected by festoons. Bottom left: a plant with big leaves, one of them being a lace leaf. Bottom right: a

Baptism of Christ, Francis Augustus Lathrop, American, 1849 - 1909, Brush and gouache, graphite, black crayon, pen and ink on cream paper, Christ and St. John standing in a stream, center. Dove in ray of light above Christ's head. Crowd on

View of Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green-gray wove paper, A vilage is shown in a valley in front of mountains. In the distance is a hight mountain range., Verso:

Ceiling Design, Philippe Canot, Pen and in, brush and watercolor, gouache, The boy king, Louis XV (1710-1774) stands on a gallery accompanied by Justice and Bellona and crowned by two genii. Abundance is present as well as France, and demons

Portrait of a Man, Francesco Bonsignori, Italian, ca. 1460-1519, Black chalk on brown paper mounted on paper, Portrait bust of a man wearing a cap and fur-trimmed coat. Framing lines., Lombardy, Italy, ca. 1510, figures, Drawing, Drawing

Design for a Woven Fabric, Fragment, Brush and white gouache on oily tracing paper, A bird, holding with its bill and foot a bough, is shown in the interval between two tall boughs of a bunch of flowers., France, 1840–1870, Drawing,

Longfellow in His Study, Worth Brehm, American, 1883–1928, Charles Scribner's Sons, New York, New York, USA, Charcoal on cream wove paper, The white-bearded poet is shown in the foreground, almost full length, and seated, facing right.

Incident, Worth Brehm, American, 1883–1928, Charles Scribner's Sons, New York, New York, USA, Charcoal on paper, A boy lies on a sidewalk, while another stands over him. A policeman comes towards them. A s treet lamp lights the scene.,

Nude Study of Man with a Staff, Kenyon Cox, American, 1856–1919, Charcoal on laid paper, Nude study of man standing, facing frontally, holding a staff in his right hand. His left hand rests above his hip, with his elbow out, away from his

Zeus Deciding on the Destiny of Troy, Palazzo Gessi, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, graphite on light blue paper, Zeus upon throne in center of big assembly of gods. He raises right arm and in act of rising. Caption:

Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of rocks and foliage., USA, ca. 1855, nature studies, Drawing, Drawing

Study for a kneeling woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on gray wove paper, Left, Sketch of a female figure kneeling; Right, Sketch of a grape

Senate Chamber, Parliament Building, Warsaw, Poland, Victor Louis, French, 1731 - 1802, Pen and brown ink, brush and watercolor, black chalk on paper, lined, Section of a colonnaded and domed building. The entrance to the building is at

Design no. 1866 for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Bunches of flowers and of leaves rise from the framing which is

Altar, Antonio Foschini, 1741 – 1813, Pen and brown ink, watercolor, black chalk, grahite Support: off-white laid paper, Ferrara, Italy, Italy, ca. 1770, architecture, Drawing, Drawing

Design for Embroidery, Gentleman's Waistcoat Pocket, Mademoiselle Calva, French, active late 18th century, Brush and gouache, pen and brown ink, graphite on cream laid paper, Design for the embroidery of the left bottom part of a man's

View of Court Room, Federal Building, Cleveland, OH, Graphite, pen and ink, brush and wash on heavy wove paper, View of court room with embellishments, molding, ceiling decoration, fluted Corinthian pilasters. The room is sectioned into two

Design for the Embroidery of the Lower Part of an Overskirt of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Graphite, pen and ink, brush and gouache on paper, Two flying birds. A row of cones forms an inner

Studies of Peace for 'Justice and Peace', Daniel Huntington, American, 1816–1906, Charcoal and white chalk on gray-brown laid paper, Above, two studies of drapery. Below, at left, study of a woman's face in left profile. Below, at right,

Design for a Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, The right part is shown. An eagle with a laurel bough stands on

Design for Silk Brocade, Pastel on gray-blue laid paper, squared with pen and brown ink, The repeat consists of flower boughs beneath a landscape; a plant, a trellis structure, a thyrsos, a vase containing a plant. A chain consisting of two

Stage Design, View of Town on Hillside, Pen and brown ink, brush and wash on paper, Vertical rectangle. Gothic palace on the edge of a small river, the near building leaning on hillside. Church and other buildings on the top of the hill.,

Sketch of Church of St. Nicholas, Caen, France, Stanford White, American, 1853 - 1906, Graphite, pen and ink, brush and watercolor on paper mounted on board; verso: graphite, View of the church of St. Nicholas at Caen. Verso: drawing of a

Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a valley with a stream and hills in the background., USA, ca. 1855, landscapes, Drawing, Drawing

Design for a Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, graphite on paper, Somewhat more than the right half is shown. An eagle, similar to -102, stands on top of the

Mrs. Levicz as Peace, Study for 'Justice and Peace', Daniel Huntington, American, 1816–1906, Charcoal and white chalk on grey laid paper, Head and shoulders of a female figure, seen in left profile., USA, USA, July 1878, figures,

Project for a Painted Ceiling, Cesare Sermei, Italian, about 1590? - 1668, Graphite, pen and ink, brush and watercolor on paper, Horizontal rectangle. Embedded columns are supporting the oblong entablature, framing the view into the sky,

Futon cover, Medium: cotton Technique: free hand resist drawing technique known as TSUTSUGAKI on plain weave, A dark blue ground with stylized images of a bundle of dried abalone, a bag of money, sea anemones and a flaming magic jewel in blues,

Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier, Claude-Louis Desrais, (French, 1746–1816), Lafosse, Lionnet et Médard, Pen and black ink with gray washes on paper, The composition of this design for a textile,

Rendering of Chancel, Leon Dabo, American, 1868–1960, Brush and watercolor, gouache, graphite on paper, An altar set in a shallow apse approached by steps; columns and pilasters set off the architecture., USA, 1902–10, architecture,

Iron Gates of the Mint, Paris, Jacques-Denis Antoine, French, 1773–1801, Pen and black ink, brush and blue, brown, gray wash, with black chalk indications on paper with mounted overleaf, The gate set in a rusticated wall. The gate itself

Design for Wallpaper and Textiles: Flowers and Birds, Brush and gouache on cream paper, Forked branch at center of page with foliage and various orchids and tropical flowers growing from it. Between the two branches of the fork six birds fly: three

Mise-en-Carte for Textile, No. 8359, Robert M. Davidson, Orinoka Mills, (Philadelphia, Pennsylvania, USA), F. Jones & Co., Brush and gouache, graphite on pre-printed graph paper, Floral design of tulips, berries and stylized leaves., USA,

Ceiling of a Small Cabinet, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and gray wash over black chalk ruled lines on light greenish-beige wove paper, Four sides of vaulted ceiling indicated by

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes, The vessel and base are banded by grapevine. A seated lion supporting a blind shield forms the finial, and the handles are in the form of

Design no. 866 for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A plant of Persian flowers and a garland of naturalistic flowers.

Study of landscape, Brunnen, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolo, graphite on paper, Sketch of farmhouse with mountains in the background., USA, 1856, landscapes, Drawing, Drawing

Figure studies for a design of a clavichord cover, Pen and ink, black and white chalk on grey paper, A tight-rope walker and a seated figure with a fiddle., France, late 19th century, Drawing, Drawing

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