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Competitive Design for a Mural in the United States Court House, New York, Walter Shirlaw, American, b. Scotland, 1838–1909, Gouache, pen and blue ink, black crayon, gold on cardboard, Elevation for a wall with three painted panels,

Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Brush and oil on board, Nude female figure, reclining towards the left, with her right arm outstretched and left knee slightly bent., USA, ca. 1895, figures, Drawing, Drawing

Twelve Circular Medallions with Representations of the Deeds of Hercules, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown- grey wash on paper, Top row: Hercules battling Hydra with torch. Captions written in graphite over

Studies of Meadow Flowers, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on cream wove paper, A thistle, right, with sketches of its leaves, far right and left. A wild aster, clover, and cowslip, center, with notes

Design for an Embroidered Woven Fabric, Brush and gouache on oily tracing paper, Fantastical cones with great calyx form rows; they are connected in vertical rows by undulated stems, of which a side stem forms a part of a plant, which are

Mise-en-carte for Textile, No. 8359, Robert M. Davidson, Orinoka Mills, (Philadelphia, Pennsylvania, USA), F. Jones & Co., Brush and gouache, graphite on pre-printed graph paper, Floral design of tulips, berries and stylized leaves., USA,

Design for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache, oxidized white on paper, A frill is shown along the left hem. Ovoidal rings form

Sketch of Hop Vine, Samuel Colman, American, 1832–1920, Graphite on paper, Two stems of a hop vine, with leaves and flowers. Upper left corner, study of a single leaf., USA, 1880, nature studies, Drawing, Drawing

Stage Design, Prison Interior, Pen and black and gray ink, brush and wash, black chalk on paper, Horizontal rectangle. Design for a stage set. View of prison cells through enormous vault. Series of vaulted spaces/hallways. Small figures,

Designs for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Seven varying clusters consisting of pink roses, rosebuds, stems and foliage, not evenly spaced. Vertically rectangular guidelines in graphite visible.,

Ceiling Design for Room in Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, gray wash, black chalk ruled lines on light greenish-beige wove paper, Ceiling divided into 5 rectangular and 8 triangular

St. Peter, Study for Ceiling, Saint John the Baptist Church, Brooklyn, NY, Leon Dabo, American, 1868–1960, Charcoal on brown wove paper, In circular format, half-length figure of St. Peter, seen in profile, holding two keys and a

Mt. Katahdin from Lake Katahdin, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Mount Kathadin rises in the center, the peak highlighted against grey clouds. The lower margin consists of a creamy ground color

Study of Sculpture of Reclining Male Nude, Kenyon Cox, American, 1856–1919, Charcoal on pale blue-grey paper, Study of statue or cast of reclining male nude. Torso and upper legs are shown., USA, 1880–84, figures, Drawing, Drawing

Figure Study, Possibly for Dome of Manufactures and Liberal Arts Building, World's Columbian Exposition, Chicago, IL, J. Carroll Beckwith, American, 1852–1917, Charcoal and graphite on cream wove paper, Woman kneeling on right knee,

Theater Curtain: View of a Classical Amphitheater, Marsigli-Rossi Theater, Bologna, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and brown ink, brush and watercolor on paper, Italy, 1808, theater, Drawing, Drawing

Study for 'Law, ' Lunette in Hudson County Courthouse, Jersey City, NJ, Kenyon Cox, American, 1856–1919, Charcoal and graphite on off-white wove paper, laid down, Seated allegorical female figure representing the Law. She holds a tablet in

Design for the Embroidery of a Lady's Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A garland is beside the yellow edge. A bunch of flowers is in the field., France, ca.

Plate Design with Bird and Flowers, Amédée de Caranza, active Longwy and Bordeaux, ca. 1867 – 1885, Vieillard & Cie., active Bordeaux, France 1845 – ca. 1895, Brush and gouache, watercolor, graphite on heavy cream wove paper, France,

Sepulchral Monument to a Hero, Pen and black ink, brush and pink, green, brown and black watercolor on off-white paper, Elevation of a free-standing circular monument, positioned at the center of the sheet. The monument stands on a circular

Ceiling of the Church of the Gesù, Rome, Italy, Pen and black ink, brush and grey watercolor on white laid paper, Sketch of the Church of the Gesù ceiling, painted by Giovanni Battista Gaulli (called 'Il Baciccio'), showing the Triumph of

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the motifs of -2037; the putto supports a cornucopia from which the candle springs. Written at right be

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Two Designs for a Pile of Trophies Surmounted by a Figure of Victory (or Fame), Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and gray wash, graphite on off-white laid paper, Two Designs for a Pile of Trophies Surmounted by

Timepiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Below is a pedestal with the dial at the front, framed above and laterally by a festoon. Above is a circular pavilion,

Six doorknobs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Six doorknobs., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Fountains; architectural details, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A Doric column, with a figure standing upon a pavilion. It is build of blocks and consists of

Classical Exterior Scene with Beasts, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on paper, Classical Exterior Scene with Beasts, Rome, Italy, 1820–1850, Drawing, Drawing

Atlantic Basin, New York, George Reynolds, Pencil on gray-green paper, Horizontal rectangle. View looking toward the dock, with warehouses. Two boats at left, and one at extremes right, partially seen., USA, 1869, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and wash on off-white paper, Jewelry design for an earring, a disk above and three drops below. The disk is seemingly the central motif of a bunch, consisting besides it of two flower stems and

Military Vignettes, Victor Vincent Adam, 1801–1866, Pen and ink, brush and brown and black wash on paper, Artillery soldiers drawing canon; an Arab figure resting; soldiers at rest; card playing. Vignettes shown in three ranges., France,

Gateway of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red pencil on beige laid paper, The gateway is framed by two niches with fountains. These are flanked by pedestals with crouching lions shown

Draneil (Seine-et-Oise), Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and bistre wash on paper, The place is shown from the highway leading into it. The signature is similar to 1931-73-155., Paris, France, 1840,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Project for Part of a Decoration, Black chalk, pen and ink, brush and wash bistre on laid paper., Vertical rectangle. Two winged putti sitting upon a pedestal, facing each other, holding hands. Behind them rises a figure in a frame in front of

At the coast, Howard Russell Butler, American, 1856 - 1934, Black crayon. Creamy paper, Horizontal rectangle. Sand is in the foreground bordered at the back by a row of boulders. Ships and possibly a lighthouse are shown at left in the middle

Views Into a Piazza, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Eight different views taken from inside of palaces to outside showing domed building., Italy, 1795, theater,

Roman Compagna, George Loring Brown, 1814 – 1889, Graphite on paper, Recto: Horizontal view of a winding road in hilly country with a tower rising in the right central distance and a group of buildings in the further left distance., Verso: A

Elevations of two sepulchral chapels, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At left: a tower of three stories, with a sepulchral obelisk on top, and steps below. The

Three Trophies, Pen and brown ink on off-white laid paper, lined, Horizontal rectangles showing three designs for military trophies. At left, a chariot pulling a tower and torch. At right, a shield with quiver of arrows., Italy, 1650–1700,

Brooch Design, Graphite, pen and ink, brush and sepia on paper, In the center, a project for a brooch with a round stone framed by a calyx, with a palmette on top and shell-like wings. Hanging from this, a pearl. Surrounding sketches of shells

Self-Portrait, Kenyon Cox, American, 1856–1919, Graphite on laid paper, Self-portrait of the artist in collar and bowtie, looking directly ahead., USA, ca. 1880, portraits, Drawing, Drawing

Design for Woven Paisley, Brush and orange-pink gouache on brown oiled translucent paper, Design for paisley (Persian woven cone). A small cone containing a flower bough sits inside a larger one, curved at the top in the opposite direction and

The Elevation of the wall of a Private Chapel With the Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Beside the mensa are panels of the dado. The panel between the support bears

Designs for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Various designs for ceiling decoration including acanthus, rosette, grotesque, and geometric

Design for a Banknote, Charles Percier, French, 1764–1838, Black crayon, pen and ink, brush and bistre wash on light brown paper, Five classicizing figures stand around a central crowned emblem with an eagle in the center and a stylized

Design for Fretwork, perhaps for the glass passage, Frederick Crace, English, 1779–1859, Pen and blue, black ink, brush and watercolor on white wove paper, Design for fretwork at the Royal Pavilion, Brighton, perhaps for the glass

Necklace design: Project for a rincauex to be engraved on metal, Black chalk, pen and ink on paper, A stem with leaves and blossoms begins above, at left, and continues to the upper right, in the shape of a border of one half of an ovoid.,

Design for a Symmetrical Frieze, Felice Giani, Italian, 1758–1823, Pen and black ink, graphite, brush and wash on paper, Two winged female figures holding wreaths, reaching to center, and two bulls, flank central vase., Italy, ca. 1805,

Bough, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of two boughs with blossoms and leaves., USA, 1880, nature studies, Drawing, Drawing

Butterfly, Brush and watercolor on paper, Yellow and blue butterfly, shown as if in flight., England, ca. 1830, Drawing, Drawing

Stage Design: Side Wing for Garden Architecture, Pen and bistre on paper, Vertical rectangle showing half a wall fountain wall and a balustrade with flowers. Framing line below and at right., Italy, ca. 1675 - 1690, theater, Drawing, Drawing

Design for a Pitcher, Pen and ink on paper, Shown in profile. The handle, which stands with a claw upon the shoulder, is at right. The bottom part of the body and the shoulder is fluted. Between is a frieze with bead festoons supported by

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Dresser, ' table center piece for the Altieri family., Rome, Italy, 1790-1795, metalwork,

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Above at left: a variation of 1938-88-1298 at right below. In front of the pedestal and of the

Project for a Vase, Pen and ink, brush and watercolor on paper, Elevation of a vase. Bottom decorated with acanthus leaves. Swags across body at top and mask under lip., Italy, 1800–1835, ornament, Drawing, Drawing

Soldier Taking Aim, Winslow Homer, American, 1836–1910, Graphite on paper, laid down, Vertical view of a soldier taking aim., USA, 1862, figures, Drawing, Drawing

Sketch, Deposition (?) with Heavenly Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, graphite, on paper, Sketch, Deposition (?) with Heavenly Figures., Rome, Italy, 1820–1850, Drawing, Drawing

Design for a Comb, Pen and brown ink, brush and watercolor on white laid paper, laid down, Horizontal rectangle. Design for a hair comb with seven wavy tines intended to be executed in gilded metal with diamonds and pearls. The cresting of the

Drawing, Pen and black ink, brush and gray wash on paper, Partial cartouche with military symbols and elements, a crown and a laurel wreath., Italy, 1750–86, ornament, Drawing

Dancing Fame with Lyre, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper, Fame plays lyre and dances. On ground at

Design for a Badge of the Sicilian Military Order, Pen and ink, brush and blue, yellow, green watercolor on paper, Working sketch showing a design for a badge of the R. Sicilian Military Order of St. Ferdinand and of Merit. At left, a small

Roman Soldier and Child, Italy, 16th-19th centuries, Drawing, Drawing

Window Case, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and dark brown watercolor on laid paper, Upper cornices form a circular pediment in the width of the window frame. The console supporting the entablature ends below with a

Elevation of a Wall, Pen and ink, brush and watercolor, black crayon on paper, Narrow oblongs showing candelabra rise near the corners. A door is near the left one and a painting of the rest of Diana over it. The great wall panel shows a calyx

Fender, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Fender., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Currants, Brush and watercolor, pen and ink on paper, A branch of currants; leaves are worm-eaten. Dated, in ink, lower right: '2nd Oct. 1827'., England, October 2, 1827, Drawing, Drawing

Drummer, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Vertical view of a drummer seen from the front, beating his drum., Verso: Vertical view of a drummer seen from the side, carrying his drum on his back., USA, 1862,

Design for a Bedroom, Pen and ink, brush and watercolor, black crayon on paper, A canopy bed is flanked by doors and set against a wall decorated with rectangular panels bearing ornamental motifs. The overdoors are in the form of painted oval

The Only One Left in the Feudal Dungeon - Germany: Now Even Russia Has Broken Her Chains!, Louis Raemaekers, Dutch (active in England), 1869 - 1956, Charcoal, pastel on paper, A chained figure, wearing a crown, is seen seated in a dungeon,

Sketch of Head of the Madonna, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, Woman's face turned slightly to the left. Covering over the head tied below., USA, ca. 1895, figures, Drawing, Drawing

Sketch, Figures with Equestrian Monuments, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Figures with Equestrian Monuments., Rome, Italy, 1820–1850, Drawing, Drawing

Stage Design, Hospital at Brescia, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. View through vaults to background with buildings. Figures under vaulted archway, two men at left carrying stretcher., Italy, early 19th

Design for a Bedroom Alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The tripartite entrance into a tent which is supported by two posts. The frieze behind the roof which

In the Country, Nicolaes Berchem, Dutch, 1620–1683, Black chalk, pen and ink on paper, A lady is shown from the back riding upon a horse and directed toward right, toward a villa. She is preceded by a man carrying baskets. Hilly country.,

Study for a Painting: The Glory of Saint Dominic, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and gray watercolor on paper, The saint kneels upon clouds surrounded by three pairs of angels. The lowest ones carry a lily

Designs for Snuff Box Covers, William Hogarth, English, 1697 - 1764, Samuel Ireland, English, ca. 1744–1800, Etching on paper, Two etchings, the first after a drawing show an interior scene in a salon. Two men stand at left foreground;

Drawing, Pencil, pen, sepia, brush, and grey water color., Work is oriented in a vertical rectangle. Upon the door is a relief of a chalice with the host with a glory above, standing upon clouds. Above is an angular pediment with a shell in

Pedestal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink at bottom edge on off-white laid paper, lined, Left: Three cherubim in clouds are shown in the front panel. Two festoons hang from them towards

Old Cathedral at Brescia, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Interior of Old Cathedral at Brescia, stairs leading up toward apse. Three figures on stairs at left., Italy, early 19th century, theater,

A Youthful Pilgrim, Pen and ink, brush and bistre on paper, Shown standing with straddled legs from the frontside. He looks attentively to the left and takes something like a stone supported by his left hand with his right hand. He wears a high

Two stories of a steeple; doorway for a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, Left row: above is the elevation, below the plan of the steeple. Right row: above is the left part of the

Interior of Gothic Cathedral, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined blued-white laid paper, Interior of nave of Gothic church opening toward apses at right side toward choir in the back.,

Head of Hesiod for Cooke's Translation, Jane Ireland, British, William Hogarth, English, 1697 - 1764, Etching and aquatint on paper, Drawing of a Hesiod bust in side view facing left., England, 1728-1794, Print, Print

Design for a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red pencil on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Sketch, Two Figures in Landscape with Architecture in Background, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Two Figures in Landscape with Architecture in Background, Rome, Italy,

Wall of a room in a museum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Wall of a room in a museum., Italy, 1746–1809, architecture, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Bough with halves of leaves form a pointed crest border. Three calyces rise

Decoration for the marriage of Prince Paluzzo Altieri., Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row: the three frames are surrounded by two crossed branches. The

Gateway, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A variation of the project 1938-88-1711; the gateway of a villa. At left, the left half is shown. The gaines are replaced by

Overdoor, Pen and brown ink, brown wash, black chalk Support: white laid paper, Pistoia, Italy, Italy, 1730–60, architecture, Drawing, Drawing

Alternate Design for Memorial Window, Beecher Memorial Church, Brooklyn, NY, Alice Cordelia Morse, American, 1863–1961, Brush and watercolor, graphite on off-white wove paper, mounted to paperboard, Stained glass window-style decoration

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Frame., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Decoration of a frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Decoration of a frieze, Rome, Italy, 1780–1800, architecture, Drawing, Drawing

Elevation of a Church for Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Cross scheme with dome. Four embedded columns support the entablature and a

Cottage Scene, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite on thin yellow paper, mounted, Half-timber farmhouse at left, before which are seen a woman and boy bending over a trough. Another house partially seen to right. Wooded

Study for a Painting of Saint Anthony of Padua Holding the Infant Saint James Major or Saint Luis Gonzaga, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and gray wash on paper, Saint Anthony stands in the center. A

Sketch, Urban Exterior with Classical Architecture and Draped Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Urban Exterior with Classical Architecture and Draped Figures. Seated leader

Tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Above, at left, design for a round console table with alternative suggestions, supported by lion's feet which are

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1303. The doorframe has the height of the lateral walls. The column has

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