Images at Librifly

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The Castle yard in Heidelberg, Eugène Edouard Soulès, French, 1811–1876, Graphite, black crayon on paper, The covered well is in the center, a building at right, the great watch tower in the middle distance. Written below at right:

Escutcheons, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Escutcheons., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Corner Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, graphite on white wove paper, Corner border with undulating flowering vine design., USA,

Pipe Organ With Case, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, An enriched variation of 1901-39-2784. The main difference consists in the entablature above the

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Desser' table centerpiece for the Altieri family., Rome, Italy, 1790-1799, metalwork, Drawing,

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink (bistre), brush and brown wash, red ink on lined off-white laid paper, The facade has two stories, and is flanked by two projecting steeples of three stories. In

Stage Design, Church Interior, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Interior of Renaissance church with richly decorated tombs., Italy, early 19th century, theater, Drawing, Drawing

Ovoidal frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row: above: the frame has a pediment on top which partly has been torn away. Below: on top is an eagle

Design for brooch with diamonds and pearls, Pen and ink, brush and sepia on paper, In oval escutcheon with two pearls and four brilliants upon a frame. Space at the center., Italy, 16th century, jewelry, Drawing, Drawing

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Downward and upright floral motifs of different designs alternate over a border

A Seated Muse, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and gray wash on paper, A muse seated in a landscape with one hand resting on a bust of a warrior. Beside her, a genius presents a relief panel. In the right

Two Flying Putti, Pen and ink on paper, mounted, One is shown in profile from the back and flying toward the other who carries an arrow. Framing ink lines., Italy, CA. 1800, Drawing, Drawing

Imaginary River Landscape, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink Support: laid paper, USA, ca. 1870–73, landscapes, drawing, drawing

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Oblong, with circular representations at the outer corners. On top are tow angels with the apocalyptic book; one raises a

Relief; Glory of the sacrament; console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top: a) upon a pedestal, showing the Easter lamb in its front panel, two angels,

Chairs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Seen from the front, the upper part of the back is a low curved rectangle, supported in the center by a standing one, both with

Stage Design: Interior of a Temple, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Interior of temple with high vaults on columns with Italian inscriptions. Sculptural

The Upper Part of the Body of a Punchinello, Pen and ink on thin paper, Shown in profile, turned toward left., Italy, 1750–1800, Drawing, Drawing

Plate Illustrating Fanmaking from Diderot's 'Encyclopédie', Denis Diderot, French, 1713–1784, Engraving on paper, Plate illustrating fan manufacture from Diderot's 'Encyclopédie.', France, 1750–1766, Drawing, Drawing

Landscape with Mound, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and watercolor on paper, Landscape with mound., France, 1793–1877, Drawing, Drawing

Elevation of a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and watercolor on paper, Vase form on a square block with a rosette. At top, a flaring socket., Italy, early 19th century, metalwork, Drawing,

Frame for a member of the Braschi Family, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Above is the elevation of the frame, whose upper part continues above as bands. Moldings

Lower end of staircase railing, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Above and below at right are a sketch and a project of two calyx balusters connected similarly to

A Street in a Town, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, Leading into the background to the foot of a hill, upon which a medieval castle is standing. Framing lines., France, 1811–1876, Drawing, Drawing

Design for Ceiling Decoration, Probably the Muses, Pietro Antonio Novelli, Italian, 1728 - 1804, Graphite, pen and ink on paper, At left is a woman playing a viola, at right another with a lute. In between are visible the heads of two more

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The design of the oblong with the ruined painting is similar to that of -1538. It

Design for the Pedestal and Base of a Pillar in a Church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The lower pedestal is high rectangular with a low base, the height of

Sofa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on beige laid paper, Sofa., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Elevation of a Church for Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Cross scheme with higher transcept. Four embedded columns support entablatures and

Design for Mantelpiece Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left half of the fireplace and of the frieze are shown. A single molding forms the frame.

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and watercolor on light green paper, A man, carrying apparently colors and a child walks toward a boat. Trees are in the background. Some cows are shown., France,

Chairs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, black chalk, red ink on off-white laid paper, At left is a chair, seen from the front, the frame of a seat and the leg at right being now drawn. The

Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Virgin is seated below, only the upper portion of her figure visible. The Child nude, except for a bit of draping over his right shoulder, stands between the

Poissy, Seine-et-Oise, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, Houses build upon high scaffoldings along the bank of a river. Trees are at left. Boats are on the river. In the right background rises a church over a

A Courtyard, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, A courtyard is seen, with green and yellow foliage., USA, ca. 1885, landscapes, Drawing, Drawing

Sketch, Maple Tree, Samuel Colman, American, 1832–1920, Graphite, brush and watercolor on paper, On recto and verso: a tree; captions: 'Old maple tree on Broad St / Clarement N. H.' and the date respectively in ink over graphite. 'See other

Design for a Casino or Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for a casino or Kaffeehaus., Rome, Italy, Italy, 1796, architecture,

Stage Design: Arcade Leading to a Garden, Pen and brown ink on paper, Vertical format. Left-hand portion of a proscenium, with a columned and statued hall receding back and opening on to a garden, with a fountain. Back drop is an architectural

Painted Decoration of a Wall, Graphite, pen and ink, brush and watercolor on paper, At right, a door. At left, grotesque decoration. Above, two paintings and a frieze with palmettes., England, 1830–50, architecture, interiors, Drawing,

Candelabrum, Probably for Rooms in the Palazzo Altieri, Rome, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Below is an octagonal base with the monogram of the Virgin, MA, in the

Elevation of a Lateral Wing of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, The doorway is flanked by four bays at left, five at right, where the beginning

On a Country Road, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and grey watercolor on paper, A woman with a dog is shown on a road leading from a village in the back toward the spectator. Hilly country., France, Paris,

Design for a Painting, Five Putti, Jacob de Wit, 1695 – 1754, Black chalk, pen and ink, brush and gray watercolor, brush and white gouache on brown paper, mounted, Three surround the fragment of a column, two fly. Framing chalk line.,

At the Shore of a Bay, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and gray watercolor on tissue paper, A pavilion at the corner of a garden wall and a cross are shown in the first plane. A coast line and a lighthouse

Pedestal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two halves are shown. Left: a scrollwork escutcheon is in front. A cherub is above, at left. Right: the front is fluted,

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-whtie laid paper, lined, Designs for a Mantelpiece., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1288. The pyramid has below only the sockle moulding.

Pedestal of a pilar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on paper, Vertical rectangle. Below is a plinth. Upon it stands a wreath, supported by two winged women, sitting, with trumpets. For their

Four Designs for Window Frames, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Three frames, one before the other. At left: A left half of the windows of a groundfloor and a

Design for a Painted Porcelain Plate, Les Pièces Montées (Tiered Cakes) for the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Crayon on paper, Above, a disk; below, a drop. Both with frames of radially disposed leaves, and inside with floral stems. Connected by one striped knot, with a

Eight designs for altar mensae, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, First row: two left sides; at left: similar to -1368, with the lateral part receding and decorated with a panel; at right: similar

Elevation of a Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on lined off-white laid paper, A variation of -1159, bottom: ovoidal colonnades connect the two pairs of corner pyramids. A portico is in the center of an

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design in horizontal rectangle in grays and blues, taupes, similar to stones, in different

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The legs are lion legs st anding upon circular bases. The frame is formed of what seems to be a skin connecting the

Recto, left: Annunciation; right: Birth of the Virgin, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and brown wash on laid paper, Horizontal rectangle. A) Interior, with the Virgin seated in the foreground,

Design for a Lamp, Giuseppe Barberi, Italian, 1746–1809, Pen and ink, brush and wash on paper, Flame burning in a bowl standing upon a column. The latter is supported by scrolls terminating with the busts of two women., Italy, ca. 1780,

Studies of Women, Kneeling Figure, and Figures on Horseback, Pen and ink, brush and wash on paper, Studies of women, kneeling figure, and figures on horseback., France, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-748. Above a disk, below three drops, at center a studded ribbon and blossoming flowers at

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1305. The candelabra have an indistinct shape. No

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left halves are shown. Left row: an entablature is supported by a column with a frieze and

Design for a Pedestal, Pen and brown ink, brush and brown wash on cream laid paper, Elevation of a tapering pedestal with paw feet. A floral garland hangs from a ribbon at front center. A mask in a panel above this., Italy, 1760–1790,

Design for Sculpture: Angel Blowing Trumpet, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and brown ink, brown wash, black chalk on white laid paper, laid down on white laid paper, Angel is shown at the right front, turned

Honeysuckle, Brush and watercolor on paper, A branch of honeysuckle against a light brown ground., England, ca. 1870–1890, Drawing, Drawing

A Shears Grinder, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, Figure of a man shown from behind, his right foot raise, operating a grinding machine., Italy,

Design for a Wall Painting, Italy, 1630-1670, Drawing, Drawing

Frame for a member of the Braschi Family, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper (two pieces of paper vertically stuck together), mounted, Above is the left part of the

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Venus Picking Flowers, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Standing toward the right, her breasts seen frontally. She gathers f lowers in a cloth wound around her hips, and raises her right arm in which she carries a

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A row of six hanging six-lobed leaves without stems., France, 1805–1815,

The Virgin and Child Enthroned, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink on paper, The Virgin and Child enthroned with figures above., Rome, Italy, 1820–1850, Drawing, Drawing

Design for a Processional Lamp, Pen and ink on paper, Vase fastened to the wings of angels, connected between a branched segments. The rim of the vase is surrounded by a crown. Crossed arrows above this., Italy, early 17th century, lighting,

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Below are four curved steps, interrupted laterally by two pedestals with huge vases,

Design for a Tabernacle, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, See 1901-39-2625. The tabernacle is framed by reversed consoles. Upon the door is a representation of the

Table with candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The curved table is probably a console table. The legs are composed of three gaines with a lion foot and a

A Street in Vitri, Bretagne, Eugène Edouard Soulès, French, 1811–1876, Graphite on brown paper, mounted, Stately mansions. Written with pencil, above center: '27' and 'Vitri' below at right., France, 1840–1860, Drawing, Drawing

Elevation of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The central part of the elevation is a variation of that in -1102, top, eith ramps leading laterally up to

Altar mensa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Altar mensa., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Chair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and gray and brown wash on off-white laid paper, Seen from the front. The back is above an octagon with an inner oval supported by a panel with trellis. The arms are

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The usual scheme with a disk above and three drops below. In the center, two doves above leafy stems, fastened by a small

Design for a Fountain in a Pavilion, Carlo Francesco Barabino, Italian, 1768 – 1835, Graphite, pen and ink, brush and wash on paper, Fountain designs., Rome, Italy, 1785–90, architecture, Drawing, Drawing

Design for a Tabernacle and a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Upon steps, stands the tabernacle, shaped like a circular temple, with

Design for the Mantlepiece and Dado for a Room in the Villa Digne, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The lower part is a variation of the scheme of -1522. The

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, In Pompeian manner, covered with painting from left to right into a narrow band panel, a pilaster, a wall panel with a window, a vertically oblong wall panel.,

Dado, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Dado., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Trellis architecture, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Trellis architecture., Rome, Italy, 1746–1809, theater, Drawing, Drawing

Fantastical mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The plan is circular with a central circular tower, with a figure on top. Its general plan is quadrangular,

Tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Three pillars, at left, with lion's feet, standing upon a base, support the top. They have masks instead of capitals,

Elevation of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of the design as -1117, somewhat less is shown. Main differences: the rusticity is confined to

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for Door and Adjoining Wall Panel Decorations, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Rectangular panels with classical motifs including rinceaux, columns, urns,

Design for Doorway, Possibly for Lobby or Vicinity South of Dining Room, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Design for a section of

Designs for Ecclesiastic Stalls, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for Ecclesiastic Stalls., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Designs for Bedroom Alcove Walls, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The alcove has the shape of a broad niche with a spherical ceiling above the entablature. A main entrance

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is a rectangular base. Upon it stand at left Prudence, with the mirror, and at right

Two sketches for coat of arms of Pope Benedict XIV, Filippo Marchionni, Italian, 1732–1805, Pen and ink on paper, Angels support the escutcheons, the keys and the crown., Italy, 1740–58, ornament, Drawing, Drawing

Designs for Two Brooches, Pen and black ink, brush and gray watercolor on paper, Jewelry designs for two brooches, arranged vertically one above the other; each a knot of laced ribbon à jour with a rosette at center. In the example above, the

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Overall rectangular composition with central round panel wherein figures are sketched. Figures populate

Fountain, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Four lions upon pedestals. From their mouths pours water into the round basin. In its center stands the figure of a nude

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Virgin stands in front of what looks like two steps leading to a structure of which the lower part of a column is visible. Her left foot rests on the lower

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