Images at Librifly

search results: Drawing clear search

Elevation of a Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two colonnades of twelve intercolumnar spaces each and with a balustrade or a railing on top stand

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Sepulchral Monument for the Critic Galilei, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on blued-white laid paper, Obliquely and somehwat incompletely shownn. Two steps lead to a

Design for a Salt Cellar, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and wash on paper, Elevation of a salt cellar. The cup is a breast-shaped mastos form with fluting on the body and gadrooning at the rim. The vessel is supported

Sections of a roof; plan of a winding stair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, A few figures are written over a part of the design, top left. The plan is at the top right. On verso, left top

Interior Scene with Mary, Fortunato Duranti, Italian, 1787 - 1863, Pen and brown and black ink, brush and sepia wash on paper, The Virgin Mary kneels on a stairway before a monument near which an angel stands. Classical interior., Rome,

Doors of a prison, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top left: a door frame from which cones on pedestals project. A similar design topped by a pair of seated

Design for a Feather Hairdress, Pen and black ink, brush and sepia wash on paper, Jewelry design for a hairdress in the form of a feather. Below at left, a stem with a blossom, a bead, leaves; at right a stem with bead and leaves, fastened to

Decorative panel for July Festival, Félix-Jacques Duban, French, 1798 - 1870, watercolor, gouache, brush & black ink, graphite on tan paper mounted on off-white laid paper, Design for panel ornamented with densely curving floral vine with

Design for a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Center left: an elevation. The plan is like a spherical square with bevelled corners. In the center of the

Window Wall Elevation, Frederick Crace, English, 1779–1859, Pen and gray ink on wove paper, Vertical rectangle. Wall with three curtained windows divided by two pilasters. Curved upper portion., 1815–22, interiors, Drawing, Drawing

Project for a Bell Tower, Filippo Barigioni, Italian, 1690 - 1753, Graphite on off-white laid paper, Design for the left half of a bell tower. Below the bell, a clock. Above the bell, a Greek cross., Italy, 1710–1750, architecture,

Design for an Earring, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for an earring, the usual scheme, a disk above and three drops below. In the center two flower stems, fastened by a knot, in the middle

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1301, with less details and ornamentation. The flames burn

Virgin in Niche, Ecclesiastical Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, black chalk, brush and sepia wash on paper, Standing Virgin holding Child in arms on raised pedestal, all in semi-circular niche in background.

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown watercolor, white heightening on paper; Brush and brown watercolor on paper, The Virgin sits on a bank in the open. The Child stands in her lap. She puts her

Vaulted Cellar, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Vaulted cellar with barrels and columns and left side, lantern hanging from ceiling at right., Italy, early 19th century, theater, Drawing, Drawing

Sarcophagus and allegorical figures, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Sarcophagus and allegorical figures., Italy, 1746–1809, architecture, Drawing, Drawing

Elevation of a public building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Elevation of a public building., Italy, ca. 1786–1787, architecture, Drawing,

Design for a Bed Alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a Bed Alcove., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Wall Street Ferry, New York, George Reynolds, Pen and black ink on white paper with blue horizontal lines, Vertical rectangle. View of dock area looking toward river. City in distnace. Piles of merchandise at left and right. Horse-drawn wagon,

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, A variation of 1938-88-8214. Brackets are above in the lateral stripes supporting cornices of an entablature. Bunches of fruits hang below them. The rinceaux in the

Fountain; elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top row: fountains. Water pouts from lions and the dado upon which they crouch; column with a

The Head of an Old Bearded Man, Donato Creti, Italian, 1671–1749, Pen and ink on paper, mounted, Shown in profile, turned toward the right., Italy, ca. 1710, Drawing, Drawing

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Dresser, ' table center piece for the Altieri family., Rome, Italy, 1790-1795, metalwork,

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The bowl has below a leaf chalice and above a protruding band with festoons supported by bow-knots. It

Seated Woman, George Charles Aid, American, 1872–1938, Carbon imprint, Carbon copy of 1959-49-243-a, USA, 1907, figures, Drawing, Drawing

A Capuchin Martyr, Pen and ink on paper, Shown from the front standing in a landscape with a hut and palm, and holding the palm of the martyr in the right hand. Rays shine from heaven. Framing ink line., probably Venice, Italy, 1780–1810,

Design for a Monument of King Louix XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The elevation of a sepulchral tower. Below are some steps. The door case is

Design for a Fountain in a Pavilion, Giuseppe Barberi, Italian, 1746–1809, Pen and ink, pen and brown, gray wash, graphote on white laid paper, laid down, The elevation is on top. The design of the pavilion is a variation of that of -2126.

Two Designs for Brooches in the 'Byzantine' Style, Pen and brown ink, brush and watercolor, graphite on white paper, Middle drawing in image. At left: In the center are two circles, similar to -63-56 left, connected by a rectangle. The arch

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, The legs spring from calices and are round posts, fluted, except above, where they are angular with a tall oval

Tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row: a plan of a round table, designs for two console tables. The upper one supported by two wingless chimerae,

Escutcheon as an overdoor, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, An escutcheon in 17th century style, with a head above in the interval between scrolls, is supported

Design for an Embroidered Frontal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The left half is shown. An oblong panel with a cross in a border, divided into oblongs and

The Departure, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, brush and white heightening on cream-colored paper, A coach passes the gate to a villa. Two girls, each with a doll in her lap, are seen in

Old Cathedral at Brescia, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Interior of Old Cathedral at Brescia, view of domed center part., Italy, early 19th century, theater, Drawing, Drawing

Young Pines, Daniel Huntington, American, 1816–1906, Graphite on brown paper, Two studies of young pines on a sketchbook page. One is shown above the other, with a horizontal line between them., USA, 1862, nature studies, Drawing,

Design for the Elevation of a Sepulchral Monument, Probably for the Young Pretender Charles Edward Stuart (died 1788), Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two sections

Design for a Woven Vertical Border, Brush and gouache on oily tracing paper, A rising rinceau with two spirals at the tops of which grow blossoms is shown beside a white stripe with a black shadow line outside., France, 1815–1830, Drawing,

Elevation of an Alcove, Pen and brown ink, brush and brown wash on off-white laid paper, Elevation of a tent with three openings. The supports are connected by three ogee arches with plumes of feathers above the points. The upper edge is

Sketch for a reception at Palazzo Surian, Francesco Guardi, Italian, 1712 - 1793, pen and ink, brush and wash on laid paper, Italy, mid- 18th–late 18th century, drawing, drawing

Design for a Candlestick, George E Germer, 1868 – 1936, Graphite, black crayon, brush and white gouache on cream paper, Stumps of candles are shown. The design framed by lines at left, above and partially at right. Height indicated is 9

Design for the Frame of a Tablet, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Frame., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Study of a Nude Figure Outdoors, Red crayon, brush and rose wash on paper, Shown from the back, standing beside and leaning with the right hand upon the trunk of a tree. The left hand raises a bunch of flowers. A view of a lake is at left.

Stage Design: A Suicide in a Cavern, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, gray ink on lined off-white laid paper, Interior of cave with small opening toward sky. Man committing suicide

A Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Black and red crayon, pen and ink on paper, A stream is shown in a mountainous country. Boats are upon it, people beside it. A big tree is in the center., France, 1825–1840,

Design for a Door Case, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Above the door opening is the rectangular overdoor, with a shell filling it. Inside two sitting putti raising a

Three Brooches, Pen and ink, white heightening on paper, Each consisting of an escutchwon with a hanging pear-shaped pearl., Italy, 1825–50, jewelry, Drawing, Drawing

Woman and Child (Virgin and Child?), Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Woman and Child (Virgin and Child?). She sits on a short column or parapet, with small stairs at right. Moon or sun with

Six chalices, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Six chalices., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Study of an Elk Hound, Henry Bernard Chalon, English, 1770 - 1849, Graphite on paper, Shown in the foreground of a mountainous landscape standing upon a road and turned toward left. In the middle ground at left four galloping horses draw a coach

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown watercolor on paper, The Virgin is sitting, with the body seen in profile, turned toward right. The head is turned toward the right shoulder. The Child stands

Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The elevation of the central building is a variation of the top design of -1127, the plan of the colonnade being ovoidal

Head of a Woman (Project for Stained Glass), Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on paper, Face framed by hair. The vertical axis is indicated. Framing pencil line., USA, ca. 1889, figures, Drawing, Drawing

Frieze with Hunting Children, Charcoal, pen and ink, brush and watercolor on paper, Horizontal rectangle with ten children baiting a bear cub. At right, one rides a horse., Italy, 1600–1625, classicism, Drawing, Drawing

Classical Scene, Francis Augustus Lathrop, American, 1849 - 1909, Brush and white gouache, graphite on cream paper, Standing figure with lamp, left, at bed-side of a woman asleep, right. Incense burner before her. Ship shown in background,

Brooch, Pen and ink, brush and watercolor on paper, A stiff ribbon with inlaid diamonds is crossed by its rolling ends to form a knot. Below hangs a diamond., Italy, 1825–50, jewelry, Drawing, Drawing

Paper Sample, Coated paper, Paper sample in yellow., England, 19th century, decorated papers, Drawing, Drawing

Design for Two Pendants with Caryatides and Dolphins, Pen and ink, brush and watercolor, sepia on paper, Larger pendant at left, with a round diamond framed by volutes. Below two ignudi frame a large oblong diamond. Three pendant pearl. Small

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, mounted on illustration board, Design of scroll motif in pink, green, and yellow, chartreuse border, circle border and then framed by tan

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is a base, with steps in the center and candelabra above the corners, only the right

Sketches of the Virgin with the Child and a Saint, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and brown watercolor on paper, One side. The Virgin is riding an ass. She is seen from the right side, from the back; the Child

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, The repeats, of which four are shown, consist of a rose

Wall Elevation, Frederick Crace, English, 1779–1859, Graphite, pen and green, black ink, brush and violet, green, yellow watercolors on wove paper, Horizontal rectangle. Wall elevation with center door, valance above, coffered ceiling

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The alcove has the shape of a broad niche with a spherical ceiling above the entablature. A main

Sketches for a Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Top: a part of the plan of the central building. It is circular and has four porticos which are

A Soldier in Seventeenth-Century Attire, Attilio Simonetti, Italian, 1843 - 1925, Pen and ink on paper, He is shown from the front carrying a gun upon his right shoulder, and a stick in his left hand., Italy, 1860–1890, Drawing, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Stylized floral patterns, blue, tan and white on tan ground., France, 1800–1818, textile designs, Drawing,

Study of a Young Boy, Pen and ink, graphite on rough paper, Vertical rectangle. Study of a young boy sitting and holding an open book toward the spectator, shown from the front. The figure holds with his left hand a broad open book upon his legs

Sketches of a Villa and Tree, Pen and ink on paper, At top, the stump of a tree. Below, a house with a smoking chimney surrounded by cypresses., Italy, 1650–1700, landscapes, Drawing, Drawing

Elevation of Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Center: most of the elevation is shown. Three houses are connected by two colonnades as shown in -1105. The

Study: Saint Mary Magdalene, Pen and ink, brush and bistre wash on paper, mounted on folded paper, Shown in three-quarter length, turned toward left, bent forward and holding a bowl., Italy, 1600–1650, Drawing, Drawing

Four projects for a door, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Divided in two rows. The designs top left and bottom row are variation of the design -1658. Top right.

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Papal coat of arms, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Below is a base like an entablature. Upon it, in the center, is a pedestal covered by a cloth

Landscape with two figures, Jean-Baptiste Huët, (French, 1745–1811), Black chalk on paper, Two women, seen from the back, in a landscape. One stands with a child in her arms, the other kneels before her, doing washing. A sparsely-leafed

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin is standing upon clouds, seen frontally. She has her arms around the Child, who stands upon her veil, blown in spirals around her.,

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

View of a City, Various Buildings, Jacques Alphonse Testard, French, b. 1810, Pen and ink, brush and wash, graphite on numerous pieces of paper, all mounted on same sheet, Views of city, various buildings., France, 1842, Drawing,

Sketch, Pastoral Scene with Figures in Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Pastoral Scene with Figures in Landscape, Rome, Italy, 1820–1850, Drawing, Drawing

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Dresser, ' table center piece for the Altieri family., Rome, Italy, 1790-1795, metalwork,

Interior scene with bridal party, Graphite and brush and brown ink on paper, A bride, accompanied by two figures, is brought before an older bearded man, who holds a candlestick in one hand and raises the cloth from a table before him, under

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Sketch, Classical Male Figure in Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Classical Male Figure in Landscape., Rome, Italy, 1820–1850, Drawing, Drawing

A Flying Angel, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and sepia wash on paper, He looks downward. The right hand is raised, the left lowered., Italy, ca. 1810, Drawing, Drawing

Design for a Dressing Room, Pen and ink, brush and watercolor, black crayon on paper, Medallion portraits with dragging garlands and suspended from brackets serve as overdoors., Italy, 1790, Drawing, Drawing

Stage Design: Architectural Perspective, Unknown, Pen and brown ink, brush and grey watercolor wash; on verso: red and black crayon on laid paper., Horizontal rectangle. View through three openings of an arch on a paved street. The lateral

Sketch, Figure in Classical Throne with Attributes of Christianity or War, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Sketch, Figure in Classical Throne with Attributes of Christianity or War., Rome, Italy, 1820–1850,

Town gate, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Arched gateway flanked by wall panels and pairs of Doric columns. Written in the panel at left: 'diametri / 2'.

Elevation of a Church for Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, At left, half of a plan with measurements. Top right: a small sized variation of

Amphitheatre, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Sketches for an ampitheater., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Five big lace leaves in heart shape form an undulating leaf stem. A waved

Sofa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on beige laid paper, Sofa., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on paper, A pyramid with a Doric portico standings upon a high platform. It is flanked, at left, by an ovoidal colonnade, at right by a

Elevation of a town mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Study for 'Hope and Memory', Kenyon Cox, American, 1856–1919, Bursh and oil paint, graphite on canvas, Study for the head of Hope in the painting 'Hope and Memory.' Figure appears with blond hair and blue eyes, facing forward., USA, ca.

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, France, possibly Holland, ca. 1785, drawing, drawing

Lower end of staircase railing, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Below is a vase. From the calyx at left emerges a scroll, with the spiral below, at right. A grape of

search results: Drawing clear search